Magical Mystery Tour 1967 / Yellow Submarine 1968 / Single 1967 00:00 Drums and Guitar 03:40 Bass 06:57 Harpsichord, Piano and Guitar Solo 10:37 Vocals 14:09 14:09 Piano, Percussion, Horn Overdub, Paul and George's Violins, Strings and Banjo 17:52 Horns, Strings, Banjo and Guitar 21:31 Thanks!!! Personnel Drums (1964 Ludwig Super Classic Black Oyster Pearl) and Tambourine: Ringo Starr Bass (1964 Rickenbacker 4001 S): Paul Mccartney Guitar (1961 Fender Sonic Blue Stratocaster and 1965 Epiphone Casino ES230TD): George Harrison Piano (Hamburg Steinway Baby Grand Piano): George Martin Harpsichord: John Lennon Banjo: John Lennon Lead Vocals: John Lennon Backing Vocals: John Lennon, Paul Mccartney, George Harrison, Ringo Starr, Mick Jagger, Keith Richards, Brian Epstein, Eric Clapton, Pattie Boyd, Jane Asher, Marianne Faithfull, Keith Moon, Mike McGear, Graham Nash, Gary Walker and Hunter Davies String and Horns (Arraignment by George Martin, Mike Vickers Conductor) Violin: George Harrison Violins: Sidney Sax, Patrick Halling, Eric Brown and John Ronayne Double Bass: Paul Mccartney Cellos: Lionel Ross and Jack Holmes Tenor Saxophones: Rex Morris and Don Honeywill Trumpet: David Mason Trumpets and Flugelhorn: Stanley Woods Trombone: Evan Watkins and Harry Spain Accordion: Jack Emblow _____________________________________________________________________ Patreon: www.patreon.com/dld2music Instagram: instagram.com/dld2.music/ Paypal: www.paypal.com/paypalme/DLD2Music
Awesome upload. Some interesting parts: * drum track* *Ringo's drum roll at the beginning *0:14 John laughing in the background on the drum track. Also, sporadically Ringo's voice can be heard. This is likely microphone bleed from the live performance. *0:41 and throughout, George is heard playing along with the song. They were playing and singing live when recording the guitar and drums. Interestingly he performs the same riff as the orchestra doubled on the guitar in the lead-up to the chorus, which I assume wasn't planned beforehand since he botches it a few times. *1:15 Ringo saying "Please come over" to someone in the audience just before the guitar solo. *2:55 George's playing becomes quite sporadic before the song fades away. * bass track* 03:40 Not much to note here. A fine bassline by one of the greatest bassists of all time... Very interesting variation played at 5:37. At 6:28-6:33, he flubs several notes (presumably the part where he knocks his bass on something and loses his focus for several moments, as seen in the music video.) Harpsichord & piano track 06:57 Just John Lennon showing his proficiency on the harpsichord, which is not an easy instrument to play. George Martin admirably plays the piano, playing some very tasty licks here and there including the intro (La Marsellaise inspired). Vocal track 10:37 Beautiful vocal harmonies all around. Ringo on the low bass vocal on "love, love, love"? I've never seen him credited for backing vocals on this song before. Great chorus vocals towards the end. "Orchestral Beatles" track 14:09 A true gem! Beatles just cluelessly playing instruments they don't know how to play, since why not. Paul on contrabass, George Harrison on violin, with some other violinists playing along with the band. George at 15:20 gets a moment to shine, but it's a bit of a let-down, isn't it? Paul's double-bass playing is bearable but nothing remarkable. The overdubbed horns sound quite nice. John Lennon on banjo, which I assume can be heard at 14:17, 14:21 (two notes), 14:28 (one note high on the neck), and then strumming a single note through 14:33-14:48. At 15:20-15:27 and 15:45-16:01 McCartney's double bass can be heard loud and clear. The banjo can be heard one final time at 16:51 strumming the neck with no chord, making a percussive sound. Orchestra: Banjo can be interestingly heard very loud here, especially at 18:53-19:09 & 19:27-19:43. Horns playing some homage to famous songs! Two-part invention #8 at 20:42; In the Mood at 20:53. Strings playing Greensleeves at 21:05 - 21:18, with the song ending on Two-Part Invention 8 again at the fadeout.
