Learn how to tune DIMINISHED scales with Richard Amoroso

In this video, Richard Amoroso gives a short lesson on how to approach diminished scales.
Bullet points:
What is a diminished scale and how to recognize it
Defining the three kinds of diminished scales,
How to tune diminished scales
Best fingerings for diminished scales
Please comment below your thoughts.
To learn more about preparing for violin auditions or online lessons, go to:
www.richardamoroso.com
[e-mail]
오케스트라 바이올린 연주 단절 레슨 (Okesteura baiollin yeonju danjeol leseun)
"管弦乐小提琴摘录课程" (guǎnxián yuè xiǎotíqín zhāilù kèchéng).
"管弦楽のヴァイオリン抜粋のレッスン" (kangen gaku no vaiorin bassui no ressun).

[@MurphyMusicAcademy]

Interesting. As a player of the Flesch scale system I always categorized these with arpeggios rather than scales, but an important thing to practice in any case. Something I found to be helpful, and that I instruct my students to listen for, is to be comfortable with the feeling of the tension between each note. Since the entire point of the diminished 7 chord is to lead us to a more consonant chord, there is constant tension from note to note that pulls on the ear and can make us play out of tune. It is important to practice these because it gives us a chance to engage with that tonal tension, WITHOUT giving into it. Great lesson! I greatly enjoy your content!

[@richardamoroso_violin]

Thank you so much for that insight and thanks for watching!

[@sonnylombardozzi2633]

❤

[@richardamoroso_violin]

Thank you

[@matthew.j.mcpherson]

The colors grey, green, and gold refer to: the Tonic diminished, Subdominant diminished, and Dominant diminished scales.

[@richardamoroso_violin]

Thank you for your clarification.