Step 1: Double track Engl Savage scooped mids Step 2: Double track JCM 800 with TS or 5150 less gain then normal; in your face mids Step 3: Hard Pan LR JCM800/5150 Step 4: Pan Savage 70% LR Step 5: Profit
Savage MK 2 Slays. I've owned both the original and MK2. I kept my MK 1 for the old school sound and it's just a little more aggressive, but the MK2 is no slouch, it's an amazing design and the enhanced mid range gives you the ability to get some modern sounds out of it along with getting a tighter sound with extended range 7/8 string guitars or lower tuned guitars. My only qualm about this amp is the Master Volume and how it differs from the Mk 1. You really have to crank this quite a bit to get the same level of volume out of it, and it also doesn't have the stacked dual gain on the lead channel like the old one, which I think is nicer on the old one and gives you more control The other thing to note is the contour mid range frequency has been changed a bit for more of that enhanced midrange and they reversed the functionality of the contour button. The amp is sick as fuck though and very versatile. \m/
Anyone who likes the Engl sound but doesn’t need a trillion features....the Fireball is an absolute *monster* amp. I’ve had a Fireball for the last 10-15 years (bought it in my 20s when I had no money) and it’s an unbelievable amplifier. I’ve toured around with guys who had Engl SE heads, Savages, Powerballs, and the Fireball is every bit as ferocious and angel crushing...
Thank goodness. I saw the title of this video and for some reason, thought Glen was gonna smack-talk my Avalon 737 preamp. Didn't realize the numbers were different until I went into the studio to look at the unit. I'll continue to love it (mostly the EQ and the gain) until Glen says I'm not allowed to anymore lol.
iirc the Tone Balance knob only works when the Rough/Smooth switch is set to Smooth. on Rough it does nothing. the amp also sounds much better in Rough mode so that knob is mostly decorative.
@@gaukarmadhouse Actually I am a tube guy and I can hear difference in tube swapping but it is not that night and day sound Glen was saying tube guys are.If you played the same tube amp and never changed tubes in years and then bought new ones,matched sets and compared to other new matched sets and start swapping within the same matched rating that is when you hear it,at least for me.
@@KyleSevenoaks yup! plugin alliance has the best hardware models imo. Neural DSP is probably tied for best tone overall. plug in alliance has a lot of metal amps: engl savage 120, diezel VH4, diezel herbert. three of my go to amp sims.
I just watched a 5 minute long ad where they just performed a classical sounding piece and the guy sang really high. I better get a heart for that 0.001 Cents i earned you, Glenn!!
GLENN!!!!!!! Can you get a hold of a Mesa boogie badlander and do a fearless gear review of it it's got a built cab clone and I hear it's a more modern take on a rectifier, I want to see if it's worth the money it's going to be or if someone's better off just saving for a normal dual rec
With a speaker selector and a couple different speaker/cabinet combinations this really can be a "one size fits most" amp. Now to get rid of a few amps I never use and grab me one of these...
I love the sound of the Savage, and equally cannot afford one, but I did end up getting a 400 euro second hand Engl gigmaster head. Absolutely does a kickass job, and has that classic midrange uber saturated Engl snarl that I was looking for where you pump the input gain and it sounds like its on the verge of kinda blowing up
You missed dialing in the best setting for ENGL Savage metal tone: Crunch 2 Gain: Max Lead: 11 o-Clock Lead boost: off Contour: off EQ - whatever you want :)
@Paranoid Drummer jeez dude, chill. I just pointed out, it's the most known ENGL Savage setting that really get's it screaming and chug, and it's tone that Savage is known for. Every amp has something special about it that it's known for. Just saying, owning one, and having multiple guitars with all of different pickups and setups, this is starting point that sounds amazing. Cheers.
@@hannes1734 I know I'm not a guitarist too. But I would write musician then instead of drummer if you're playing more than one instrument. It's just his comment doesn't make much sense because the settings he showed were of course just a rule of thumb/ a jumping off point. It would still be great to try it and see what happens, that what humans call trying different things out and using their imagination.
"Mowing the lawn, mowing the lawn..." 😊 By the way, you'd have to tune down a whole step for that. The original is in A minor, but the root note of a lawnmower engine is a G. The more you know.
