He's back I LoL this guy, he will cover a lot of different subject .. He the best, please keep up your outstanding views .Thanks Be Safe God Bless everyone
I'm very glad you mentioned the whole situation with P. Mauriat. That is exactly what I have noticed over time. P Mauriat seems to be sitting out new models that people praise highly, whereas Cannonball really has two main lines
I bought a used Mad Meg. Like the sound, plays great. How ever there are issues with the metal being soft and more trips to my tech and the point or pivot screws are not the Selmer, or Yanagisawa or Yamaha type and can only be tightened to a certain degree . This results in a major swedging overhaul after a short period of time depending on how many hours one plays the horn. The same with my Mauriat, which i had completely redone with the proper screws and the recievers modified. It is expensive. But then I do not need to visit the tech every three months. Love the sound of both horns, but...... I play Yanagisawa now and they are problem free mechanically. My tenor is aTW020 Bronze un-lacquered and the sound is up to you- flexible. Wish i had gotten it with the clear lacquer for the same reasons you site. I certainly appreciate your insights.
Love what you're doing with the blue screen, maybe try an angle where you're sitting off to the side of it so I can see more of the other videos and pictures you're laying in. Maybe not. Just a thought. Beautiful horn and beautiful playing as always, you're a tremendously engaging and very humble sax personality on youtube.
I'm intrigued by Cannonball horns. Lovely finishes but we don't see many in The UK. My Tenor is an '82 Yanagisawa. I am thinking about a new Tenor. I love the black and gold Yamaha 875.
Yamaha 875EX tenor is a great horn, my favorite modern horn I've come across. I've played someone's Cannonball tenor who was looking to upgrade and he was interested in my Reference 54 I was selling and comparing it to a Mark VI he had on trial (the VI won). I didn't like his old Cannonball at all. It couldn't subtone well and I didn't care for the tone. I've tried and old Yani T-880 and I like it much more. All personal preference though I'm not hating on anyone's horns. My favorite horn (Tenor) for tone is a 1936 Series I Buescher Aristocrat, and I have bought/sold/owned over 20+ tenors over the years. The Buescher has killed 6 Mark VI's, 2 SBA's, a full pearls King Super 20, Selmer Reference 54, Selmer Series III, 2 Yamaha 875EX's, and more. It easily has the best tone, but not the best keywork/playability. SBA is my main horn, but the Buescher is never getting sold.
Im in the U.K and have a like new Vintage reborn going on sale plays perfectly easy low register. Message me through Sax on the Web forum on the same username .
I played an old Buescher one time and that thing was the loudest sax I'd ever played before and since then. I think it was pre 1950's. WOW!! I always wanted one if I start a collection
Thanks man for sharing this! I have a similar horn, the Pete Cristlieb model of the Vintage Reborn Cannonball tenor sax. The first cannonball I had was an alto raven model. I do like their horns but I am always interested in what is happening in terms of actual innovation around the saxophone. I like to keep track of companies that make the instrument and playing the instrument better, over some of the more gimmick-y type things we see some companies doing. I think for me making the horn more comfortable and light is very important while not loosing any of the sound. I always like simpler designs around the saxophone so that there are less trips to the repair shop, as it seems quality repair shops are hard to come by for a lot of people. I'd love to see more reviews of horns and gear as you get to check them out. Thanks again for all of the info on your channel!!!
I bought a used P Mauriat alto this year. A lovely horn but I'm not comfortable with the left hand pinky keys. I may be in the market for a Bari but the P Mauriat is more expensive than a Yani and I can't help believing the Yani would hold it's value better.
Cool. Appreciate your reviews. Yes the Vintage Reborns except for the first line have always had that orange pleather Mark VI styled case. Slightly different throughout the years. I used to schlep horns for Sam Ash in San San Antonio. I have a Alto VR and it has that same case you show. From the factory I found the Altos tend to have higher action than I prefer so I lowered it. Feels great. Love the tone and the projection
I have never played a Cannonball, but the engraving is appealing, although it's really 'icing on the cake'. I like the sound of Selmer saxophones, especially the Mark VI.
