Anita O’Day. Body and Soul. 1958.
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- เผยแพร่เมื่อ 15 ก.พ. 2016
- Art Ford’s Jazz Party, Newark, NJ, 22 May 1958. Personnel: Anita O’Day, vocal; Marty Napoleon, piano; Mundell Lowe, guitar; Vinnie Burke, bass; Zutty Singleton, drums. The show was broadcast on WNTA-TV (now WNET).
This recording is excerpted from the bonus disk accompanying the DVD of the award-winning documentary ‘Anita O’Day: Life of a Jazz Singer’. Do your ears a favor and watch that movie. What a story! - บันเทิง
This is Jazz on the high wire and Anita was one of its greatest exponents sublimely performed without a safety net. Sit back and enjoy - WOW!
She kills me. Her rythm is sublime. Thrilling!
It's so incredible the way she makes this space her own. She WILL lead this group. They may not be hip to it, but she will. True genius.
she is using chest voice and drawing notes in the intro of this song ,anytime a see a video of Anita is just amazing ,she was impredictable, and that the genious of this lady, that she comes up with something different that is enjoyable.
Her voice and style in jazz singing, soooooo cool. Love her. ♥️
Love her!! Also that guitar player flys through all those chords like it's no big thing at all. That's hard stuff to play!
O’Day cannot afford 1 mistake! She sings on the edge and has to be perfect every time or she’ll fall off the edge of the world 🌍! She has surrounded herself with the best musicians but, when all is said and done she still has to be perfect --every time!!
There was Wonderwoman...
...And came Anita.
So Mighty ✨
Translation: Anita wanted to take it through the chorus rubato before moving into the upbeat version. The pianist perhaps did not trust her to lead or could not hear her to follow her. It all worked out. Great clip!!!! Wonderful to see a legend in action!
Like the intro to Buddy Rich's "Machine"?
Never heard of #Rubato, had to look it up.
The concept seems pretty hairy if you ask me, unless you are playing out of time while actually being in time underneath, if you know what I mean?
She also sang a made-up melody so he couldn't figure out where she was unless he heard the chords she was outlining. But he wasn't ready for all that listening. She recorded the song this way, btw.
@@Johnnycdrums. Even classical music knows rubato. I totally agree that Anita had to fight against the piano player who just pushed her through, ignoring her capabilities to really lead.
Even the host did a lot of blah here no one wants to hear.
I'm only a hobby jazz singer and I had to explain that exact thing to more than one player. It can be fascinating when it works, very natural. It is not written in stone that there must be a beat from bar one. Better surprise people by shifting into some changes, play with expectations.. I did that just a week ago in a workshop..
A true master ....When people were cool and respectful.
They were on television!
So true! They had class.
Electrifying stage presence.
I am weeping with joy.
I hear it! I don't believe it, but I hear it!
It’s painful that he leaves out Sarah, Carmen...but that doesn’t take anything away from the great Anita. She can stand with the others or on her own.
She’s great. She is a fan of Martha Raye’s singing. You can hear it.
I love Anita.
The actual Queen.
I've been waiting for someone to re-upload this gem for years, thanks a bunch! The taunting Jezebel Ladies & Gents :)
Thank you!
Love her
Anita was always in charge!
Love ANITA O'DAY forever
😘😘😘😘🌹🌹😘😘😘😘
Wonderful
Wow! Just wow!
Me too!! Thx so much
Holy jeepers !!!!!!
Genia!!!
Genius ¬
Anita must have had a constitution like Attila the Hun: she fought alcoholism and drug addiction & lived to 87!
Skill
I thought this was lost.
OK to read Charles Waring’s wonderfully done piece on Anita if you love her, too - maybe especially if you do ❤
Oh, it doesn't get better than Russ Garcia and Marty Paich arrangements!
HE LEFT OUT SARAH VAUGHAN!!!
Yes, instead of Ella!
It may have been correct at that time. It’s an interesting historical context I think.
not intentionally
THAT'S WHAT I SAID!!
@brent h & Carmen McRae
marty napoleon became a car salesman after this gig
how meaning 💓 did she break
For sure mine.
Oh she doesn't break.
🌬️...She fixes them ' ✨
Her understandable irritation with the the dismissive, sexist host, and and the pianist's reluctance to follow her lead are so telling, if you study her career. That she made into her own performance says so much about her spirit
There was no reluctance - piano player simply couldn't follow Anita's phrasing and lost her at the bridge in the rubato part. They got it together in the end!
Stone cold addict who ruined many lives, including the great Art Pepper. Don't mythologize and judge an historical life within a contemporary values context, you a-hole. Go deconstruct yo mama.
@@nuqwestr big fan of Anita and have been for some time, could you elaborate on your comment about her ruining Art Pepper's life? Not doubting you or being combative, am genuinely curious as I know she burned bridges but hadn't heard of this particular rift.
Lewis, documented in Art's autobiography but not identified, then later confirmed to me by others who were intimate with Art, that while both were in the Kenton band, Anita introduced Art to Heroin. Perhaps I could be wrong, though, about it ruining his life, perhaps it made it!
@@nuqwestr Thanks for the prompt reply! I was under the impression Anita's smack habit was mostly facilitated by her drummer, John Poole, who had introduced it to her and managed her dosage until at least the mid 60's. She was with Kenton band - by my understanding - before she started using heroin, so maybe/maybe not. Could have crossed paths later and led him down that route, although from everything I've gathered, it seems unlikely. Thanks again, man.
She confused the shit out of the piano player.
She did not confuse anybody, he played the wrong chords behind her and she reacted accordingly. Anita had great ears and she didn't take crap from anybody.
No he just couldn’t keep up!
Anita died in 2007
Major train wreck on that first bridge, thanks Ms O'Day..... I wouldn't have wanted to be the poor pianist that night.
I REMEMBER ANITA TELLING ME SHE ONLY MET BILLIE ONCE AND LADY WAS VERY RUDE TO HER CALLING HER THE C WORD
Her intonation was always very suspect, even on a good performance, and she may have the pedigree because of who she's worked with, but she's never been in the class of the very best female singers of the day and certainly never been in the top three of anybody's idea of who is.
I would argue that point. Depends on what you're listening for.
@@djenkins1918 I'm always looking for quality singing.... and it just wasn't there.. her latter albums are awful, her last one for Pablo (Norman Granz's last label) just shouldn't have been released at all. She may swing and she was quirky (but quirky doesn't always mean good!) but other singers with that similar "sound" - Chris Connor, June Christy - were streets ahead in terms of quality of voice and tuning. She also wasn't a particularly nice person to work with, so says a really GREAT tenor player on her Ronnie Scotts London gig. Anita O'Day should never be in anybody's top 3 singers of any description or you've led a very sheltered Listening life..
Who cares if you're not a 'nice person' to work with..many greats aren't..as for 'quality' singing, (whatever that is?) you could say the same for Bob Dylan (still recording in his eighties) but how wrong you'd be..this lady as far as I'm concerned is there with the greatest..Ella, Billie and Anita. The host actually got that right.
I don't know why but this broad bugs me. Just sing the damn song already.
She probably unsettles your conservative values.
She has intonation problems, i.e. she can't stay on key. Just dreadful.
Intonation is fine. The pianist forgot the chords, so the chorus never resolved going into the bridge. He finally found it.
Phenomenal. As for the naysayers, if you don't get it don't worry about it..its not meant for you.
Thank you!