We just (August 10, 2019) sang this with the Berkshire Choral International in Prague under the direction of Heinz Ferlesch and it is simply extraordinary. Every choral singer in the world should sing this once before they die. Seriously.
I. Quartet/Chorus: Stabat mater, 1:05 II. Quartet: Quis est homo, 18:03 III. Chorus: Eja mater, 28:12 IV. Basso/Chorus: Fac, ut ardeat cor meum, 35:32 V. Chorus: Tui nati vulnerati, 44:07 VI. Tenor/Chorus: Fac me vere tecum flere, 48:16 VII. Chorus: Virgo viginum praeclara, 55:22 VIII. Duo: Fac ut portem Christi mortem, 1:01:13 IX: Alto: Inflammatus et accensus: 1:05:50 X: Quartet/Chorus: Quando corpus morietur, 1:11:19 Standing ovation, 1:19:35 Thank you for uploading this great perfomance and recording!!!
This is an amazing piece, and recording. I had the good fortune to perform it in October 2015, and the arc of the piece is completely perfect. What a piece! Thanks for sharing this fabulous performance of it.
If I had not been told that this was Dvorak, I would never have guessed, having listened to many of his other works over 50+ years. Thank you for opening my ears to another aspect of Dvorak's genius.
Oh thanks so much for posting this! I've loved this since I heard the Eja mater as background to a stupid tv show when I was a kid. From those wrenching harmonies of the opening to its blinding transfiguration at the end, and that wild Amen, I was riveted throughout. Reading along with the text felt almost intrusive, like interrupting the composer at his private devotions. It made my heart burn, just like the poem says.
Above all, let me congratulate to those who edited these extraordinary images: never before seen something alike filming a classical orchestra ( of course, it's a musical masterpiece and sublimely erformed )
Movement number 10: Quando corpus moreitur Fac ut animae, donetur Paradisi gloria. Amen. Singing this last movement makes singing the preceding movements worth all of the effort. It is absolutely triumphant.
Bravo et quel plaisir de savoir que nous allons (le Choeur symphonique de Montpellier) donner ce Stabat Mater le 20 mars à Montpellier (Église Sainte-Thérèse Avenue d'Assas)
Amazing is the word! I love Stabat Matar and this Orchestra and Conductor have done justice to this remarkable piece of music written first in 1590 by Palestrina! Video visuals were super!
This work first crossed my path in 1979 when I was a chorister (with tenor/counter-tenor Paul Flight) at Asylum Hill Congregational Church in Hartford, CT. It has since been a favorite though I have never had the opportunity to perform it again. There were only a couple of recordings available then and they weren't very good. This performance, amongst many fine versions that have appeared in 30+ years since, is now my "go to" choice because it is, in my opinion, nearly perfect. Even the couple of places where I disagree with tempo choices (Virgo virginem plangere, too fast I think; final a capella statement of Quando corpus morietur, too slow) there is still that voice in my musical heart and soul that says "so what? It is beautiful and proper and edifying and your opinion matters little in the face of such glorious worship." Since 2003, listening to this work on Great and Holy Friday (I am Eastern Orthodox) has been my custom. Today it was especially lovely. Followed it with Tavener's Lamentations of the Mother of God, completely different but utterly complementary works! Thank you, mikabrains.
mastersinger47 Paul Flight... have heard that name here in Berkeley, because he directed a chorus group, Chora Nova. I'm singing Stabat Mater tenor with another chorus group: Berkeley Community Chorus & Orchestra. 230 of us having our passage through this work. It's a beautiful, touching expression. My first experience of Stabat Mater.
@@risili5446 Yes I knew Paul was in the Bay Area for a number of years, but I've lost track of him in the past few years. In addition to the youth chorus, he was also in an a capella male vocal ensemble, and also did Akhnaten with the SF Opera, IIRC. Far more successful than I, I did radio for 35 years and conducted church choirs and sang barbershop. :)
Oeuvres que nous avons exécuté avec les Gracious Voices au Cameroun le 14 septembre 2019 sous la direction de Louis Marie Eya... Très belle œuvre et vraiment pieuse
Wow, amazingly performed!!!! Beautiful beautiful. I loved those extra seconds in silence at the very end. I always feel that this pieces need to be acompanied by images, images of paintings depicting each of the moments.
