Misha: "For the cab, I'm actually using the beta version of something we're working on..." Me: "Eh, I'm sure it's great, but I probably don't need it." Misha: "... Nolly captured all these..." SOLD
What most people don't realize is that a guitar tone also has to be accompanied by a great bass tone. You can get away with dual or quad tracking fairly gravelly sounding guitars and as long as the bass tone is there, you're making some good pancakes. Great tutorial Mish
@@tobins6800 I said computer, but it can also be facing the audio interface that's causing noise from amp and cab sim software. For me it's definitely my computer making the noise but glad to hear what works for YOU!
@@smoreshaunted Yeah, it was a combo of bad guitar/bass grounding and an ugly computer, I have since gotten a new bass and different guitar pickups, also the ugly computer finally gave up the ghost
Bruh track the bass duplicate the same track twice have a high pass on one and a low pass on the other so basically have 3 track divided in to a low (sub) mid high and you can throw a distortion or guitar amp on the high track and you can kinda control the lows mid and high separate and mix it together thats what i do and it sounds pretty good...also parallel comp
@@joeyg1463 Yes, thats Bassicaly the basics of it but there are so many ways to 'flavor' the sound. And somehow I never get it to sound heavy low and tight at the same time. I tried many tuts on youtube but not even one I found sounds like this.
@@metalgear8000 The key to Nolly's bass tone is to start with a great sounding bass DI. If you have a cheap bass that sounds like crap, you won't be able to sound like he does
Love these tutorials, always informative and helpful. A breakdown of how you personally visualise/navigate the fretboard as a not-so-theory guy would be awesome, I realise this isn't specifically GGD related but would be cool.
I love the low gain plus sweet chords sound, been recording in that way as well rather than just totally clean. makes the strings ring together very nicely.
Hi, let’s talk about gain with this little something I slapped together that sounds better than anything. The production sounds better than any record I’ve listened to lately. The drums, invasion, Misha just always has the best sounding drums. Period. This is definitely wetting my whistle to buy Invasion.
"a little bit of grit goes a long way" - couldn't agree more. I love the sound of a clean amp on the edge of breakup, it feels more alive. Also, an amp that's pushed that hard is compressing the signal slightly making the loudness of the playing more consistent. That can be a crutch, but it makes it WAY easier for it to sit in the mix.
Thanks for the free lesson misha, appreciate it as always. Still wandering why your mixes slaps so hard even through the phone speakers. I still suck at mixing and you play way tighter than me, maybe the answer is there. Or maybe not, who knows
@@heret1c385 I was kinda joking, actually if you learn enough you get to the point where you can identify the areas that causes problems and start to work with them. A huge thing for me is that, compared to him for example, my source tones are worse (worse player, not enough djent, not a great environment with A LOT of noise, low budget interface) and that is tough for a beginner, cause then your mixing skill, which are still immature, needs to compensate a source that needs way more tweaking to sit properly where it needs to be. But still, who knows
@@heret1c385 This is the thing currently tripping me out big time with mixing, my mixes sound so bland and I don't even understand what's wrong or what to do. Feels like I'm searching in the dark with a blindfold on :(
I would REEEEEALLY like to see this musical idea come to fruition... Please! I don't care if it's on a solo album, or if it's on the next Periphery record, that shit was FIRE!
Super informative. I've been afraid of too much gain while recording but I feel like these amp modelers can really help you dial things in to the most minuscule detail. It's possible to still retain clarity while achieving that saturated sound with the blooming effect for palm muting.
Interesting that the breakdown part as well as the clean part didn't make its way to Wildfire but I knew I heard those opening riffs somewhere before and here it were.
At 7:00 we’re given a glimpse of some of mishas secret sound fx powers, when he slides his finger lightly across the strings with his fretting hand and it sounds like part of a Gojira riff.
Hey Misha. Brilliant video. Always insightful and interesting to hear you break down your approach. Just wondering have you done or if not could you do and video on your rhythmic approach to songs, specifically how you create asymmetric/cross barre line kind of stuff that's so much a part of your sound? Is that even possible as a video like this? Thought I'd ask.
All this time this nasty demo would become "Wildfire"
I love Misha's riffs🤟
“So let’s jump right in”
~Casually drops the best groove of 2020..
Lmao I was gunna say PLEASE make this riff a song fuckkkk
Hahahaha, That groove caught me so off guard! Didn't expect something so nice in a tutorial.
Absolutely disgusting track. Unbelievable amount of djent
And now its gonna be on P5
@@joeyg1463 well, you’re gonna be happy tomorrow 😁
"It's a demo of my gain, not my skills."
----Misha 2020
then proceeds to play the riff perfectly..
@@osrs-raph I know right
No biggy, just wrote another Periphery song last night before I went to bed.
More like "once again I copied another band style"
@@guitaristssuck8979 oh stfu
Guitarists Suck Everybody copies styles. But you get to the level of Periphery when you execute it better than the rest.
@@landrysaathoff2418 I guess you never heard an album called Catch 33 when it came out
@@danielseale9636 do you kiss your mom with that mouth?