Got to play a VR tenor at a music store and have to say it was nice. Played better than others I have had a chance to play, and this could be due to set up. Unless you are at a real sax shop, the standard stores may not check the set up? That plays into your perception of how it plays I would think. Sounded nice, key lay out was nice. Ended up with a Yanagisawa TWO 2 for all the reasons stated in this video, for me. Horns are personal and the one that's best for me may not be for you. Lots of good choices now, it's getting to try one out that is still a problem in this big country where music stores die out or get taken over by the big guys.
Just picked up my Cannonball Big Bell tenor hotspur from the tech today. Had the tone holes leveled and all pads replaced with black kangaroo leather pads and stainless steel resonators. He also cleaned it top to bottom, inside and out. Plays like new. It blares, definitely edgy and bold. Exactly what I want out of my tenor. I pull out the old Yamaha 61 alto when I want to be polite.
Hi Sir, thanks for the CB info: early on, I was using a CB 5* rubber mpc on a jupiter tenor, but these days I use a Vandoren T75 V16 or my Otto Link STM 7* on my yamaha YTS-62ii. Btw, I STILL use a CB 5 on my jupiter 869 silver alto🤣. I was considering getting into a CB alto, rather than overhaul the 2001 jupiter, but then I was considering replacing it with an allora soprano, but you convinced me to keep playing the alto. Since I'm kinda lazy, it was an easy sell lol
I've never been a huge cannonball fan, but I tried a vintage reborn last year and really liked it. It's definitely got the most "regular" sound of all the cannonballs, if that makes any sense.
The Otto link mouthpiece you have what is the facing number. I have the 1st metal mouthpiece for tenor that Otto link made the Master Link facing 5 which is very open . I love it
Nice engraving designs that Cannonball has. The Allora Chicago tenor has a big bell. P. Mauriat has the System 76. From soprano to tenor, these saxophones have a large bore and bell.
Hey, I’m Kiyle. I purchased a Cannonball BBSS Brute Tenor with the hummingbird engraving on the bell. It seems like ever since I bought it, I’ve had nothing but issue with it. I ended up having them just order a brand new one and ship it to the store. I brought it home, opened the case to show my dad and two stones fell off. One day I was practicing and I could feel several leaks, the octave key in both necks and D1& E1. So, I took it back and they special ordered the same exact one. It came in about two months later, and yet again I’m having issues with the octave keys, and there are some slightly torn pads. I take very, very good care of my horns. Why does it seem like they sound so great and they’re beautiful, but they seem like they constantly have to be fixed or tinkered with?
I haven't had issues with mine. Keep in mind though, I don't have the stone series. I moved away from them about 10 years ago. Not because of any QC issues though. Mostly because I was just looking for something more traditional.
I ended up picking up a tenor vintage reborn brute. Ill play this horn until I no longer draw breath. Cannonball themselves told me on the phone to clean the brutes with lemon Pledge sprayed on a cloth. I used to wash my pet lamb with Woolite, so lemon Pledge isn't that much of a stretch for me lol
I just picked up a 1966 king zephyr tenor, my first saxophone. Had it refurbish, and it basically plays by itself with a big fat sound. I thought about the cannonball for later. How would they compare against each other?
Good evening how arr you. Did you ever replace your Cannonball reborn. I feel you should get another cannonball , the Yanagasawa Two with under sling octive key. I like the sound of the cannon n the yani . Elon trotman has a good cannon hes on u tube.
@@Sirvalorsax i have the RAW SIGNATURE tennor. Im an alto player and have a keilworth mkx alto and as good as that is Trevor james just blows it outta the water. It is the sax made by sax players. Im currently trying to get my ear around the Bb nature on tennor a joy but does my head in. Lol
So, through a friend of a friend I'm finally getting a practically new in the box, Japanese made, Yamaha alto sax and for less than a brand new Jean Paul, lol I'm a ways out from developing a good enough tone, but, a couple videos ago, you was talking about how the different brands have their own sound, so now I'm wondering how would you describe the Yamaha sound? Also, why do you personally prefer Cannonball over it?