Hey Glenn, perhaps you should consider re-titling the video to "Harder than..." or "More difficult than..." rather than "Worse..." as that word might suggest the amp isn't any good. As someone who enjoys tweaking my guitar tones, I think having all those options is great - and the amp sounds really good, too. Just a thought.
I'd really love to hear your opinion on the Engl Savage 120 vs the Engl Savage Synergy module. Obviously, the module doesn't have all the bells and whistles, but I wonder if the core distortion sound gets remotely close to what we just heard in this demo.
that amp is so good it even makes everyone playing sick metal riffs instead of Prog Djent lol always wondered how does it compare to Invader, seem to be similar
I have an Invader 100 and had a Savage mki. Invader is definitely smoother, less compressed and has more low mids and body. While it isn't as tight as the Savage, it is by no means "loose" (no boost needed)
More KNOBS, always need MORE KNOBS : ) thought mesa boogie were the Knob kings..... to quote Montgomery "Scotty" Scott, "I sir, the more they overtake the plumbing the easier it is to Stop up the Drain.".. : )
I love that demo mix song, sounds kinda like Ghost could be if they weren't so soft. This amp sounds incredible, especially in the mix. There's so much versatility in it, too. It costs a lot, but shit it might just be worth it.
I just watched Philip McKnight review the Engl fireball 25 and I was impressed. Lets see how this does. Also, while watching that I thought of a question. I know nothing about professional recording so allow for that when reading. Can you record a physical amp (as opposed to a sim) straight to your recording software without a speaker? Edit: I asked if it's possible, not whether you should or shouldn't. Further edit: after watching - amp goals!
I was thinking "Breaking the Lobster". I was more bothered with the Keesel shirt whilst playing a P.R.S. guitar!😜 Very dope amp though. I would drop the cash on one given the funds and opportunity. Well that and the load box as I don't have the desire to set up the cabs as it would limit my time to work on tracking guitars to the daytime hours. Late night is usually the time I have to do any recording.
Our best amp tech here in Auckland is semi retired and getting quite ancient. He is getting fussy about what amp jobs he takes on (he likes vintage restorations best). He really dislikes these amps with layer upon layer of PCB, but he will still work on them. If I call him and ask him to work on an amp he will ask "is it a Peavey?". If I answer no, he will usually work on it. I have to remember to ask why he is not fond of working on Peavey amps. If I took this Engl to him, I can imagine his look of "why are you doing this to me?". I wonder if that is the real reason I avoid multi-channel amps, i.e., pitying our poor old tech guy :D
The noise gate feature seemed to cut out a lot of the attack and the high end of the guitar, other than that. the amp sounds great. Definitely an amp for the more OCD tone tweakers.
Maybe its that I can pilot a 747 that I dont have difficulties with this amp, but in my opinion its not more complex the ENGL 646. And Im a BASS PLAYER!!!
You've had it for a year and have no idea what all of it does? And bass players are stupid? Fuck, that's not only stupid, it's lazy. And what kind of aneurism was that? Sounds like, "brand aneurism." Besides that, guitar players want shit simplified, often not even a tone knob on the guitar. Yet, many bass players have two different pickups, on-board EQ, the ability to switch between an active and passive circuit, and a blend knob to control the relative output of each pickup. "I actually don't have a clue," is the most accurate statement Glen has ever made. Great Engl amp though! Thanks for the quick look/listen!
Unlike most ENGL amps, this one doesn´t seem to be muddy, also the Lead channel seems to have more settings, than the classic Powerball high gain mud...
just for shits and giggles, i want Glenn to reamp a mix through something stupid like a pocket Marshall. i want to see really good musicians tracking and getting into it, but accompanied by the world's worst tone.
@Paranoid Drummer “A little eq” means dicking around for me personally lol. I prefer to get as close as possible to the sound I want before recording if not I’ll spend too much time questioning and tweaking the guitars sound in post.
@@gaukarmadhouse Dear bass player, think about using the knobs on the front of the amp ;) More seriously, there are plenty of easy ways to get less treble harshness :P
@Paranoid Drummer Y’all didn’t understand what I was trying to say. I prefer to get the sound right at the source not after . Obviously I’ll lowpass and highpass filter and do some surgical eq generally in the upper mids. I even use the Fredman micing technique so I don’t have to post-eq as much.
