Thank you everyone for watching this video and for all of the kind comments and constructive advice. I just want to address one concern... the music in the background. As many people have suggested to me, this video would be better than it is if the music were either quieter, or gone entirely. I actually agree. This video would be a stronger production if the music were quieter (or completely gone) in several spots. This was a very early attempt of mine to create an arranging tutorial. I had just purchased my first "real" camera. All in all I think the video is a good effort... but my recent productions are WAY more polished. And the music is quieter in the intro and conclusion. AND the middle of the videos are usually music-free. Unfortunately, there is not good way for me to redo the audio for this video. If you were about to leave a comment suggesting that I turn down that background music. I've heard it loud and clear.... almost as loud as that darn music in the background!
Hey mate. I very useful trick mixing engineers use for music/dialogue is to have a gate in the music channel and have the side chain input from that gate coming from your vox channel. That way whenever you speak the gate ducks out the music. It’s a pretty elegant way of doing it and that means you don’t have to spend hrs doing volume automation.
THIS IS EXACTLY THE VIDEO I'VE BEEN LOOKING FOR!!!!! IVE WANTED TO WRITE BIG BAND FOR YEARS, AND I'VE FINALLY FOUND WHAT IM LOOKING FOR!!! When I heard the trumpets play for the first time, I legitimately cheered in my seat and clapped out of joy.
After ALL these years, a "big band" horn section that made sense to me. I guess it was the way it was presented in a "school context" in MY mind 70 years later! 😎
I am a choir composer and I always like the sound of big band, film score-like sounds. I have been struggling how to write a good harmony and this video helps a lot. I never learned any music theory class formally, but your explanation is clear and understandable, especially when you include some examples. Thank you. Could've found you sooner
Pretty much everywhere we can find people talking about voicings, drops, spreads, ranges.. But this is the first time I get to see somone talking about orchestration, how to distribute the notes within the horns, in a idiomatic manner. These are some real powerful tools. Tks very much!!!
I hope you read this. I'm from Catamarca, Argentina, and it's very difficult to find where to learn these things here, so I really appreciate your content. Regards.
@@PandemoniumBigBand I WANT TO THANK YOU MR. DEUTSCH ! FINDING YOUR CHANNEL IS LIKE THE UNIVERSE IS GETTING BEHIND ME. AS A SELF TAUGHT JAZZ COMPOSER, IM FINALLY AFTER 45 YEARS WORKING ON MY DEBUT ALBUM ( due out possibly Christmas …..? There’s still a ton of arranging and rewriting and rehearsing to do yet…. maybe I should say …. next spring? )…lol 👀 I INSIST THAT IT ALL BE ANALOG, MASTERED FROM TAPE. ( still buying second hand, old school board and outboard gear as we speak) ( Yes……. I’m a bit nuts. But….. I hate thinking I have to be ONLINE …. Just to record music.🥵 also….. the entire old school process “feels and sounds” warmer and…… hey…. HOME MADE CAKE…. JUST TASTE BETTER!!!! Lol) IM HOPING TO MIX EVERYTHING IN MY HOME STUDIO….. PLAYING ALLTHE PARTS MYSELF……. ( yeah I’m nuts )…lol ONLY WHEN ITS PERFECT….. WOULD I HIRE SESSION MUSICIANS AT A TOP KNOTCH STUDIO TO RE-RECORD IT … ”LIVE”!!!!!!!