@@SilviaVillarespe actually, beethoven's nephew (Karl) tried to suicide because of him. I don't know if you know but, when beethoven's brother (and Karl's father) died, Beethoven made him write a testament saying that beethoven would be Karl's father when he passed away. Beethoven then, saying that Karl's mother was immoral and a bad mother, opened a lawsuit trying to take custody of Karl. And Beethoven took him away from his mother for MANY years. Beethoven said that his mother was "poisonous" and "immoral" for Karl, his nephew. And he forced the boy to learn piano and music, even though Karl didn't even have the talent for it. Several times Karl tried to flee, but ended up returning by force from the authorities. After suffering so much about it, Karl bought two guns. One he tried to shoot, but he didn't have success, and the second gun almost killed him, but he was found by a carter, and he said that wanted to see your mother. Beethoven was not the best father, he tried to be. But, infact, due to his turbulent childhood with his own father (alcoholic and abusive), he also got mental problems. :(
I часть Гп 1 эл +2 эл 0:01 d 3 эл ГП/СП 00:47 соль ля СИ ля ля 1ПП 01:16 2ПП 01:30 ЗП 01:45 Разработка 4:21 развивает 1эл гп II часть Fis dur резко d moll Монолог ? 05:34 ? Кода
It is not that Beethoven was bad at writing melodies. It turns out that beethoven had difficulties in writing melodies, compared to Mozart. Beethoven even wondered if he was as good as they said.
@@lucasramos253 Indeed. A music teacher of mine once told me that it often took Beethoven quite some time to compose a single piece, whereas Mozart would churn out a piece in one sitting, sometimes even improvising it. Nonetheless, though apparently seeming as inefficient, Beethoven’s painstaking approach to composition produced a great deal of masterfully crafted works.
@@lefinlay Unfortunately Bernstein did indeed say that. But it was just his way of speaking. The context is everything with Lenny's off the cuff remarks. Beethoven could write tunes: Good Lord yes.
Beethoven was deaf. But his mind housed all the sounds of this earth. His hands was magic and his music the most beautiful, furious, sad, amazing, and lovely that i can heard.
While I like Arrau, I consider his playing in the first movement too ‘dry’. Regardless whether it should be played thematically, as in an approaching to a storm, I feel he overcalculated this one as if it were a math exercise
22:28 i dont why is it hard to understand but this part which is the best in the whole piece sounds like shit when played without sustain, why dont piainist play with more meaning
This is good. Of course it is. It's Arau, whose lineage goes back to Beethoven himself! I appreciate the way he brings out all the inner lines, which makes the playing tasteful and justifies his tempos perfectly. A good contrast with Arau's take on Op. 31 no2 is Glenn Gould playing the same piece. His tempestuous tempos are another perfectly justified interpretation (not so much though his choice to omit the repeats!). If Gould sounds a little rushed in his live performance, it is not so much because of his tempo as it is his glossing over details like the inner voices, which Arau has so clearly given careful consideration to. Arau on Sunday, Gould on Tuesday...
Ciao ho un canale di musica, letteratura, arte con lo scopo di intrattenere e spero anche di emozionare più gente possibile con le mie interpretazioni eseguite al piano di compositori come Bach, Chopin, Beethoven ecc... lettura dei miei autori preferiti e video naturalistici.
It represents Beethoven who fights against his destiny and God who manifests himself with the arpeggios at the beginning of each phrase of the piece, the measures where the melody varies between bass and treble shows the dispute and the war of destiny (the bass) and Beethoven (treble)
4:18 end of exposition beginning of development 5:55 beginning of recap. thematic material interspersed with recits All back in d minor. secondary theme in expo was in a minor which is the dominant key.
Il y a une répétition de l exposition pour le premier mouvement ?! Il ne me semblait pas .quelqu un peut il confirmer ? L interprétation manque de folie.
@@phamnguyenductin that's what I was going to say, it's not necessary to play at a really fast tempo when it's not written, especially when this tempo notation is in a Beethoven's sonata, cause' he was very precise
This pianist has quite a few different tempos going on... It's a, "Tempest." A storm. Forte means forte, piano means piano. BANG OUT THOSE CHORDS. THEN PLAY SOFT.
