The demo just shows that the pro one is simply one of the best sounding monosynths that ever existed. It's soundstage is perfection and makes its oscillators and filter come out of speakers like the way that other monosynths simply don't. My personal opinion is the pro one was the very best mono synth of the 80s. Good demo.
I think the Pro One is the best mono ever made of all time. I don’t think anybody has ever come close. It’s definitely aggressive and very hard to tame so not for everyone, but it’s def for me 😄
the Pro One was one of my main synths for years in the late 80s and 90s have to admit they did a good job capturing the sound, it sounds cleaner than my old wonky original but it's very close, always liked the mini matrix gave a lot of options over many monos and a great oscillator sync
Excellent demo as always! If I didn't have it already you'd push me :P Love adding a touch of chorus to fatten the sound then a bit of delay and reverb. It really is a nice sounding synth.
synths are a love of mine and now is the time i ordered my first, now i try to get me the best quick so that i do not end upo in optionlands rabbithole loop and can get productive instead, this one is on top of the list, for now my Behringer 4000 micro is comming to town.
who's even thinking about VSTs if you can create this sonic goodness from a humbly priced monosynth that's got a smaller structure than most analog synths on the market! The VSTs can & will hit some of these sweet spots; this herein is all sweet
Great choice V-Cious, of all the Beh clones the Pro-1 is the most versatile. I've had mine 6 months now & absolutely love it, so much so that I'm getting a 2nd next week despite the $50 price rise here in Aust. Something else that's sensational though is the Wasp, if that suits your tastes, superb build quality, & totally unique. I have 3 Wasps, fat outputs coupled through a Beh MX882 then into my guitar rig, sounds huge. BTW the inadvertent re-triggering problem in the 2020s was fixed last year with firmware upgrade V2.0. I'm waiting to see what Beh make of the Oberheims. Enjoy, this is the Golden age of synthesis.
I must admit i whas looking to get the access virus, but i think this will do just fine for hardstyle producing as well. Awesome demo, i tip my hat for you good sir.
Get yourself the viper vst instead it's like 100$ instead of 1500+ for a virus ti2. I owned both for a few months and they are very close... with the difference that the viper vst doesn't have sync issues and other problems when reopening a project, was a major pain! 95% of the sound (software interface almost the same) for only 100$ without the issues haha
Once again a great demo! Curious to see how you’ll be using it in your musical video’s. I’m looking to buy either a Cat or this Pro-1. Cat seems to be more versatile but the Pro-1 more finegrained. May I ask what’s you take on them?
Thank you! At the moment this one is my favourite but I might be a bit biased because I always really loved that Pro 1 sound! In terms of production I feel that at least for the genres that I am producing the Pro 1 gets me to the sound in my head a bit faster. The Cat can sometimes need a bit of taming but then also sounds absolutely wonderful!
Amazing demo. How are you feeling about this Pro-1 a year+ since making this video? I'm here from peripheral searches on the Pro-800-is that something you're going to pick up? I'm now sitting here imagining a little rack of this and the 800, with a KeyStep....
I have both the Pro 1 and the 800. The Pro 1 is definately better for bass and to some degree leads. Pro-800 is probably a better all rounder though, if I had to have just one I'd go for it due to the polyphony and memories. The Pro-800 doesn't sound as ballsy though.
whats going on around 13:28? is it playing a recorded sequence and you are playing an untracked osc 1 separately overtop of the playing sequence? or do you have it sequenced externally? i dont remember exactly how the poly mode works on the pro-1 but that's very cool
A question for the pro-1: Does the external Input go though the filter, lfo and envelopes just like the oscillators? Because would that make it possible to use (polyphonic)samples, played on a computer with midi keyboard, to replace the oscillators (and still trigger the envelope by connecting the same midi keyboard to the synth but with both oscillators mixed to zero)? (also, I suppose it wouldn't get additional noise to my input since it uses the same knob on the mixer, or does it?) Please let me know.
LFO is only going to operate on the filter of course, not on pitch of your incoming sound. Yes, you can send whatever you like including polyphonic samples through the filter. It has a super beautiful filter, it sounds just great on anything. You can hear in this demo when he tunes the oscillators to different pitches, the filter really emphasizes harmonics of polyphonic material in a beautiful way.
