Timecodes: I. Chorus - "Wachet auf, ruft uns die Stimme" (0:11) II. Recitativ - "Er kommt" (7:50) III. Aria - "Wann kommst du, mein Heil?" (8:51) IV. Choral - "Zion hört die Wächter singen" (15:06) V. Recitativ - (19:26) VI. Aria - "Mein Freund ist mein!" (20:51) VII. Chorale - "Gloria sei dir gesungen" (26:19)
Ich wundere mich täglich, das ein einziger Mensch so etwas wunderschönes schreiben und mich zum weinen kriegen kann und gleichzeitig gibt es einen Mensch, der die Welt in Choas und Krieg versetzt. Hier die wunderschöne Musik und hier Mord, Vergewaltigung und Totschlag. Was für eine Welt 😢
I'm always moved to tears at the end of this. Those last few lines are so emotive. To think that another human being wrote this is incredibly inspiring. That someone could create something so beautiful is testament to mankind's exceptional ingenuity. Life is made worthwhile simply by the art that we share with one another.
Just a pedantic note: this cantata was composed for the 27th Sunday after Trinity. This is in contrast to the widely held belief that it is a cantata for the Advent season. Practically speaking, it is appropriate for Advent, but in a strictly formal sense, it is not a cantata for Advent.
Yes, it premiered Nov. 25, 1731, the final Sunday of the Church year. Notice the appropriate references therefore to finality: The Second Coming of Christ and the Nuptials of Christ with his Church.
00:06 1. Coral: Wachet auf, ruft uns die Stimme (Despertad, nos llama la voz) 7:50 2. Recitativo (tenor): Er kommt (Ya viene) 8:53 3. Aria (soprano, bajo): Wenn kömmst du, mein Heil? (¿Cuándo vendrás, mi Salvador?) 15:06 4. Coral (tenor): Zion hört die Wächter singen (Sión oye cantar a los vigías) 19:27 5. Recitativo: So geh herein zu mir (Ven a mí) 20:52 6. Aria (soprano, bajo): Mein Freund ist mein! (Mi amigo es mío) 26:21 7. Coral: Gloria sei dir gesungen (Gloria canten a ti)
GLORIOUS! Awaken, awaken, awaken ALL! We are all being called to awaken to who we truly are! WE are the CREATORS! Let us create LOVE throughout the Universe.
Bellísima e impresionante interpretación de esta célebre obra de Bach en la que la parte orquestal y la coral se interponen en perfecta armonía. I am excited to hear it. Congratulations!
"This is one of my first attempts at a score video. " Seems to me you did a good job with it. I would like to know who the performers are, also. Thanks.
This audio is taken from the Netherlands Bach Society, or something of that sort. If you look up this Cantata in the search bar, it's about the first video that shows. The description there has the main vocal performers' names
Thanks for uploading this and the detailed notes! However you left out almost all details of the performance and the performers. I presume John Eliot Gardiner is the conductor since you mentioned him in the notes?
Soprano - Maria Keohane ; Alto - Tim Mead ; Tenor - Daniel Johannseb ; Bass - Matthew Brook A full list of the performers can be found here www.bachvereniging.nl/en/bwv/bwv-140/ :)
In the last aria: 'Mein Freund ist mein, und ich bin dein'. I am hearing 'sein' sung instead of 'dein'. Why? And earlier, in the first aria: 'Wann koemmst du'. I am hearing 'wenn' sung rather than 'wann'. Can someone explain?
I know the text uses sein at the end as it’s referring to heaven. May just be a performance choice to use the formal instead of the informal form. This is a Dutch performance and they may have more conservative standards 😝
It is a special Baroque tenor oboe tuned in F. It is similar to an English Horn, but the timbre is a bit more piercing so it was only used in the context of larger tutti instrumentations.. not really a solo instrument :-)
It's not. Nothing in St John or St Matthew sounds like the opening chorus of BWV 140. If you are referring to the sopranos singing a hymn on top of the alto, tenor, bass ... Bach has done that in multiple cantatas; the opening of St Matthew is actually quite different: a hymn sung by the sopranos on top of 2 separate choirs of sopranos, altos, tenors, basses.
Thank you for uploading this video with score! But unfortunately the score is a very old edition with B-clef for soprano, alto, and tenore. That is useless for most choir singers, who want to practice with TH-cam or just want to sing with TH-cam-possibilities in Corona-times, because nowadays it´s common to print choir scores with G-clef(= «violin-clef») and bass-clef, not with B-clef. So the choir singers haven´t learned to sing with B-clef. B-clef requires transposing. That is difficult. If you consider to produce more videos with partitures, please use modern partitures! Thanks!