Started playing this video, put down my phone for 2 hours, came back and started playing it when it was at the end of the harpsichord section having forgotten what I had been watching and I thought I was having a stroke.
All this for one song? Can you imagine anyone going to this much trouble today? Music sucks today. People are lazy. This was fascinating though, and quite excellent. Congratulations and thank you for posting.
I mean people do tho :this got the ball rolling in some ways but they jad so much money to play with for the time. Some bands still put in colossal effort on tight budgets. Like Mr Bungle's california, or Major Parkinson's BlackBox, or Bright Eyes Lifted, or Mew Black handed kites. All masterpieces with impeccable production values
"Production values"? Sounds like a political platform designed for consumers. Blech. The ability to arrange for instruments and the spontaneous gelling of an ensemble are what separate the men from the boys in music.
the key change to the chorus and in the middle of the chorus still blows me away. Imagine building up a D7 chord so much only for it to end on a IV chord to D major. Then in the middle sneaking in a key change to G major via the B7. John was simply a genius.
Su majestad te beatles.llegaron para quedarse y cambiar la música y toda una era musical : aún no termina la magia.y es real todo lo que necesitas es amor . gracias
Photo is from the worldwide broadcast. I believe it was the first simultaneous,worldwide broadcast of anything. Pieces of "Marseilles," "Greensleeves," and "She Loves You."
@@gellexi hardly hard is it. Read Geoff Emericks book. He highlights the frustration with George. Always thought he was lucky. Yes he wrote Something but didn't do much else.
Fantastic work! Thanks so much for the deconstruction! My opinion is that the Beatles were especially nervous since this was a live performance they decided to do (accompanied by the thus far recorded track)... You can only “Imagine” the pressure they were putting on themselves for a goodly portion of the world to see... Now I have two questions I’ve wondered about for decades & hopefully someone here can help: 1). Why did John redo his lead vocal? Guess my hearing isn’t that good, since I cannot tell a difference between the live version & the remake. 2). Wasn’t John originally going to play his psychedelic Gibson J-160E? He went through all the trouble to get “The Fool” to paint it, but never used it! Even on the “Hello Goodbye” promo films he didn’t mime with it. What gives??? Thanks!!!
Greensleeves at the end, played by the strings, and is that bits of ‘In the Mood’ by Glen Miller, also at the end played by the brass section? I’d never heard either of those before!
Just a few years before this, the conductor Mike Vickers was in the band Manfred Mann, as the saxophonist. He quit to do orchestra work and I guess this was his peak, haha!
Not one of George's best guitar solos, even sounds like they fade it early to get it out of the way! Another interesting upload though, it's like a jigsaw puzzle has been unraveled.
@@DLD2Music From 6:29-6:32 you can hear Paul make a mistake. If you watch the video at that moment someone from the audience bumps into his mic stand and then his bass guitar. Unfortunately I can't find the video on TH-cam anymore to prove my point!
Hell, the best performer on this tune is George Martin. Nailing the feel and his playing is clean. Everybody else sounds tentative like they’re having trouble handling the extra or missing beats. Paul does a pretty good job, that bass line is one of my favorites. Listening to these individual tracks lets me hear what a mess it really was. Without a doubt, Martin saved this song. The other Beatles had no business playing the orchestral instruments, foolish.
''The other Beatles had no business playing the orchestral instruments, foolish.'' They were musicians without any formal musical training, and playing violin and double bass is quite hard when you have that disadvantage. You can at least give them some credit for taking up a challenge when they didn't have to. You just sound like a Martin-biased Beatles hater. He didn't save the song, he just played the exact same notes that John plays on the harpsichord. The orchestral arrangement is his but that is based on the song with it's chord sequence and the melodies John and Paul hummed or played to him.
@@tyrannosauruszeppelin2205 yep, George Martín was inspired by John’s great composition. This was John’s baby all the way and it’s not that hard to come up with inspired parts when a song this meaningful and melodic is thrown your way. Credit to George Martin though for sure as always
Bizarre: John and George Martin were consistently playing, on both harpsichord and piano, F#m instead of B7 in the chorus. How could they be okay with that? There’s nothing you can do that can’t be done, I guess... And “what a lousy player on violin in that 14’-17’ section,” I thought at first. But now that I see that it was George Harrison, I think it was a decent effort.