I have (as far as I know) never heard this before. I was driving from a work interviews, just a few days ago, and the UK Radio 3 played this...well, what could I do? I had to buy the album, of course! What a delightful time listening to the whole piece.
Right-- there's a recording of Jansons with these soloists . Pretty much the best interpretation within the last 10-20 years. People also love the old Kubelik recording with this same orchestra, but it's always left me a bit unmoved.
Eversince I heard the opening part of this masterpiece, I never stopped finding more about it and buying a CD. This is one of the best work that was really composed due to sadness and it really is very moving. Thanks for this HD upload, much appreciated. Can you at least change the category from "Comedy" please
*Stabat Mater (Jacopone da Todi?): .Stabat mater dolorosa Juxta crucem lacrimosa, Dum pendebat filius. .Cuius animam gementem, Contristatam et dolentem Pertransivit gladius. .Oh! quam tristis et afflicta Fuit illa benedicta, Mater unigeniti! .Quae moerebat et dolebat, Pia mater, dum videbat Nati poenas inclyti. .Pro peccatis suae gentis Vidit iesum in tormentis, Et flagellis subditum. .Vidit suum dulcem natum Moriendo desolatum, Dum emisit spiritum. .Quis non posset contristari Christi matrem contemplari Dolentem cum filio? .Quis est homo qui non fleret, Matrem christi si videret In tanto supplicio? .Eia, mater, fons amoris Me sentire vim doloris Fac, ut tecum lugeam. .Fac, ut ardeat cor meum In amando christum deum Ut sibi complaceam. .Sancta mater, istud agas, Crucifixi fige plagas Cordi meo valide. .Tui nati vulnerati, Tam dignati pro me pati, Poenas mecum divide. .Fac me tecum pie flere, Crucifixo condolere, Donec ego vixero. .Juxta crucem tecum stare, Et me tibi sociare In planctu desidero. .Fac me cruce custodiri Morte christi praemuniri Confoveri gratia .Quando corpus morietur, Fac, ut animae donetur Paradisi gloria. Amen. *VERSÃO PARA O PORTUGUÊS: www.mariahelena.pt/pt/pages/stabat-mater-dolorosa
Bavarian Radio Symphony Orchestra & Choir Mariss Jansons Erin Wall [soprano] Mihoko Fujimura [mezzo-soprano] Christian Elsner [tenor] Liang Li [bass] Bavarian Radio Symphony Orchestra & Choir Mariss Jansons Live from the KKL Concert Hall, Lucerne March 3 2015 Bravo tutti!
나는 몇 년 동안 게시하지 않았습니다 - 나는 게으르다 - 하지만이 공연과이 작품은 일반적으로 나를 매우 감동시킵니다. 안토닌 드보르작: "Stabat mater" 솔리를 위하여, Chor und Orchester, op. 58 Mitwirkende: 에린 월, 소프란 후지무라 미호코, 메조소프란 크리스티안 엘스너, 테너 리앙 리(Liang Li), 베이스 Chor des Bayerischen Rundfunks Symphonieorchester des Bayerischen Rundfunks 부지런한: 마리스 얀손스 삼스타크, 28. März 2015, 18:30 Uhr Luzern, Kultur- und Kongresszentrum pearliejammie1 달 전 (편집됨) I. 콰르텟/코러스: Stabat mater, 1:05 II. 콰르텟: Quis est homo, 18:03 III. 후렴: Eja mater, 28:12 IV. 바소/코러스: Fac, ut ardeat cor meum, 35:32 V. 코러스: Tui nati vulnerati, 44:07 VI. 테너/합창: Fac me vere tecum flere, 48:16 VII. 합창: 처녀자리 viginum praeclara, 55:22 VIII. 듀오: Fac ut portem Christi mortem, 1:01:13 IX: Alto: Inflammatus et accensus: 1:05:50 X: 콰르텟/코러스: 콴도 코퍼스 모리에투르, 1:11:19 기립박수, 1:19:35
28:12 이 부분을 들으니 지난 무더운 여름의 출구없는 슬픔이 생각난다. 아이가 많이 아팠고 미래가 전혀 보이지 않는 깊은 절망감이 들었다. 기독교인은 아니지만 십자가에 못박힌 예수를 보는 성모의 마음과 내 마음이 크게 다르지 않았을 것이라 여겨진다. 이제 긴 무더위가 끝났듯이 아이는 조금씩 나아질 기미를 보인다. 그동안 그 고통을 묘사할 마땅한 언어가 없었다. 아마 내 감정이 무엇인가를 표현하라고 한다면 '슬픔의 성모'의 세번째 합창에 그것이 표현되었다고 말하고 싶다. 이 모든 감정과 기억이 과거가 되길 간절히 바래본다.