I found that the Yamaha saxes have a brightness in the upper register that can be really useful under the right conditions but not all the time for me. I might be moving away from Cannonball in the future though so I haven't really decided on what I'll get next
I'm somewhat new to this and plan on going to college for music. I mainly play tenor and want to buy a nice one for myself. What would you say about getting this model as a guest higher end one? I've tried it before but it was a soprano not a tenor
I have never liked their sopranos. The sound really good but I felt like the resistance made them very difficult to play. The stock soprano mouthpiece that comes with their sopranos is my all- time favorite soprano mouthpiece. You might want to consider the Yamaha 62 III. I'd like to get the silver plated one or if I can, the Yany TWO30
Can you describe the low end of the horn as far as response and tone? I seem to feel that the Tenor Vintage Vintage Reborns have a tight deep tone that lacks response in the lower register. Maybe the ones ive tried have all needed adjustments don't know. I need to try one for a very extended amount of time soon....I would like to get one I really liked the rest of the horn plays.
I recently got this horn just yesterday and wow i can tell you the response to the low register is so easy and free blowing it feels very nice popping out low Bb etc.. i have a review on my channel too!
So i’m interested in getting a cannonball tenor and I was leaning towards the big bell stone but the vintage reborn looks promising as well. I’m not sure if you have played a big bell stone sax but if you have could you explain the main differences between the two?
Do you want a more fat sound and open feeling sound go with big bell, if you want a more centered tone to the core and more towards the traditional sound go for vintage horn i have a review on my channel too!
The Stone series are the more upscale flagship horns. They are heavier and have a more spread sound with the larger bell. The VR has more of a traditional sax sound and doesn't weigh as much. The finishes have a huge effect on the sound quality also. Check out their website to get more info. cannonballmusic.com
@@Sirvalorsax Thanks for the reply! I generally prefer a bigger fatter tone and open feeling when I play so I'll probably go for the big bell stone then. As for finishes I'll either go for the unlacquered or the brute finish. Thanks again!
I wish you would sell some etudes or exercises or whatever. I've seen other channels offer options that range from excellent to downright terrible, but I've bought samples of all of them. I just like your playing and I'd like to mimic your playing to some degree.
In my opinion and experience, the different finishes are not superficial. I think they have been able to circumvent adding new models because their different finishes have such different playing characteristics.
Arts Hawaii I just purchased a Yanagisawa AW02, so I don’t have a need to try anything new. My previous sax was bought around 1978, so if I continue that time frame trend, I will die with this one. But it would have been nice if there was a local store available for me to try out different brands and models. Who knows, I might have really liked something else better.
See these 8,000 eBay ones don’t seem like actually saxophones. Personal experience there tenors at Sam Ash we’re at the highest 4,000 and the floor being 1,800. Eh whatever I love my CB brute
Don't buy Mauriat. Their horns play great, especially in terms of ergonomics. But I've spoken to music store owners and they told me they don't sell them anymore because they get worn out very fast and need to be repaired all of the time due to the metal being of poor quality.
Since you stopped recording the uploads on board ship and use your apartment the ''vibe' has changed , possibly because of the background . Seeing all the clutter of a batchelors personal life detracts from the high quality of the content you produce . A simple plain neutral colour screen ,just a measure of warm burgundy curtain or cloth spread material would be perfect behind you. Nobody wants to see boxes of 'stuff ' or mindless parephernaliia taking pride of place for no good reason .. Just a comment , Purple logo YTS 62's are available on ebay for less than $2000. These horns have matured and may be just as good as the best now . Worth a look . jonny uk
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He's back I LoL this guy, he will cover a lot of different subject .. He the best, please keep up your outstanding views .Thanks Be Safe God Bless everyone
Thanks
Hey Adrien great to see you again.
I hope you and your family are doing well.