@@gaukarmadhouse I think @Paranoid Drummer was talking about pre-EQ, too ;) Unless you get a horrible room sound, it's always prefereable indeed. That said, putting the mic off-axis also makes the sound way less harsh.
Glenn: If you want to watch a 45 minute video, you can watch it on Henning Pauli's channel. Me: Well...thanks (but no thanks) to Governor Witless, I'll have plenty of spare time for that.
You guys should purchase liability insurance on each other....the tension may make it ineligible though...worth a try?.....greetings from an insurance guy in Florida
Well I can't deny it is a versatile little bugger. BUT - wow that thing looks complicated, like you would probably find sounds by accident, rather than knowing what you want and dialing it in. Nice thing though.
Gleeeeen I've never been this early. 2 questions for you. Is ezmix2 worth investing in? And second what do you think of sonarworks headphone calibrating in regards to mixing. Very curious. Also I commented before I watched the whole video because I wanted to jump in before everyone else could beat Me to it. Fuck from west Michigan.
Is it another "bookshelf, homestudio, house-shoes, kill your neighbours" amp? Know a lot of these.. Or is it a good "out of the bus 🚌, get on Stage - on top of my boxes Rock and roll all night🤘🏼, back to the bus 🚌 another town" amp??? Please, Tell me that Studio work horse 🐎..More than that??? Whats the difference to comparable stuff and what are these??? Does it come close to mesa ... or hughes& ...??? I like the band, by the way. great play ...
Wondering which soul of a deceased metal god has taken possession of that amp. As Rammstein said: "Wer zu Lebzeit gut auf Erden, wird nach dem Tod ein ENGL werden." 😊
When I shopped for a new tube amp a few years back, I couldn't get a decent tone out of the Savage. Way too many knobs to tweak and none of the combinations sounded perfect for me. Ended buying the Invader. Zero regrets. Fewer knobs, literally every and any combination sounds great.
@@SpectreSoundStudios I haven't taken any. Good thing I don't have to play bass. It'd be a disaster. How are your lessons going, figured out how to read yet?
Awesome glen I never see enough of your content but seen i dint ring the fkn bell lol.any way awesome love yer channell not really a studio guy I am a self taught guitar player I play cause I love it never claimed to be good but 30 years off and on im ok lol.im from london ontario Glen I cant figure out where your from Vancouver ? Either way keep up the good work.
its versatile enough to be the perfect amp for the home studio. As an owner of a 100w powerball, i i do not doubt the versatility but the need and joy that you will find in having a 120 watt amp. I found a guy with a basement studio and my amp is there. Maybe those torpedo live things could work thats where i would look next. I tried a rivera silent sister for years (starting 2012.. i think) and for recording its far from awesome. For practise its more than good enoug, and if you are one of those i need to kill everybody by cranking the master volume guys (and willing to carry a lot of shit) than your sound guy might hate you a little less for that if your using it live. BTW the savage2 sounds amazing.
Nice and evil, plus my drummer would never find the volume knob to turn it down.
Step 1: Double track Engl Savage scooped mids
Step 2: Double track JCM 800 with TS or 5150 less gain then normal; in your face mids
Step 3: Hard Pan LR JCM800/5150
Step 4: Pan Savage 70% LR
Step 5: Profit
Ok
Just cause Glenn loves this.... FIRST!!!
Oh yeah.
You get NOTHING. :p
@@SpectreSoundStudios that's how it always is
Savage MK 2 Slays. I've owned both the original and MK2. I kept my MK 1 for the old school sound and it's just a little more aggressive, but the MK2 is no slouch, it's an amazing design and the enhanced mid range gives you the ability to get some modern sounds out of it along with getting a tighter sound with extended range 7/8 string guitars or lower tuned guitars. My only qualm about this amp is the Master Volume and how it differs from the Mk 1. You really have to crank this quite a bit to get the same level of volume out of it, and it also doesn't have the stacked dual gain on the lead channel like the old one, which I think is nicer on the old one and gives you more control The other thing to note is the contour mid range frequency has been changed a bit for more of that enhanced midrange and they reversed the functionality of the contour button. The amp is sick as fuck though and very versatile. \m/
Anyone who likes the Engl sound but doesn’t need a trillion features....the Fireball is an absolute *monster* amp. I’ve had a Fireball for the last 10-15 years (bought it in my 20s when I had no money) and it’s an unbelievable amplifier. I’ve toured around with guys who had Engl SE heads, Savages, Powerballs, and the Fireball is every bit as ferocious and angel crushing...
