Love the energy in this track; the relentless drums in the chorus and the Sonic-esque synth underlying the vocals in the pre-chorus really give this feeling of speed and energy. This is tied with Sen IV for my favourite opening in the series.
Just beat this on nightmare, hitting the S crafts while this on and than the boss hit his S crafts but than he stuck in an cutscene meaning it was victory. I never felt so excited before man! Gonna be my 2nd favorite Kiseki game after CS4
@@Omnibus4EveryoneKuro 1 is my favorite Trails game of all time tbh. If you don't mind playing side quest, you will love it. Kuro 2 is okay, not the best but also not the worst imo. At least the finale is great. This maybe a hot take if I enjoy Kuro 2 lol. You need to low your expectation on this game if you don't want being ended up dissapointed like the other people
@@Omnibus4Everyonekuro 1 is god tier story wise, kuro 2 is pretty much a rushed product so dev gotta to extend story with lots of filter. I still enjoyed it but for some part i gotta to turn my brain off otherwise it wouldn’t make sense
3:47 i really appreciate that Singa has incorporated some kind of motif in his track (this and Line of Non-Negotiable), i really do, but this is so out of place lol...
@@platinummad4701The problem is there is nothing that leads to it, no transition, it just suddenly appears at the very end of a mostly unrelated song melody wise. In short, the section is out of place in the song as a whole. If this Singa (or Falcom) wants to establish this as an important motif to the Calvard arc, it should holds more prominent in the song instead of an afterthought at the very end. (Some example: any song with Erebonia motif, Eryn's theme, Zero's final boss theme,...all of them have their arc/game's motif intergrated in much more naturally)
It was fantastic at least imo what are you on about? Why is it that you people just cannot be pleased no matter what it is like seriously what are you expecting a soap opera? It is fine and great for what it is and what it's worth.
Even as a kiseki fan I am also saying this game sucked big story wise reason 7th gensis power to re do everything. The intro was badass Van and Elaine getting killed then redo everything. But, then whenever bad things happened we will redo it wtf.... not to mention the boss nah he is a fucking coward and weak what a piece of lame boss that garden master wannabe was. Lastly the ost is a mess literal mess no not because of Singa or stuff just weird. Good things marchen garden and some cutscenes especially the fight between arkride members and Kashim vs Shizuna and guaran.
Why is "leitmotif" in quotes? and do you even know what "shoehorning" means? The "leitmotif" is partially introduced after the 1:00 mark, if you had ears. But by all means, explain your superior understanding of music in the absence of simple hearing.
I am actually a big singa fan and really like his pre-kuro songs they are pretty good(like all the works he did for ys 8) cold steel 4,ys 9 and hajimari had his best songs in my opinion
Lmao if anyone else noticed, this LITERALLY sounds like an straight rip off of Fullmetal Alchemist Brotherhood's ending song 4. Lol listen at 1:19 this guy isn't even trying anymore at this point. 4/10 th-cam.com/video/eAyfr25sEmo/w-d-xo.html&pp=ygUNZm1hYiBlbmRpbmcgNA%3D%3D
The chorus does have a similar (almost the same) melody. FMA brotherhood ending 4 is by far my favorite of that show, and has beeen a staple in my playlist since FMAB aired. That being said, I just can't see the entire song from Crimon Sin as a rip-off. Having overlap in styles and melodies isn't just commmon in all music everywhere, all the time, but especially in anime and jrpgs. I also feel like the actual melody and the rest of the song to do enough on their own. Whether you like what the song is doing, is another thing entirely, of course.
Nah it's just a couple of notes, with a high note followed up by a lower note then back to the high note then back to a low note, it happens all the time By that logic every song that goes 3 consecutively increasing notes (like Do Re Mi, Mi Fa Sol, Fa Sol La) is a rip-off of each other You can't just take a few notes to say a certain song ripping off another song. The vibe alone is already night and day different, the only similarity is like 2%, maybe 3% max, even if it 10% similar it's still not a rip-off Snowflakes like you do be sensitive to nitpicking unnecessary craps like that
@@JRPGforlife then don't say anything on public space. No one asked for your opinion here either. You don't speak at a public space expect people not to respond you back
When Van said "I Trailed through Daybreak Too, Crimson SiN" 😳
Probably the coolest Trails opening for me
Same bro
nah ashita no kiseki the best
@@MyArisen Hard agree
@@MyArisen I like them both.
