"There is no discharge in the war" Is an extremely deep line. When in the war, you either die, go mad, or win the war. But the war ALWAYS stays with you (ptsd). So there is NO Discharge in the war.
Like that's the point. It shows that the endless repetition of war makes men mad. That no matter how mad you get, or how bad it gets THERE IS NO DISCHARGE IN THE WAR
@@borisslavk01nolastname91 more like you can't just not fight the infected or vice versa as in as an infected being you are permanently enlisted in the ranks
@@sahilrahman5066 Makes me think of Danny Wizzbang from Peaky Blinders. Even though his war would come later. "Don't bury me anywhere where there's mud. OK? Promise me. Bury me on a hill and tell Rosie where."
One thing I notice in the 28 films is that, there's one obligatory infected attack scene (Rage/Knock-Knock cottage attack), one obligatory stressful infected chase scene (Tower Block/The Tunnel/Go Go Go), and ofc one obligatory In The House In The Heartbeat scene. Sure it's formulaic, but I'm hyped what kind of awesome, horrifying moments 28 Years Later will deliver accompanied by these memorable soundtracks.
I think 'in the house' will be used in the final scene of the film or in the opening, which will be set on Day 1, the scene in the beginning of the trailer. which would essentially be a retred of the opening to 28 Weeks Later
@@EE-iv5ej Right! The Days one actually doesn't phase me, likely because the guy getting killed was a creep, and because the music (and overall scene) is badass. The Weeks one however, is brutal, vicious, uncomfortable as hell, and the worst part is the victim can't do a single thing to defend themselves from the attack being strapped down.
While it won't feel like a "28 Days Later" movie until I hear the iconic theme, one of the reasons the trailer stood out (beyond "Boots" and the fact it hid so much of the plot), it was almost refreshing not to hear the theme considering how much modern movies lean on nostalgia ("'Member the rage virus? Yeah, I 'member!") Having said that, what a brilliant mash-up. Perfectly mixes the classic Day/Weeks aura with what's ahead with Years.
I listened to the song to give it a chance, and I'm happy that I did. That end when the dramatic sequence begins to cease, it concluded with the In The House dramatic sequence, before both moved on with a soft, calming tone.
The way it synchs up during the climax of this song is fucking amazing and just adds that extra bit of urgency too it, 10/10 would gladly let it give me an anxiety attack again
This song is amazing. This poem is amazing. But I don't think they work together. But I know the main reason for putting them together is for the intense panic endings from both. 😊
I swear i will shit my pants of i hear In a Heartbeat in this movie at least once, during a climatic moment. 28 Weeks overused the song too much in a desperate attempt to tell us "Hey, it's a sequel"
Nice vid. Only criticism is that it doesn’t sync well and some parts of the voice should be edited to fit with the song. All and all, its pretty good. 👍
![In the House, In a Heartbeat - John Murphy (28 Days Later Soundtrack) [Metal Remix]](http://i.ytimg.com/vi/c8QNTsOJ1kc/mqdefault.jpg)
"There is no discharge in the war" Is an extremely deep line. When in the war, you either die, go mad, or win the war. But the war ALWAYS stays with you (ptsd). So there is NO Discharge in the war.
You can also lose the war. There is still no discharge.
No one wins a war. It will make corpses of us all.
"And now I become Infected, destroyer of London"
“They won’t fear it, until they understand it. And they won’t understand it…until they’ve released it.”
"Don't, don't, don't, don't..."
@@georgeofhamilton "And what you don't understand, will kill you."
I’ve seen people deadass call Boots “annoying”. They clearly didn’t understand the point.
Like that's the point. It shows that the endless repetition of war makes men mad. That no matter how mad you get, or how bad it gets THERE IS NO DISCHARGE IN THE WAR
Lots of soft simpletons in the world 😂
@@O-5Councilexactly, as if my wish for no WW3 weren’t high enough, this poem multiplied that wish by 100…
You can understand the point and still say its annoying to listen to
@JohnDoe-hj9fh kinda just stating the obvious then ain't they? Which is pointless 🤔 🤣
There's no discharge in the war is a terrifying line when you consider the implications
Yeah, and it's unfortunately true
I don't really understand what it meant
@@borisslavk01nolastname91 PTSD as in the war might end but the men will always been fighting.
@@borisslavk01nolastname91 more like you can't just not fight the infected or vice versa as in as an infected being you are permanently enlisted in the ranks
@@sahilrahman5066 Makes me think of Danny Wizzbang from Peaky Blinders. Even though his war would come later.
"Don't bury me anywhere where there's mud. OK? Promise me. Bury me on a hill and tell Rosie where."
The way it syncs up at 2:38 for just a couple seconds is incredibly satisfying
Also the fact that just before it, the music ramps up and it makes for such a cool experience
One thing I notice in the 28 films is that, there's one obligatory infected attack scene (Rage/Knock-Knock cottage attack), one obligatory stressful infected chase scene (Tower Block/The Tunnel/Go Go Go), and ofc one obligatory In The House In The Heartbeat scene. Sure it's formulaic, but I'm hyped what kind of awesome, horrifying moments 28 Years Later will deliver accompanied by these memorable soundtracks.