It makes the song unique, i'm 100% sure it was planned. The Beatles liked to innovate, and do musically-off things, they weren't trained in Music Theory, specifically not Lennon, so why would've he cared?
hello, if you juxtapose a major triad chord with the minor triad chord of the fifth grade of the scale (in this case B with F#m) you get a major 7/9 chord (in this case B7/9) I bet this voicing in the harpsichord and piano was arranged by Martin to create a complete chord with the bass and the guitar, and also a more fluid performance since is easier going from G to F#m, than going from G to B, in a keyboard
I don’t think these other replies are correct and I think you are onto something. It also sounds like John is singing a different note in his scratch vocal take along with the harpsichord. It almost seems like the melody to the chorus was different when they did the piano/harpsichord, and they changed it to the B7 later. Why would John be singing a different melody if this was all on purpose? If they were intentionally playing a B7/9, then why would he sing it differently? The melody he’s singing on the scratch only makes sense with an F#m, but the live vocal does the melody we all know and love, with the orchestra playing a B7. This is really interesting and I think there has to be more to the story.
In the details section you say the string and horns were arraigned by George Martin…? I always knew he was talented but a legal judge too?! 😜 But seriously, another great upload which I will treasure although I’d love to know where you get your hands on these things…👍
I don't know what the big deal is about the solo. It has a nice sound, and the second half of it was going to be swallowed by the orchestra anyway. And there are sloppier moments in the piano track.
Yeah, the only problem is that he isn't faded down fast enough when he starts playing rhythm again. That and he's slightly out of tune, probably from the bends in the solo.
I'm guessing this is where Ringo got his reputation for not being able to do a drum roll b/c it WAS kinda sloppy-poppy but drum rolls are easy so, I'm sure he knew how to do one
she loves you yeah yeah yeah is john voice not paus. there is a little bit of a screech in the voice and its not pauls. john has that sound in his voice from other recordings.
Magical Mystery Tour 1967 / Yellow Submarine 1968 / Single 1967
00:00 Drums and Guitar
03:40 Bass
06:57 Harpsichord, Piano and Guitar Solo
10:37 Vocals
14:09 14:09 Piano, Percussion, Horn Overdub, Paul and George's Violins, Strings and Banjo
17:52 Horns, Strings, Banjo and Guitar
21:31 Thanks!!!
Personnel
Drums (1964 Ludwig Super Classic Black Oyster Pearl) and Tambourine: Ringo Starr
Bass (1964 Rickenbacker 4001 S): Paul Mccartney
Guitar (1961 Fender Sonic Blue Stratocaster and 1965 Epiphone Casino ES230TD): George Harrison
Piano (Hamburg Steinway Baby Grand Piano): George Martin
Harpsichord: John Lennon
Banjo: John Lennon
Lead Vocals: John Lennon
Backing Vocals: John Lennon, Paul Mccartney, George Harrison, Ringo Starr, Mick Jagger, Keith Richards, Brian Epstein, Eric Clapton, Pattie Boyd, Jane Asher, Marianne Faithfull, Keith Moon, Mike McGear, Graham Nash, Gary Walker and Hunter Davies
String and Horns (Arraignment by George Martin, Mike Vickers Conductor)
Violin: George Harrison
Violins: Sidney Sax, Patrick Halling, Eric Brown and John Ronayne
Double Bass: Paul Mccartney
Cellos: Lionel Ross and Jack Holmes
Tenor Saxophones: Rex Morris and Don Honeywill
Trumpet: David Mason
Trumpets and Flugelhorn: Stanley Woods
Trombone: Evan Watkins and Harry Spain
Accordion: Jack Emblow
_____________________________________________________________________
Patreon: www.patreon.com/dld2music
Instagram: instagram.com/dld2.music/
Paypal: www.paypal.com/paypalme/DLD2Music
Hell of a cast of guests there on backing vocals. Lovely
Honestly surprised you haven’t got
Sign holders: this guy, that guy and these people
Which track is strat and which is casino?
Awesome upload. Some interesting parts:
* drum track*
*Ringo's drum roll at the beginning
*0:14 John laughing in the background on the drum track. Also, sporadically Ringo's voice can be heard. This is likely microphone bleed from the live performance.