…. sure some vocal overdubs in post? PROPERLY,…WITH PROFESSIONALS ALONG WITH A TRUSTED MASTERING ENGINEER. IF ALL GOES ACCORDING TO MY DREAM…. THIS ALBUM WILL ( not only be the soundtrack of my life) BUT ALSO THE SOUNDTRACK OF A 45 minute ANIMATED STORY IM WRITING…. FOR THE YOUNG KIDS, AND TEENAGERS ….. WHO MUST LEARN TO WORK “ TOGETHER “ …. NOT GOING THROUGH LIFE AS JUST A SOLOIST…… BUT BECOMING PART OF A BIGGER PICTURE IN HARMONY…….. BY WAITING FOR “THEIR MOMENT” TO ADD TO THE MELODY OR NARRATIVE …….. IN THE ONGOING ENSEMBLE CALLED “ LIFE!” I TAKES PLACE IN A FANTASY WORLD….. IF TOLD RIGHT….. AND UTILIZES PEAK CGI, VOICEOVER ACTORS, AND PEAK CINEMATIC NUANCES….. IT SHOULD LEAVE A LASTING POSITIVE EMPACT …… I HOPE 👀.lol ( I WAS SIDETRACKED FROM MY TRUE CALLING AT 13…. AND BELIEVE IT OR NOT….. I JUST GAINED MY TRUE NATURAL FOOTING 4 YEARS AGO TO FINALLY ARRANGE THESE GOD GIVEN CHORDS AND VERSES THAT HAVE BEEN SILENCED FOR OVER 50 YEARS!! ( long story 🕯) AN AVERAGE SONG TAKES EASILY OVER A YEAR TO PERFECT ( if I’m lucky ) ………….. each and EVERY NOTE AND LYRIC IN WRITTEN AND REWRITTEN BORN OUT OF; NOT JUST DEDUCTION, REDUCTION, AND ELIMINATION…. BUT… A STRONG CONVICTION THAT EVERYONE SONGS , FILMS, AND OTHER ART FORMS… ARE GIFTS FROM THE HEAVENS…. THEY ARE HERE TO HEAL AND INSPIRE MANKIND!!!!!!! THIS IS MY FIRST RODEO AND IM SURE IL GET THROWN OFF THE BULL… ( it’s sure not because of sales, fame, or fortune that this life goal exists..) lol MAYBE I WAS BORN UNDER A “LUSCIOUS” STAR… I DON’T KNOW.. lol BUT BEAUTIFUL HARMONIES … SLIGHTLY OFF THE BEATEN PATH, AND MATCHING LYRICS FROM THE SOUL… ARE MY ONLY GOAL IN EXECUTING THIS UNDERTAKING…. OF COURSE I SUBSCRIBED SIR!! THANK YOU AGAIN FOR SHARING YOUR IMPECCABLE COMPOSITIONS WITH THE WORLD!!! LIKE YOU………. THIS PROJECT IS DRIVEN ONLY AS A LABOR OF LOVE! IVE LIVED 67 1/2 YEARS WITH SO FAR ….. NOTHING TO ACTUALLY SHOW FOR IT OR SHARE…….EXCEPT MY HONESTY AND DIGNITY. LOVE AND LIGHT ARE HERE TO SPREAD……. USING OUR GIFTS …. MAYBE WE CAN INSPIRE JUST ONE PERSON ? I ADMIT…. ITS SCARY AND WAY OVER MY PAY GRADE…… IM SEMI RETIRED WITH A MODEST ONE MAN BUSINESS THAT PAYS THE BILLS.. SOOOOO, THIS WILL BE FINANCED….. ONE DAY AT A TIME….. no rush 👀lol BUT ….. THANKS TO YOU…… YOU’VE PROVIDED…. A LADDER…. …… TO GET …. A LITTLE MORE….. ON TOP OF IT TECHNICALLY AND MORALLY SPEAKING. I OWE YOU, SIR…. THE WORLD OWE YOU !! SINCERELY, GOD BLESS, 🎼RAIN AGAIN 🎼
I'm barely an amateur musician - but this was really entertaining and 'demystified' how that fantastic sound from big bands is made that one hears in loads of period films etc. Subscribed to your channel - excellent!
wow very helpful tutorial. As a guitar player myself, I’m pretty fluent with music theory but not with how a big band horn section should sound. Thanks for giving me inspiration on how to write horns! Love from China. ❤
one of the amazing tutorials... So light , so Explained. So easy for beginners to understand how to start writing for big bands! Subscribed! Thank you So much!
I've just "discovered" your channel. You do, in a couple of minutes, what it might take me a couple of weeks to finish. Amazing! I've been listening to recordings of Pandemonium Big Band, too. What an outstanding group of players you've assembled. Just THANKS! Good stuff, brother!
Super tutorial and please don't even think about polishing these videos. I love your intimate, personal way of talking to us. Too many good videos are spoiled by fancy backdrops, high production values and too many adverts. Watching you is like talking to my personal tutor. Love it!
You help a lot you don't imagine, just saying about the disclaimer of 4 parts chorale I can rest in peace. I made an experiment/assignment of 8 bars of I Can't Give you Anything But Love thinking that is gonna be the GOAT and when I played on Finale I thought only, its sounds nice but no what was expected and when you said that, now everything has sense now, I recently started to make this type of arrangement and I'm new in all of this... THANKS
This is awesome, very concise and easy to understand! I’m definitely going to direct my arranging and composition students to this recourse for reference. 👏👏👏
Thank you SO MUCH for the comment about parallel 5ths and 4ths. This was stuck in my head and was an impediment to creating decent arrangements. Thanks. This video is super helpful.
Amazing series of tutorials! A solid approach to arranging that also works well with strings! Those close voicings in pizzicato give a very specific 50’s vibe. Really opened up my palette. Subscribed!
