Thank you for your helpful videos. Can teeth on reed gradually changes to something like split tones? And in teeth on reed, the sound have to move up or down? Or cant it be constant?
Hello, the sound can be constant - it doesn't have to move up or down. It cannot go smoothly to another technique (normal sound, split tone etc) because this requires removing the teeth from the reed and reforming the embouchure. There will always be a gap.
Love this demo! very usefull thanks for taking the time to do it! I do have a question: can I as a composer, aim for having a melodic contour of several notes while using the the teeth on reed playing technnique? or is it something that isn't practical?!
Thank you so much Joshua for this very helpful video. I was wondering though, is there a range limit for these sounds ? Like, can any note with the "al dente" technique (hehe) be played within a certain register ?
The teeth sounds are always around the same pitch - the keys have no influence on the teeth on reed sound, they will just filter the air sound going through
Wonderful!
Superb work!!
Great videos! But why is the audio always so quiet? I can barely hear what you are saying and closed captioning is not available...
thanks!!!!
Thank you for your helpful videos. Can teeth on reed gradually changes to something like split tones? And in teeth on reed, the sound have to move up or down? Or cant it be constant?
Hello, the sound can be constant - it doesn't have to move up or down.
It cannot go smoothly to another technique (normal sound, split tone etc) because this requires removing the teeth from the reed and reforming the embouchure. There will always be a gap.
I think it would be super cool if you would also include the notation of these techniques in your videos :)
There are some examples at 00:58
@@JoshuaHyde thank you didn't see it :)
Tamio Shiraishi is an improviser who has truly mastered this craft if you're looking for a great example:
relativepitchrecords.bandcamp.com/album/sora
Love this demo! very usefull thanks for taking the time to do it! I do have a question:
can I as a composer, aim for having a melodic contour of several notes while using the the teeth on reed playing technnique? or is it something that isn't practical?!
I think this wouldn't be very practical. You could maybe write the notes as a guide, but I wouldn't expect them to be particularly clear.
Thank you so much Joshua for this very helpful video. I was wondering though, is there a range limit for these sounds ? Like, can any note with the "al dente" technique (hehe) be played within a certain register ?
The teeth sounds are always around the same pitch - the keys have no influence on the teeth on reed sound, they will just filter the air sound going through