Ludwig van Beethoven, Sonata No. 1 for Piano and Cello Op. 5/1 F Major
ฝัง
- เผยแพร่เมื่อ 3 ต.ค. 2012
- Adagio sostenuto - 2:46 Allegro
17:41 Allegro vivace
Katia Michel, Piano
Peter Schmidt, Cello
Camera: Kathrin Bingel, Christian Zwick
Sound: Michael Hohnstock
recorded live on July 9th, 2012 in Düsseldorf
Ludwig van Beethoven, Sonate für Klavier und Violoncello Op. 5/1 F-Dur
Klavier, Katia Michel
Violoncello, Peter Schmidt
Kamera: Kathrin Bingel, Christian Zwick
Ton: Michael Hohnstock
live aufgenommen am 9. Juli 2012 in Düsseldorf - เพลง
Pianist sounds amazing
Excellent ;. Bravo et Bravo encore pour cette magnifique interpretation
Vielen Dank für die wundervolle Einspielung.
Exuberant Beethoven. Energetic playing. What a splendid combination. Bravo to all!!
un Symphonic, the Beethoven we should love.
Les sonates de Ludwig provoque toujours en moi ces frissons de plaisir et de mélancolie joyeuse! Sublime!
Me encanta esta sonata en particular. A pesar de ser una de las obras tempranas de Beethoven, se percibe ya en ella el vigor y el temperamento exaltado, tan característico en sus obras. La presente interpretación es maravillosa. He escuchado muchas interpretaciones demasiado románticas, muy impregnadas con elementos abstractos y subjetivos, propios del período de Debussy o Ravel. En cambio, aquí escuchamos una ejecución muy ajustada a las intenciones originales de la época en que fue compuesta. Quizá si habría que hacer alguna observación, sería referente a la pianista, que aplica demasiado tempo rubato a algunos pasajes. Por lo demás, es una pieza deliciosa.
This is fantastic.
Amazing performance by each musician; really love the thematic commands from both.
Quelle harmonie entre les deux interprètes ! Tempérament, joie, bon rythme - fantastique. On aimerait écouter plus !
Kathrein/Suisse/Bernex
Wonderful playing. Musical and passionate. Thank you for such a wonderful performance.
Really very sensitive; I have played it several times to enjoy it more each time. So many thanks!
Alan Scott.
Wonderful!!
I like the life force and freshness in your performance!!
awesome music, performance and sound :)
Excelente. Gran conjunción Cello & Piano. Music wins.
Gràcies, Jordi.. Hi haurà més música de cambra en viu en juliol amb molts conjuncions interessants aquí: podiummatadepera.weebly.com/
facebook.com/podiummatadepera
I believe themes from this composition were used in the opening music of Edward Yang's 2000 film "Yi-Yi." Thanks, Peter to you and Katia for sharing this. Danke sehr.
muy bueno! Dos pichichis
Wonderful playing! Bravo!
Fantastic !
Excelente.
Maravilloso!!!
Bravo! Sounds Amazing!!
Magnífico!!!
Beautiful version ! Many thanks ! It inspires my work as I am studying this sonate to play with a friend cellist.
Magnífico. Realmente bueno
Great Job To Both Performers!!
Buenísimo! Gracias 🙏!
Muito bom!
hermoso
magnifico
Cello Sonatas No. 1 and No. 2, Op. 5, are two sonatas for cello and piano written by Ludwig van Beethoven in 1796, while he was in Berlin. While there, Beethoven met the King of Prussia Friedrich Wilhelm II, an ardent music-lover and keen cellist. Although the sonatas are dedicated to Friedrich Wilhelm II, Ferdinand Ries tells us that Beethoven "played several times at the court, where he also played the two cello sonatas, opus 5, composed for Duport (the King's first cellist) and himself". Although Jean-Pierre Duport was one of the King's teachers, it is now thought to have been his brother Jean-Louis Duport who had the honor of premiering these sonatas.
Well done, Peter! Do you have any more videos to share? I love 3:49!
Beethoven would have declared this rendition crap, forced them into a 3 month rehearsal and then produce exactly the same outcome only to declare it a masterpiece of recital.
Composed in Berlin in the summer of 1797, One of the most beautiful pieces of music for the cello ever. The best performance is the recording in 1963 with Sviatoslav Richter (Piano) and Mstislav Rostropovish (cello)
Wolf, that was to be the next performance I watch of this lovely piece by my favorite composer. I started with Opus 1 No. 1 and have moved forward from there.
About 3:35, it reminds me of a part in mozart's 13th piano sonata in b flat.
esta sonata es preciosa.ahora estoy estudiando.
Sonata nº1 en Sol Mayor para cello y piano
de Rafael ramos.
la escuche aqui en youtube.y me encanto.
aqui la a subido de ordenador seguro pero cuando la tocas tu.
es totalmente diferente.
para escucharla: rafael ramos obras no publicadas I y II.
This is a very elementary question but how does one space the middle and ring fingers in precise distants such as your Excellency. Thank you for your future feedback. M.D. out
Hi MD, the keys are: inclination of the hand; not too much, just so that the fingers point in the same direction and practicing double stops of fourths with half-tone and whole-tone steps; it will help not only to refine intonation but also to reorder the spacing mentally.
17:41 3악장
this sonata es preciosa.ahora Estoy Estudiando.
Sonata n º 1 en Sol Mayor cello párrafo y el piano
de Rafael Ramos.
la ESCUCHE aqui en youtube.y me encanto.
aqui la una subido de Ordenador Seguro Pero CUANDO la tocas tu.
es Totalmente DIFERENTE.
escucharla párrafo: rafael ramos Obras no publicadas I y II.
Nice job. I want to call your attention to one thing:
In m. 30 of the first movement, by writing "arpeggio", Beethoven is telling you to "arpeggiate" i. e. play continuous arpeggios up and down, together with the triplets in the piano. Why? Because CPE Bach says this in his Essay on the True Manner of Keyboard Playing. (Besides, why would Beethoven write "arpeggio" on a triple stop that cannot be played all at once anyway?)
A few smiles would be not bad...
Artistas talentosos, mas os microfones mal colocados prejudicaram o violoncelo. Os voumes do piano se sobrepõem em parte ao violoncelo.
the piano is too loud
it is the main part!
walti945 it's accompanying the cellist. This is not a chamber ensemble. The piece is a CELLO SONATA, the pianist is allowed to be heard, you can still hesr the cello since it does have many measures of rest since this is not a solo piece. When the piano does have more motion than the cellist, you are allowed to bring it out. The cellist in many spots either has a rest, or plays an unimportant part and the piano has tons of motion where the dynamic is marked to be played loud. If you would also be an educated listener the instruments have two totally different timbre's and are easy to discern from one another. This is a really good performance of this sonata. There are parts I would do differently, but that is my take on the piece. If thr cellist wants more, they can always tell the other instrument/s to speak up!
Most feel this is a piano sonata with some cello. The first two cello sonatas are that way.
There are parts that I would do differently... and I'm the performer. That usually happens with live recordings!
@@JackChessa no, just you
Vibrato trop serré..., dommage le reste est bon...
Nach einem schönen und rhythmisch korrekten Anfang ... Warum macht ihr aus einem 3/4 einen 5/8 Takt? Es gibt eine Achtel + eine Viertelnote fürs Cello und eine punktierte Viertelnote + eine Achtel im zweiten und fünften Takt jeweils.