Wow, this is incredibly useful. I've found similar tutorials online, but yours is definitely the shortest and most comprehensible summary I've encountered.
I've always wanted to dip my toes into arranging for big band. Brilliant distillation of some easy things to do to get started. Looking forward to the rest of the series.
The idea of objectionable parallels is to create rich counterpoint with a small number of real parts. The idea is that objectionable parallels are a waste of your voices. This is absolutely true on an organ, the instrument of choice for working out vocal harmonies. If you only have 2 or 3 horns, you might want to try this even in a jazz context for a fuller sound. When you have a big band, however, it wouldn't make much sense to have four real parts that form a complete harmony and then distribute them out to the players. Rather, big band scoring typically relies on counterpoint between opposing groups, which do not have much if any contrapuntal interest inside of them; the interest comes from the groups' interaction, and the rhythm section makes sure it keeps swinging, which forgives more sins than you might imagine.
Nice! A great example of solid harmony without unnecessarily complicating things. I'll enjoy watching other harmony/voicing -related videos from you. Take care!
@@PandemoniumBigBand There is a topic I'm interested in, for my own selfish reasons. That is, your thoughts on how many instruments to use at one time, in various circumstances. As a young arranger, I often wrote more parts than necessary, especially when transcribing something from tape, only to find that when I saw the band live, there were fewer instruments in use.
Nice, I just explored your channel and fount it very cool and useful since I'm sax-player and I'm recording horn sections by myself. Thank you for sharing these valuable knowledges!
5:27 I wish I could convince my classically trained music theory professor that jazz is beautiful too... If I showed him this awesome video he would probably fail me and kick me out of his class lol
@@PandemoniumBigBand I hope you're right, everyone has gotta be open to new things in order to truly grow and enjoy music... This video really opened up my eyes on big band writing! Thanks so much for your amazing tutorials!!
Here's a suggestion: I think you should start a Patreon page and give an insight into your own creative process, and how you approach these topics I spoke before, plus also some analysis of some of the big band fundamental writters you think must be looked at. Anyways, keep up the amazing work!!
Hey Man! This was a really great series of videos! I've been playing shows and big bands since college. I've always wanted to transcribe a few big band charts including the Patrick Williams chart you referenced in another video. You and TH-cam have provided great info and an easy path to understanding some concepts in writing for big band. Like many of the comments below your concise explanations and live recordings are invaluable. I'm a subscriber!
Just found this video, Just subscribed. And WOW. Thank you sir. There are not a lot of professionals out there sharing their knowledge and experience about Big Band arrangements. Please continue doing these... Thanks
Close Voicing, pt. 1 Summary all of the harmonies within one octave major: major 6, major 6 / 9, major 7, major 9, major 13 minor: minor 6, minor 7, minor 9, minor 11 (no9) dominant: dominant 7, dominant 9, dominant 13 Rules 1. Leave at least a minor 3rd between the top voices 2. Leave out the root (unless the top voice is playing the 3rd / second voice plays the root) 3. If melody is playing the root, put 2nd voice on the 6th (13th) or 11th or 9th Cheating 1. Copy four trumpet parts in trombone staves and drop down an octave 2. Copy trombone parts into Alto 1-Tenor 2 3. Give Bari. Sax the roots
Thanks so much for this information. I really appreciate it. You should think on creating a jazz composition course soon. I'll be the first student 👨🎓
@@PandemoniumBigBand Let me revise my reply. I think in watching 3 of your amazing videos I've gotten so much value. Let's just say the algorithm led me to one of your videos after a 2 week binge of Big Band. I'd like to develop my composer/arranger skills and your videos are inspiring me to explore my ideas... Good Stuff... Can I ask, what gives you most joy out of sharing this content?
Thank you! That copying and pasting for the bones and sax will help me tremendously! I'm just a rock guitar hobbyist but I have a short bluesy section I want to culminate in this style, morphing from a New Orleans thing. I barely know the diatonic modes so this type of harmonising is a bit daunting and possibly overkill for just wanting a brief passage to sound a bit like Family Guy or whatever. My next step is to just download a bunch of MIDI files and study what I like the sound of. Anyway, Cheers.
@@PandemoniumBigBand Thanks! It's definitely turned out to be an undertaking. Family Guy was a flippant reference and too lofty a goal, anything that sounds remotely like a swing band will be fine for my purposes. Just watched your latest video on harmonising the inbetween chord notes and it helps a lot! There's a good thread on reddit about it too, and also an article on 'helpingyouharmonise' website about what do so with the blues notes (it didn't occur to me that the chord might be changing to a IV7 earlier than expected to account for my phrase). I'm still scratching my head over some chromatic notes and also to what extent is it acceptable/unacceptable to repeat notes. Anyway, I can see why this stuff is left to the professionals like yourself, cheers for the guidance!