5:35 - metal starts here.
Thank goodness. I saw the title of this video and for some reason, thought Glen was gonna smack-talk my Avalon 737 preamp. Didn't realize the numbers were different until I went into the studio to look at the unit. I'll continue to love it (mostly the EQ and the gain) until Glen says I'm not allowed to anymore lol.
This is why close mic’ing sucks with digital recording .
Turn the amp wayyy up and back the mic up .
Works every time
Been selling them for a while and just got my own. Love it. Great job guys!!
Idk about the 747, but Trey's face at 7:37 is gold.
iirc the Tone Balance knob only works when the Rough/Smooth switch is set to Smooth. on Rough it does nothing. the amp also sounds much better in Rough mode so that knob is mostly decorative.
Trey singing "Breaking the law" in the B-52's Fred Schneider voice, made me genuinely laugh out loud!
Solid video, as usual!
Odd Reaally thought of those 2 songs. Both gay too, wha da thunk it?
Breaking the Lawbsta
Breakin the Lobster... such a missed opportunity!
That clean channel needs a telefunken 60's era diamond bottom 12ax7 in slot v1......TRUST ME!
DUDE I’m telling you the difference is night and day!! It’ll add that sparkle you hear on *insert album*
@@gaukarmadhouse Actually I am a tube guy and I can hear difference in tube swapping but it is not that night and day sound Glen was saying tube guys are.If you played the same tube amp and never changed tubes in years and then bought new ones,matched sets and compared to other new matched sets and start swapping within the same matched rating that is when you hear it,at least for me.
Great, another amp I simply MUST HAVE! Yeah thanks, Glenn. And Trey.
Oh hi there :). Yeah this engl savage 120 mk2 is insane! I would love to own one, but for now I’ll just stick with the plug-in Alliance version 😂.
@@CreativeMindsAudio There's a plugin version? Be right back 😂
@@KyleSevenoaks yup! plugin alliance has the best hardware models imo. Neural DSP is probably tied for best tone overall. plug in alliance has a lot of metal amps: engl savage 120, diezel VH4, diezel herbert. three of my go to amp sims.
the savage is on my top 3 dream amps of all time.
I just watched a 5 minute long ad where they just performed a classical sounding piece and the guy sang really high.
I better get a heart for that 0.001 Cents i earned you, Glenn!!
I didn’t even read well the title, I just read piloting a 747 and I came expecting to watch a plane hhahahahaja
Treble balance only works with the smooth button engaged. It has no effect if the it's set on rough.
Sounds amazing man! Engl is one of my favorite brands!
GLENN!!!!!!! Can you get a hold of a Mesa boogie badlander and do a fearless gear review of it it's got a built cab clone and I hear it's a more modern take on a rectifier, I want to see if it's worth the money it's going to be or if someone's better off just saving for a normal dual rec
With a speaker selector and a couple different speaker/cabinet combinations this really can be a "one size fits most" amp. Now to get rid of a few amps I never use and grab me one of these...
Two of my favourite guitar tones were made from this amp.Arch Enemy wages of sin/Anthems of rebellion. I can't afford one but I'd love one.
I love the sound of the Savage, and equally cannot afford one, but I did end up getting a 400 euro second hand Engl gigmaster head. Absolutely does a kickass job, and has that classic midrange uber saturated Engl snarl that I was looking for where you pump the input gain and it sounds like its on the verge of kinda blowing up
Liked that lead tone. Very nice, gentlemen.
Thank you kindly!
Im a bass player! all i need to know is amp go BOOM BOOM!
jajajajaja
man this amp sounds fucking amazing!