Yea it is annoying reading those clefs isn’t it! And while you are correct that modern choral scores use more simplified notation, a classically trained vocalist will still know how to read soprano, alto, tenor, baritone, and even mezzo-soprano clefs. When dealing with historical performance, dealing with these clefs are inevitable. (I once had to sight read a handwritten part in mezzo-soprano clef on the harpsichord!) it is best practice to learn them in order to expand the reach and skills of your musicianship, especially if you are interested in Baroque music :)
Timecodes:
I. Chorus - "Wachet auf, ruft uns die Stimme" (0:11)
II. Recitativ - "Er kommt" (7:50)
III. Aria - "Wann kommst du, mein Heil?" (8:51)
IV. Choral - "Zion hört die Wächter singen" (15:06)
V. Recitativ - (19:26)
VI. Aria - "Mein Freund ist mein!" (20:51)
VII. Chorale - "Gloria sei dir gesungen" (26:19)
Thank you so much!! This was really useful :) (I'm analyzing this piece for school, so thank you this made it a lot easier)
May you put this on the video description?
@@lauramaurer-stroh7210 share your tips on analyzing this piece especially 1,IV &VII
Ich wundere mich täglich, das ein einziger Mensch so etwas wunderschönes schreiben und mich zum weinen kriegen kann und gleichzeitig gibt es einen Mensch, der die Welt in Choas und Krieg versetzt.
Hier die wunderschöne Musik und hier Mord, Vergewaltigung und Totschlag.
Was für eine Welt 😢
Bach ist ein Geschenk Gottes an die Menschheit ❤❤❤
Genau
I'm always moved to tears at the end of this. Those last few lines are so emotive. To think that another human being wrote this is incredibly inspiring. That someone could create something so beautiful is testament to mankind's exceptional ingenuity.
Life is made worthwhile simply by the art that we share with one another.
You're totally right. I love this piece. Listen to it every Advent.
@@lorenzoMto Bach knew. Nobody else does. He is absolutely unique.
Just a pedantic note: this cantata was composed for the 27th Sunday after Trinity. This is in contrast to the widely held belief that it is a cantata for the Advent season. Practically speaking, it is appropriate for Advent, but in a strictly formal sense, it is not a cantata for Advent.
Yes, it premiered Nov. 25, 1731, the final Sunday of the Church year. Notice the appropriate references therefore to finality: The Second Coming of Christ and the Nuptials of Christ with his Church.
Buxthwhuda said what? Interesting info tho. There's something magical about the way he uses 4ths and 5ths though.
In Protestant tradition, this song is sung at the end of the curch year, in Catholic tradition, it is sung in Advent (beginning of church year).
4th movement is always the best. I don't know why but that's always hit me the most.
That moment where the bass takes a break in the first chorus (from the cantus firmus entry at around 3:04) is straight up sublime.
I don't think the basses are *that* bad.
I've sung this cantata 140 and it's my favorite of Bach's cantatas
00:06 1. Coral: Wachet auf, ruft uns die Stimme (Despertad, nos llama la voz)
7:50 2. Recitativo (tenor): Er kommt (Ya viene)
8:53 3. Aria (soprano, bajo): Wenn kömmst du, mein Heil? (¿Cuándo vendrás, mi Salvador?)
15:06 4. Coral (tenor): Zion hört die Wächter singen (Sión oye cantar a los vigías)
19:27 5. Recitativo: So geh herein zu mir (Ven a mí)
20:52 6. Aria (soprano, bajo): Mein Freund ist mein! (Mi amigo es mío)
26:21 7. Coral: Gloria sei dir gesungen (Gloria canten a ti)
Bach never misses! If I had to pick my favorite movements they’d be I, III, and IV. They’re all masterpieces though!
Bach lives! Regards from Bahia, Brazil. I've sung some Cantatas in a church choir, but we have never performed that. It is my dream.
Onde você cantou?
We have to wait a few years to sing it in heaven. Praise God for His gifts to JS Bach.
Great testimony of the tenor.(and the others) they sing it like they believe it. So it becomes real evangelism.
@@DaviSilva-oc7iv na Catedral Basìlica de Salvador, e outras igrejas. Cantamos muitas cantatas.
Hermosa cantata , creo que también se sostiene de forma magnífica sin voces humanas. gracias.
So powerful. It's more than music, it's spiritual fire.
Э́та музыка дарует жизнь
Nothing in the world is weirder than the top comment on a piece by Bach.
GLORIOUS! Awaken, awaken, awaken ALL! We are all being called to awaken to who we truly are! WE are the CREATORS! Let us create LOVE throughout the Universe.
One of y favourite Bach Cantatas.
magnifique version
Благослови Вас Б-г. Щебетание ангельского хора..
The 4th movement is so beautiful
Belíssima composição e interpretação !!!!
Love this, touches at my hearts strings ♥
Qué bonita alabanza al Señor nuestro Dios!
BRAVI TUTTI....desde Mexico City!
Bellísima e impresionante interpretación de esta célebre obra de Bach en la que la parte orquestal y la coral se interponen en perfecta armonía. I am excited to hear it. Congratulations!
When I get hit by a pitch in baseball I just wachet auf
Cuando escucho está marcha" es una especie de trayecto celestial..
Thank you for sharing. Such a joy.
I love the CHORAL.
ReUploaded on my Birthday. Thank you so much!!! Greetings from Germany
Life aquatic brought me here ♡
NO WAY, love that!
... Weltklasse ...
Où sera cette musique lorsque nous ne serons plus là ?
Bach is more important, more supreme than any living human being.