Might be unpopular opinion, but White World (Kai no Kiseki OP) to me is really good
just finished the final battle with this song playing. Falcom really know how to use their music to hype up the players
Love the energy in this track; the relentless drums in the chorus and the Sonic-esque synth underlying the vocals in the pre-chorus really give this feeling of speed and energy. This is tied with Sen IV for my favourite opening in the series.
Might be my favorite Kiseki OP
Just beat this on nightmare, hitting the S crafts while this on and than the boss hit his S crafts but than he stuck in an cutscene meaning it was victory. I never felt so excited before man!
Gonna be my 2nd favorite Kiseki game after CS4
Can't stop listening to this banger!
2025 Valentine is so Red
Beaten the game today.
This game despite playing in Japanese it was so much of fun!
Really looking forward to play it in English in next February!
Freedom in my heart 😊
the best opening of kiseki saga
Well that last part took me by surprise, it isn't used in the boss version.
Probably because the last part just wouldn't work with looping the song continuously for the final boss fight.
True boss!!
Didn’t really care about this until I heard the ending lol, I hope they the motif more in Kuro 3
At 3:48 it really sounds like the ost from Kuro 1 called What is Ahead of You, I don't know if i'm the only one who hears it
What is a ahead of you ,line of non negotiable,knight of asteria
This entry probably has the highest Death Toll among the series that has been shown since Kuro 1..
Well, it _would_ have a death toll if it weren't for those deaths all getting undone via time travel.
More characters actually kicked the bucked in Kuro 1. Far as I can remember nobody dies permanently in this one
@@nasunasu1446well this was my own fault for reading this comment and spoiling myself
@@kykoa im so sorry for that
@@nasunasu1446 it's alright, i don't mind spoilers as much
I might even look forward as to how it will happen
2:43 Yoshida i kneel.
I haven’t played either kuro 1 or 2.
Can someone explain in a spoiler free way, where all the disappointment is coming from?
Basically due to kuro 2 mostly kuro as a whole plot device's power being used in a boring way. That's all I will say.
@@adamhashiba6140 Heyo. Thanks for answering. I guess I'll see what the plot device is when I get there.
What are your thoughts on Kuro 1, btw?
@@Omnibus4EveryoneKuro 1 is my favorite Trails game of all time tbh. If you don't mind playing side quest, you will love it.
Kuro 2 is okay, not the best but also not the worst imo. At least the finale is great. This maybe a hot take if I enjoy Kuro 2 lol. You need to low your expectation on this game if you don't want being ended up dissapointed like the other people
@@Omnibus4Everyonekuro 1 is god tier story wise, kuro 2 is pretty much a rushed product so dev gotta to extend story with lots of filter. I still enjoyed it but for some part i gotta to turn my brain off otherwise it wouldn’t make sense
@@animeindofunny9725thanks for letting me know
Grendel-Zolga: S-Craft
Van: UNO REVERSE CARD!
And what an Uno reverse card it was...
3:47 i really appreciate that Singa has incorporated some kind of motif in his track (this and Line of Non-Negotiable), i really do, but this is so out of place lol...
Same。。。
How is it out of place? It's repeating the same melody but with a violin instead? That's a traditional Falcom composition...
@@platinummad4701The problem is there is nothing that leads to it, no transition, it just suddenly appears at the very end of a mostly unrelated song melody wise.
In short, the section is out of place in the song as a whole. If this Singa (or Falcom) wants to establish this as an important motif to the Calvard arc, it should holds more prominent in the song instead of an afterthought at the very end. (Some example: any song with Erebonia motif, Eryn's theme, Zero's final boss theme,...all of them have their arc/game's motif intergrated in much more naturally)
@@AbyssDwellerthetokutuber that's just a solo used as a finisher, God forbid someone strays from verse / chorus / verse / chorus / bridge / chorus
Hey, i never had a Kiseki OP that actually grabbed me. Not bad.
