Thank You; Very Much; Sir Bruno Philippe; For Inspiring Me Towards Using Your Beautiful "Classiques De La Sound; And Musique;" As Motivation Towards My Body; Please Work Towards Musique And Its Continuation; For You Are Embodied For Musique; For You Seem To Add Much To What Is Deemed; Traditionally; "As Motion To Sound;" You Are Beautiful and Your Sound And Its Motion Is Most Ideal; In Its Art And Its Form.
Oh my goodness, I LOVE this interpretation! Both artists are very technically secure, but rather than weighing down the piece with flashiness, they actually back off in a few places and avoid the banality that is too often the tendency with this underrated piece. Some folks might find Mr. Philippe's facial expressions a bit much, but it's a small price to pay for such gorgeous, controlled sound (and yes, that extra glissando around 10:00 is a bit naughty but sweet). Mr. de Williencourt's accompaniment is spot-on, too. This is a live performance, and I've owned studio recordings that aren't as good.
My little sister is 8 and plays the cello at the Salzburger Motzarteum, she goes: “With a 5 Grand cello I would never follow on the steps of Yo Yo Ma.” My dad say, “it still burns a hole in my hard all that bread if you end up playing with Mariachis in Vegas."
Rarement autant de passion enfiévrée n'aura été si bien maitrisée se plaçant au service de l'oeuvre -génial.
His expression and expressiveness are supremely charming
Thank You; Very Much; Sir Bruno Philippe; For Inspiring Me Towards Using Your Beautiful "Classiques De La Sound; And Musique;" As Motivation Towards My Body; Please Work Towards Musique And Its Continuation; For You Are Embodied For Musique; For You Seem To Add Much To What Is Deemed; Traditionally; "As Motion To Sound;" You Are Beautiful and Your Sound And Its Motion Is Most Ideal; In Its Art And Its Form.
LOOVE the performance and the piece!!! great job Bruno and Tanguy!!!
Love this piece and his playing
2nd mvmt: 5:59
3rd mvmt: 11:58
4th mvmt: 15:24
I love it when he looks up at a conductor or back at an accompanist; too adorable
And how!
You Look Great!!!! Tanguy de Williencourt; I Love Your New Hair Style; Hello Bruno Philippe; Sire; You Are Absolutely; Amazing!!!!
Oh my goodness, I LOVE this interpretation! Both artists are very technically secure, but rather than weighing down the piece with flashiness, they actually back off in a few places and avoid the banality that is too often the tendency with this underrated piece. Some folks might find Mr. Philippe's facial expressions a bit much, but it's a small price to pay for such gorgeous, controlled sound (and yes, that extra glissando around 10:00 is a bit naughty but sweet). Mr. de Williencourt's accompaniment is spot-on, too. This is a live performance, and I've owned studio recordings that aren't as good.
I completely agree, he's brilliant.
actually the "extra" glissando is in the score... he just starts it super early
I Love This!!!! I Shall Love To Call This One; "The Thread And His Thimble!!!!"
Complements to both Bruno and Tanguy! Beautiful piece, beautifully played.
Congratulations to you both. A very nice performance :-)
Bravo maestro!
Beautiful
9:59 wow
Nice tempi !
esta obra es sorprendente! al igual que la ejecución claro.
The Swirl Of The Instrument; Matches His Adam's Apple;
...And; "Frazier And His Lyleth;"
My little sister is 8 and plays the cello at the Salzburger Motzarteum, she goes: “With a 5 Grand cello I would never follow on the steps of Yo Yo Ma.” My dad say, “it still burns a hole in my hard all that bread if you end up playing with Mariachis in Vegas."