ฝัง
- เผยแพร่เมื่อ 4 ต.ค. 2024
- F9 present - The Definitive Guide to Vocal remixing - A 3-part video tutorial covering all aspects of vocal remixing.
www.f9-audio.com
During the 3 videos, we will create a vocal house remix from start to finish. Even though we are working in Logic and in House music, we are concentrating on the vocals - How to set them up, process them, re-enforce them with musical parts and show you a unique parallel processing system that can save you headaches ( and politics ) when remixing at the highest levels.
In this video, we start to arrange our remix and process the dry vocals using parallel processing techniques
We have used 2 Sample packs to create this remix :
Katherine Ellis’s Diva accapellas :
www.loopmaster...
F9 Audio Drumtrax Vol iV:
www.f9-audio.c...
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You can now use TRAX instruments to make sample packs
It's with great pride we announce that effective from June 1, 2023, all F9 playable instruments and kits have been granted license for usage in the development of audio loops. These loops can be included in commercial sample packs designed for your personal use, your individual sampler store, or for third-party platforms such as Loopcloud, Splice, Arcade, NI sounds and more. There's only one restriction to bear in mind: the midi. When creating for these releases, you must compose original musical or rhythmic parts and avoid using any midi or musical motifs from this or any other F9 release.
This updated licensing term now encompasses stem creation and "track-outs," which are frequently seen in beat marketplaces. It also applies to ghost production and collaborative projects. Our goal is to provide you with even greater flexibility and creative potential in your music production endeavours.
To read more about this exciting development, follow this link: www.f9-audio.c....
Priceless: "The first thing that any, ANY single artist I've ever worked with says is: Can we turn the vocals up?"
so many information and such good tricks... my brain is on fire !!
Thank you so much James. This is Gold. Great to see you do slightly more advanced tutorials and tips, truly philanthropic of you , and the F9 stuff is awesome..
I think James is one of the UK's best music producers, he is a fantastic person to talk with, he is a very kind humble man, his heart is there for all up and coming music producers singer songwriters and all musicians. That's why he did F9 Audio. F9 audio is the way to go, its the future of music production, thanks Jameis best regards Robert UK London.
Brilliant, James! A lot of gems and easter eggs all the way through. Definitely, a material that should be watched and picked apart again and again. Thanks for sharing it all!
Simply EXCELLENT!! Thank you.
James delivers once again...thanks man! Cheers from NYC
Great tutorial here, possibly the best on TH-cam for this in my opinion!!
There is not many on this subject today's producers have it so easy with Daws like Ableton etc lol, we use to have to do all time stretching manually on old studio samplers of the 90s, it was so difficult to get it right lol took lot of time was not always perfect either, sampling breaks for rave jungle hardcore UK Garage , house etc vocal stretching more was very time consuming process on hardware
Thanks James, really appreciate the time & effort you put in to these guides to good fundamentals :)
This is the best video about vocal mixing on youtube ever!!! Thank you very much!
A M A Z I N G! Next level tutorial... gonna watch it again and again.. - thank you James
Always admired the Freemasons Mixes. Thanks for this Video series James and your honesty about artist pressures. I thought it was just me lol!!
WOW Real Good stuff thank you for sharing.nice work on the details .this will be my go to vid for vocals .
Solid gold! Thanks so much for this, James!
Great job! Thanks a lot Mr.!
Follow-up question: The multiple vocal tracks with different treatments. Are those handled via parallel busses, or are they duplicate tracks of the dry vocal? Wasn't sure what is the preferred and recommended method. I love the workflow, but wanted to understand the routing. TY.
Hey John - Dry vocal tracks duplicated .. that way you can always bounce them down and actually have the effects printed ... Also you can get creative - try a mid - short reverb and 8th delay , bounce it and shift it back an 8th - If you get the level right its quite etherial
Brilliant video! Thanks James. Quick question.. when you layer the same vocal multiple times why doesn't it phase like other sounds would?
Presumably because it's identical and placed at the same point in the timeline it stays in phase and is additive (makes the whole thing louder until you adjust the gain controls), but if it slipped a couple of milliseconds you'd get phase cancellation problems (some bits "disappearing") or the whooshing sound of an aeroplane taking off.
THANKS !
Great video! I was wondering how to get this vocal build-up delay effect done in Ableton Live? I can't seem to get it right with a ping pong or filter delay.
Hey Jannick - The new one in Live 10 will work very well - or for live 9 try adding a utility plug in after the ping pong delay then bringing the stereo image into zero - It's not quite as good as the bite on the Logic one but if you carefully automate the feedback then distort the output you should get close !