8:27 is just a result of closing the filter under a pretty heavy delay 11:03 potentially two tracks, but more likely is that the LFO/Envelope is modulating the arp OSC, and then they have the bass OSC running underneath. The filter movement at the bit is too uniform across the spectrum, so I'd suggest it's all playing live from the 1 unit.
@@MatthewHyatt in a convoluted way, my point is the same - it's not the instrument but the player who makes it sound good. Some people might rush out and buy a Pro-1 and then be disappointed when they don't sound like DYMTN. Sure, some synths might have more/bigger sweet spots than others (e.g. Model D vs TW) but it's about how you take advantage of them and what sound you're chasing.
I’ve compared most all the B synths … the Pro-1 comes the closest to the original synth it is ‘based on’, soundwise. The D is pretty close, too. The K2, not so much …
Which reverb did you use? At the moment I'm working with MPC One, and of course the internal effects are nothing like this. I'm wondering how much more worse this would sound with my on board effects. 😂
The MPC reverbs can actually sound very good, thanks to all their settings you can tweak and routing you can do. The presets just don't bring out the best of it. Take a reference reverb sound and try to match it with the stock mpc reverb, you'll find you can recreate a lot. Also think outside of the box, use two reverbs on sends, one panned hard left and the other hard right. Or something like that.
@@GTChris Yeah, Presets are weird. In the meantime i got some "decent" results out of it. But it needs much more fiddling than i'm used to. 😅 Thanks for your advice.
From a sound versatility standpoint, would you say the mod matrix and simultaneous waveform options of the Pro-1 offers you more, or would the Model D with its extra oscillator and additional individual waveform options be the more diverse synth? Thanks in advance for your insights, always love your sound demos.
More oscillators would give you more flexibility. The two synths don't sound anything alike so which ever one fits your music style best is what you should get I think. The pro one sounds tighter and punchier to me, great for bass and leads.
@@Pulse2AM I have the pro-1 and agree with your assessment on sound characteristics. Thanks for the insights on the extra oscillator, it's much appreciated.
@@thejoshuathomas Since you have a Pro 1 why not get the poly D or a poly VA synth? I personally think Moog's sit in the retro category for sounds though you can program them for modern sounds they still have a certain flavor to me that says retro.
@@Pulse2AM I've been liking what I hear from the Hydrasynth Explorer and the Modal Cobalt, but I'm still on the fence about polys for my tastes overall. Maybe one day I'll pull the trigger, lol.
@@thejoshuathomas I hear yah. I use a Roland, a bunch of samples I made from all the synths I've owned over the years and Analogue Lab. The main sounds I do with my Roland and the filler with the other stuff. With Analogue Lab I have 7000 patches though I lust for more! I know that making a good track/song isn't about what I use but how well I use it. Gear lust is a disease, you can't buy your way to good music, you have to write it.
The demo just shows that the pro one is simply one of the best sounding monosynths that ever existed. It's soundstage is perfection and makes its oscillators and filter come out of speakers like the way that other monosynths simply don't. My personal opinion is the pro one was the very best mono synth of the 80s. Good demo.
What reverb is this?
I had one then, I had to keep a guitar tuner hooked up to it because it drifted so badly out of tune. Other than that killer bass sounds.
couldn't agree more. and the behringer version sounds incredible
Sold mine and regretted it.
I think the Pro One is the best mono ever made of all time. I don’t think anybody has ever come close. It’s definitely aggressive and very hard to tame so not for everyone, but it’s def for me 😄
the pro-1 sounds so gorgeous. we are incredibly lucky to have access to such a piece of gear. unbelievable times we are living in
I agree De-, I well remember the 70s, no information, gear was simply unobtainable, & not just because what did exist was cost prohibitive.
I remember when I got my Pro One in 83 we were warned to be careful with levels as it was capable of blowing up the PA speakers
I feel like I haven't turned my behringer pro 1 past like 2 or 3 on the master volume, max
That’s the very definition of badass.