*0:41 and throughout, George is heard playing along with the song. They were playing and singing live when recording the guitar and drums. Interestingly he performs the same riff as the orchestra doubled on the guitar in the lead-up to the chorus, which I assume wasn't planned beforehand since he botches it a few times.
*1:15 Ringo saying "Please come over" to someone in the audience just before the guitar solo.
*2:55 George's playing becomes quite sporadic before the song fades away.
* bass track* 03:40
Not much to note here. A fine bassline by one of the greatest bassists of all time... Very interesting variation played at 5:37. At 6:28-6:33, he flubs several notes (presumably the part where he knocks his bass on something and loses his focus for several moments, as seen in the music video.)
Harpsichord & piano track 06:57
Just John Lennon showing his proficiency on the harpsichord, which is not an easy instrument to play. George Martin admirably plays the piano, playing some very tasty licks here and there including the intro (La Marsellaise inspired).
Vocal track 10:37
Beautiful vocal harmonies all around. Ringo on the low bass vocal on "love, love, love"? I've never seen him credited for backing vocals on this song before. Great chorus vocals towards the end.
"Orchestral Beatles" track 14:09
A true gem! Beatles just cluelessly playing instruments they don't know how to play, since why not. Paul on contrabass, George Harrison on violin, with some other violinists playing along with the band. George at 15:20 gets a moment to shine, but it's a bit of a let-down, isn't it? Paul's double-bass playing is bearable but nothing remarkable. The overdubbed horns sound quite nice.
John Lennon on banjo, which I assume can be heard at 14:17, 14:21 (two notes), 14:28 (one note high on the neck), and then strumming a single note through 14:33-14:48. At 15:20-15:27 and 15:45-16:01 McCartney's double bass can be heard loud and clear. The banjo can be heard one final time at 16:51 strumming the neck with no chord, making a percussive sound.
Orchestra:
Banjo can be interestingly heard very loud here, especially at 18:53-19:09 & 19:27-19:43.
Horns playing some homage to famous songs! Two-part invention #8 at 20:42; In the Mood at 20:53. Strings playing Greensleeves at 21:05 - 21:18, with the song ending on Two-Part Invention 8 again at the fadeout.
OMG Thanks for it
Low voice by lennon
20:55 In The Mood, Glenn Miller 21:05 What Child Is This?
Brilliant. Well done.
@@mjames4709 Thank you!
Also at 13:45 you hear can Paul’s reaction to his microphone being hit by someone’s poster and paul and John singing she loves you
The beauty of imperfections. Try to do this sitting in front of a computer.
Great comment!
a lot of the Beatles guitar work in this era is sort of “buried” under other instruments, it’s great to hear these parts in isolation
Yeah. Penny Lane, Baby You're a Rich Man are also songs with super buried guitars from around the time
@@Vincentlpp08 when I’m 64 has a great guitar part Also sadly buried
i am the walrus has a nice little riff too that is buried
The vocals are angelic!
the harpischord is absoluty killer
John Lennon played the Harpischord
Killer diller
In the photo it's George Martin.
You can hear a whole other world, in that vocal mic.
😊 one Fabs song I have never seen an isolation for. Well done.
Wow‼️
In this ending, the strings are so beautiful
In contrast, how wild, heavy, dirty, and cool George's guitar is‼️
So many things I did not know about these tracks! I'm flabbergasted! Brilliant!
Lol @ 15:20 that cello went the same way as George's guitar solo!
It's actually George trying out the violin. For real. :)
Thank you, simply incredible to hear the various tracks with all their previously hidden gems!
Started playing this video, put down my phone for 2 hours, came back and started playing it when it was at the end of the harpsichord section having forgotten what I had been watching and I thought I was having a stroke.
13:50 Beautiful callback at the end
What a buggers muddle. Quite wonderful too.
Wonderful song as usual with Beatle songs amazing live when i saw it in 1967!
And the photos in every video are amazing, Well done!
All this for one song? Can you imagine anyone going to this much trouble today? Music sucks today. People are lazy. This was fascinating though, and quite excellent. Congratulations and thank you for posting.
I mean people do tho :this got the ball rolling in some ways but they jad so much money to play with for the time. Some bands still put in colossal effort on tight budgets. Like Mr Bungle's california, or Major Parkinson's BlackBox, or Bright Eyes Lifted, or Mew Black handed kites. All masterpieces with impeccable production values
"Production values"? Sounds like a political platform designed for consumers. Blech. The ability to arrange for instruments and the spontaneous gelling of an ensemble are what separate the men from the boys in music.