Misha: "For the cab, I'm actually using the beta version of something we're working on..."
Me: "Eh, I'm sure it's great, but I probably don't need it."
Misha: "... Nolly captured all these..."
SOLD
I was like, SHUT UP AND TAKE MY MONEY!
@Tyler Clark lol same for me. Same age too 😅😅. Have you gotten any idea for recording drums??
2023 update: this is now "Wildfire" on P5
"I made a little clip here" (presses start)
*total destruction*
First demo was wildfire. Dude has had that riff for two years already.
This better become a song moosha
Looks like you got what you wanted!
What most people don't realize is that a guitar tone also has to be accompanied by a great bass tone. You can get away with dual or quad tracking fairly gravelly sounding guitars and as long as the bass tone is there, you're making some good pancakes. Great tutorial Mish
I noticed that after upgrading video card guitars and bass guitars with passive pickups got noisy.
I had to either face away or completely directly towards one of my computers.
What??? That's crazy!! Best of luck dude!
@@tobins6800 I said computer, but it can also be facing the audio interface that's causing noise from amp and cab sim software. For me it's definitely my computer making the noise but glad to hear what works for YOU!
@@smoreshaunted Yeah, it was a combo of bad guitar/bass grounding and an ugly computer, I have since gotten a new bass and different guitar pickups, also the ugly computer finally gave up the ghost
Misha: these riffs I just wrote last night so I’m not great at tracking them.
*tracks them perfectly
Anybody else just now realizing this is Wildfire?
Here after the teaser for the new song. I recognized it from somewhere
Same
I wish there was a video like this for the bass sound in of this demo.
Yeah. There is a lot going on there with the bass. Glad he took the time make this video though.
@@bwgti Yes ! This makes me want to write and mix more again !
Bruh track the bass duplicate the same track twice have a high pass on one and a low pass on the other so basically have 3 track divided in to a low (sub) mid high and you can throw a distortion or guitar amp on the high track and you can kinda control the lows mid and high separate and mix it together thats what i do and it sounds pretty good...also parallel comp
@@joeyg1463 Yes, thats Bassicaly the basics of it but there are so many ways to 'flavor' the sound. And somehow I never get it to sound heavy low and tight at the same time. I tried many tuts on youtube but not even one I found sounds like this.
@@metalgear8000 The key to Nolly's bass tone is to start with a great sounding bass DI. If you have a cheap bass that sounds like crap, you won't be able to sound like he does
Love these tutorials, always informative and helpful. A breakdown of how you personally visualise/navigate the fretboard as a not-so-theory guy would be awesome, I realise this isn't specifically GGD related but would be cool.
I love the low gain plus sweet chords sound, been recording in that way as well rather than just totally clean. makes the strings ring together very nicely.
We’re just gonna put some happy little trees down here in the corner...
I hope that is on the next album. what a sweet tone and groove
Thanks for the lesson! Can't wait for those IRs!
Keith Shelley As for now ML sound labs IRs or the ones in the Nolly Archetype are the closest you can get
I just can't wait for one more fucking day, GIMME THIS SINGLE
That riff is so disgustingly good that is absurd
I was looking tirelessly for Misha's videos at NAMM, and this popped out..... Thank you!
Hi, let’s talk about gain with this little something I slapped together that sounds better than anything. The production sounds better than any record I’ve listened to lately. The drums, invasion, Misha just always has the best sounding drums. Period. This is definitely wetting my whistle to buy Invasion.
"a little bit of grit goes a long way" - couldn't agree more. I love the sound of a clean amp on the edge of breakup, it feels more alive. Also, an amp that's pushed that hard is compressing the signal slightly making the loudness of the playing more consistent. That can be a crutch, but it makes it WAY easier for it to sit in the mix.
Thanks for the free lesson misha, appreciate it as always. Still wandering why your mixes slaps so hard even through the phone speakers. I still suck at mixing and you play way tighter than me, maybe the answer is there. Or maybe not, who knows
The "who knows" is the worst about that mixing stuff. There could be a million things we are doing wrong, and only time will tell.
@@heret1c385 I was kinda joking, actually if you learn enough you get to the point where you can identify the areas that causes problems and start to work with them. A huge thing for me is that, compared to him for example, my source tones are worse (worse player, not enough djent, not a great environment with A LOT of noise, low budget interface) and that is tough for a beginner, cause then your mixing skill, which are still immature, needs to compensate a source that needs way more tweaking to sit properly where it needs to be. But still, who knows
I use a bass compression pedals for my baritone guitar works magically...
Experience, creativity & decent gear helps.
@@heret1c385 This is the thing currently tripping me out big time with mixing, my mixes sound so bland and I don't even understand what's wrong or what to do.
Feels like I'm searching in the dark with a blindfold on :(
I love the song at the end. I come back to listen to that tone.
I would REEEEEALLY like to see this musical idea come to fruition... Please! I don't care if it's on a solo album, or if it's on the next Periphery record, that shit was FIRE!