I think 'in the house' will be used in the final scene of the film or in the opening, which will be set on Day 1, the scene in the beginning of the trailer. which would essentially be a retred of the opening to 28 Weeks Later
Hyped as hell, man! Don't forget an obligatory eye gouging scene, the one from Weeks still unnerves me to this day 👀
@DrKnockers05 Oh YESS. One of the most brutal kills ever. Even just the 28 Days one, I love watching reactors' reaction to that part xddd
@@EE-iv5ej Right! The Days one actually doesn't phase me, likely because the guy getting killed was a creep, and because the music (and overall scene) is badass.
The Weeks one however, is brutal, vicious, uncomfortable as hell, and the worst part is the victim can't do a single thing to defend themselves from the attack being strapped down.
Holy cow, perfectly synched. This is peak.
It's not but it still works
Bros tone deaf
It's like how 'Dark Side of the Moon' syncs with 'The Wizard of Oz.'
Imagine running to this late at night
Might have to try it
The way it all goes quiet at 3:28 is masterfully done, oh my god
The moment I watched the trailer, I said someone needed to make this edit.
I bet they’ll use it in the movie.
Maybe they use it or not, the chances of them using it separately at different times makes more sense.
It part of the formula
I literally can't wait for this movie. First movie I have wanted to watch so badly. Hopefully it will not disappoint.
The anxiety to finally watching this will infect us all like the rage virus!
They make each other better. Chilling
Damn the last minute of this was intense 😂
While it won't feel like a "28 Days Later" movie until I hear the iconic theme, one of the reasons the trailer stood out (beyond "Boots" and the fact it hid so much of the plot), it was almost refreshing not to hear the theme considering how much modern movies lean on nostalgia ("'Member the rage virus? Yeah, I 'member!")
Having said that, what a brilliant mash-up. Perfectly mixes the classic Day/Weeks aura with what's ahead with Years.
Nicely put together
BRO PLEASEEEEEE put this on spotify (i need for my mentally ill playlist)
what kind of playlist is that
Tambien serviria para motivarte enfermamente en el GYM
@@knightofdarkness7166 taco taco
@Jamie-d6g. It's for when your feeling a lil silly
I've listened to this a worryingly amount of times.
It really needs to be spliced together in the new film.
I listened to the song to give it a chance, and I'm happy that I did. That end when the dramatic sequence begins to cease, it concluded with the In The House dramatic sequence, before both moved on with a soft, calming tone.
You might be onto something, i already suspect the poem will be featured in the film itself.
This goes hard
Honestly props to them for not using the theme in the trailer cause they could’ve easily used it but didn’t. Can’t wait to hear it in the film
Chef's kiss
Excellent!!! Perfect
The Trailer Should be Like This
👏👏👏👏👏👏👏👏👏
I feel like I’m headed into the battlefield😓👌👌
It's the realest thing since "The ants go marching two by two" in Antz (1998).
Awesome
Boots, boots, boots, boots, I will keep marching in them.
Boots, boots, boots, boots, I will March for ALL of them!
the most inspirational trailer in the world.. but for allthe w4ong reasons
The way it synchs up during the climax of this song is fucking amazing and just adds that extra bit of urgency too it, 10/10 would gladly let it give me an anxiety attack again
This is incredible. Props to you for editing it to fit so perfectly.
We got variants baby it only explain this shit, but probably use that infected "I hate you"
That last Try Try Try try to think of something different hit like a thunder crack
Love it
Didnt they use this poem to counter torture methods?
How?
@@ryu1771 Playing on repeat
@@TheGringuish12 Used for it but Not what it was written for.
This song is amazing. This poem is amazing.
But I don't think they work together. But I know the main reason for putting them together is for the intense panic endings from both. 😊
Oh my god, keep me from going lunatic
I see this combination in the opening of the movie If it does it gonna be the most terrifying opening ever
Be blessed.... The infected....
Whose voice is this?
I believe it's Taylor Holmes
I swear i will shit my pants of i hear In a Heartbeat in this movie at least once, during a climatic moment. 28 Weeks overused the song too much in a desperate attempt to tell us "Hey, it's a sequel"
I mean its pretty iconic 🤷♂️
Y’all sleeping on 1:45 fr
Is this not the same theme in 7 days to die? Did they get that theme from 28 days later?
It always was the main theme of 28 days later
この音声公式からでましたか…。
Nice vid. Only criticism is that it doesn’t sync well and some parts of the voice should be edited to fit with the song. All and all, its pretty good. 👍
The firts 28 days after shitpost i've ever met
Who?
Disturbing to say the least
222222
I'm sorry but this does not work together at all
agreed, its terribly syncing