1:45-3:00 really sounded alot like Deadmau5 - who agrees?
Holy crap yes definitely
Ive thought the same haha
Every now and then, a men truly extracts the essence of a machine like the Pro-1 and becomes nothing short of legendary.
A men!
This comment need trumpets in the background!
@@Liliedugglmao 👍
Around 7 minutes, the oscillator and filter sound are really close to the Vermona Perfourmer mk2. Sick sound for the price
the Pro One was one of my main synths for years in the late 80s and 90s have to admit they did a good job capturing the sound, it sounds cleaner than my old wonky original but it's very close, always liked the mini matrix gave a lot of options over many monos and a great oscillator sync
Kick ass demo! Super tempted to get one of these now
Thank you! Definitely a great synth 🙌
Excellent demo as always! If I didn't have it already you'd push me :P
Love adding a touch of chorus to fatten the sound then a bit of delay and reverb. It really is a nice sounding synth.
Thank you!
@@DYMTN Are those on board effects? that would just send this over the top for me, if so!
@@benreigle8104no onboard effects on this one.
synths are a love of mine and now is the time i ordered my first, now i try to get me the best quick so that i do not end upo in optionlands rabbithole loop and can get productive instead, this one is on top of the list, for now my Behringer 4000 micro is comming to town.
Fantastic! I really that your demos are musical and patch selection is fantastic. This one seems like tons of fun!
Thank you very much! Happy to hear that!
There aren't patches
@@endcredit1179 you could see each knob position he chose as a "patch" :-)) so YES
@@endcredit1179 really dumb comment
Thanks for the demo bro, it’s awesome!👏🏽👏🏽
Yeah!..great,phatt Sound...👀
...mayby it's time to catch one of these 'lil beast's 😜
...knob on🔥
Damn this behringer sounds amazing
Great sounding demo!!! I wanna go out and get one now.
man that sounds amazing
I have this and K2 - really fantastic -
Good Video
God damn not a bad sound on that thing
I love all the presets, thx for AWESOME demo! I've listened and i heard that they have something of, maybe, 80's fatness in sound.
Back to the good old days of early 80s sounds.
Here after a friend said to me: who needs analog synths when you have vst.
Yeeees exactly the same Bro.
who's even thinking about VSTs if you can create this sonic goodness from a humbly priced monosynth that's got a smaller structure than most analog synths on the market! The VSTs can & will hit some of these sweet spots; this herein is all sweet
@@DaveDaves 100% agree
to be fair, Repro-1 is excellent
Hands on control and true analogue signal path?
Great sound demo DYMTN. Thanks.
I LOVED this SO much! Thanks!
very nice and useful demo! thank you very much
Damn, you're going to break this knob, man ;-)))) relax
So beautiful music and hands and soul
Amazing Demo! Buying it right now 😍💣
Great choice V-Cious, of all the Beh clones the Pro-1 is the most versatile. I've had mine 6 months now & absolutely love it, so much so that I'm getting a 2nd next week despite the $50 price rise here in Aust.
Something else that's sensational though is the Wasp, if that suits your tastes, superb build quality, & totally unique. I have 3 Wasps, fat outputs coupled through a Beh MX882 then into my guitar rig, sounds huge. BTW the inadvertent re-triggering problem in the 2020s was fixed last year with firmware upgrade V2.0. I'm waiting to see what Beh make of the Oberheims. Enjoy, this is the Golden age of synthesis.
Congrat !!! love what you do !
Best electro bass synth
sounds great!!
Great synth and demo. 👍
Glad you like it :)
Beautiful sounding synth
Awesome synth!
great demo and sound so well done !!!
I must admit i whas looking to get the access virus, but i think this will do just fine for hardstyle producing as well. Awesome demo, i tip my hat for you good sir.
I have both, the Virus and Pro 1 dont compare. both have their uses. Virus is way above this.
Get yourself the viper vst instead it's like 100$ instead of 1500+ for a virus ti2. I owned both for a few months and they are very close... with the difference that the viper vst doesn't have sync issues and other problems when reopening a project, was a major pain!