![BOWKYLION - วิงวอน (ex-change) [Official MV]](http://i.ytimg.com/vi/cLdnZWDaO-w/mqdefault.jpg)
Dvořák's music never ceases to amaze me
We just (August 10, 2019) sang this with the Berkshire Choral International in Prague under the direction of Heinz Ferlesch and it is simply extraordinary. Every choral singer in the world should sing this once before they die. Seriously.
I agree Rachel. I sang it at Berkshire Choral International with Frank in Sheffield.
Preferably more than once... an inner massage, so luscious to just bathe in - I Love singing this piece..
I. Quartet/Chorus: Stabat mater, 1:05
II. Quartet: Quis est homo, 18:03
III. Chorus: Eja mater, 28:12
IV. Basso/Chorus: Fac, ut ardeat cor meum, 35:32
V. Chorus: Tui nati vulnerati, 44:07
VI. Tenor/Chorus: Fac me vere tecum flere, 48:16
VII. Chorus: Virgo viginum praeclara, 55:22
VIII. Duo: Fac ut portem Christi mortem, 1:01:13
IX: Alto: Inflammatus et accensus: 1:05:50
X: Quartet/Chorus: Quando corpus morietur, 1:11:19
Standing ovation, 1:19:35
Thank you for uploading this great perfomance and recording!!!
pearliejammie merci
thank for you the index!!!
Thanks!
@@mikabrains what big need did you have to put ads in between of the Sacred Music piece? 😟
its youtube generated. I dont/cant monetize
Merveilleuse interprétation.❤
"Fac me vere" behin eta berriz jarri nezake karrusel eran. What a masterpice !
RIP Maestro Mariss Jansons 14/1/1943 - 30/11/2019
And now Erin Wall has left us, far too soon... en.wikipedia.org/wiki/Erin_Wall
Magnifico!!!....Entrega total!!!..Gracias
Fantastic! I'm always moved by the last section Quando Corpus Morietur.
One of the most beautiful thing that I hear on may life!
Have you heard the Requiem by Dvorak? IMO even better :-)
My choir was so close to singing this then covid ruined it ;_; I hope we do it again 🎶❤️
This is an amazing piece, and recording. I had the good fortune to perform it in October 2015, and the arc of the piece is completely perfect. What a piece! Thanks for sharing this fabulous performance of it.
If I had not been told that this was Dvorak, I would never have guessed, having listened to many of his other works over 50+ years. Thank you for opening my ears to another aspect of Dvorak's genius.
I find this humorous only because years ago as a younger man with little knowledge of music like this, Stabat Mater was my introduction to Dvorak.
Superbe interprétation OUI, et magnifique captation son et image. Bravo !
Oh thanks so much for posting this! I've loved this since I heard the Eja mater as background to a stupid tv show when I was a kid. From those wrenching harmonies of the opening to its blinding transfiguration at the end, and that wild Amen, I was riveted throughout. Reading along with the text felt almost intrusive, like interrupting the composer at his private devotions. It made my heart burn, just like the poem says.
Ein wunderbares Konzert. Ein ausgezeichneter Direktor.
Above all, let me congratulate to those who edited these extraordinary images: never before seen something alike filming a classical orchestra ( of course, it's a musical masterpiece and sublimely erformed )
at 38:05 the pianissimo "Sancta Mater is tud agas crucifixi fige plagas" is breathtaking
Movement number 10:
Quando corpus moreitur
Fac ut animae, donetur
Paradisi gloria.
Amen.
Singing this last movement makes singing the preceding movements worth all of the effort. It is absolutely triumphant.
Bravo et quel plaisir de savoir que nous allons (le Choeur symphonique de Montpellier) donner ce Stabat Mater le 20 mars à Montpellier (Église Sainte-Thérèse Avenue d'Assas)
Our choir will also perform this piece on march 19 & 20 in Baden, Switzerland :-).