It's so amazing! Could you please, one day go, slowly in showing how sounds each melody note harmonized on 4 trumpets? all my congratulations! I'm from France.
These tutorials for big band writing are fantastic! What "secrets" might you share for tutti voicing of seven horns as in a little big band(A,T,B -2 trp. - 2 trbn.)? Thanks for all your work in passing on your expertise!
My newest video “tessitura”, is a good start to explaining how I tackle smaller section orchestration. The most important thing is to be aware of your instrument ranges AND how the instruments behave in various partials.
Then I encourage you to jam out instead!... On my earlier lessons, the music is a bit too loud. Hopefully I've gotten better at this over the past few months.
Thank you for checking it out! The only samples you're hearing is that upright bass. All of the brass/woodwinds were recorded remotely. I actually played the trumpet parts myself!
![[#2024MAMA] BIGBANG (빅뱅) - 뱅뱅뱅 (BANG BANG BANG) + FANTASTIC BABY | Mnet 241123 방송](http://i.ytimg.com/vi/EQsYfiPR9uM/mqdefault.jpg)
Thank you everyone for watching this video and for all of the kind comments and constructive advice. I just want to address one concern... the music in the background. As many people have suggested to me, this video would be better than it is if the music were either quieter, or gone entirely. I actually agree. This video would be a stronger production if the music were quieter (or completely gone) in several spots. This was a very early attempt of mine to create an arranging tutorial. I had just purchased my first "real" camera. All in all I think the video is a good effort... but my recent productions are WAY more polished. And the music is quieter in the intro and conclusion. AND the middle of the videos are usually music-free. Unfortunately, there is not good way for me to redo the audio for this video.
If you were about to leave a comment suggesting that I turn down that background music. I've heard it loud and clear.... almost as loud as that darn music in the background!
Hey mate. I very useful trick mixing engineers use for music/dialogue is to have a gate in the music channel and have the side chain input from that gate coming from your vox channel. That way whenever you speak the gate ducks out the music. It’s a pretty elegant way of doing it and that means you don’t have to spend hrs doing volume automation.
Is bigband polytonal like standard jazz?
Omg this video is so useful thank you! So many shortcuts but valuable writing technique thanks
what do you mean by polytonal? I assume you don't mean polyphonic?@@Harlem55
@@tommyromanowski Fukin' LOL!
THIS IS EXACTLY THE VIDEO I'VE BEEN LOOKING FOR!!!!! IVE WANTED TO WRITE BIG BAND FOR YEARS, AND I'VE FINALLY FOUND WHAT IM LOOKING FOR!!! When I heard the trumpets play for the first time, I legitimately cheered in my seat and clapped out of joy.
6:30 I busted out laughing at how simply you achieve such a rich full sound. Thx so much for such a clear, concise explanation.
After ALL these years, a "big band" horn section that made sense to me. I guess it was the way it was presented in a "school context" in MY mind 70 years later! 😎
I am a choir composer and I always like the sound of big band, film score-like sounds. I have been struggling how to write a good harmony and this video helps a lot. I never learned any music theory class formally, but your explanation is clear and understandable, especially when you include some examples. Thank you. Could've found you sooner
Glad you found me eventually!
Great tutorial. As a classical music composer, I always have wanted to find tutorials like this! Really Thanks for precious tutorial!!
You are very welcome!
Look up Gary Lindsay's "Jazz Arranging Techniques from Quartet to Big Band." it's an insanely helpful book.
Pretty much everywhere we can find people talking about voicings, drops, spreads, ranges.. But this is the first time I get to see somone talking about orchestration, how to distribute the notes within the horns, in a idiomatic manner. These are some real powerful tools. Tks very much!!!
Yes! You get it!
I hope you read this. I'm from Catamarca, Argentina, and it's very difficult to find where to learn these things here, so I really appreciate your content. Regards.
That straight octave drops for trombones and saxes certainly makes for a solid sound! Not something I usually do, but hey it works! Thanks.
The KISS method of orchestration. (Keep It Simple Stupid). I don't always write the harmony with this method... but this method always sounds great!
@@PandemoniumBigBand
I WANT TO THANK YOU MR. DEUTSCH !
FINDING YOUR CHANNEL IS LIKE THE UNIVERSE IS GETTING BEHIND ME.