95% of the sound (software interface almost the same) for only 100$ without the issues haha
What is on effects? I hear extra delay. Let me know? So it have delay on board? Amazing pressets, reminds Deadmau5
Really like the video thanks, just got the
pro -1 and i like it, would love if you share som patches that would be sooo cool!
If u look closely at the knob positions in the video u can glean the “patch”. Most seem visible , several you’d have to guess about
Absolutely excellent. Thank you
I’m have still to pull my Pro1 through my Pro2. Both are great machines but very different beasts
Once again a great demo! Curious to see how you’ll be using it in your musical video’s.
I’m looking to buy either a Cat or this Pro-1. Cat seems to be more versatile but the Pro-1 more finegrained. May I ask what’s you take on them?
Thank you! At the moment this one is my favourite but I might be a bit biased because I always really loved that Pro 1 sound! In terms of production I feel that at least for the genres that I am producing the Pro 1 gets me to the sound in my head a bit faster. The Cat can sometimes need a bit of taming but then also sounds absolutely wonderful!
WhT one did you get im torn between the two
wow it sounds awesome !!!
Thanks for sharing and congratulations on your talent.
I would like to ask if you have used Ableton or does it all come from the Behringer Pro 1
I am certain he used external pedals or DAW for the effects: we hear some reverb and delay that are both missing from the pro-1
Love the segment starting at 6.:47
Amazing demo. How are you feeling about this Pro-1 a year+ since making this video? I'm here from peripheral searches on the Pro-800-is that something you're going to pick up? I'm now sitting here imagining a little rack of this and the 800, with a KeyStep....
I have both the Pro 1 and the 800. The Pro 1 is definately better for bass and to some degree leads. Pro-800 is probably a better all rounder though, if I had to have just one I'd go for it due to the polyphony and memories. The Pro-800 doesn't sound as ballsy though.
whats going on around 13:28? is it playing a recorded sequence and you are playing an untracked osc 1 separately overtop of the playing sequence? or do you have it sequenced externally? i dont remember exactly how the poly mode works on the pro-1 but that's very cool
A question for the pro-1:
Does the external Input go though the filter, lfo and envelopes just like the oscillators? Because would that make it possible to use (polyphonic)samples, played on a computer with midi keyboard, to replace the oscillators (and still trigger the envelope by connecting the same midi keyboard to the synth but with both oscillators mixed to zero)?
(also, I suppose it wouldn't get additional noise to my input since it uses the same knob on the mixer, or does it?)
Please let me know.
LFO is only going to operate on the filter of course, not on pitch of your incoming sound. Yes, you can send whatever you like including polyphonic samples through the filter. It has a super beautiful filter, it sounds just great on anything. You can hear in this demo when he tunes the oscillators to different pitches, the filter really emphasizes harmonics of polyphonic material in a beautiful way.
Nice demo!
I have one, UNBELIEVABLE vocal range for the price. Only step up in the same package is the Virus in my opinion.....but at 10x the price.
I’m sold
Great sounds, good music, thanks for posting. I only have the Model D and the DeepMind 6 but must grab this, the Newton and of course the Wasp
Great sound demo as always! What fx are u using?
Thank you! Ableton's Delay and Valhalla Vintage Verb!
@@DYMTN any chorus or harmonizer on there or does it just sound that great with the two oscillators? Also subbed! Great video!
@@blushingfrieza Thanks! Only the two oscillators!
Superior demo.
WAHT that sounds like GUY J !!!! 7:55
What effedt prosessor is used with this?
Superb 👌
08:27 and 11:03 are these two separate tracks or paraphonic? haven't been able to do that with mine...so advice welcome. Great sounds though
8:27 is just a result of closing the filter under a pretty heavy delay
11:03 potentially two tracks, but more likely is that the LFO/Envelope is modulating the arp OSC, and then they have the bass OSC running underneath. The filter movement at the bit is too uniform across the spectrum, so I'd suggest it's all playing live from the 1 unit.
Dunno so much about Pro-1, I think DYMTN could make even the Timbre Wolf sound good 😁
I don't understand the hate for the TW. I love it right alongside all the other synths. Limitations are great for creativity.