Love the vintage purple felt.
Stay safe.
I'm very glad you mentioned the whole situation with P. Mauriat. That is exactly what I have noticed over time. P Mauriat seems to be sitting out new models that people praise highly, whereas Cannonball really has two main lines
Oh wow! I just got one too! And uploaded a review the same time 🤣
Heres the account i uploaded
@PEACE Hunter on this account
Oh cool! I just checked it out.
I bought a used Mad Meg. Like the sound, plays great. How ever there are issues with the metal being soft and more trips to my tech and the point or pivot screws are not the Selmer, or
Yanagisawa or Yamaha type and can only be tightened to a certain degree . This results in a major swedging overhaul after a short period of time depending on how many hours one plays the horn. The same with my Mauriat, which i had completely redone with the proper screws and the recievers modified. It is expensive. But then I do not need to visit the tech every three months. Love the sound of both horns, but...... I play Yanagisawa now and they are problem
free mechanically. My tenor is aTW020 Bronze un-lacquered and the sound is up to you- flexible. Wish i had gotten it with the clear lacquer for the same reasons you site. I certainly appreciate your insights.
I'm seriously looking into Yanagisawa as my next saxophones
Love what you're doing with the blue screen, maybe try an angle where you're sitting off to the side of it so I can see more of the other videos and pictures you're laying in. Maybe not. Just a thought. Beautiful horn and beautiful playing as always, you're a tremendously engaging and very humble sax personality on youtube.
Excellent suggestion thanks
I love those engravings, really want to find somewhere to get mine done some day. I don't have Cannonball horns though.
Its amazing! I didn’t realize just feeling it is amazing too!
I don't know if they will engrave other horns. They might though, more money for them
All those US guys have soo much choise.. most of the time its like: really cheap brands, import it yourself or get an Yanagisawa, Selmer or Yamaha.
I'm intrigued by Cannonball horns. Lovely finishes but we don't see many in The UK. My Tenor is an '82 Yanagisawa. I am thinking about a new Tenor. I love the black and gold Yamaha 875.
Yamaha 875EX tenor is a great horn, my favorite modern horn I've come across. I've played someone's Cannonball tenor who was looking to upgrade and he was interested in my Reference 54 I was selling and comparing it to a Mark VI he had on trial (the VI won). I didn't like his old Cannonball at all. It couldn't subtone well and I didn't care for the tone. I've tried and old Yani T-880 and I like it much more. All personal preference though I'm not hating on anyone's horns. My favorite horn (Tenor) for tone is a 1936 Series I Buescher Aristocrat, and I have bought/sold/owned over 20+ tenors over the years. The Buescher has killed 6 Mark VI's, 2 SBA's, a full pearls King Super 20, Selmer Reference 54, Selmer Series III, 2 Yamaha 875EX's, and more. It easily has the best tone, but not the best keywork/playability. SBA is my main horn, but the Buescher is never getting sold.
Im in the U.K and have a like new Vintage reborn going on sale plays perfectly easy low register. Message me through Sax on the Web forum on the same username .
I played an old Buescher one time and that thing was the loudest sax I'd ever played before and since then. I think it was pre 1950's. WOW!! I always wanted one if I start a collection
Thanks man for sharing this! I have a similar horn, the Pete Cristlieb model of the Vintage Reborn Cannonball tenor sax. The first cannonball I had was an alto raven model. I do like their horns but I am always interested in what is happening in terms of actual innovation around the saxophone. I like to keep track of companies that make the instrument and playing the instrument better, over some of the more gimmick-y type things we see some companies doing. I think for me making the horn more comfortable and light is very important while not loosing any of the sound. I always like simpler designs around the saxophone so that there are less trips to the repair shop, as it seems quality repair shops are hard to come by for a lot of people. I'd love to see more reviews of horns and gear as you get to check them out. Thanks again for all of the info on your channel!!!
Thanks, I'm trying to find an affordable way to do that.