Spectacular for this Good Friday, 2017. I wish I were in the audience to extend the applause well beyond the ten minutes.
Superbe interprétation
-- Belle version de ce chef-d’œuvre. --
A truly uplifting performance.
Thank you for sharing...one of the best performance
This is a superb rendition
les voix sont splendides...
Absolutely FANTASTIC!!!!
YES!
Magnifique interprétation bravooo quel bonheur de retrouver cette œuvre dirigée par maris janson
Amazing is the word! I love Stabat Matar and this Orchestra and Conductor have done justice to this remarkable piece of music written first in 1590 by Palestrina! Video visuals were super!
Amazing piece...We performed it yrs ago...one of my favs
This work first crossed my path in 1979 when I was a chorister (with tenor/counter-tenor Paul Flight) at Asylum Hill Congregational Church in Hartford, CT. It has since been a favorite though I have never had the opportunity to perform it again.
There were only a couple of recordings available then and they weren't very good. This performance, amongst many fine versions that have appeared in 30+ years since, is now my "go to" choice because it is, in my opinion, nearly perfect. Even the couple of places where I disagree with tempo choices (Virgo virginem plangere, too fast I think; final a capella statement of Quando corpus morietur, too slow) there is still that voice in my musical heart and soul that says "so what? It is beautiful and proper and edifying and your opinion matters little in the face of such glorious worship."
Since 2003, listening to this work on Great and Holy Friday (I am Eastern Orthodox) has been my custom. Today it was especially lovely. Followed it with Tavener's Lamentations of the Mother of God, completely different but utterly complementary works!
Thank you, mikabrains.
mastersinger47 Paul Flight... have heard that name here in Berkeley, because he directed a chorus group, Chora Nova. I'm singing Stabat Mater tenor with another chorus group: Berkeley Community Chorus & Orchestra. 230 of us having our passage through this work. It's a beautiful, touching expression. My first experience of Stabat Mater.
@@risili5446 Yes I knew Paul was in the Bay Area for a number of years, but I've lost track of him in the past few years. In addition to the youth chorus, he was also in an a capella male vocal ensemble, and also did Akhnaten with the SF Opera, IIRC. Far more successful than I, I did radio for 35 years and conducted church choirs and sang barbershop. :)
Oeuvres que nous avons exécuté avec les Gracious Voices au Cameroun le 14 septembre 2019 sous la direction de Louis Marie Eya... Très belle œuvre et vraiment pieuse
Stunning! the final appluas is well deserved.
I really enjoy this performance. Thanks for sharing.
An outstanding performance ---excellent
훌륭한 공연 잘 감상합니다.
Wow, amazingly performed!!!! Beautiful beautiful. I loved those extra seconds in silence at the very end. I always feel that this pieces need to be acompanied by images, images of paintings depicting each of the moments.
Obrigado, prof. Nougué, pela menção a esta tão grandiosa música que nos conduz ao bom e ao verdadeiro mediante o belo.
I have (as far as I know) never heard this before. I was driving from a work interviews, just a few days ago, and the UK Radio 3 played this...well, what could I do? I had to buy the album, of course! What a delightful time listening to the whole piece.
Right-- there's a recording of Jansons with these soloists . Pretty much the best interpretation within the last 10-20 years. People also love the old Kubelik recording with this same orchestra, but it's always left me a bit unmoved.
Eversince I heard the opening part of this masterpiece, I never stopped finding more about it and buying a CD. This is one of the best work that was really composed due to sadness and it really is very moving. Thanks for this HD upload, much appreciated. Can you at least change the category from "Comedy" please
Dvořák je génius ❤️
Áno,môj milovaný skladateľ ♫♪♥
Můj také a tahle skladba je i na Dvořáka všeobecně top kvalitu ještě o level vyse.tech emocí, když dozni poslední tón...
Stupenda interpretazione di straordianria intensità per quwesto capolavoro
Next week in Pardubice and in April in Prague I will sing this masterpiece 🤗
Excellent!
Splendid.
Just Fantastic Performance. THANKS for this Catharses.
Che dio vi benedica grandemente
Sublime.
SUBLIMISSIME!!!