Good news, check their tiktok
My friend this comment aged like fine wine
@@tev9827 Indeed it did. Wildfire absolutely rips. Banger song 10/10
Damn, these tips will help a bit when I’m recording my band, thanks. This recording also sounds really good to even become a Periphery song too.
Hello, my name is Misha Mansoor from the gym and today we are going to talk about gains!
If this doesn't make a song imma head out
And now we can have those cabs in our productions
Next song to my Bulb playlist thanks !
Super informative. I've been afraid of too much gain while recording but I feel like these amp modelers can really help you dial things in to the most minuscule detail. It's possible to still retain clarity while achieving that saturated sound with the blooming effect for palm muting.
WILDFIRE!
@GetGood Drums..Misha you should share those patches you used in this.
I enjoy every video. I learn so much. I have so much fun! I have so much work to do haha! But, the work is the fun! Thanks Misha!
It sounds super awesome! Your skills are impressive man, you are such a humble guy!
These Lessons are awesome id love to see one discussing delay n reverb for cleans and leads
Misha leaking PV since 2020
Since 2008 actually
This track NEEDS to be released, wtf!
wish granted
I hope they change the cleans to pure Djent. I hope wildfire doesn’t have cleans tbh
Does anyone know what drive pedal he’s using for the clean patch? I’m guessing just the T808
Kinda glad I missed this so I can watch it now holy sht yeah
Interesting that the breakdown part as well as the clean part didn't make its way to Wildfire but I knew I heard those opening riffs somewhere before and here it were.
I hope those riffs will be on the next Periphery.
Excellent lesson. Just wish my band listens to this more
So when's that new GGD plugin comin? Second time we've seen it now and I wanna know more!
This was very helpful. Also the heavy riffs slap
Thank you so much, Misha!!! You're so awesome!!!!
I was hoping that preset would be in the description.. I guess I’ll just screenshot it and dial it into my AxeFx III. Ya always have great tones Misha
sooo many kisses, for this!!!
Thanks a ton, for sharing you knowledge with us, man..
Appreciate you!!
Awesome guide and super insightful! Gonna experiment with all the gains more
Lovely, lovely tones. As one would expect from Misha...
WILDFIREEEE!!
Love to know what was used for the bass here!
Your tone always astounds me. I've been trying to emulate your sound on my Axe Fx II over the years
the bass is *deceivingly* crucial
zifee mayne *so* important, dude! Just like how you can’t record Vocal tracks in just one take
Seth shut up white man
"I made a little clip here".... man that shit was insane!
Always learning a lot from this videos, thank you so much dude!
that first riff though
Can we just have these as more demo songs from you?
Hey, Misha! How do you deal with that hum? Do you just eq it out or use a noise gate after tracking?
What drive model are you using on the gritty cleans?
love these types of videos. thank you!
“Here’s just a little riff I wrote :))” *absolute savagery ensues*
Please just put it out there as is. I want to listen!
Amazing and insightful as always Misha.
SO GOOD. Love this track.
Thank you for sharing Misha
What was the bass tone?
Thanks for the tip Misha.
I knew I had heard wildfire somewhere before
i thought it was Misha April from Horizon Devices, considering we're talking about gain here
that first riff is all i needed today.. f ya!
Hey Misha would you consider doing a tutorial or quick overview on how your bass tone interacts with YOUR tone specifically?
Thanks Misha, this was really valuable info.
Just setup right input on the master bus compressor. That's it...
Great demo. Thanks dude 🙏🙏🙏
That ir loader is excitinggg
Is this a sample of new periphery???
It is now
FW 1.18? You’re missing like 2ish years of great updates!
At 7:00 we’re given a glimpse of some of mishas secret sound fx powers, when he slides his finger lightly across the strings with his fretting hand and it sounds like part of a Gojira riff.
Shit brother you got skills even when your just fuckin around . Appreciate you sharing Misha.
I need more grooves like this in my life. Holy shit.
If you listen to mark ig stories in the P5 highlight, you will hear this song. So apparently it’s gonna be on P5
Hey Misha. Brilliant video. Always insightful and interesting to hear you break down your approach.
Just wondering have you done or if not could you do and video on your rhythmic approach to songs, specifically how you create asymmetric/cross barre line kind of stuff that's so much a part of your sound? Is that even possible as a video like this?
Thought I'd ask.
That opening was monstrous
This is great, thanks for this!
Crushing riffs as always
Someone below said this too but yea man....you got a good start on blood eagle 2 lol
Which 5150 Sim? Great tutorial.
Was the first tone with a lot of gain used in song „Blood Eagle”?
The beginnings of wilidfire from P5:nis in the making
How do you get around the latency having to disconnect the direct monitoring from the axe fx to beat able to use the zilla plug in?
What are the blocks on the far left and right?
That was bad ass! And how many times do you track your guitars? Anyone have any advice, I'm new to this.
please upload this track to soundcloud or somewhere
Outstanding!
Is the song gonna be called baroness?
Awesome as always 🤘
Hello, Adam! What do you think is the best and most balanced Bare Knuckle neck pickup for heavy modern styles? Please help with the choice.
Misha, I would like to purchase the new cab sim please.