I own a P. Mauriat Tenor. It blows really well and im happy with my choice. I picked it over selmers and yahmahas and various vintage horns.
I bought a used P Mauriat alto this year. A lovely horn but I'm not comfortable with the left hand pinky keys. I may be in the market for a Bari but the P Mauriat is more expensive than a Yani and I can't help believing the Yani would hold it's value better.
I just got a great deal on a gold plated cannonball knight 98 alto! It's my first sax, coming from the clarinet. I'm so excited!
Nice. Let me know how that works out
Cool. Appreciate your reviews. Yes the Vintage Reborns except for the first line have always had that orange pleather Mark VI styled case. Slightly different throughout the years. I used to schlep horns for Sam Ash in San San Antonio.
I have a Alto VR and it has that same case you show. From the factory I found the Altos tend to have higher action than I prefer so I lowered it. Feels great. Love the tone and the projection
Thanks for watching!
Please review the Jean Paul 10 year anniversary AS-860 Alto.
I have never played a Cannonball, but the engraving is appealing, although it's really 'icing on the cake'. I like the sound of Selmer saxophones, especially the Mark VI.
😀
I play tested a vintage reborn alto at a local music shop. man, that thing plays like a weapon!
Sweet
Got to play a VR tenor at a music store and have to say it was nice. Played better than others I have had a chance to play, and this could be due to set up. Unless you are at a real sax shop, the standard stores may not check the set up? That plays into your perception of how it plays I would think. Sounded nice, key lay out was nice. Ended up with a Yanagisawa TWO 2 for all the reasons stated in this video, for me. Horns are personal and the one that's best for me may not be for you. Lots of good choices now, it's getting to try one out that is still a problem in this big country where music stores die out or get taken over by the big guys.
Good points made
Just picked up my Cannonball Big Bell tenor hotspur from the tech today. Had the tone holes leveled and all pads replaced with black kangaroo leather pads and stainless steel resonators. He also cleaned it top to bottom, inside and out. Plays like new. It blares, definitely edgy and bold. Exactly what I want out of my tenor. I pull out the old Yamaha 61 alto when I want to be polite.
At 0:42, is that your Cannonball's protection squad? When you play, it's one of the sweetest, fattest, most glorious sounds. Thank you for sharing!
Indeed it is! Its the cast of the Sopranos TV show. Thanks
The sax that really intrigues me is the Rampone and Cazzani Performance. I believe it's about $3K
Hi Sir, thanks for the CB info: early on, I was using a CB 5* rubber mpc on a jupiter tenor, but these days I use a Vandoren T75 V16 or my Otto Link STM 7* on my yamaha YTS-62ii. Btw, I STILL use a CB 5 on my jupiter 869 silver alto🤣. I was considering getting into a CB alto, rather than overhaul the 2001 jupiter, but then I was considering replacing it with an allora soprano, but you convinced me to keep playing the alto. Since I'm kinda lazy, it was an easy sell lol
LOL!!
You need to let us buy some of your cool sax arrangements!!!
I'm working on my website so I can do stuff like that.
@@Sirvalorsax awesome can't wait!
I've never been a huge cannonball fan, but I tried a vintage reborn last year and really liked it. It's definitely got the most "regular" sound of all the cannonballs, if that makes any sense.
That makes perfect sense
I was told cannonballs are hard to tune.
The Otto link mouthpiece you have what is the facing number. I have the 1st metal mouthpiece for tenor that Otto link made the Master Link facing 5 which is very open . I love it
I have two metal ones that I use. One is a 6* and the other is a 7.
Nice engraving designs that Cannonball has. The Allora Chicago tenor has a big bell. P. Mauriat has the System 76. From soprano to tenor, these saxophones have a large bore and bell.
Thanks for the info!
Antigua Winds is another to check out. They have a series called the Power Bell, a large bell series of saxophones(alto, tenor, baritone).