12:30 the best part of dolorosa ❤️🎼🎼🎼
Amazing!!!!! Bravissimo!
¡Magnífico!
i had no idea Janson had died! Damn.
Fantastic !
*Stabat Mater (Jacopone da Todi?):
.Stabat mater dolorosa
Juxta crucem lacrimosa,
Dum pendebat filius.
.Cuius animam gementem,
Contristatam et dolentem
Pertransivit gladius.
.Oh! quam tristis et afflicta
Fuit illa benedicta,
Mater unigeniti!
.Quae moerebat et dolebat,
Pia mater, dum videbat
Nati poenas inclyti.
.Pro peccatis suae gentis
Vidit iesum in tormentis,
Et flagellis subditum.
.Vidit suum dulcem natum
Moriendo desolatum,
Dum emisit spiritum.
.Quis non posset contristari
Christi matrem contemplari
Dolentem cum filio?
.Quis est homo qui non fleret,
Matrem christi si videret
In tanto supplicio?
.Eia, mater, fons amoris
Me sentire vim doloris
Fac, ut tecum lugeam.
.Fac, ut ardeat cor meum
In amando christum deum
Ut sibi complaceam.
.Sancta mater, istud agas,
Crucifixi fige plagas
Cordi meo valide.
.Tui nati vulnerati,
Tam dignati pro me pati,
Poenas mecum divide.
.Fac me tecum pie flere,
Crucifixo condolere,
Donec ego vixero.
.Juxta crucem tecum stare,
Et me tibi sociare
In planctu desidero.
.Fac me cruce custodiri
Morte christi praemuniri
Confoveri gratia
.Quando corpus morietur,
Fac, ut animae donetur
Paradisi gloria.
Amen.
*VERSÃO PARA O PORTUGUÊS: www.mariahelena.pt/pt/pages/stabat-mater-dolorosa
Sublissime!
mi
Quando Corpus...! 😢😢
Love It
33 people give it a thumbs down. Hows that possible.
they got up on the wrong side of the bed
41 allready. i don´t know why. Maybe they don´t like te hear a woman cry for her sun.
beautiful!
Bavarian Radio Symphony Orchestra & Choir
Mariss Jansons
Erin Wall [soprano]
Mihoko Fujimura [mezzo-soprano]
Christian Elsner [tenor]
Liang Li [bass]
Bavarian Radio Symphony Orchestra & Choir
Mariss Jansons
Live from the KKL Concert Hall, Lucerne March 3 2015
Bravo tutti!
Erin Wall 😢
The death of their baby dughter the next year inspired him to compose a setting of the Stabat Mater( The Mother weeps) in memory of her.
celestial
Belíssima!.
Just...wow...
Dvorak Stabat Mater ❤
I feel a infinite sorrow
Bravo!!!!
30:20 so beautiful makes me cry
Dvořák is Dvořák
SUBLIME !!!
Meravigliosi
나는 몇 년 동안 게시하지 않았습니다 - 나는 게으르다 - 하지만이 공연과이 작품은 일반적으로 나를 매우 감동시킵니다.
안토닌 드보르작:
"Stabat mater"
솔리를 위하여, Chor und Orchester, op. 58
Mitwirkende:
에린 월, 소프란
후지무라 미호코, 메조소프란
크리스티안 엘스너, 테너
리앙 리(Liang Li), 베이스
Chor des Bayerischen Rundfunks
Symphonieorchester des Bayerischen Rundfunks
부지런한: 마리스 얀손스
삼스타크, 28. März 2015, 18:30 Uhr
Luzern, Kultur- und Kongresszentrum
pearliejammie1 달 전 (편집됨)
I. 콰르텟/코러스: Stabat mater, 1:05
II. 콰르텟: Quis est homo, 18:03
III. 후렴: Eja mater, 28:12
IV. 바소/코러스: Fac, ut ardeat cor meum, 35:32
V. 코러스: Tui nati vulnerati, 44:07
VI. 테너/합창: Fac me vere tecum flere, 48:16
VII. 합창: 처녀자리 viginum praeclara, 55:22
VIII. 듀오: Fac ut portem Christi mortem, 1:01:13
IX: Alto: Inflammatus et accensus: 1:05:50
X: 콰르텟/코러스: 콴도 코퍼스 모리에투르, 1:11:19
기립박수, 1:19:35
28:12 이 부분을 들으니 지난 무더운 여름의 출구없는 슬픔이 생각난다. 아이가 많이 아팠고 미래가 전혀 보이지 않는 깊은 절망감이 들었다. 기독교인은 아니지만 십자가에 못박힌 예수를 보는 성모의 마음과 내 마음이 크게 다르지 않았을 것이라 여겨진다. 이제 긴 무더위가 끝났듯이 아이는 조금씩 나아질 기미를 보인다. 그동안 그 고통을 묘사할 마땅한 언어가 없었다. 아마 내 감정이 무엇인가를 표현하라고 한다면 '슬픔의 성모'의 세번째 합창에 그것이 표현되었다고 말하고 싶다. 이 모든 감정과 기억이 과거가 되길 간절히 바래본다.