AS A SELF TAUGHT JAZZ COMPOSER, IM FINALLY AFTER 45 YEARS WORKING ON MY DEBUT ALBUM
( due out possibly Christmas …..? There’s still a ton of arranging and rewriting and rehearsing to do yet…. maybe I should say …. next spring? )…lol 👀
I INSIST THAT IT ALL BE ANALOG, MASTERED FROM TAPE. ( still buying second hand, old school board and outboard gear as we speak)
( Yes……. I’m a bit nuts. But….. I hate thinking I have to be ONLINE …. Just to record music.🥵
also….. the entire old school process
“feels and sounds” warmer and…… hey….
HOME MADE CAKE…. JUST TASTE BETTER!!!! Lol)
IM HOPING TO MIX EVERYTHING IN MY HOME STUDIO….. PLAYING ALLTHE PARTS MYSELF…….
( yeah I’m nuts )…lol
ONLY WHEN ITS PERFECT….. WOULD I HIRE SESSION MUSICIANS AT A TOP KNOTCH STUDIO TO RE-RECORD IT …
”LIVE”!!!!!!!….
sure some vocal overdubs in post?
PROPERLY,…WITH PROFESSIONALS ALONG WITH A TRUSTED MASTERING ENGINEER.
IF ALL GOES ACCORDING TO MY DREAM…. THIS ALBUM WILL
( not only be the soundtrack of my life)
BUT ALSO
THE SOUNDTRACK OF A
45 minute ANIMATED STORY IM WRITING…. FOR THE YOUNG KIDS, AND TEENAGERS ….. WHO MUST LEARN TO WORK “ TOGETHER “ ….
NOT GOING THROUGH LIFE AS JUST A SOLOIST……
BUT BECOMING PART OF A BIGGER PICTURE IN HARMONY……..
BY WAITING FOR “THEIR MOMENT”
TO ADD TO THE MELODY OR NARRATIVE ……..
IN THE ONGOING ENSEMBLE CALLED “ LIFE!”
I TAKES PLACE IN A FANTASY WORLD…..
IF TOLD RIGHT….. AND UTILIZES PEAK CGI, VOICEOVER ACTORS, AND PEAK CINEMATIC NUANCES…..
IT SHOULD LEAVE A LASTING POSITIVE EMPACT …… I HOPE 👀.lol
( I WAS SIDETRACKED FROM MY TRUE CALLING AT 13…. AND BELIEVE IT OR NOT….. I JUST GAINED MY TRUE NATURAL FOOTING 4 YEARS AGO
TO FINALLY ARRANGE THESE GOD GIVEN CHORDS AND VERSES THAT HAVE BEEN SILENCED FOR OVER 50 YEARS!! ( long story 🕯)
AN AVERAGE SONG TAKES EASILY OVER A YEAR TO PERFECT
( if I’m lucky )
………….. each and EVERY
NOTE AND LYRIC IN WRITTEN AND REWRITTEN
BORN OUT OF; NOT JUST DEDUCTION, REDUCTION, AND ELIMINATION…. BUT… A STRONG CONVICTION THAT EVERYONE SONGS , FILMS, AND OTHER ART FORMS…
ARE GIFTS FROM THE HEAVENS…. THEY ARE HERE TO HEAL AND INSPIRE MANKIND!!!!!!!
THIS IS MY FIRST RODEO AND IM SURE IL GET THROWN OFF THE BULL…
( it’s sure not because of sales, fame, or fortune that this life goal exists..) lol
MAYBE I WAS BORN UNDER A “LUSCIOUS” STAR… I DON’T KNOW.. lol
BUT BEAUTIFUL HARMONIES … SLIGHTLY OFF THE BEATEN PATH, AND MATCHING LYRICS FROM THE SOUL…
ARE MY ONLY GOAL IN EXECUTING THIS UNDERTAKING….
OF COURSE I SUBSCRIBED SIR!!
THANK YOU AGAIN FOR SHARING YOUR IMPECCABLE COMPOSITIONS WITH THE WORLD!!!
LIKE YOU………. THIS PROJECT IS DRIVEN ONLY AS A LABOR OF LOVE!
IVE LIVED 67 1/2 YEARS WITH SO FAR ….. NOTHING TO ACTUALLY SHOW FOR IT OR SHARE…….EXCEPT MY HONESTY AND DIGNITY.
LOVE AND LIGHT ARE HERE TO SPREAD…….
USING OUR GIFTS …. MAYBE WE CAN INSPIRE JUST ONE PERSON ?