... But i shouldn't stay here, spoilers run free~~
Drums
kuro 2 has so much potential if they dint rushed this off
It was fantastic at least imo what are you on about? Why is it that you people just cannot be pleased no matter what it is like seriously what are you expecting a soap opera? It is fine and great for what it is and what it's worth.
Even as a kiseki fan I am also saying this game sucked big story wise reason 7th gensis power to re do everything. The intro was badass Van and Elaine getting killed then redo everything. But, then whenever bad things happened we will redo it wtf.... not to mention the boss nah he is a fucking coward and weak what a piece of lame boss that garden master wannabe was. Lastly the ost is a mess literal mess no not because of Singa or stuff just weird. Good things marchen garden and some cutscenes especially the fight between arkride members and Kashim vs Shizuna and guaran.
Yeah, it wasn't awful but compared to kuro 1 it was meh. Especially with them splitting the acts into the side a/b crap.
@@calliberjoe That was only for the 1st act. Most of the game is standard fare
@@adamhashiba6140 maybe they're just speeding up the 31 cypress tree theory by doing a bunch of redos
Geez, talk about shoehorning a "leitmotif" in there at the very end.
I felt so out of place.
Why is "leitmotif" in quotes? and do you even know what "shoehorning" means? The "leitmotif" is partially introduced after the 1:00 mark, if you had ears.
But by all means, explain your superior understanding of music in the absence of simple hearing.
@@optimaltt6070 blud is the most dedicated singa bootlicker
Even Eijiro Kirishima hates this
Fucking who, and who cares?
@@optimaltt6070 I diagnose you with humorlessness (= taking things too seriously)
Oh and emotional disregulation 👹
@@AokiKatsumata😂
5/10 as a giant fan of singa openings( no end no world is my favorite opening that was done by him) this song has disappointed me
양놈들은 왜케 불만이 존나게 많음? 그냥 쳐들어
I am actually a big singa fan and really like his pre-kuro songs they are pretty good(like all the works he did for ys 8) cold steel 4,ys 9 and hajimari had his best songs in my opinion
7/10 i really overhated this track,but i still think this is singa worst opening
His worst is No End No World imo
@@JRPGforlife or Cold Steel 3 one, imo
Lmao if anyone else noticed, this LITERALLY sounds like an straight rip off of Fullmetal Alchemist Brotherhood's ending song 4. Lol listen at 1:19 this guy isn't even trying anymore at this point. 4/10
th-cam.com/video/eAyfr25sEmo/w-d-xo.html&pp=ygUNZm1hYiBlbmRpbmcgNA%3D%3D
Now I can't unhear.....
The chorus does have a similar (almost the same) melody. FMA brotherhood ending 4 is by far my favorite of that show, and has beeen a staple in my playlist since FMAB aired.
That being said, I just can't see the entire song from Crimon Sin as a rip-off. Having overlap in styles and melodies isn't just commmon in all music everywhere, all the time, but especially in anime and jrpgs.
I also feel like the actual melody and the rest of the song to do enough on their own. Whether you like what the song is doing, is another thing entirely, of course.
Nah it's just a couple of notes, with a high note followed up by a lower note then back to the high note then back to a low note, it happens all the time
By that logic every song that goes 3 consecutively increasing notes (like Do Re Mi, Mi Fa Sol, Fa Sol La) is a rip-off of each other
You can't just take a few notes to say a certain song ripping off another song.
The vibe alone is already night and day different, the only similarity is like 2%, maybe 3% max, even if it 10% similar it's still not a rip-off
Snowflakes like you do be sensitive to nitpicking unnecessary craps like that
@@BeaneChunz Don't remember asking for your input
@@JRPGforlife then don't say anything on public space. No one asked for your opinion here either.
You don't speak at a public space expect people not to respond you back