Bravo
Quels éléments
1:14:30
❤
J'adore Dvorak et ce Stabat Mater! Est-ce que quelqu'un peut me dire le nom des solistes? Merci!
Antonín Dvorák:
"Stabat mater"
für Soli, Chor und Orchester, op. 58
Mitwirkende:
Erin Wall, Sopran
Mihoko Fujimura, Mezzosopran
Christian Elsner, Tenor
Liang Li, Bass
Chor des Bayerischen Rundfunks
Symphonieorchester des Bayerischen Rundfunks
Dirigent: Mariss Jansons
Samstag, 28. März 2015, 18:30 Uhr
Luzern, Kultur- und Kongresszentrum
its pretty good
The Grand Canyon is a pretty big hole.
Heaven on Earth! 59:24
VadDemCh Now I know where the zelda's soundtrack comes from
@@senortenpiedad8515 Fairy Fountain?
@@rafaelmoura8688 yeah!
Just out of curiosity, can you put into words what it is you like about this piece? Any certain parts? The theme?
+jugghayd the pervasive sadness.
+jugghayd i like it because i sing it with my choir. especially beautiful is part VII.
+jugghayd 5:18 the most yearning passage of this masterpiece
Sweet, gentle, forceful, dynamic, cascading, circular, step climbing, repetitious, danceable.
Est-ce le même chef que pour le concert du 23 décembre à St Petersbourg ? Comment s'appelle-t-il ?
Many parts seem like MOZART'S REQUIEMS and AMADEUS.
¿Alguien puede decirme el nombre del bajo oriental?
Sí, no? Impresionante el tío! Puedo suponer que es Hans Choi (Hans Choi Baritone . 바리톤 최현수 - 주기도문 - TH-cam
m.youtube.com › watch?v=nGdSlx9UHqE)
Excelente, de verdad, aunque prefiero la claridad y sencillez y limpieza coral de la versión de Hanoncourt
HIPER MEGA LOL
9:05
30:00
Eja, Mater... FUUUUUCK!
fons amoris... FUUUUUCK!
me sentire FUuUuUuUuUuUuUuUuUuUuUuUuUCK!!!
:)))))
my text botton 10:40 19:15 1:06:05 1:11:45
Comment dit-on "magnifique" en tchèque?
Nádherné.
Grandiózní
love jansons, solisten leider ueber ihren zenit, hoffe ich jedenfalls.
11:36
20210402F 🎶💜🎶
1:11:22 :)
9:30 "O quam tristis......" what? The Soprano is in some other Opera :))))))))))
Who are the soloists please?
Erin Wall, Sopran
Mihoko Fujimura, Mezzosopran
Christian Elsner, Tenor
Liang Li, Bass
Chor des Bayerischen Rundfunks
Symphonieorchester des Bayerischen Rundfunks
I love it., But i hate you stupid youtube for this idiotic commercials
Bravi i solisti e belle le voci ma CRUXEM et GHEMevat non si possono sentire! Coro e direzione : super!
이 곡이 어떤 곡인지 알아야 알지 이 라틴어 "괴로움의 날"
기독교인의 몇 % 가 이곡의 의미를 알고 들을까요....이 엄청난 곡을 대체 알려고는 할까요
이 곡은 단순히 예수 십자가 처형의 성모의 슬픔이니 나와 상관 없다 라고 무관심을 드러내는 것이
대부분이 아닐까요