@@Aoichanpiano Oh maybe yeah. But if it's truly a rubato, why isn't the cellist delaying his notes with the pianist? Some of the so-called "rubato" are quite obviously incoherent in some of the parts, at 3:39 for example. Or is this just an inability of the pianist to deliver actual music with the cellist due to his uncurbed ego?
Ah well i do believe that both are at error at some points, rubato is not the only thing that’s making it sound off beat, i do believe there is just nerves perhaps. or maybe you’re right about the ego
the ending is genuin the ‘’brilliante’’
this is the virtuosity.
참 좋습니다!
Cool
Maravillosa nterpretación!
ME FACINA EN ESPECIAL DEL PERÍODO BARROCO, ÓPERA, Y CANTÓ GREGORIANOS
bravo
完美的演出！充满激情与活力
👏👏👏спасибо!
¡Bravísimos! 😍👏🏽 PD: me pregunto cómo tocaría Franchomme para que Chopin le escribiera esta increíble obra.
Great
I want to asked. Which version did he use? Can someone answer me?
I think this is the Feuermann/Gendron version
Thanks I lot!
для чого обривати саму глубину перед кольмінацією не розумію.............в інтродукції(2min)
Why is the pianist playing off-beat on some of the parts? It almost sounds intentional
rubato
@@Aoichanpiano Oh maybe yeah. But if it's truly a rubato, why isn't the cellist delaying his notes with the pianist? Some of the so-called "rubato" are quite obviously incoherent in some of the parts, at 3:39 for example. Or is this just an inability of the pianist to deliver actual music with the cellist due to his uncurbed ego?
Ah well i do believe that both are at error at some points, rubato is not the only thing that’s making it sound off beat, i do believe there is just nerves perhaps. or maybe you’re right about the ego
@@Aoichanpiano Now that I think of it, yeah they probably were just nervous. I was somehow assuming that they don't make mistakes