I ADMIT…. ITS SCARY AND WAY OVER MY PAY GRADE…… IM SEMI RETIRED WITH A MODEST ONE MAN BUSINESS THAT PAYS THE BILLS..
SOOOOO, THIS WILL BE FINANCED….. ONE DAY AT A TIME….. no rush 👀lol
BUT ….. THANKS TO YOU…… YOU’VE PROVIDED…. A LADDER….
…… TO GET …. A LITTLE
MORE….. ON TOP OF IT
TECHNICALLY AND MORALLY SPEAKING.
I OWE YOU, SIR….
THE WORLD
OWE YOU !!
SINCERELY,
GOD BLESS,
🎼RAIN AGAIN 🎼
As a user of “session Horns & “V Horns saxophone “ I found this tutorial really helpful for building up big band arrangements..thank you for posting
I'm barely an amateur musician - but this was really entertaining and 'demystified' how that fantastic sound from big bands is made that one hears in loads of period films etc. Subscribed to your channel - excellent!
This is FANTASTIC advice! Power tips in such a short time, thank you!
Glad it was helpful!
I'll keep this channel on my A list.
jesus christ theres 30+ of these?
you are a saint!
Lol. I did a ton of these. More to come too.
wow very helpful tutorial. As a guitar player myself, I’m pretty fluent with music theory but not with how a big band horn section should sound. Thanks for giving me inspiration on how to write horns! Love from China. ❤
one of the amazing tutorials... So light , so Explained. So easy for beginners to understand how to start writing for big bands! Subscribed! Thank you So much!
You are very welcome!
You are such a good teacher and composer, I like your videos very much.
I've just "discovered" your channel. You do, in a couple of minutes, what it might take me a couple of weeks to finish. Amazing! I've been listening to recordings of Pandemonium Big Band, too. What an outstanding group of players you've assembled. Just THANKS! Good stuff, brother!
Super tutorial and please don't even think about polishing these videos. I love your intimate, personal way of talking to us. Too many good videos are spoiled by fancy backdrops, high production values and too many adverts. Watching you is like talking to my personal tutor. Love it!
Thank you so much!
You help a lot you don't imagine, just saying about the disclaimer of 4 parts chorale I can rest in peace. I made an experiment/assignment of 8 bars of I Can't Give you Anything But Love thinking that is gonna be the GOAT and when I played on Finale I thought only, its sounds nice but no what was expected and when you said that, now everything has sense now, I recently started to make this type of arrangement and I'm new in all of this... THANKS
this was just straight up awesome
Wow! excellent video and very well explained! thank you very very much!!
This is awesome, very concise and easy to understand! I’m definitely going to direct my arranging and composition students to this recourse for reference. 👏👏👏
Thanks Donny. I really appreciate it. Let me know if you have any topics that you'd like to see me cover.
Maybe, open voicing’s or some Thad style voicings?
Thank you for making this series Elliot! Really helped me to understand and get into arranging songs for Big Band
A lot of Big Band arranging books dazzled me, but your approach is easy to understand and to work with. Thank you!
I'm so glad!
Very straightforward explanation. You answered some questions I had. Thanks!!!!!!!
Thanks so much!!! been hours through videos, turorials, etc... and this is what i needed!
Thank you SO MUCH for the comment about parallel 5ths and 4ths. This was stuck in my head and was an impediment to creating decent arrangements. Thanks. This video is super helpful.
Thank you so much. You corrected some of my mistakes and riles I have broken as an arranger.
Simply, you're the best 💞
Amazing series of tutorials! A solid approach to arranging that also works well with strings! Those close voicings in pizzicato give a very specific 50’s vibe. Really opened up my palette. Subscribed!
Thank you thank you. I am new to your channel and appreciate this. You have no idea how much this helped me.
Wow, this is incredibly useful. I've found similar tutorials online, but yours is definitely the shortest and most comprehensible summary I've encountered.
Very clear your explanation. It answered some questions I had. Thanks!!!!
I've always wanted to dip my toes into arranging for big band. Brilliant distillation of some easy things to do to get started. Looking forward to the rest of the series.
DUDE!!!! you're awesome!!!
In the third bar there is absolutely no reason not to add a C (the 7th) in the 2nd Trpt, sounds great !
You're right. On Beats 1 and 3, it could be F - C - A - G. I'm already "upgrading" the chord to minor 11 on beats 2 and 4.
