Wiener Philharmoniker - Symphonie No. 9 Op. 125 - Beethoven [Live 2000]

Unter der Leitung von Sir Simon Rattle brachten am 7. Mai 2000 die Wiener Philharmoniker und der Wiener Singverein, anlässlich der 55. Wiederkehr des Jahrestages der Befreiung des Konzentrationslagers Mauthausen, Ludwig van Beethovens Symphonie Nr. 9 in d-Moll op. 125 im Steinbruch der Gedenkstätte zur Aufführung.
Unterstützt durch das BMI.
Produktion: HEY-U Mediagroup & ORF,
Produzent: Herwig Ursin
PWL: Pius Strobl
Regie: Anton Reitzenstein
Sopran: Amanda Halgrimson
Alt: Angelika Kirschlager
Tenor: Vinson Cole
Bass: Thomas Quasthoff
www.hey-u.com, © 2000
HEY-U Records ® ©

[@martinbusch2823]

Was für eine unfassbar gelungene, transparente und packende Interpretation. Unglaublich!

[@bangalorekannadiga]

What a historical and definitely an ironical place to perform this symphony for and of humanity. 'Mauthausen' concentration camp like many others was a place of extreme human cruelty by human beings to fellow human beings. This is the reason I listened to this magnificent 9th by LVB with such mixed emotions of heavenly joy on one hand and a deep sense of hellish sadness on the other. Let humanity not forget the often used phrase 'NEVER AGAIN'. May Almighty God keep the millions of victims of the holocaust in eternal peace and rest...Albert Baily (Melbourne)

[@flaviolima2208]

There's a conductor who really DELIVERS an exciting ending - giving his all, and then some!
Love it

[@pedrocruz6476]

Excelente Maestro. Sir Rattle. excelentes músicos fantásticos.

[@charlescornner]

Best quartet I've heard in this top to bottom.

[@dashunin]

Как здорово, что я нашел это видео!
Я смотрел эту запись по телевизору больше 20 лет назад, в то время практически ничего не знал о дирижере по имени Саймон Рэттл. Эта его интерпретация Девятой Бетховена стала для меня свидетельством того, что Рэттл - великий дирижер, сравнимый по масштабу с величайшими европейскими дирижерами прошлого. Потрясающая глубина, цельность, искренность, харизма и артистическая смелость.

[@danilo.magister]

love the final first mov

[@piano-qj2zq]

Sehr schön ❗️ Beeindruckt 🥲 Danke für das wundervolle Video 🙇‍♀️

[@tortysoft]

I've never heard Rattle's Ninth before. I have been saving it up. There are several points where I disagree with him, but - wow, it was worth the wait.

[@simonsimorangkir2440]

Bravo Sir. Simon Rattle.🙏💖

[@theingabo212]

That was very moving, indeed!

[@ahmedminhal8924]

Genius.

[@awacsstreetmagic6668]

51:45
59:50
1:09:30

[@markusweissenbock6337]

What a moment. That scenery - imagine, this was performed in Mauthausen, one of the most significant places of Nazi cruelty. Never forget, never forgive anyone who does this again! Fight Ruzzia!

[@wienhorn]

Horn solo: 38:02

[@geraldnorman9437]

First movement, not
so exciting. Finale
Is a great 👍
fire work. O darn,
climaxing.

[@as7river]

To each their own, the whole piece is breathtaking.

[@user-be2jj7hy2r]

0:50

[@locrianfy]

29:56

[@composer8228]

46:46

[@composer8228]

1:04:00

[@andischroder6064]

Gesang durch die Bank graunvoll leider.

[@andreasvandieaarde]

No applause at the end? What the fuck...

[@blenderalien]

This was played at the 55. anniversary of the liberation of the concentration camp Mauthausen. I thought this too at first, but given the circumstances it makes sense

[@JulioCesar-yy4ky]

¡Que mala interpretación! 🤦🏻‍♂️
👎🏻