Eine großartige Interpretation von Dvoraks Meisterwerk! Phänomenal singender Chor, Weltklasse-Solistenquartett und ein glänzend disponiertes Orchester. Alles atmet den großen Geist des Musikverstehers Harnoncourt. Einzig der schlimme Holzbläserpatzer am Ende des "Inflammatus et accensus" trübt für einen Moment die überirdische Schönheit...Live is live...
Une splendide version sous la direction du très inspiré Nikolaus Harnoncourt. Une mention spéciale pour le ténor albanais Saimir Pirgu au chant subtil et à la musicalité finalement très rare dans ce répertoire où les chanteurs se croient souvent à l'opéra.
Une excellente version parfaitement dirigée. Un très grand ténor dont la tessiture et la puissance correspondent parfaitement à cette oeuvre. Magistral.
The most moving setting of this most moving of medieval poems, superbly performed. Many thanks to you, the other fine soloists, and the celestial choir and orchestra, and of course Maestro Harnoncourt.
Dvořák´s daughter Marie Dvořáková was alt singer. Dvořák was also singing in the choir as a young teenager, with the daughter of his teacher and composer Antonín Lehmann , Terinka Liehmannová...Antonín Liehamnn was a composer who composed curch and dance music. His daughter was his first love and he liked her voice. Dvořak was also playing the organ with the teacher Liehmann. They composed the first piece together called Polka Poměnka, Forget me not polka.
@@alaalfa8839 That is very interesting! Thank you for replying. We are about to start learning Dvořák's Mass in D in choir. I learnt his Stabat Mater a couple of years ago. Absolutely beautiful piece of music.
This is probably the greatest performance I've listened to of this amazing piece. Other high recommendations are the audio recordings of Sawallisch and especially the one with the very same Harnoncourt (RCA). But this one is a live performance and features an amazing alto. Somehow the late Harnoncourt got leaner, and this interpretation (similar to his recording) is free from all mannerisms and oddities (or to be positive: experimentations) that characterizes him sometimes, except for one: the ending a capella part. But that one is pure magic and unique, I do not know if that was the way originally Dvorak conceived it, but it is just so convincing and touching that it brings tears to the eyes of the unprepared listener: 1:33:57 Is it possible to get this recording from somewhere?
(Auftritt) 0:00:01∙ I. Quartett und Chor: Stabat Mater dolorosa 0:02:25 ∙ II. Quartett: Quis est homo, qui non fleret 0:22:16 ∙ III. Chor: Eja Mater, fons amoris 0:34:11 ∙ IV. Bass-Solo und Chor: Fac, utardeatcor meum 0:41:39 ∙ V. Chor: Tui Nati vulnerati 0:51:35 ∙ VI. Tenor-Solo und Chor: Fac me vere tecum flere 0:58:28 ∙ VII. Chor: Virgo virginum praeclara 1:07:05∙ VIII. Duo (Sopran und Tenor): Fac, ut portem Christi mortem 1:14:23 ∙ IX. Alt-Solo: Inflammatus et accensus 1:21:23∙ X. Quartett und Chor: Quando corpus morietur 1:28:22 ∙
Frau Kulman ist KEIN ALT. Hier hört man es deutlich, ist ihr alles zu tief und unten kommt fast nichts. Abdunkeln und die Töne fast verschlucken macht noch keinen Alt.Aber eine gute Sängerin war sie schon.
Muy bello. Dvorák superlativo. Muchas gracias desde Buenos Aires, Argentina.
Eine großartige Interpretation von Dvoraks Meisterwerk! Phänomenal singender Chor, Weltklasse-Solistenquartett und ein glänzend disponiertes Orchester. Alles atmet den großen Geist des Musikverstehers Harnoncourt. Einzig der schlimme Holzbläserpatzer am Ende des "Inflammatus et accensus" trübt für einen Moment die überirdische Schönheit...Live is live...
Une splendide version sous la direction du très inspiré Nikolaus Harnoncourt. Une mention spéciale pour le ténor albanais
Saimir Pirgu au chant subtil et à la musicalité finalement très rare dans ce répertoire où les chanteurs se croient souvent à l'opéra.
Wunderbar! Macht Lust darauf, das selbst zu singen.
Superbe interprétation de cette oeuvre géniale du grand Anton Dvorak!
Une excellente version parfaitement dirigée. Un très grand ténor dont la tessiture et la puissance correspondent parfaitement à cette oeuvre. Magistral.
