@Nebbiolo Italiaans wijnhuis Baarn no. they are jealous. art tatum is jealous. hiromi and emmet raised human limits again, but of course, without these big ones from the past, they wouldnt do, what they do. i mean, emmet and kyle are like ... its just magic. they are completely syncronized in a way ... damn.
I remember when Bill told Marian McPartland (on her 'Piano Jazz' radio show ) how he wrote this when he got out of the army). He played it with restraint (I thought) but so lyrically and beautifully. Then I heard him play it Sweden during the 60s with Monica Zetterlund, again quite subdued. Courtesy of You Tube! THIS version is unrestrained and beautiful, too. I hear All the joy and melancholy Bill created in your version and your talent is plain to see. A Bill Evans comes along once in a lifetime so thank you for this very different and captivating homage.
This is pure genius, and is one of my absolutely favorite versions of Bill Evan's tune Waltz For Debby! Emmet Cohen begins with a graceful implied 3/4, (swinging into 4/4 like the composer often did), making this tune "sound easy". But Waltz For Debby I find a real challenge to improvise melodically without sounding "too cyclical" - as the form has a few twists, and the chords change quality often, with reharmonized bass lines that vary each section. The modulation EC3 does from original key of F adds such a refreshing color! Emmet sounds like he is doing a triple ending, then plays an Ab pedal point in the low register as a seamless transition note - a cue bassist Russell Hall picks up on, and off they go to the warm & rich key of Db!
Thank you for playing Bill Evans’ Waltz for Debby 🥹. This song is precious to me for sentimental reasons. I was living abroad in Japan and I had just met my future wife precisely when I bought Cannonball Adderley’s record “Know What I Mean?” in a Japanese record shop. Despite being from Long Island, New York, I ironically discovered that NYC-recorded album in Tokyo, and thus both Cannonball and Bill are inextricably linked to my “other home” in my mind. That album came to define and represent one of the most magical periods of my life. Oh, the incredible power of association. Thank you Emmett, Russell and Kyle for a brilliant, sparkling, vibrant rendition ❤️❤️❤️
Bill Evans is my favorite jazz pianist. This tune competes with Misty as my most loved pieces. Beautifully interpreted by this young and very talented artist. This is melodic jazz at it best. Bravo, Emmet!
Needless to say, this is a classic, played by Evans and many other players! I felt spring for the first time when I heard your performance. The intro is like an unsteady early spring, then it turns into a steady, warm and happy warm spring. This wonderful performance is for my dear B💗
Emmet, you do lyrical jazz piano very well… very, very well! Bill Evans is smiling down from heaven
@Nebbiolo Italiaans wijnhuis Baarn no. they are jealous. art tatum is jealous.
hiromi and emmet raised human limits again, but of course, without these big ones from the past, they wouldnt do, what they do.
i mean, emmet and kyle are like ...
its just magic. they are completely syncronized in a way ... damn.
Agreed, also love how he can move in and out of that feeling so fluently. From a spred voicing sound to something closer and do that seamlessly.
you mean hell
I remember when Bill told Marian McPartland (on her 'Piano Jazz' radio show ) how he wrote this when he got out of the army). He played it with restraint (I thought) but so lyrically and beautifully. Then I heard him play it Sweden during the 60s with Monica Zetterlund, again quite subdued. Courtesy of You Tube! THIS version is unrestrained and beautiful, too. I hear All the joy and melancholy Bill created in your version and your talent is plain to see. A Bill Evans comes along once in a lifetime so thank you for this very different and captivating homage.
This is pure genius, and is one of my absolutely favorite versions of Bill Evan's tune Waltz For Debby! Emmet Cohen begins with a graceful implied 3/4, (swinging into 4/4 like the composer often did), making this tune "sound easy". But Waltz For Debby I find a real challenge to improvise melodically without sounding "too cyclical" - as the form has a few twists, and the chords change quality often, with reharmonized bass lines that vary each section. The modulation EC3 does from original key of F adds such a refreshing color! Emmet sounds like he is doing a triple ending, then plays an Ab pedal point in the low register as a seamless transition note - a cue bassist Russell Hall picks up on, and off they go to the warm & rich key of Db!
Hey, look, it's Debbie! Lol
You totally summed it up Debbie... and why has this only had 9,000 views????
Well said 👍👍
And it was written for you, right Debbie? 🙃
@@acousticshadow4032 Hah! Wishful thinking, 😆For Bill Evan's niece Debby (With lyrics by Gene Lees ..."And her big purple bear..."