The idea of objectionable parallels is to create rich counterpoint with a small number of real parts. The idea is that objectionable parallels are a waste of your voices. This is absolutely true on an organ, the instrument of choice for working out vocal harmonies. If you only have 2 or 3 horns, you might want to try this even in a jazz context for a fuller sound. When you have a big band, however, it wouldn't make much sense to have four real parts that form a complete harmony and then distribute them out to the players. Rather, big band scoring typically relies on counterpoint between opposing groups, which do not have much if any contrapuntal interest inside of them; the interest comes from the groups' interaction, and the rhythm section makes sure it keeps swinging, which forgives more sins than you might imagine.
Good insight
Fabulous, keeping it simple works (usually). Looking forward to more of this.
There’s hours more! You just watched my first arranging tutorial. I’ve made over 20! Enjoy!
@@PandemoniumBigBand Fantastic, had no idea! Thanks
Thank you! I was unsure about how to harmonize the second trumpet when the lead plays the root - thanks!
Nice! A great example of solid harmony without unnecessarily complicating things. I'll enjoy watching other harmony/voicing -related videos from you. Take care!
Thanks Mike! I already announced the next topic (harmonizing non-chord tones)... let me know if you have any requests.
@@PandemoniumBigBand There is a topic I'm interested in, for my own selfish reasons. That is, your thoughts on how many instruments to use at one time, in various circumstances. As a young arranger, I often wrote more parts than necessary, especially when transcribing something from tape, only to find that when I saw the band live, there were fewer instruments in use.
Done, love it Bro.
You are the best ! Yeah you are the best. I mean that you are the best .Do you realized that you are the best ? Thanks from the botton of my heart .
Nice, I just explored your channel and fount it very cool and useful since I'm sax-player and I'm recording horn sections by myself. Thank you for sharing these valuable knowledges!
Great information. I write music, but now I want to get into big band arrangement. Thanks
5:27 I wish I could convince my classically trained music theory professor that jazz is beautiful too... If I showed him this awesome video he would probably fail me and kick me out of his class lol
I’m sure he wouldn’t. Different music is orchestrated in different ways.
@@PandemoniumBigBand I hope you're right, everyone has gotta be open to new things in order to truly grow and enjoy music...
This video really opened up my eyes on big band writing! Thanks so much for your amazing tutorials!!
Check "reinput pitches" in sibelius if You do it the same way as in video. Great tutorial!!!
This is great. Thank you very much.
Here's a suggestion: I think you should start a Patreon page and give an insight into your own creative process, and how you approach these topics I spoke before, plus also some analysis of some of the big band fundamental writters you think must be looked at. Anyways, keep up the amazing work!!
That's a good tip. I have been hesitant to start a Patreon page, but I'll definitely give it a second thought.
Hey Man! This was a really great series of videos! I've been playing shows and big bands since college. I've always wanted to transcribe a few big band charts including the Patrick Williams chart you referenced in another video. You and TH-cam have provided great info and an easy path to understanding some concepts in writing for big band. Like many of the comments below your concise explanations and live recordings are invaluable. I'm a subscriber!
This is awesome Elliot! I'm going to be sharing this with my comp students who will be writing for big band next semester!
Thanks Dan! There a like 40 more tutorials to watch after that one. It’s been several months though. I need to get back to it.
Great tutorial Elliot! Crystal clear explanations and good editing. Hope to see you again soon xo
Thanks AJ! Lets hang soon
wonderful!!! thank you very much
Just found this video, Just subscribed. And WOW. Thank you sir. There are not a lot of professionals out there sharing their knowledge and experience about Big Band arrangements. Please continue doing these... Thanks
Welcome aboard! I just posted lesson #3
All put together-- Sweet! Thanks!
To the point. Excellent!
Close Voicing, pt. 1 Summary
all of the harmonies within one octave
major: major 6, major 6 / 9, major 7, major 9, major 13
minor: minor 6, minor 7, minor 9, minor 11 (no9)
dominant: dominant 7, dominant 9, dominant 13
Rules
1. Leave at least a minor 3rd between the top voices
2. Leave out the root (unless the top voice is playing the 3rd / second voice plays the root)
3. If melody is playing the root, put 2nd voice on the 6th (13th) or 11th or 9th
Cheating
1. Copy four trumpet parts in trombone staves and drop down an octave
2. Copy trombone parts into Alto 1-Tenor 2
3. Give Bari. Sax the roots
Thanks so much for this information. I really appreciate it. You should think on creating a jazz composition course soon. I'll be the first student 👨🎓
Thank you Daniel! I’m sure I will eventually
6:05 I was always told by others I worked with that I was cheating or doing it improperly when I wrote like this, But I knew I was right all along
Yessir!
Excellent video, clear and to the point
someone is getting a lot of attention! So happy for you, I love your videos!
