The Pedagogical Legacy of Ivan Galamian
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- เผยแพร่เมื่อ 11 ส.ค. 2022
- Created for educational purposes in coordination with the University of Missouri School of Music and the University of Missouri Honors College.
Special thanks to:
Eva Szekely, Professor of Violin, University of Missouri
Joseph Genualdi, Professor of Violin, University of Missouri-Kansas City
Andrew Jennings, Professor Emeritus of Violin, University of Michigan
Galamian is so famous! I play the piano, so for me to be introduced to the violin and it's difficulties is amazing.
Heifetz's arm/wrist is actually not more pronated than that of Franco-Belgian bow holds. He has the bow positioned at a different angle and using different contact points, but you can observe the rotation of his forearm is normal.
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This is wonderful - thank you.
I enjoyed this mini-doc, thank you! It was interesting to learn how he wasn't the same kind of teacher with every student. He adapted himself, based on the kind of instruction he felt that particular student would benefit from the most. That was my biggest take away.
Thanks for this video!
Really enjoyed that. Thank you.
My violin teacher was a student of Mr.Galamian at Juilliard NY❤️❤️
Иван Галамян оставил замечательное педагогическое наследство, великие имена!
i was a violinist at Meadowmount for 2 summers in the 1970's. one question i've always pondered is "what gives a teacher the reputation of being great"? is it because they're better than others at making students play well? or is it because they're better at attracting the more talented students? i suspect it's some measure of both, though i don't know what ratio. would Heifetz and Rabin have been lesser players if they hadn't had Auer and Galamian?
The gifted and talented need to be working near each other. To follow another student into your teacher’s room having heard sublime sounds from them inspires.
I think the answer is that their students become great players.
I admire Galamian's dedication and work for violin students. I get a lot of benefits from his edited musics. Fingerings and bowings. I studied with Heifetz for 4 years and I got the sense that he didn't like Galamian for not sending good students to him. And
I wonder if Galamian was a jew also as many others?
Who plays the Chopin Nocturne at the end?
Perlman maybe..?
Fantastic!
Yeah, it is live from the White House.
The video mentions that Galamian was born in Persia (Iran) but it fails to mention that he was born to an Armenian family. So, Galamian was an Armenian person who was born in Persia.
Really, Heifetz had more tension in his wrist than Zuckermann? You lost me there (6'). Just watch your own video and tell me Heifetz is too tense.
Exactly, Galamian and Auer followed different approaches to teaching and playing. Both excellent and Heifetz was definitely not tense in that clip.
Yes, Heifetz was not a tense player generally speaking... Just because the springs aren't always moving, doesn't mean they're tense.
Wonderful video, thank you!
In violin, everything that looks pretty is good. Everything that looks ugly is bad.🤣
If Galamian had 4,000 students during his lifetime and 20 are very successful and practically household names, what does that tell you? Otakar Sevcik probably had more than 5,000 students (it has been said) and how many can we name? Picasso created more than 20,000 works and how many do we know?
He must be of Armenian origin Galamian Գալամյան / Կալամեան 🇦🇲
Oh ... _pedagogical_ ... right.
Lots of interesting things but some mistakes, as well: for example, at 13:32 the closed caption says VIOLENT but the word in the video is VIOLIN! Also the narrator mispronounces some names and words--not good in such a video. Finally, as NeiloftheViolin previously commented, Heifetz's right wrist and hand is NOT tense!
Note: Auer is pronounced like the noun "hour." You mispronounced Auer. which is very amateurish.
Gasp! The horror!
The miracle is that people believe that there is a miracle there.