Karol Szymanowski - Symphony No. 4, Op. 60, "Symphonie Concertante"

แชร์
ฝัง
  • เผยแพร่เมื่อ 4 ก.ค. 2024
  • Karol Szymanowski (1882 - 1937) - Symphony No. 4, Op. 60, "Symphonie Concertante" (1932)
    I. Moderato. Tempo comodo [0:00]
    II. Andante molto sostenuto [9:51]
    III. Allegro non troppo, ma agitato ad ansioso [18:06]
    Leif Ove Andsnes, piano
    City of Birmingham Symphony Orchestra, Simon Rattle (1996)
    Symphony No. 4, Op. 60, "Symphonie Concertante" is a work by Karol Szymanowski for piano and orchestra. The work was dedicated to Arthur Rubinstein, and it was premiered by the Poznań City Orchestra, conducted by Grzegorz Fitelberg, with Szymanowski himself at the piano. The piece is in three movements and typically lasts around 25 minutes.
    "There was a gap of 16 years between Szymanowski’s Third Symphony ‘Song of the Night’ (1914-16) and his next orchestral work, the Fourth Symphony (1932). In the intervening years, he had composed his opera Król Roger (King Roger), in which he consummated his passion for Mediterranean culture and tussled with the Dionysian and Apollonian impulses that both drove him forward creatively and marked him personally. In 1921, during the composition of King Roger, he wrote his first work drawing on Polish sources, and this turn of direction dominated his composition for the last 16 years.
    Where the Third Symphony refashioned the genre into a single-movement work for solo tenor, chorus and orchestra, the Fourth broke with tradition in a different way. It is, effectively, a piano concerto in three movements. The ‘concertante’ aspect refers to Szymanowski’s wish to write a companionable work that he could perform himself. He was a good pianist, but not by nature a soloist. The Fourth Symphony makes an interesting comparison with the understated Third Piano Concerto (1945) by Béla Bartók, because they both demonstrate a simplification of musical idiom and also because they begin in strikingly similar ways.
    The first movement opens with a repeated F major chord over which the soloist elaborates a beguiling theme in double octaves. Its origins in the exuberant folk idioms of the Tatra Mountains, where Szymanowski had a home, soon become apparent in the polyphony with horns and wind instruments. The lyrical high violin lines and the intense climaxes from his earlier music are still present, although now he uses a more modestly sized orchestra. There is a new earthiness, a new edge to his treatment of the musical world that he had found on his doorstep.
    The opening of the Andante molto sostenuto could hardly provide a greater contrast. The soloist provides background figuration for a flute melody, later taken up by solo violin. An alternating minor third (initially C-A on the timpani) underpins the drive to the full-blooded central climax, where what had seemed so innocent on the flute at the start becomes impassioned in a way that would not have been out of place in the Straussian works of his first period. The flute returns, this time with the first theme of the first movement. A few piano flourishes tumble down to the start of the Finale.
    Szymanowski called the third movement ‘almost orgiastic in places’. It is his most thrilling evocation of the dance-he invariably had to repeat it in concert and it has served as a model for many subsequent Polish composers. It is cast as an oberek, a fast cousin of the mazurka. The timpani return to their minor third, now A-C, propelling the music to its first climax. Soloist and orchestra whirl and stamp vigorously, before a solo violin leads to the calmer central section, closer in tempo to the slower mazurka. But the undercurrent of energy cannot be contained and the movement-with extreme and almost grotesque elements thrown in for good measure (high violins sounding anything but lyrical)-hurtles heedlessly headlong."
    (source: Hyperion Records)
    Original audio: • Karol Szymanowski (188...
  • เพลง

ความคิดเห็น • 21

  • @PeterLunowPL
    @PeterLunowPL 4 ปีที่แล้ว +20

    I always believed and still believe this one of the true masterworks of the 20th century

  • @ozyush
    @ozyush ปีที่แล้ว +12

    The fact that this piece isn't widely known, loved and appreciated , is just beyond my comprehension.

  • @ericdevaughn5941
    @ericdevaughn5941 2 หลายเดือนก่อน +1

    This work is so great. It's so much fun to listen to his constant musical evolution. I love the music of Szymanowski. How brilliant!!!

  • @ulysse__
    @ulysse__ ปีที่แล้ว +6

    5:08 incredible atmosphere

  • @MrRbjunior83
    @MrRbjunior83 3 ปีที่แล้ว +3

    Total genius! Master! What a fantastic music...

  • @pierreboland8910
    @pierreboland8910 3 ปีที่แล้ว +2

    Thank so much for having put the score of this great work !

  • @gregoryroscow5846
    @gregoryroscow5846 9 หลายเดือนก่อน

    A great work, with such an exhilarating ending. This, Violin Concerto No. 2, and Harnasie are my favourite Szymanowski.

  • @davidrehak3539
    @davidrehak3539 3 ปีที่แล้ว +7

    Karol Szymanowski:4.Szimfónia ,,Symphonie Concertante" Op.60
    1.Moderato. Tempo comodo 00:00
    2.Andante molto sostenuto 09:51
    3.Allegro non troppo, ma agitato ad ausioso 18:06
    Leif Ove Andsnes-zongora
    Birminghami Szimfonikus Zenekar
    Vezényel:Sir Simon Rattle

    • @owengette8089
      @owengette8089 3 ปีที่แล้ว +3

      I’ve just now noticed: do you do this almost everywhere

    • @didierschein8515
      @didierschein8515 3 ปีที่แล้ว

      Igen.

  • @belacqua4435
    @belacqua4435 4 ปีที่แล้ว

    Thanks for this great work!

  • @slateflash
    @slateflash 4 ปีที่แล้ว

    THANK YOU SO MUCH!!!

  • @Xaviur
    @Xaviur 4 ปีที่แล้ว +6

    What a beautiful piece!

  • @KamilKosecki
    @KamilKosecki 2 ปีที่แล้ว

    great work

  • @verslaflamme8185
    @verslaflamme8185 4 ปีที่แล้ว +1

    awesome

  • @filiphegr5604
    @filiphegr5604 7 หลายเดือนก่อน

    the beginning in the piano reminds me shostakovich piano concerto #2, even in the same key I believe

  • @Musicforever60
    @Musicforever60 ปีที่แล้ว +2

    13:47 wow

  • @nghiavan8952
    @nghiavan8952 3 ปีที่แล้ว +4

    I can hear Greek hymns emerging from this symphony

    • @ACfGasT
      @ACfGasT ปีที่แล้ว

      Where?

  • @arturzebrowski3070
    @arturzebrowski3070 5 หลายเดือนก่อน

    I think it should be: "fast cousin of mazur" (mazurek/mazurka incorporated elements of other dances like oberek and kujawiak)

  • @ninadasilva1867
    @ninadasilva1867 ปีที่แล้ว +1

    The volume is too low. It cannot be listened to if the damn Google ads are blasted out three times as loud. If you're going to upload unusual repertoire at least do so properly.