Thank you!
I loved your video! Crystal clear explanation!
Thank you so much.
Elliot, just discovered your channel - just what I've been lookin for. THanks so much for posting these, Best wishes from UK
Cheers!
Thanks SO much!
thanks so much for this lesson.
hi, you sir have not just a new suscriber, but a fan!!! woow . what a great job, great teacher
Nice! I'm a """composer""" of """pretty mediocre""" levels, and I understood this well and could write at least something big-band-ish
Gold
A practical explanation with a good pedagogical approach, thanks again!
You are very welcome! Welcome to the channel!
Man, thank you very much!
Just wow
I enjoyed that! Will save this... I don't read much but I am interested in studying this to understand. Thanks!!
Thank you! I hope you can get something out of it!
@@PandemoniumBigBand Let me revise my reply. I think in watching 3 of your amazing videos I've gotten so much value. Let's just say the algorithm led me to one of your videos after a 2 week binge of Big Band. I'd like to develop my composer/arranger skills and your videos are inspiring me to explore my ideas... Good Stuff... Can I ask, what gives you most joy out of sharing this content?
MORE LOVELIES VIDEOS!
Thank you!
THANK YOU
Great tutorial, 🙏
Yes! Thank you!
You are so welcome!
Great Videos... thanks .... great info
You are a God! Thanks 3000 🙏
Ace stuff, there seems to be limited information on this subject on youtube. Glad I found your channel.
More to come! I’m glad you like the tutorials
@@PandemoniumBigBand great stuff, I look forward to the next one 👍
This is very helpful thank you!
You're a master! Thank you so much!
Magistral
Thank you! That copying and pasting for the bones and sax will help me tremendously! I'm just a rock guitar hobbyist but I have a short bluesy section I want to culminate in this style, morphing from a New Orleans thing. I barely know the diatonic modes so this type of harmonising is a bit daunting and possibly overkill for just wanting a brief passage to sound a bit like Family Guy or whatever. My next step is to just download a bunch of MIDI files and study what I like the sound of. Anyway, Cheers.
Good luck to you! Making a brief passage sound like Family Guy is a huge project! Walter Murphy uses a huge studio orchestra for that show.
@@PandemoniumBigBand Thanks! It's definitely turned out to be an undertaking. Family Guy was a flippant reference and too lofty a goal, anything that sounds remotely like a swing band will be fine for my purposes. Just watched your latest video on harmonising the inbetween chord notes and it helps a lot! There's a good thread on reddit about it too, and also an article on 'helpingyouharmonise' website about what do so with the blues notes (it didn't occur to me that the chord might be changing to a IV7 earlier than expected to account for my phrase).
I'm still scratching my head over some chromatic notes and also to what extent is it acceptable/unacceptable to repeat notes.
Anyway, I can see why this stuff is left to the professionals like yourself, cheers for the guidance!
very nice !
Amazing! Thank you!
My pleasure!
It's so amazing! Could you please, one day go, slowly in showing how sounds each melody note harmonized on 4 trumpets? all my congratulations! I'm from France.
Thank you Mike!
wel done!
great.i diden`t think it was so easy.I must test on my finale.Thanks.Sven sweden
Sven I am so glad you understand. Good luck with your composing!
Great tutorial. You've made it simple for us sir. :)
thank you !
Thank you so much for this!!
You're so welcome!
effective. thanks
These tutorials for big band writing are fantastic! What "secrets" might you share for tutti voicing of seven horns as in a little big band(A,T,B -2 trp. - 2 trbn.)? Thanks for all your work in passing on your expertise!
My newest video “tessitura”, is a good start to explaining how I tackle smaller section orchestration. The most important thing is to be aware of your instrument ranges AND how the instruments behave in various partials.
Yes man! I loved this and helped so much with my writing!
Thank Gavin!
thanks sooo much, thats awesome!!!!
No problem!
Thanks for sharing this, I found it super useful and I'm wondering what's the sample library you are using in your Sibelius? It sounds great.
The music in the background is so good during the harmonizing of the trumpets that I find it hard to concentrate.
Then I encourage you to jam out instead!... On my earlier lessons, the music is a bit too loud. Hopefully I've gotten better at this over the past few months.
beautiful and great advice, thanks so much
just subscribed, greetings from Mexico!
Greetings from Los Angeles!
awesome tutorial-- I MAY have been overcomplicating things...hahah
Nicely done. And you have great samples!
Thank you for checking it out! The only samples you're hearing is that upright bass. All of the brass/woodwinds were recorded remotely. I actually played the trumpet parts myself!