You missed dialing in the best setting for ENGL Savage metal tone:
Crunch 2 Gain: Max
Lead: 11 o-Clock
Lead boost: off
Contour: off
EQ - whatever you want :)
@Paranoid Drummer jeez dude, chill. I just pointed out, it's the most known ENGL Savage setting that really get's it screaming and chug, and it's tone that Savage is known for. Every amp has something special about it that it's known for. Just saying, owning one, and having multiple guitars with all of different pickups and setups, this is starting point that sounds amazing. Cheers.
@Paranoid Drummer sure dude. Send me your tones and plays, I’ll be glad to check that pure eargasm out.
@Paranoid Drummer Dude you're not even a guitarist so what you talking bout?
@@giuliano8031 I know that might be hard to grasp for a guitarist like you, but some people play more than just one instrument.
@@hannes1734 I know I'm not a guitarist too. But I would write musician then instead of drummer if you're playing more than one instrument. It's just his comment doesn't make much sense because the settings he showed were of course just a rule of thumb/ a jumping off point. It would still be great to try it and see what happens, that what humans call trying different things out and using their imagination.
Glenn, Have you tried changing out the tubes? 😂🤪🤣😅
Lol "Rock lobster or Breaking the law" had me literally lol 😆 🤣
"Mowing the lawn, mowing the lawn..." 😊
By the way, you'd have to tune down a whole step for that.
The original is in A minor, but the root note of a lawnmower engine is a G. The more you know.
Hey Glenn, perhaps you should consider re-titling the video to "Harder than..." or "More difficult than..." rather than "Worse..." as that word might suggest the amp isn't any good. As someone who enjoys tweaking my guitar tones, I think having all those options is great - and the amp sounds really good, too. Just a thought.
"Next time, we'll read the manual" - Riiiight. Despite lockdowns and all this mess, Glenn still hasn't lost his humor ;)
About the Tone Balance knob: RTFM?!
I'd really love to hear your opinion on the Engl Savage 120 vs the Engl Savage Synergy module. Obviously, the module doesn't have all the bells and whistles, but I wonder if the core distortion sound gets remotely close to what we just heard in this demo.
that amp is so good it even makes everyone playing sick metal riffs instead of Prog Djent lol
always wondered how does it compare to Invader, seem to be similar
No. The savage is way tighter. The invader is way more loose, closer to a recto while the savage is a boosted jcm 800 or 5150.
I have an Invader 100 and had a Savage mki. Invader is definitely smoother, less compressed and has more low mids and body. While it isn't as tight as the Savage, it is by no means "loose" (no boost needed)
Holy shit Glenn you've lost some serious weight!!!! Good on you brother!!!!
Have you any thoughts on the Gamechanger Plasma pedal.
You dialed in some great tones! Cheers Glenn!!
There can be some great clean tones, but everyone just strums a few cowboy chords.
yeah unfortunately
More KNOBS, always need MORE KNOBS : ) thought mesa boogie were the Knob kings..... to quote Montgomery "Scotty" Scott, "I sir, the more they overtake the plumbing the easier it is to Stop up the Drain.".. : )
I love that demo mix song, sounds kinda like Ghost could be if they weren't so soft. This amp sounds incredible, especially in the mix. There's so much versatility in it, too. It costs a lot, but shit it might just be worth it.
I just watched Philip McKnight review the Engl fireball 25 and I was impressed. Lets see how this does. Also, while watching that I thought of a question. I know nothing about professional recording so allow for that when reading. Can you record a physical amp (as opposed to a sim) straight to your recording software without a speaker? Edit: I asked if it's possible, not whether you should or shouldn't.
Further edit: after watching - amp goals!
Volume, gain, 3 band eq, maybe reverb. That's all I need.
I was thinking "Breaking the Lobster".
I was more bothered with the Keesel shirt whilst playing a P.R.S. guitar!😜
Very dope amp though. I would drop the cash on one given the funds and opportunity. Well that and the load box as I don't have the desire to set up the cabs as it would limit my time to work on tracking guitars to the daytime hours. Late night is usually the time I have to do any recording.
"Breaking the Claw"
Can someone link the other Savage 120 video Glenn's talking about?? I've got 47 minutes to kill 😂😂😂
Fucking hell that snare sounds awesome. The engl aint half bad either
BREAKING THE LAW-BSTER!