No one literally no one
Dld2 music: Alll
the key change to the chorus and in the middle of the chorus still blows me away. Imagine building up a D7 chord so much only for it to end on a IV chord to D major. Then in the middle sneaking in a key change to G major via the B7. John was simply a genius.
1:18 George's Guitar Solo
Ouch
Su majestad te beatles.llegaron para quedarse y cambiar la música y toda una era musical : aún no termina la magia.y es real todo lo que necesitas es amor . gracias
Photo is from the worldwide broadcast. I believe it was the first simultaneous,worldwide broadcast of anything. Pieces of "Marseilles," "Greensleeves," and "She Loves You."
Brilliant ! Thanks a lot Love 💕
Im listening again, Wonderfull !
I've always wondered what happened to the guitar solo. It just sort of ends without resolving. After hearing this, I still don't know.
It's because George misses a note and then he just stops playing, that's because the guitar was recorded live
@@diegolacayo5132 even gods make mistakes
George was a useless lead guitarist.
@@sidstewart7399 Maybe at times anyway. But think of the beautiful Something solo. Carefully thought through and stunning.
@@gellexi hardly hard is it. Read Geoff Emericks book. He highlights the frustration with George.
Always thought he was lucky. Yes he wrote Something but didn't do much else.
Kim Moon, Keith’s wife was also there. Later she became the wife of Ian Mclagen of The Small Faces. Brian Epstein also there.
Wow - I never knew they played their own horns on that cut. Thanks for posting!
They didn't really. If you're hearing them being played well, it's not them.
I never knew the orchestra was playing Greensleeves at the end!
Fantastic work! Thanks so much for the deconstruction!
My opinion is that the Beatles were especially nervous since this was a live performance they decided to do (accompanied by the thus far recorded track)... You can only “Imagine” the pressure they were putting on themselves for a goodly portion of the world to see...
Now I have two questions I’ve wondered about for decades & hopefully someone here can help:
1). Why did John redo his lead vocal? Guess my hearing isn’t that good, since I cannot tell a difference between the live version & the remake.
2). Wasn’t John originally going to play his psychedelic Gibson J-160E? He went through all the trouble to get “The Fool” to paint it, but never used it! Even on the “Hello Goodbye” promo films he didn’t mime with it. What gives??? Thanks!!!
13:42 Sounds like Lennon says: "Yesterday" at this point. I previously thought it was "Gets You There" or "Yes you can."
Very cool to hear how a song was constructed. At 21:10 you hear the opening bars of "What Child Is This?" being performed on violin.
I think that is Greenleeves
@@DLD2Music Same melody
Jane Asher is singing here aswell! Awwwwwwwwww!!!
You too sing
Thanks
Everyone talks about John, Paul, George, Ringo but without GEORGE MARTIN this song would be nothing.
The harpsichord at the end and overall is 🔥
Never realized how much some of the piano sounds like "Instant Karma!"
Wow. What a mess. It’s amazing that the final track sounds as good as it does.
Greensleeves at the end, played by the strings, and is that bits of ‘In the Mood’ by Glen Miller, also at the end played by the brass section? I’d never heard either of those before!
20:55 In The Mood, Glen Miller, 21:05 What Child Is This?
In the Mood is pretty darn obvious tho...
Thank you!
Well, that was the first time I noticed the horns at the end playing the Glenn Miller Orchestra's horn-riff from Pennsylvania 6-5000.
Vocals ❤
We need a true documentary !
I have never seen George Martin with a smoke before.
George on violin!
15:08
There's also an upright bass Paul added.
Omg this is fantastic, definitely gonna support your patreon. Keep doing this!
Thanks Bro!!
Amazing! It’s an Orchestra 😮😮😮 It seems perfect to me... like all by The Beatles. 🫶🏻💯👌👏🏻👏🏻👏🏻 Thank you very much for share this. Claps to you too! 😁
Just a few years before this, the conductor Mike Vickers was in the band Manfred Mann, as the saxophonist. He quit to do orchestra work and I guess this was his peak, haha!
magnífico estaba esperando esto ... 👏🏻👏🏻👏🏻
magnificent was waiting for this ... 👏🏻👏🏻👏🏻
WOW.
superb!!!
