Karol Szymanowski - Complete Mazurkas, Opp. 50 and 62
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- เผยแพร่เมื่อ 2 ก.ค. 2024
- Karol Szymanowski - Complete Mazurkas, Opp. 50 and 62
Performed by Martin Roscoe
20 Mazurkas, Op. 50 (1924-1925)
1. Sostenuto. Molto rubato - 0:00
2. Allegramente. Poco vivace - 2:01
3. Moderato - 4:14
4. Allegramente, risoluto - 6:40
5. Moderato - 9:27
6. Vivace. Junacko - 11:51
7. Poco vivace. Tempo oberka - 13:55
8. Moderato (non troppo) - 16:04
9. Tempo moderato - 18:59
10. Allegramente. Vivace. Con brio - 22:01
11. Allegretto - 24:47
12. Allegro moderato - 26:07
13. Moderato - 29:45
14. Animato z elegancją i grandezzą - 32:57
15. Allegretto dolce. Naiwnie i sentymentalnie - 35:01
16. Allegramente. Vigoroso - 37:24
17. Moderato - 40:47
18. Vivace. Agitato. Tempo oberka - 43:23
19. Poco vivace. Animato e grazioso - 46:23
20. Allegramente. Con brio. Rubasznie - 47:50
2 Mazurkas, Op. 62 (1933-1934)
1. Allegretto grazioso - 50:53
2. Moderato - 53:27
Listening to this music helps me to continue traveling through this world with great admiration
The ship sunk 150 years ago, but you still found someone to dance with
And people stare at each other wondering "And u here?"
Certainly some haunting mazurkas. I can't imagine dancing to them.
Maybe you're not Polish? :)
Probably beacuse it is not a dance, but rather a dance-inspired poem, just like Chopin wrote himself.
My favorite! thank you
Wonderful music.
Große Sendung, danke
Thanx
chobeetæ -- Exactly! (from Acapulco)
Nice
Ha ! No.4 sounds quite juzzy ! He's going beyond his era !
No.13 is best
A more poetic version of Ludus Tonalis I would say.Curious to know what he got from Hindemith
Nothing. The Mazurkas were written in 1926-31, when Hindemith had not yet developed the harmonic style of his middle 1930's which led to Ludus Tonalis (from 1942). It is certain that, at some point, both Szymanowski and Hindemith were influenced by Reger, but at different moments of their careers and without them knowing each other nor that fact.
It would be hard to imagine two composers who, whilst being contemporaries, have as little in common as Szymanowski and Hindemith. The Mazurkas and Ludus Tonalis are both extended collections for piano, but that's where the similarities end. They have nothing in common. And yes, as has been pointed out, these Mazurkas predate Ludus Tonalis by almost 20 years, so obviously Szymanowski got nothing from Hindemith. I don't think Hindemith got much from Szymanowski either, they were interested in completely different things.
@@softnflabby Even though both composers wrote intrincate fugues, which, in the light of these Mazurkas, would be surprising about Szymanowsky, but he did!
Completely different from the Chopin Mazurkas. These are not from the Romantic period. These seem more mazurka authentic. More folksy. Szymanowski harmonies continue to intrigue me. I enjoy the rhythm and accents.