Damn, you beat me to it :P
Our best amp tech here in Auckland is semi retired and getting quite ancient. He is getting fussy about what amp jobs he takes on (he likes vintage restorations best). He really dislikes these amps with layer upon layer of PCB, but he will still work on them. If I call him and ask him to work on an amp he will ask "is it a Peavey?". If I answer no, he will usually work on it. I have to remember to ask why he is not fond of working on Peavey amps. If I took this Engl to him, I can imagine his look of "why are you doing this to me?". I wonder if that is the real reason I avoid multi-channel amps, i.e., pitying our poor old tech guy :D
The noise gate feature seemed to cut out a lot of the attack and the high end of the guitar, other than that. the amp sounds great. Definitely an amp for the more OCD tone tweakers.
I'd love to see you do a review of the PRS MT15 amp.
Tremendous
Maybe its that I can pilot a 747 that I dont have difficulties with this amp, but in my opinion its not more complex the ENGL 646. And Im a BASS PLAYER!!!
Front panel got similar to Engl Invader, that was good sounding amp, but noisy.
You've had it for a year and have no idea what all of it does? And bass players are stupid? Fuck, that's not only stupid, it's lazy.
And what kind of aneurism was that? Sounds like, "brand aneurism." Besides that, guitar players want shit simplified, often not even a tone knob on the guitar. Yet, many bass players have two different pickups, on-board EQ, the ability to switch between an active and passive circuit, and a blend knob to control the relative output of each pickup.
"I actually don't have a clue," is the most accurate statement Glen has ever made.
Great Engl amp though! Thanks for the quick look/listen!
Unlike most ENGL amps, this one doesn´t seem to be muddy, also the Lead channel seems to have more settings, than the classic Powerball high gain mud...
Woulda went with breaking the lobstah!! Or Lobster Law!
just for shits and giggles, i want Glenn to reamp a mix through something stupid like a pocket Marshall. i want to see really good musicians tracking and getting into it, but accompanied by the world's worst tone.
Tone balance only works in smooth mode. It works sorta like a real weak presence
Yup the savage is def the best engl amp hands down. It's the less engl sounding engl lol. Most engls TO ME sound harsh on the top end
@Paranoid Drummer “A little eq” means dicking around for me personally lol. I prefer to get as close as possible to the sound I want before recording if not I’ll spend too much time questioning and tweaking the guitars sound in post.
@@gaukarmadhouse Dear bass player, think about using the knobs on the front of the amp ;) More seriously, there are plenty of easy ways to get less treble harshness :P
@Paranoid Drummer Y’all didn’t understand what I was trying to say. I prefer to get the sound right at the source not after . Obviously I’ll lowpass and highpass filter and do some surgical eq generally in the upper mids. I even use the Fredman micing technique so I don’t have to post-eq as much.
@@CyberChrist Duh dude I was literally talking about mainly eqing on the amp and doing less in post. Your comment is literally what I was saying.
@@gaukarmadhouse I think @Paranoid Drummer was talking about pre-EQ, too ;) Unless you get a horrible room sound, it's always prefereable indeed. That said, putting the mic off-axis also makes the sound way less harsh.
Breaking the Lob, Breaking the lob.😂🤘🎸
Damn, this is me making me miss my powerball. Which do you prefer Glenn? This or the Revv Generator?
Yup this amp and the Revv Generator have way too many switches. I like simplicity in my amps.
Breakin' the Law~bstah Breakin' the Law~stah
Just wanted to ask... How did you get hold of the Savage in Canada/US?? Thomann doesn't ship that amp to Canada or the US... Thanks!
How is the channel switching speed via MIDI? Is there a large gap...or is it pretty close to instant?
was there no owners maual that came with it or that was online???
How about tuning the guitar?
Glenn: If you want to watch a 45 minute video, you can watch it on Henning Pauli's channel.
Me: Well...thanks (but no thanks) to Governor Witless, I'll have plenty of spare time for that.
You guys should purchase liability insurance on each other....the tension may make it ineligible though...worth a try?.....greetings from an insurance guy in Florida
glen is gettin a lot better at guitar.
Breakin' the Lawbster.
There’s a picture from another Engl amp at 2:45...isn’t?
The shout outs to EytschPi are always welcome 😁
Maybe the tone balance knob is our way to the fabled warm tone? The world may never know...