Thank you for playing Bill Evans’ Waltz for Debby 🥹. This song is precious to me for sentimental reasons. I was living abroad in Japan and I had just met my future wife precisely when I bought Cannonball Adderley’s record “Know What I Mean?” in a Japanese record shop. Despite being from Long Island, New York, I ironically discovered that NYC-recorded album in Tokyo, and thus both Cannonball and Bill are inextricably linked to my “other home” in my mind. That album came to define and represent one of the most magical periods of my life. Oh, the incredible power of association. Thank you Emmett, Russell and Kyle for a brilliant, sparkling, vibrant rendition ❤️❤️❤️
Magnificent!!!!
beautiful
Wow. Emmet you never cease to amaze me man, what an intro!
I love when Emmet plays a lick from another song and looks at the camera like "did you get it?"
Just lovely, Emmet. Just noticed Kyle's brush work is wow classic
That is unbeatable. By far the best version of this tune ever!
Bill Evans is my favorite jazz pianist. This tune competes with Misty as my most loved pieces. Beautifully interpreted by this young and very talented artist. This is melodic jazz at it best. Bravo, Emmet!
Please come to Texas emmet we love you
Needless to say, this is a classic, played by Evans and many other players! I felt spring for the first time when I heard your performance. The intro is like an unsteady early spring, then it turns into a steady, warm and happy warm spring. This wonderful performance is for my dear B💗
🌸Mon Amour , Hello to Spring morning, Yes Spring is the time of New good Hope …do You know😍it is also a time of LOVE.
Guys, you made my day. Thanks a lot for your music. Greetings from Mexico City.
Emmet and Bill evans makes the waltz for Debbie a fascinating performance!!
Thanks both 🎹🎼
It is so cool, hearing three guys play, seemingly, with one mind!❤️
Thank You, for This beautiful , délicate , lyrical Waltz, ….wonderful , magical JAZZ PIANO …
What a trio.
I hasn't even started, and I'm so excited to hear your take on this GORGEOUS tune 😍😍
These guys are even set up and playing first thing in the morning!!! 😆
You three people give me so much enjoyment!!! Thank you! The modulation was great.
just so beautiful, I'm sure Bill would have approved.
You made my day too. Bravo from France.
Now that is a waltz! Wonderful!!
Magnificent performance!!!
Excellence to the maximum…
Bravo !!!
Like floating on clouds of rainbows.
3:28 - Emmet having too much darned fun! - a balm for the soul
Very high level rendition of Waltz for Debby
Just beautiful playing guys. This made my day.
I absolutely love playing this tune, wonderful synergy
A very fine rendition of the Bill Evans classic
Emmet Cohen - What an enormous talent!!!
beautiful
Really wonderful take on a classic. Thanks guys!
Beautiful Jazz Piano Playing is Very Well!!! Thank you Very Much! I Love this Waltz for Debby~~~~~
Emmet and his trio are one of the BEST! thanks!
Un sueño!!! Venid a Valencia!!!
BEAUTIFUL!! You just inspired me to keep it up with my path through jazz
Beautiful.
Great version of one of my all-time favorite tunes. I like that you made it yours.
Perfect! Thank you Emmet!
Beautiful
Thanks!
Lovely
Kyle Pool is soooooo goood. !!
Called the "Waltz for Debby" and yet it only waltzes a chorus. One of the great jazz mysteries.
Merci mille fois pour votre merveilleuse interprétation !
Wonderful!
Excellent!
Wauw, I like it I miss the swedish singer a little bit
Loving the "On Green Dolphin Street" reference at 4:03 ! It was inserted very appropriately and meshed well into the solo.
yessss
Love the arrangement beautiful
Liked and subscribed
Muy bien hermano
What an Eargasm
Please more beautiful lyric ballads with lush solo piano intros ❤🌠
I request you to play the waltz for debby with Patrick Bartley like Evens and Adderley.
nice
When you need some #kettle2themetalkettlecorn kettle corn, just let me know. I just love what your giving to the world through your music.
very nice! :) You guys are lucky, to be playing together ♪
-E
👍👍👍
😍
could someone link that tea for two credits/outro song? I can't find it :( , thanks!
Russ' bass tone kills me - just gorgeous! I'd love to know if it's just mic'd or theres a bit of pickup in there somewhere
Observations: 1 Beautifully done 2 Is that the Mad Hatter playing bass? 3 Cleaning spray bottle on floor...interesting
did they go into 4 in the solo section?
yes
What an intro..
So what can't these guys do- nothing!
Jimmy Hendrix on bass
damn, that's some tasteful brushwork on the head
get ryan devlin on the scene!
gourmet shit
담배빨면 들으니까 좋네
I can see and hear what the drummer's playin' even tho' I can-nuh hear it 🙄
👎
Beautiful.
Beautiful