Ludwig Van Beethoven I have to agree with Noah Kivler, Arrau is brilliant and you would have to be world class to accurately give criticism in my opinion
Sure Arrau was great, but how can you disagree with Beethoven himself? He was possibly the most genius musician of all time and certainly knows how to play his own piece.
Beethoven referred to Shakespeare's play, where the actual storm plays little role. -- Arrau's discursive approach highlights many charms of this score. I like in particular his first movement: he reveals sinuosities that a more "stormy" interpretation would just ignore.
can someone please tell me a beethoven sonata that is “easier” to learn i have it for my final and i have to perform it in a really short time ,so by ur experience can u pls tell me. Im in second year at university of arts :) and i need help
The third movement was too slow played. It should be more faster. This is why it is called the tempest sonata. Edit: Turn up the playback speed to 1.15. This is the normal tempo. Not to mention it is in allegretto
Why? You're probably saying this because you're used to other interpretations that are more "brisk" than that, but in my opinion it's among the most successful interpretations of this sonata I've ever heard, especially the 3rd movement
![Ludwig van Beethoven - Piano Sonata No. 23 "Appassionata", Op. 57 [Complete] (Piano Solo)](http://i.ytimg.com/vi/QImFm4Y_QPM/mqdefault.jpg)
Beethoven is the coolest uncle ever.
I don't know about that. Beethoven's nephew tried to kill himself because of him.
Way to ruin the mood dude
@@calebhu6383 too many movies
@@calebhu6383 ......
@@SilviaVillarespe actually, beethoven's nephew (Karl) tried to suicide because of him. I don't know if you know but, when beethoven's brother (and Karl's father) died, Beethoven made him write a testament saying that beethoven would be Karl's father when he passed away.
Beethoven then, saying that Karl's mother was immoral and a bad mother, opened a lawsuit trying to take custody of Karl. And Beethoven took him away from his mother for MANY years.
Beethoven said that his mother was "poisonous" and "immoral" for Karl, his nephew. And he forced the boy to learn piano and music, even though Karl didn't even have the talent for it.
Several times Karl tried to flee, but ended up returning by force from the authorities.
After suffering so much about it, Karl bought two guns. One he tried to shoot, but he didn't have success, and the second gun almost killed him, but he was found by a carter, and he said that wanted to see your mother.
Beethoven was not the best father, he tried to be. But, infact, due to his turbulent childhood with his own father (alcoholic and abusive), he also got mental problems. :(
00:02 І ч. ГП d
00:53 І ч. СП
01:17 І ч. ПП а
08:41 ІІ ч. ГП В
11:36 ІІ ч. ПП F
19:05 ІІІ ч. ГП d
19:44 ІІІ ч. ПП a
I love Arrau's 3rd movement. For me this is the right tempo - after all it's marked allegretto, but some pianists seem to interpret it as allegro.
This is my first time hearing such a tempo... it is so much better than the "hurried" interpretations that I have heard.
0:01
8:40
19:03
You know that timestamps exist , right ?
1 часть
0:05 - ГП
0:53 - СП
1:17 - ПП
6:03 - речитатив (подход к репризе)
2 часть
8:41 - ГП
11:36 - ПП
3 часть
19:05 - ГП
I часть
Гп 1 эл +2 эл 0:01 d
3 эл ГП/СП 00:47 соль ля СИ ля ля
1ПП 01:16
2ПП 01:30
ЗП 01:45
Разработка
4:21 развивает 1эл гп
II часть
Fis dur резко d moll
Монолог ? 05:34 ?
Кода
My favorite 3rd movement....................Allegretto..............................Love it !!!
The 0.1 second he takes before hitting that D at 0:52 is just so perfect. It sounds like a real thunder, like a giant rock crashing into the sea.
26:18 .. a great sense of ACCENT and PAUSE ... it's over, everything is decided.. the sword does his job !
19:04
19:43
24:32
19:54
24:43
22:28
22:59
26:19
26:19
26:31
26:31
11:35 meet the Flintstones
JeriCurl And 15:45!!
hahaha
Very helpful thanks!
Oh my Gosh, thanks I was looking for it bro!
The melody in the third movement is wonderful. I've heard from somewhere that Beethoven wasn't a good MELODY WRITER. Now I know that he was.