Not one of George's best guitar solos, even sounds like they fade it early to get it out of the way! Another interesting upload though, it's like a jigsaw puzzle has been unraveled.
The original mono mix has some bad adt put on it too, think the pitch is too low and it sounds horrendous.
Yeah it could've just been faded out better too
Not exactly my favorite but I really enjoy the solo, has a cool East meets west type style to it that George did really well
@@watmun mmmmmm
That my friend is the joy of a live backing track...
George Martin certainly earned his money on that session The Beatles contribution for most part was a mess
Paul miss the tempo at the end, Ringo runs out of time and George is wrong on the solo
@@DLD2Music besides that the song is great. john´s singing gives a fantastic mood.
@@DLD2Music From 6:29-6:32 you can hear Paul make a mistake. If you watch the video at that moment someone from the audience bumps into his mic stand and then his bass guitar. Unfortunately I can't find the video on TH-cam anymore to prove my point!
@@eddiep147 Well it's not his fault.
Maravilloso
Love John’s vocals here! Could you do How by John Lennon?
Whenever I listen to these videos, I always forget how the beginning of the song goes until I get to the piano or something.
Wdym?
@@DLD2Music when i listen to isolated instruments i completely forgot how the song goes until i get to my vocals or the main melody
Hey Dld2music You have a new sub!! It's Me!!
Hell, the best performer on this tune is George Martin. Nailing the feel and his playing is clean. Everybody else sounds tentative like they’re having trouble handling the extra or missing beats. Paul does a pretty good job, that bass line is one of my favorites. Listening to these individual tracks lets me hear what a mess it really was. Without a doubt, Martin saved this song. The other Beatles had no business playing the orchestral instruments, foolish.
Agreed and John struggled with harpsichord too you can hear him fluff bits
Alan Hughes Retinal Circus INC You think your so clever and classless and free but your still f***ing peasants as far as I can see
Man, I wish I could be as edgy as you guys.
''The other Beatles had no business playing the orchestral instruments, foolish.'' They were musicians without any formal musical training, and playing violin and double bass is quite hard when you have that disadvantage. You can at least give them some credit for taking up a challenge when they didn't have to. You just sound like a Martin-biased Beatles hater. He didn't save the song, he just played the exact same notes that John plays on the harpsichord. The orchestral arrangement is his but that is based on the song with it's chord sequence and the melodies John and Paul hummed or played to him.
@@tyrannosauruszeppelin2205 yep, George Martín was inspired by John’s great composition. This was John’s baby all the way and it’s not that hard to come up with inspired parts when a song this meaningful and melodic is thrown your way. Credit to George Martin though for sure as always
Bizarre: John and George Martin were consistently playing, on both harpsichord and piano, F#m instead of B7 in the chorus. How could they be okay with that? There’s nothing you can do that can’t be done, I guess... And “what a lousy player on violin in that 14’-17’ section,” I thought at first. But now that I see that it was George Harrison, I think it was a decent effort.
It makes the song unique, i'm 100% sure it was planned. The Beatles liked to innovate, and do musically-off things, they weren't trained in Music Theory, specifically not Lennon, so why would've he cared?
hello, if you juxtapose a major triad chord with the minor triad chord of the fifth grade of the scale (in this case B with F#m) you get a major 7/9 chord (in this case B7/9) I bet this voicing in the harpsichord and piano was arranged by Martin to create a complete chord with the bass and the guitar, and also a more fluid performance since is easier going from G to F#m, than going from G to B, in a keyboard
I don’t think these other replies are correct and I think you are onto something. It also sounds like John is singing a different note in his scratch vocal take along with the harpsichord. It almost seems like the melody to the chorus was different when they did the piano/harpsichord, and they changed it to the B7 later. Why would John be singing a different melody if this was all on purpose? If they were intentionally playing a B7/9, then why would he sing it differently? The melody he’s singing on the scratch only makes sense with an F#m, but the live vocal does the melody we all know and love, with the orchestra playing a B7. This is really interesting and I think there has to be more to the story.
4:05, 4:18 The bass has a couple of flat notes. 8:09 F#m, Em? John's vocal timing is genius.
