ฝัง
- เผยแพร่เมื่อ 22 ส.ค. 2024
- "Open Your Heart" is a song recorded by American singer Madonna from her third studio album True Blue (1986). Written by Gardner Cole and Peter Rafelson. This song became Madonnas fifth number one single.
Drummer is the legendary Jonathan Moffett.
This is my rendition...
As with all my drum covers, I do not own any rights to the song and is copyrighted by original artist.
Gear used:
Tama Starclassic birch/bubinga ocean blue ripple 2017
Custom RAC snare 13x7 8- ply beech
Pearl double bass Eliminators
Centent main crashes
Sabian Paragon ride
Wuhan/coronavirus Chinas on my L
Sabian China on my R
Zildjian splash
Trash stack
Sabian ice bell
LAR custom hickory sticks
wood block/tambourine
Ipad for video
Adobe Premier Pro editing
Behringer UMC404 HD interface
Shure mics on kit
Pyle OH mics
Tracktion/Waveforms DAW
Audionamix Xtrax Stems
Such amazing talent!!!
I Like Support Drum Covers !
This is a Nice Job ! 💯🤟🤘👍🐺
Amazing as always!
Also cool fill at 2:15
That was really great Barry!!! Really enjoyed this. Smooth with cool hat barks, splashes etc. great stuff. Also dig the ride and hat interchanges etc.
@@EricFDrums my man!
That was awesome Barry!! I actually love Madonna. Im sure she had a great drummer but she could be even better with you!!
@@pellis999 you are so very kind. Thank you 🙏🙏
Decent playing. I don't know what overheads you are using, but it does sound mono and a little bit harsh. I would pan the right overhead 100% right and the left overhead 100% left...
That's some beautiful drums with diecast rims on it, unfortunately, I don't see any microphones on them. You are probably using 4 channels with 2 overheads, 1 mic on snare and 1 mic for the bass drum, *and no microphone for your toms*, which create this lack of tone and bottom for your entire set of tom toms.
I think you would need at least 9 microphones for this setup, which mean a soundcard with 8 channels wouldn't be enough for the extra 1 channel you need, unless you put 1 tom off the kit.
I'm taking my time to type a constructive comment to help others for free, especially the one showing potential.
At the end of the day, I think a wise move would be to obtain great Overheads microphones, something like Shure SM81 or anything better, to get that pleasing and sweet sound out of your cymbals. The obvious first move you should do is to buy some microphones for your toms, if you have enough channels on your soundcard to do it, of course.
I think sitting high is great and you are doing it, but the snare is too low, it does make it difficult to make some powerstroke because you have to go down between your legs, and when the legs are moving, they are getting in the way, in fact the legs are higher then the snare. But if you are playing like that position for years, it's really gonna feel uncomfortable to play with a higher snare in a much more comfortable position, which sound incoherent, but it is coherent.
It would help the sound in general too because you would raise up the hi-hats and the ride too in the process, because your crash a much more closer to the overhead microphone compare to the very low hi-hats, making those crash harsh and loud with a hi-hats that sound much more far away, but since you want to hear the hi-hats, you raise the DB of the overheads and that's how the crash and the BELL from your ride goes beyond the volume of the snapping sound of your snare.
@@stephanmarcouxdrums4877 thank you for taking the time to write yourthoughts. Thanks for watching. And subscribing.