Nobody, in all of human history, has ever said that Beethoven isn’t a good melody writer. I’m glad you think he is though 😅
It is not that Beethoven was bad at writing melodies. It turns out that beethoven had difficulties in writing melodies, compared to Mozart. Beethoven even wondered if he was as good as they said.
@@lucasramos253 Indeed. A music teacher of mine once told me that it often took Beethoven quite some time to compose a single piece, whereas Mozart would churn out a piece in one sitting, sometimes even improvising it. Nonetheless, though apparently seeming as inefficient, Beethoven’s painstaking approach to composition produced a great deal of masterfully crafted works.
how is he deaf but still so amazinggg, I mean, I can’t even compose something presentable 🤯
@@lefinlay Unfortunately Bernstein did indeed say that. But it was just his way of speaking. The context is everything with Lenny's off the cuff remarks. Beethoven could write tunes: Good Lord yes.
Beethoven was deaf. But his mind housed all the sounds of this earth. His hands was magic and his music the most beautiful, furious, sad, amazing, and lovely that i can heard.
He was deaf at the end of his life not when he wrote this
While I like Arrau, I consider his playing in the first movement too ‘dry’. Regardless whether it should be played thematically, as in an approaching to a storm, I feel he overcalculated this one as if it were a math exercise
I agree
Jan Jacobi Beethoven didn't have in his mind the "Tempest " tittle
19:05 😍
Stupendo. Lo spartito utilissimo per cogliere tutte le sfumature di questo capolavoro.
22:28 i dont why is it hard to understand but this part which is the best in the whole piece sounds like shit when played without sustain, why dont piainist play with more meaning
This is good. Of course it is. It's Arau, whose lineage goes back to Beethoven himself! I appreciate the way he brings out all the inner lines, which makes the playing tasteful and justifies his tempos perfectly. A good contrast with Arau's take on Op. 31 no2 is Glenn Gould playing the same piece. His tempestuous tempos are another perfectly justified interpretation (not so much though his choice to omit the repeats!). If Gould sounds a little rushed in his live performance, it is not so much because of his tempo as it is his glossing over details like the inner voices, which Arau has so clearly given careful consideration to. Arau on Sunday, Gould on Tuesday...
truBador2 Arau or Arrau?
truBador2 no one asked
@@jrodriguezpianoWhy you gotta be so rude
@@98wongjf why you gotta suck bajood
Ciao ho un canale di musica, letteratura, arte con lo scopo di intrattenere e spero anche di emozionare più gente possibile con le mie interpretazioni eseguite al piano di compositori come Bach, Chopin, Beethoven ecc... lettura dei miei autori preferiti e video naturalistici.
Everyone's favourie mvt is the 3rd but what about the first! When hearing it you literally would turn speechless.
It represents Beethoven who fights against his destiny and God who manifests himself with the arpeggios at the beginning of each phrase of the piece, the measures where the melody varies between bass and treble shows the dispute and the war of destiny (the bass) and Beethoven (treble)
Usually Claudio Arrau interprets much better than this. I doubt, whether this recording is indeed played by C. Arrau!
12:00 sounds like a Flinstones melody
Точно подмечено. 🤣🤣🤣
2악장이 최고임.. 왼손 따다다단 따다다단 따다다단 미치겠다ㅠㅠㅜㅠ
Reminds Mozart's piano sonata 14
4:18 end of exposition beginning of development 5:55 beginning of recap. thematic material interspersed with recits
All back in d minor. secondary theme in expo was in a minor which is the dominant key.
When I read the notes, I must say, I'm really not a fan of extensive rubatos, that are not in the script.
This is how our parents told us how they went to school 4:54
Hahaha lmao ((((=
💪
19:04
12:00
flintstones?
what is 42 x 13 = 312
what is 312 ??
is it Op. 31 nº 2
19:04
Pdf
Τέλειο είναι
I like Movement 3 19:3
L V B IS A GREAT COMPOSER
( LUDIG VAN BEETHOVEN )
Ludwig, not ludig
@@dawnthenightlightfury1195
Yes your right
Sorry for my mistake
I cant speak English very well Because im from Iran ( Islamic Rpublic Of Iran )
@@kiarashmohebbi275 Ludwig isn´t English
@@uwufffsunchez2626
Yes i know
He is from Germany
@@kiarashmohebbi275 Ich auch
GOOD
15:43 is angelic.