@@MatthewHyatt in a convoluted way, my point is the same - it's not the instrument but the player who makes it sound good. Some people might rush out and buy a Pro-1 and then be disappointed when they don't sound like DYMTN. Sure, some synths might have more/bigger sweet spots than others (e.g. Model D vs TW) but it's about how you take advantage of them and what sound you're chasing.
Wunderschön
Danke :)
WOOOW YEAH !
the Pro-1 has a very distinct sound? or maybe that's just how you're using it?
Awesome 👊
🤙
I’ve compared most all the B synths … the Pro-1 comes the closest to the original synth it is ‘based on’, soundwise. The D is pretty close, too. The K2, not so much …
1:40 is waw, soo good ! and 6:48... mjammie, and 12:15 !!!
Thank you very much :)
@@DYMTN did you make pictures of these patches and are the pictures available somehow? i would love to have those 3 patches :-))
If you had to choose one synth from behringer which one would you choose? There's so many cool ones but I just can't decide.
Excellent ✌👌🎶
Thank you very much 🙌
What are you capturing audio with?
Perfect
Hello! Can new patches be recalled inside a Daw? Thank you
No it has zero patch recall.
how its possible that the sound from 12:45 sounds like a chord?
The Pro 1 has a duophonic mode in which you can play two notes at the same time.
Paraphonic
@@DYMTN
Which reverb did you use? At the moment I'm working with MPC One, and of course the internal effects are nothing like this. I'm wondering how much more worse this would sound with my on board effects. 😂
The MPC reverbs can actually sound very good, thanks to all their settings you can tweak and routing you can do. The presets just don't bring out the best of it. Take a reference reverb sound and try to match it with the stock mpc reverb, you'll find you can recreate a lot. Also think outside of the box, use two reverbs on sends, one panned hard left and the other hard right. Or something like that.
@@GTChris Yeah, Presets are weird. In the meantime i got some "decent" results out of it. But it needs much more fiddling than i'm used to. 😅 Thanks for your advice.
Sounds great. What delay and reverb are you using please?
He's using Ableton's built in delay, and Valhalla vintage verb
Nice!
Can you share patch’s ?
Holy shit
Waouw ,what is the preset at 1 min 50? Thx
There are no presets.
Can you save patches on this fella?
No.
is the delay from the synth?
No.
13:17
From a sound versatility standpoint, would you say the mod matrix and simultaneous waveform options of the Pro-1 offers you more, or would the Model D with its extra oscillator and additional individual waveform options be the more diverse synth? Thanks in advance for your insights, always love your sound demos.
More oscillators would give you more flexibility. The two synths don't sound anything alike so which ever one fits your music style best is what you should get I think. The pro one sounds tighter and punchier to me, great for bass and leads.
@@Pulse2AM I have the pro-1 and agree with your assessment on sound characteristics. Thanks for the insights on the extra oscillator, it's much appreciated.
@@thejoshuathomas Since you have a Pro 1 why not get the poly D or a poly VA synth? I personally think Moog's sit in the retro category for sounds though you can program them for modern sounds they still have a certain flavor to me that says retro.
@@Pulse2AM I've been liking what I hear from the Hydrasynth Explorer and the Modal Cobalt, but I'm still on the fence about polys for my tastes overall. Maybe one day I'll pull the trigger, lol.
@@thejoshuathomas I hear yah. I use a Roland, a bunch of samples I made from all the synths I've owned over the years and Analogue Lab. The main sounds I do with my Roland and the filler with the other stuff. With Analogue Lab I have 7000 patches though I lust for more! I know that making a good track/song isn't about what I use but how well I use it. Gear lust is a disease, you can't buy your way to good music, you have to write it.
Has delay as well?
No.
Can save patch on the pro 1
Nope
3 in one msgeashynth🤣
The pro1 sounds great. But your sequences are terrible.
The Pro 1 does sound great, and it's your manners that are terrible.
Who Is the best mono ? Pro One, model d or K2? A love It your music
I’d say Pro-1 and D are about neck-and-neck.
What about the CAT?