🙄
@@martinsaroch3512agreed
"This is one of my first attempts at a score video. " Seems to me you did a good job with it. I would like to know who the performers are, also. Thanks.
I'm pretty sure it's the Netherlands Bach Society conducted by Jos van Veldhoven th-cam.com/video/DqZE54i-muE/w-d-xo.html
@@consti1873 That's exactly who I thought was the performers
This audio is taken from the Netherlands Bach Society, or something of that sort. If you look up this Cantata in the search bar, it's about the first video that shows. The description there has the main vocal performers' names
thank you. was wondering where the old one went. who are the performers in this one?
It’s the amazingly multi - talented Netherland Bach Society :) ... conducted by Jos von Veldhoven
@@bobbyalarcon_music thanks. you should check out some of my compositions on my channel too. i try to harmonize like bach when i can
Wonderful!
Thanks for uploading this and the detailed notes! However you left out almost all details of the performance and the performers. I presume John Eliot Gardiner is the conductor since you mentioned him in the notes?
Does anyone know what the previous recording was? This is a great recording, I just liked the tempo of the other one better.
Now I begin to ask myself why they don't connect the notes in the main melody. (time for breathing ?) it's nicer when it's connected.
This is great! may i know which recording is this?
I am pretty sure that this is the 1966 Mauersberger recording.
Has anybody listen to the eponymous organ chorale? The theme is more impressive in this cantata environment IMO.
i just can't believe it's possible for one man to do this
8:53 Erbarme dich is that you?
I think it could be in the same tune that the picture
A perfect union of homophonic and polyphonic textures.
15:06
Was there a previous video with different performers?
May i ask, what interpretation / version is this ?
That you conduct this version of the cantata with your orchestra?
Please can you tell me the performers that this version replaced. I loved the soloists.
Soprano - Maria Keohane ; Alto - Tim Mead ; Tenor - Daniel Johannseb ; Bass - Matthew Brook A full list of the performers can be found here www.bachvereniging.nl/en/bwv/bwv-140/ :)
@@bobbyalarcon_music Thanks so much
Ok found reply
TKS FROM BRAZIL
BRAZIL!?!??!?NOT POSSIBLE
@@RETIN_LASER YES, IT IS POSSIBLE. HUGS AND LOVE
@@RETIN_LASER why is it not possible?
0:08
Is a translation available?
Very famous piece, should be available online.
Why is it in a major?
In the last aria: 'Mein Freund ist mein, und ich bin dein'. I am hearing 'sein' sung instead of 'dein'. Why?
And earlier, in the first aria: 'Wann koemmst du'. I am hearing 'wenn' sung rather than 'wann'. Can someone explain?
I know the text uses sein at the end as it’s referring to heaven. May just be a performance choice to use the formal instead of the informal form. This is a Dutch performance and they may have more conservative standards 😝
Originally the text says, "Mein Freund ist mein und ich bin sein". My friend is mine and I am HIS....ich bin dein means I am YOURS.
Taille? English Horn? Confused
It is a special Baroque tenor oboe tuned in F. It is similar to an English Horn, but the timbre is a bit more piercing so it was only used in the context of larger tutti instrumentations.. not really a solo instrument :-)
Olla-vogala reupload?
Looks like many questions no answers
Sounds identical to another Bach piece (from St Johns Passion?). Just slower.
It's not. Nothing in St John or St Matthew sounds like the opening chorus of BWV 140. If you are referring to the sopranos singing a hymn on top of the alto, tenor, bass ... Bach has done that in multiple cantatas; the opening of St Matthew is actually quite different: a hymn sung by the sopranos on top of 2 separate choirs of sopranos, altos, tenors, basses.
Buxthehuda said what?
You can see the musicians performing here: th-cam.com/video/DqZE54i-muE/w-d-xo.html
This one is too slow. It is "Sleepers, awake!" not "Sleepers, go back to bed".
I have the soprano solo ☺️
The best (better as Mattheus passion)
"Discover a fresh perspective on the End Times! Watch the
Thank you for uploading this video with score! But unfortunately the score is a very old edition with B-clef for soprano, alto, and tenore. That is useless for most choir singers, who want to practice with TH-cam or just want to sing with TH-cam-possibilities in Corona-times, because nowadays it´s common to print choir scores with G-clef(= «violin-clef») and bass-clef, not with B-clef. So the choir singers haven´t learned to sing with B-clef. B-clef requires transposing. That is difficult. If you consider to produce more videos with partitures, please use modern partitures! Thanks!
Yea it is annoying reading those clefs isn’t it! And while you are correct that modern choral scores use more simplified notation, a classically trained vocalist will still know how to read soprano, alto, tenor, baritone, and even mezzo-soprano clefs. When dealing with historical performance, dealing with these clefs are inevitable. (I once had to sight read a handwritten part in mezzo-soprano clef on the harpsichord!) it is best practice to learn them in order to expand the reach and skills of your musicianship, especially if you are interested in Baroque music :)
THIS MUST BE THE MOST BAROQUE SONG EVER XD
This performance seems so 💤💤
When the US government captures Superman and turns him into Jesus Christ;