Super! ❤
The Soprano crescendo starting at 28:10... pure magic, tears to my eyes every single time
Magnificent !
Simply wonderful
Wonderful
GRATITUD. ..CULTIVANDO MI SER CON ATENTA ESCUCHA. .
chœur de qualité
This was amazing. Loved the touching performances of the soloists, especially the soprano. First time I have heard this work.
The planets aligned... Superb.
RIP maestro. First time I've experienced his work and I am so touched. Also love the work of the orchestra, choir and soloists.
Огромная благодарность за мастерское исполнение и вдохновение!
The most moving setting of this most moving of medieval poems, superbly performed. Many thanks to you, the other fine soloists, and the celestial choir and orchestra, and of course Maestro Harnoncourt.
WJohnM
Bravo
Dvorak ist absolut genial!
Beautiful performance in every way. I particularly love the alto and tenor soloists. Such lovely dark resonant voices.
Dvořák´s daughter Marie Dvořáková was alt singer. Dvořák was also singing in the choir as a young teenager, with the daughter of his teacher and composer Antonín Lehmann , Terinka Liehmannová...Antonín Liehamnn was a composer who composed curch and dance music. His daughter was his first love and he liked her voice. Dvořak was also playing the organ with the teacher Liehmann. They composed the first piece together called Polka Poměnka, Forget me not polka.
@@alaalfa8839 That is very interesting! Thank you for replying. We are about to start learning Dvořák's Mass in D in choir. I learnt his Stabat Mater a couple of years ago. Absolutely beautiful piece of music.
So very beautiful, so very beautiful...
conmovedora obra con un 10mo.movimiento grandioso
素晴らしい合唱・迫力のある演奏 ドボルザーク 凄いね。
This is probably the greatest performance I've listened to of this amazing piece. Other high recommendations are the audio recordings of Sawallisch and especially the one with the very same Harnoncourt (RCA). But this one is a live performance and features an amazing alto. Somehow the late Harnoncourt got leaner, and this interpretation (similar to his recording) is free from all mannerisms and oddities (or to be positive: experimentations) that characterizes him sometimes, except for one: the ending a capella part. But that one is pure magic and unique, I do not know if that was the way originally Dvorak conceived it, but it is just so convincing and touching that it brings tears to the eyes of the unprepared listener: 1:33:57
Is it possible to get this recording from somewhere?
Top moumoutte !
What a amazing video. Thanks for the work you put into it! Keep it up :)
Am I the only one to hear a wriggled tape-like distortion in some passages?? (For example, at the end part of the tenor's solo)
Le lac des cygnes
Disney Rhyme Games - Children's Videos i
simo
II. Quartetto 22:22
(Auftritt) 0:00:01∙
I. Quartett und Chor: Stabat Mater dolorosa 0:02:25 ∙
II. Quartett: Quis est homo, qui non fleret 0:22:16 ∙
III. Chor: Eja Mater, fons amoris 0:34:11 ∙
IV. Bass-Solo und Chor: Fac, utardeatcor meum 0:41:39 ∙
V. Chor: Tui Nati vulnerati 0:51:35 ∙
VI. Tenor-Solo und Chor: Fac me vere tecum flere 0:58:28 ∙
VII. Chor: Virgo virginum praeclara 1:07:05∙
VIII. Duo (Sopran und Tenor): Fac, ut portem Christi mortem 1:14:23 ∙
IX. Alt-Solo: Inflammatus et accensus 1:21:23∙
X. Quartett und Chor: Quando corpus morietur 1:28:22 ∙
❤❤❤❤
wish this was higher quality
try the version by the Bavarian Radio Smphony
スターバト・マーテル(悲しみの聖母)/ドヴォルザーク
41:51
1:25:54 Yikes!!!
The Blacklist brought me here
Opera di grande livello musicale....ma che non si sposa con il significato del testo. In ogni modo molto bella.
Ist fuer den Text zu theatralisch. Das sehe ich auch so. Ist sehr schoen, aber richtig beruehrend finde ich das Stabat mater von Pergolesi.
Video and sound out of sync... Weird th-cam.com/video/h1m4a0c6VUU/w-d-xo.html !
Frau Kulman ist KEIN ALT. Hier hört man es deutlich, ist ihr alles zu tief und unten kommt fast nichts. Abdunkeln und die Töne fast verschlucken macht noch keinen Alt.Aber eine gute Sängerin war sie schon.