Hey, I’m Kiyle. I purchased a Cannonball BBSS Brute Tenor with the hummingbird engraving on the bell. It seems like ever since I bought it, I’ve had nothing but issue with it. I ended up having them just order a brand new one and ship it to the store. I brought it home, opened the case to show my dad and two stones fell off. One day I was practicing and I could feel several leaks, the octave key in both necks and D1& E1. So, I took it back and they special ordered the same exact one. It came in about two months later, and yet again I’m having issues with the octave keys, and there are some slightly torn pads. I take very, very good care of my horns. Why does it seem like they sound so great and they’re beautiful, but they seem like they constantly have to be fixed or tinkered with?
I haven't had issues with mine. Keep in mind though, I don't have the stone series. I moved away from them about 10 years ago. Not because of any QC issues though. Mostly because I was just looking for something more traditional.
I ended up picking up a tenor vintage reborn brute. Ill play this horn until I no longer draw breath. Cannonball themselves told me on the phone to clean the brutes with lemon Pledge sprayed on a cloth. I used to wash my pet lamb with Woolite, so lemon Pledge isn't that much of a stretch for me lol
WOW, I don't think too many people know what Woolite is nowadays LOL!!!! I wish I would have known about the Lemon Pledge thing when I had my Brute
@@Sirvalorsax yeah, it's what convinced me on the VR Brute. I live in the south, so humidity is definitely a thing. Dont want a green tenor!
I just picked up a 1966 king zephyr tenor, my first saxophone. Had it refurbish, and it basically plays by itself with a big fat sound. I thought about the cannonball for later. How would they compare against each other?
stay with the king.
Good evening how arr you. Did you ever replace your Cannonball reborn. I feel you should get another cannonball , the Yanagasawa Two with under sling octive key. I like the sound of the cannon n the yani . Elon trotman has a good cannon hes on u tube.
Elan Troutman Cannonball sax rewiew
Elan has a Csnnonball undersling octive key
Yes a cannonball
Good Sir... very nice. Thank you. Think I"ll sell all my pro horns, buy a Bundy and enroll in 5th grade band...... humbly yours.
LOL
Hey awesome content as always. Can you review "Trevor James" saxophones. They are from the uk and are amazing.
Great suggestion! I'm looking for a way to review more saxophones
@@Sirvalorsax i have the RAW SIGNATURE tennor. Im an alto player and have a keilworth mkx alto and as good as that is Trevor james just blows it outta the water. It is the sax made by sax players. Im currently trying to get my ear around the Bb nature on tennor a joy but does my head in. Lol
So, through a friend of a friend I'm finally getting a practically new in the box, Japanese made, Yamaha alto sax and for less than a brand new Jean Paul, lol
I'm a ways out from developing a good enough tone, but, a couple videos ago, you was talking about how the different brands have their own sound, so now I'm wondering how would you describe the Yamaha sound? Also, why do you personally prefer Cannonball over it?
I found that the Yamaha saxes have a brightness in the upper register that can be really useful under the right conditions but not all the time for me. I might be moving away from Cannonball in the future though so I haven't really decided on what I'll get next
I'm somewhat new to this and plan on going to college for music. I mainly play tenor and want to buy a nice one for myself. What would you say about getting this model as a guest higher end one? I've tried it before but it was a soprano not a tenor
I have never liked their sopranos. The sound really good but I felt like the resistance made them very difficult to play. The stock soprano mouthpiece that comes with their sopranos is my all- time favorite soprano mouthpiece. You might want to consider the Yamaha 62 III. I'd like to get the silver plated one or if I can, the Yany TWO30
Is that a Lawton mouthpiecs
I prefer the CB Alto sax to the Tenor.
Can you describe the low end of the horn as far as response and tone? I seem to feel that the Tenor Vintage Vintage Reborns have a tight deep tone that lacks response in the lower register. Maybe the ones ive tried have all needed adjustments don't know. I need to try one for a very extended amount of time soon....I would like to get one I really liked the rest of the horn plays.
I recently got this horn just yesterday and wow i can tell you the response to the low register is so easy and free blowing it feels very nice popping out low Bb etc.. i have a review on my channel too!
