Mahler: Symphony no.3 - 3rd Movement (2/2), solo flugelhorn: Miroslav Kejmar

Czech Philharmonic Orchestra
conductor: Václav Neumann
"..Udivuje téměř naprostá přesnost souhry ve všech nahrávkách a všestranná kázeň orchestru včetně dynamiky, témbrového vyrovnání, intonace, agogiky. Toho bylo ovšem možno dosáhnout jen s tělesem špičkové kvality, dirigentovi plně oddaným a přesvědčeným o jeho interpretační koncepci. Václav Neumann toho uměl dosáhnout nejen svým vystupováním a pracovitostí, ale všemi myslitelnými prostředky hudební i obecně lidské komunikace. Jeho pozornost ba i obětavost k hráčům byla obdivuhodná, jeho jednání jistě poznamenala skutečnost, že z orchestru vyšel a prožil starosti, pochyby, radosti i stresy těch, kdo denně usedají s nástroji k pultům. S tím vším však harmonovala také imaginace a sugestivita jeho gesta i mimiky při dirigování. I těmito nonverbálními prostředky dokázal vemlouvavě sdělovat svou představu obrysů i působení hudby Gustava Mahlera. A Česká filharmonie mu byla k naplňování těchto představ partnerem maximálně vnímavým i hráčsky vybaveným. Později se vyjádřil, že bez tak oddaných a přitom vynikajících instrumentalistů, jaké měl v orchestru k dispozici, by své mahlerovské hudební představy nemohl uskutečnit. Jmenoval přitom především sólotrompetistu Miroslava Kejmara a sólohornistu Zdeňka Tylšara, podotkl však, že to do značné míry platí i o celé dechové sekci a vůbec o celém tělese. Skutečně: to co dokázali v četných sólech i při vedení svých skupin oba jmenovaní, patří k maximu možností hudební interpretace. A dokonce nejen na vlastní, ale i příbuzné nástroje. Kouzlo, s jakým přednesl Miroslav Kejmar např. rozsáhlé partie poštovského rohu ve III. větě Symfonie č. 3, je zcela jedinečné. Čeští filharmonikové zvládli ostatně skvěle všechny požadavky na témbrové zvláštnosti, jaké Gustav Mahler kladl nejen na sóla a kombinace v symfonickém orchestru běžných nástrojů, ale např. i na baskřídlovku, mandolínu, kytaru, neobvyklé bicí aj..."
( scena.cz/index.... )

[@adambomb30]

This solo brought Vaclav Neumann to tears when they rehearsed and recorded this symphony.

[@nomuran]

his attention and even devotion to the players was admirable, his actions certainly noted that the orchestra went out and experienced worry, doubt, joy and stress of those who daily sit down with the tools to counters. With all this but also imagination and blended sugestivita his gestures and facial expressions when conducting. these non-verbal means I was able to communicate its vision wheedled contours and effects of music by Gustav Mahler. and the Czech Philharmonic,

[@mavistu1]

Lasset die Engel " FLIEGEN " :) Dekuji for your wonderfull Sound :)

[@nomuran]

what could the numerous solos and in conducting their appointed both groups belong to the maximum possible musical interpretations. And not even on their own, as well as related tools. magic with which Miroslav Kejmar gave such a large corner lot. Symphony No. 3, is quite unique. Czech Philharmonic indeed perfectly mastered all requirements, which Gustav Mahler placed not only on solos and combinations in the symphony orchestra of common tools, but such..mandolin, guitar, drums and other unusual

[@nomuran]

he was the fulfillment of these ideas most susceptible partner well-equipped player. later said that without the dedicated and outstanding instrumentalists while, what was available in the orchestra, Mahler's music to his ideas could take place. Nominated especially while sólotrompetistu Kejmara and Miroslav Zdenek Tylsar Solo horn player, said, however, that to a large rate applies to the entire brass section and not the entire body.

[@nomuran]

Using Google translation:
".. It amazes almost total accuracy in all ensemble recordings and versatile discipline of the orchestra, including dynamics, témbrového balance, intonation, agogiky. This was, however, can only be achieved with high quality housing, the conductor is fully dedicated and convinced of his interpretive approach. Vaclav Neumann, it could achieve not only their behavior and diligence, but by all conceivable means music and general human communication.

[@nomuran]

Yes, it's so beautiful indeed. But why not playing on the posthorn as was originally designated?

[@FranzKEYGUIMPET80]

il suono del flicorno

[@nomuran]

his attention and even devotion to the players was admirable, his actions certainly noted that the orchestra went out and experienced worry, doubt, joy and stress of those who daily sit down with the tools to counters. With all this but also imagination and blended sugestivita his gestures and facial expressions when conducting. these non-verbal means I was able to communicate its vision wheedled contours and effects of music by Gustav Mahler. and the Czech Philharmonic,

[@nomuran]

he was the fulfillment of these ideas most susceptible partner well-equipped player. later said that without the dedicated and outstanding instrumentalists while, what was available in the orchestra, Mahler's music to his ideas could take place. Nominated especially while sólotrompetistu Kejmara and Miroslav Zdenek Tylsar Solo horn player, said, however, that to a large rate applies to the entire brass section and not the entire body.

[@nomuran]

his attention and even devotion to the players was admirable, his actions certainly noted that the orchestra went out and experienced worry, doubt, joy and stress of those who daily sit down with the tools to counters. With all this but also imagination and blended sugestivita his gestures and facial expressions when conducting. these non-verbal means I was able to communicate its vision wheedled contours and effects of music by Gustav Mahler. and the Czech Philharmonic,