Gracias! 👏👏👏💯
In the details section you say the string and horns were arraigned by George Martin…? I always knew he was talented but a legal judge too?! 😜
But seriously, another great upload which I will treasure although I’d love to know where you get your hands on these things…👍
Very good job as always. Can you deconstruct Instant Karma and/or You Know My Name (Look Up My Number) please?
i cant Instant Karma Yoko will killme
Double-tracked bass? Or is it the combo of the previously recorded backing track plus the live TV performance?
Great job sir, have you done tomorrow never knows?
Yes
@@DLD2Music Is it taken down?
Love it thx!
In the description isn’t 14:09 & 17:02 the other way round I’m hearing a horn on both & are you mistaking plucking/pizzicato strings for a banjo..?🤔
Some horns may slip in, I don't confuse them, just say that there is a banjo burried in the mix
@@DLD2Music 👍
The weather's cold;all you need is gloves.
WOW!
I don't know what the big deal is about the solo. It has a nice sound, and the second half of it was going to be swallowed by the orchestra anyway. And there are sloppier moments in the piano track.
Yeah, the only problem is that he isn't faded down fast enough when he starts playing rhythm again. That and he's slightly out of tune, probably from the bends in the solo.
Alll Youu Needd Iss Lovee
I think you were late to understand it hahaha
I'm guessing this is where Ringo got his reputation for not being able to do a drum roll b/c it WAS kinda sloppy-poppy but drum rolls are easy so, I'm sure he knew how to do one
fine
she loves you yeah yeah yeah is john voice not paus. there is a little bit of a screech in the voice and its not pauls. john has that sound in his voice from other recordings.
Lennon says Yesterday , Pauls says Oh Yeah! She Loves You Yeah Yeah Yeah
i know i listen to it again---your right
Paul starts it on “She loves…” then John joins in starting with the “you”… so it’s both.
Danke! Jetzt weiß ich, was die Musiker gegen Ende des Stückes spielen: sie deuten das Intro von In The Mood an und spielen Greensleeves.
Und das hast du vorher NICHT gehört????????
I just noticed the picture of George with John's casino. John had the misplaced knob and the standard tailpiece while George owned the bigsby one
Chords for All You Need Is Love:
th-cam.com/video/q8LX_hIypkc/w-d-xo.html
Imagine if anyone could isolate each vocal.
it would be a headache
ALL
Hard to believe the Beatles with Ringos minimal drum kit.
At 20:53 you'll hear a brief horn riff of Glen Miller's - In The Mood. 😎👍
th-cam.com/video/ey7ZSbvdnR4/w-d-xo.html
Wow en serio George toca el violín en esta canción? Wow
why did john not play his guitar on this song ?
I dont know
Because he wanted to concentrate on his live vocal
Cause John was playing the harpsichord
why is the bass always so muffled with beatles songs :( i wanna hear the actual tone of his bass
use headphones
No top end to keep the frequencies from being totally cluttered, I guess.
20:44 Bach Two-Part Invention no 8
(followed by Greensleves shortly after)
Think Keith Moon might need a credit for his percussion. He was playing along with Ringo on the rims.
I have accredited him on percussion and backig vocals
the drums wernt played live they were pre recorded
I wish Georges guitars were more prominent
makes strange arrangements
Amazing!!! Could you please do Little Child next?
I will
@@DLD2Music Thank you so much!!
That last bit from th-cam.com/video/ey7ZSbvdnR4/w-d-xo.html I can hear a clear Brandenburg concerto, Glen Millers In The Mood and Greensleeves!
Who plays the strange percussion?
Which one?
Jessiz god almighty, no wonder I could never figure out the guitar part !! Thats mean. No fairz.
📌🎥👍🏻
La Vivis Vicky Valencia y Guillermo van a La Prision hoy este día
Where can you hear the Banjo?
Idk is buried in the mix.
14:17 I think
"Eppy" phone.
Ahora quiero que se haga justicia para siempre
Alll
I forgot to change the name but it was fast :(
@@a_bored_english_guy si 😎
Dicen que George nunca antes había tocado el violín
Se nota jsjssk
Where can we get the original tracks? These are separated via Izotope and sounds like shit.
Rb/Audacity
@@DLD2Music RX8
Can't hear the banjo..
I don't hear to it either, but it's accredited