Which model has the 1998 inscription?
I need one in Nigeria, how can i get it..
Any thoughts on a vintage reborn madmeg?
I'm done with all unlacquered saxes. Lots of maintenance to keep them clean
So i’m interested in getting a cannonball tenor and I was leaning towards the big bell stone but the vintage reborn looks promising as well. I’m not sure if you have played a big bell stone sax but if you have could you explain the main differences between the two?
Do you want a more fat sound and open feeling sound go with big bell, if you want a more centered tone to the core and more towards the traditional sound go for vintage horn i have a review on my channel too!
The Stone series are the more upscale flagship horns. They are heavier and have a more spread sound with the larger bell. The VR has more of a traditional sax sound and doesn't weigh as much. The finishes have a huge effect on the sound quality also. Check out their website to get more info. cannonballmusic.com
@@Sirvalorsax Thanks for the reply! I generally prefer a bigger fatter tone and open feeling when I play so I'll probably go for the big bell stone then. As for finishes I'll either go for the unlacquered or the brute finish. Thanks again!
Do you take vid suggestions?
Absolutely!
I wish you would sell some etudes or exercises or whatever. I've seen other channels offer options that range from excellent to downright terrible, but I've bought samples of all of them. I just like your playing and I'd like to mimic your playing to some degree.
I'm still in the process of working on my website and publishing my altissimo book. There have been obvious setbacks but things are looking better now
have you try Jupiter made in taiwan？ thx
Yes I have. I think they are made in China. I have a bari sax video where I'm using one here. th-cam.com/video/sBbPrUxInlg/w-d-xo.html
Have you considered playing more alto?? Your alto to me sounds more natural IMHO.
Im in the process of getting a new alto
Im a proud owner of a lady Godiva
I had some sopranos lol
I struggled with all their sopranos
I'm always suspicious when a saxophone company spends most of their time talking about the available colors.
people sleep on cannonballs , they’re really good
@@jimmygalvan7578 I have never played one. My comment has more to do with their marketing.
In my opinion and experience, the different finishes are not superficial. I think they have been able to circumvent adding new models because their different finishes have such different playing characteristics.
Cannonball is one of my most favorite side brands that are not Yamaha - Selmer - Yanagisawa.
I would find a local dealer and try them out.
Arts Hawaii I just purchased a Yanagisawa AW02, so I don’t have a need to try anything new. My previous sax was bought around 1978, so if I continue that time frame trend, I will die with this one. But it would have been nice if there was a local store available for me to try out different brands and models. Who knows, I might have really liked something else better.
What was going on in the background 1 time can U stand to the side to see what's going on
Thanks
Will do
See these 8,000 eBay ones don’t seem like actually saxophones. Personal experience there tenors at Sam Ash we’re at the highest 4,000 and the floor being 1,800. Eh whatever I love my CB brute
I saw that these were sold out of Japan. I don't know if that had anything to do with it
Don't buy Mauriat. Their horns play great, especially in terms of ergonomics. But I've spoken to music store owners and they told me they don't sell them anymore because they get worn out very fast and need to be repaired all of the time due to the metal being of poor quality.
I'll keep that in mind.
Since you stopped recording the uploads on board ship and use your apartment the ''vibe' has changed , possibly because of the background . Seeing all the clutter of a batchelors personal life detracts from the high quality of the content you produce . A simple plain neutral colour screen ,just a measure of warm burgundy curtain or cloth spread material would be perfect behind you. Nobody wants to see boxes of 'stuff ' or mindless parephernaliia taking pride of place for no good reason .. Just a comment , Purple logo YTS 62's are available on ebay for less than $2000. These horns have matured and may be just as good as the best now . Worth a look . jonny uk
My living situation is complicated at the moment
It wants to be a Conn. But it can't be.
american made???
It's an American company that has the parts made overseas but then assembled and setup in the USA
@@Sirvalorsax 😲 thank you :')
Lp
P.Mauriat ist better!!!!
I'm looking into getting one, maybe