22:03
19:04
26:36 ahah
thank you for sharing,loved it!
It's a traditional tune from Bedrock, USA.
Arrau is my fave pianist, but Brendl does the best Berthoven Sonatas
Il y a une répétition de l exposition pour le premier mouvement ?! Il ne me semblait pas .quelqu un peut il confirmer ?
L interprétation manque de folie.
The second movement is seriously painful to learn , my god it’s like he didn’t want anyone to play the piece.
Either way very good piece!
00.00❣❣
6:00
6:49
19:04
Ivo pogorelich fait ressortir des motifs dans le mouvement 3 ,que je n ai jamais entendu par un autre interprète...
19:03
Sublime ❤💙💞🍀🙏❣
8:38 2nd movement for you know who
how is he deaf but still so amazinggg, I mean, I can’t even compose something presentable 🤯
I might be an exception on this one but I think the 3rd movement should be played faster, around 1.25x of the original speed.
Edit: maybe even 1.35x
LordBabu no,you are not an exeption
Its his artistic interpretation of the piece.For others the beauty lies in speed,for him the beauty is in the tonality.
No. The tempo reads Allegretto, not Allegro.
@@phamnguyenductin that's what I was going to say, it's not necessary to play at a really fast tempo when it's not written, especially when this tempo notation is in a Beethoven's sonata, cause' he was very precise
I don‘t think this is Arrau playing.
Sibar jonna omyohane
6:25
Слышно, что дедушка играет.
7:15
01'30"
This pianist has quite a few different tempos going on... It's a, "Tempest." A storm. Forte means forte, piano means piano. BANG OUT THOSE CHORDS. THEN PLAY SOFT.
Who, Claudio Arrau? Hahaha. Sure thing, girlfriend.
Ludwig Van Beethoven I have to agree with Noah Kivler, Arrau is brilliant and you would have to be world class to accurately give criticism in my opinion
Troll alert.
Sure Arrau was great, but how can you disagree with Beethoven himself? He was possibly the most genius musician of all time and certainly knows how to play his own piece.
Beethoven referred to Shakespeare's play, where the actual storm plays little role. -- Arrau's discursive approach highlights many charms of this score. I like in particular his first movement: he reveals sinuosities that a more "stormy" interpretation would just ignore.
Ik
2:10
Ludwig von Beethoven!
Dmitry Jikharev *van
Ayrtonium truck?
Обажаемая❤
6:12
BELLISIMO :D
can someone please tell me a beethoven sonata that is “easier” to learn i have it for my final and i have to perform it in a really short time ,so by ur experience can u pls tell me. Im in second year at university of arts :) and i need help
by “easier” i mean less challenging cuz i dont really have enough time
My first Beethoven was the Pathetique Sonata. That is probably the least challenging. After Pathetique I learned Tempest.
@@mpianod9319 really? pathetique looks so challenging but im definitely gonna give it a look and try it out i thought it was way complicated
@@Allizblu The least challenging Beethoven's sonata I've ever played is undoubtdly nº 25 (Op. 79). Nº 27 (Op. 90) is also not very hard.
I disagree with the rallentendos in the Adagio. It breaks the tension.
Of course you do, Nicolas.... (Rolls eyes)
Ogni volta è più bella!
Tempest? No tempest here.
Beethoven never thought of the term "storm" for this sonata, the name was given by someone else most likely Schindler
8:41
WHY IS IT OUT OF TUNE
The third movement was too slow played. It should be more faster. This is why it is called the tempest sonata.
Edit: Turn up the playback speed to 1.15. This is the normal tempo. Not to mention it is in allegretto
* was played too slow/slowly *
* it should be faster *
Check your grammar lol.
@@maxgregorycompositions6216 i dont care man
@@olegkutsmyda4925 Ok.
@@maxgregorycompositions6216don’t be so mean lol😂
튠 나간듯 거의 반키높게들림 악보시작부터 내가 잘못보고있나했음
this interpretation is unlistenable
Why? You're probably saying this because you're used to other interpretations that are more "brisk" than that, but in my opinion it's among the most successful interpretations of this sonata I've ever heard, especially the 3rd movement