Well I can't deny it is a versatile little bugger. BUT - wow that thing looks complicated, like you would probably find sounds by accident, rather than knowing what you want and dialing it in. Nice thing though.
Gleeeeen I've never been this early. 2 questions for you. Is ezmix2 worth investing in? And second what do you think of sonarworks headphone calibrating in regards to mixing. Very curious.
Also I commented before I watched the whole video because I wanted to jump in before everyone else could beat Me to it. Fuck from west Michigan.
Lancaster should do a kemper profile of this I cant find one anywhere
I am pretty sure gain 1 will effect gain2 and gain3 will effect gain4 as well. This was how the first one was set up.
Tell me how this thing puts out 120 watts with two output tubes?
I done took the sped redding cours fellas . eh-men to that .
Breaking the Rocklobster xD
Breaking the rocklawbster? ...I'll see myself out.
Is it another "bookshelf, homestudio, house-shoes, kill your neighbours" amp? Know a lot of these..
Or is it a good "out of the bus 🚌, get on Stage - on top of my boxes
Rock and roll all night🤘🏼, back to the bus 🚌 another town" amp???
Please, Tell me that
Studio work horse 🐎..More than that??? Whats the difference to comparable stuff and what are these???
Does it come close to mesa ...
or hughes& ...???
I like the band, by the way. great play ...
Wondering which soul of a deceased metal god has taken possession of that amp. As Rammstein said: "Wer zu Lebzeit gut auf Erden, wird nach dem Tod ein ENGL werden." 😊
4:46 killed me
Sounds Filthy! Love it!
When I shopped for a new tube amp a few years back, I couldn't get a decent tone out of the Savage. Way too many knobs to tweak and none of the combinations sounded perfect for me. Ended buying the Invader. Zero regrets. Fewer knobs, literally every and any combination sounds great.
How are those Bass lessons coming along?
@@SpectreSoundStudios I haven't taken any. Good thing I don't have to play bass. It'd be a disaster. How are your lessons going, figured out how to read yet?
Awesome glen I never see enough of your content but seen i dint ring the fkn bell lol.any way awesome love yer channell not really a studio guy I am a self taught guitar player I play cause I love it never claimed to be good but 30 years off and on im ok lol.im from london ontario Glen I cant figure out where your from Vancouver ? Either way keep up the good work.
Volume control is all you need. Maybe a tone control.
An amp should have only two knobs; a volume and one that goes 'Less Metal' to 'More Metal'.
That is seriously an awesome idea
I'd buy that
LOUD -/+ and METAL -/+ and call it the "Bare Bones"
No, it should be a 2D morph control where you have a pentagram of different metal styles at each corner, and you can blend in between them.
Ya! you would use your pre EQ and pedals to make your sound and the amp would just metalise the hell out of it!
its versatile enough to be the perfect amp for the home studio. As an owner of a 100w powerball, i i do not doubt the versatility but the need and joy that you will find in having a 120 watt amp. I found a guy with a basement studio and my amp is there. Maybe those torpedo live things could work thats where i would look next. I tried a rivera silent sister for years (starting 2012.. i think) and for recording its far from awesome. For practise its more than good enoug, and if you are one of those i need to kill everybody by cranking the master volume guys (and willing to carry a lot of shit) than your sound guy might hate you a little less for that if your using it live. BTW the savage2 sounds amazing.
Any on e struggle with the built noise gate on this thing??
Still have to get another gate to go with it
I like the heavy shit 🤘🏽
How'd I know at 1:24 that glenn was gonna eventually lead up to a henning pauly joke??
;)
You're in Smoky Glenn Dale? I thought Glenn had quit smoking? 😁
Ok, I'm confused. Do the tubes matter or do they not?
This was shot before the tube shootout
Breakin' the Lobster I see. Don't tell Jordan Peterson!
Is "Trey's sweaty garage" a new series?
lol
2:43 Gleeeen! Please don’t contradict yourself, man!
breaking the lobster..
I am so torn between the savage 120 or revv generator 120. Anyone have thoughts?
Same. Went with the Engl.
@@Lawrence330 same! Got the savage 120. No regrets.
Trey informed us that he was going to crunch city buy never informed us if he was going to win in crunch city