Master class: Alisa Weilerstein teaches how to play the cello
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- เผยแพร่เมื่อ 13 มี.ค. 2016
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Masterclass of the American cellist Alisa Weilerstein for music school students at the Rudolfinum in October 2015.
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First time seeing Alisa Weilerstein masterclass . She is a wonderful teacher and communicator .
After watching part of the master class I realized that I too was usually looking at my fingers while I played. I didn't realize I was doing it so much. I don't remember any of my other teachers (Bernard Greenhouse) talking about this. So this morning I tried practicing and not looking and it was amazing how much it seemed to help. I plan on incorporating this with my own students as they progress.
Alisa comes across as a real inspirationalist , genuinely concerned for the cellist to achieve and understand how to really listen to the sound their making ,make adjustments and keep a sense of humour !
Thank you Ailsa , your loved for sure.
FML! 7:40 when she told the cellist to project to the back rows and he simply did it! What a difference. Am I impressed about her teaching or his learning? I don't know but it was great to see.
I Love that she’s not adding anything of her own but that she has full-grasp of the understanding of how to emote through your instrument to add character to the music whilst taking away from yourself; she doesn’t play her feelings she plays the musics feeling and grants the student the opportunity nof to see her interpretation but actually the piece itself!! 🙏🙏🙏🙏🙏🙏🙏
She is an excellent musician and teacher! Bravo
it is so wonderful to see these accomplished artists train the future generations, so humbling and beautiful
Fabulous to hear somebody who understands music so completely, technique in service to art.
a year ago I had the privilege to watch Alisa performing in Boston - she's superb! and this masterclass reveals a wonderful gift for inspiration & guidance she possesses as a teacher !! bravo!!!
She can’t help it . So tough. Great advices.
As an American, when I'm in the presence of Europeans, I tend to over enunciate my words and it ends up sounding like I have an accent. Alisa Weilerstein is doing the same, it's kinda funny, I'm glad I'm not the only American to do it.
To be honest, when Americans talk, everyone stops listening.
So why are you here watching Alisa Weilserstein's masterclass?
99miyah when Alisa weilerstein talks, people listen bro...
Mysterious Squirrel Actually I think I might know what you're talking about. I've had a couple European teachers. have a hard time learning from them because .My mind is focused on deciphering their accents
Christopher Singer Alisa always has had an accent tho :o
I like this video! Thanks.
Alisa is soooo good oh my ghawd 😍😍😍
Alisa looks like such an amazing teacher ugggggh I wish I was at their place heck I wish I even knew how to play the cello 😩😓
děkuji za sdílení!
So amazing. She is a master at teaching as well as playing.
Very nice :)
Weilerstein is a great artist and teacher. BRAVA!
How did first cellist get so far without being told not to look at fingerboard?
Hard to believe she's out again at that time after she just had her daughter.
Whats the name of the other song?
W.o.w even for some one less advanced this is helpful.
JustCallMe E So true
Can someone confirm if this is Michal Kaňka (ex-Pražák Quartet cellist) we see in the audience elegantly dressed, listening closely to Alisa Weilerstein's masterclass ?
you’re correct
What's the first song played ?
Haydn D major concerto - 1st movement :)
the name of the song from 16:48?
Schubert : Sonata in A minor for Arpeggione and Piano, D. 821
Wich is the name of the second piece? And the 3rd?
Dvorak Cello Concerto
in 11:00 what piece of music is that?
mariya smilesf Brahms Cello Sonata No. 2 in F major
Does anyone know the title of the third piece?
Brahms 2nd cello sonata in F major
what's the piece at the very beginning?
Don't know if you got the answer, but it's Haydn D major 1st movement
What's the last piece played?
sonata arpeggione, Shubert
✌🏼🏆😊
in 09:10 what piece of music is that?
Vitor Prado Dvorak cello concerto first movement
2:46
That hostess' haircut, though.
I've always thought 'master' classes should be given by those old masters near end of their rich careers.
Nobody really know the exact sound of the music when it it was written , Its all subjective.
These instruments are fretless there is bound to be slight intonation problems . I hear it at time with even the great soloists.
Maybe they should bring back the "frets" the the Viol Dr gambas had.
Key to a Master of a master class: Allow the student to express, don't overwhelm, don't suppress, allow the student to express his/her interpretation, even if it defies the "master" teacher. Is that what you see here? hmmmmm
It is also a teacher, student situation . If a teacher see's something wrong they should inform the student . The 'not looking at the fingers' and keeping the head up, are two excellent pieces of advice .
@@paacer the hand staring is most detrimental habit,,especially for intermeidate and advanced students
Chu chu w
Lame.
Ahhh., close your eyes and play! Duh! But so out of tune! My ears hurt!
Haejin Lee you should be able to play without looking at the fingerboard though... she is correct