Unveiling the Secret Techniques of Drink Photography in 2024
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- เผยแพร่เมื่อ 25 ส.ค. 2024
- If you want the less youtube serving more pro details then head over to here / tinhouse
In this video, we're going to show you how to photograph cocktails and other drinks using the new broncolor lighting style in 2024.
This fun and innovative way to photograph drinks is a great way to show off your photography skills and show off your drinks in a new and exciting way. If you're looking for a new and innovative way to photograph drinks, then be sure to check out this guide!
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Loving these longer tutorial videos! I’m definitely guilty of removing all the catch lights and reflections, makes me feel a bit better to know that they don’t all have to be completely gone, will save me a TON of time on my next shot 😅
Watching you using hard lighting has been fabulous. I bought a 5D II, beauty dish, 90mm/2.8 macro and some decent stands. They've made my tabletop photography 100% better than before.
I never realised there was life beyond the softbox! What these vids give us is range. Liberation from the 'one trick pony' syndrome.
Do you have plans for a second GFX?
Crazy how much effort and gear it takes to professionally shoot a bottle!
Honestly anything you want to show shot is good. I just like watching your process.
Great choice of drink. Great video too.
Very informational, Thanks!
Great teaching thank you
Nice tutorial!! Thanks for sharing :D Since you're asking what we want next I'll tell you, a cheese berger.
Really loving these process videos, so many tiny fragments of knowledge and "what to care about, and what not to care about" tidbits, two thumbs and a big toe up.
So this video confirms the design trend predictions I'd read about on Behance over the last few months. Throwback to the 70s and 80s style marketing
Thank you Scott for going through alls these little details of how you improve, and get the shot you're looking for.
Great video Scott, nice to see how the different lights interact with each other.
The colour matching you did at the photography show would be interesting as a video. As red is not red! :)
Brilliant
Great breakdown - the way you've documented the process and real time changes is very helpful. Thanks
thank you!
Stunning techniques showcased in this video! We're thrilled to see the secrets behind drink photography evolving in 2024. The precision and creativity displayed truly resonate with our commitment to pushing the boundaries of lighting. Kudos to the creators for sharing these valuable insights!
More to come!
These are wonderful and so helpful. I would love to see one on shooting a glass bottle with a non clear liquid, such as ketchup or something like that. I can't seem to get rid of reflections on them.
I absolutely love your studio.
Well i know what I’m trying soon
Love your channel, as I'm an in-house commercial photographer for a large coffee company, I get to watch and learn from another professional, however your studio gives me OCD nightmares hahaha
You tutorials are top but I'd love to see some behind the scenes from actual clients shooting as well to better put it to the context.
That could be difficult since a lot of the content of those shoots are proprietary to the client.
Fantastic video. I really enjoy and appreciate the info like this. Thanks!
Great stuff! Very useful!
I know you do food and drink but how would you do reflective objects like a watch? Or in your world a fancy champagne in a metallic bottle? How do you hide your reflection?
I'm addicted to these. Also inspired. I would be super interested to see something with fire. Also, are all of your employees in the same biker gang? ;)
Really cool demo Scott and I love the final image. The one thing that caught my eye that I don't understand is why there seems to be a bit of a halo around the bottle. Is that from processing or something else?
Excellent, very interesting how you sculpt the light.
Who in a product company determines the style they want? I assume they are the trend setters for their industry
Genuine question: why don't you use polarisers to get rid of the annoying glare on the top label?
I think he wants the glare because 1. it shows that it's a photograph, and 2. It's part of his hard lighting aesthetic
You said “of course we would normally get the label and bottle separately” please elaborate, how and why would you get them separately?
I know it’s the process you are demonstrating, but a 1/8 screen preview is just not big enough to see the point at hand.
I just pause and pinch zoom
The youtube app allows you to pinch zoom
With a Manfroto cyclorama table, 1,20m, an Hasselblad H3D II multi shote and 3 Broncolor Minicon heads, Soft box for the right reflex on the wine bootle. Donne in 5 minutes. Of course water with glisserine to glue on the glass bottle. Any way, you make it fantastic. Congratulations. By the way, what camera are you using,..??
why there is an brighter “aura” on the edge of the bottle on the preview photos? 😮
Hey Scott! I was wondering how you’d approach shooting a metallic product (or a product with a metallic elements, lots of beauty/skincare products are like that) in your style? Would you put gradients on metallic surfaces with scrims/filters and do a composite in ps or is it also considered out of date in your opinion ? The thing is , glass refracts and creates beautiful caustics in hard light but metallic surfaces just look black and dead. Really curious to hear your thoughts on this!
Great question! I also want to see this :)
Remembering back in the 90´s when we don't have digital pictures to merge and the bottle has to be perfect on the film.
4 exposures from different packs on the same sheet of film (at least that's what we were doing for televisions). Working out how different materials reacted to different colors of light (plastic is weird)... Ugh... 🤦🏿♂️ But, also reflecting on the difference in the definition of "perfect" for the final image between then & now
At the 6:00 minute mark, "gonna turn off the modeling light so I don't set fire to a grid." Me all the time; hmm, smells like something in here is starting to heat up... 😆
I was wondering if the foil could catch fire. Or is it a special kind.
En mi estudio haríamos 2 fotos para el líquido, 2 fotos para cada etiqueta, si la etiqueta tiene brillos más fotos de los brillos, 2 fotos del tapón, foto de la base, foto del fondo, 3 fotos con diferentes gotas y 5 horas de Photoshop recortando y creando un montaje “perfecto” 😂
Even as a portrait photographer I feel I've learnt something, want to ask: What do you use in the spritzer that gets on your equipment?
He told us in the video: half water, half glycerine. I’m going to try that also: seems like a good hack compared to the just water I use.
Thank you! There was a lot of information to take in. @@astralshore
What is that, a 40oz?
Scott… I know this is such a basic q uestion but I have to ask you because I’ve been searching for weeks and can’t find anything. Why would I need to get expensive studio strobes instead of cheaper flashes or speed-lights? I get that recycle times are better, no batteries to charge, higher speed sync, and brighter light. But in a slower-paced studio setting, I’m not sure that I always care about recycle time or high speed sync. Does brighter light have a better photographic quality to it? Or is it purely just to shoot lower isos and with higher apertures at short exposures?
Hey! From what I've heard / experienced, lower end strobes aren't as consistent in power output and color temperature. It's not a huge deal on all in camera shots but gets annoying when shooting GIFs or things that need composited in post where that inconsistency is more noticeable. :)
That what @@kateblakeman said and also the distance. If you dan't want to have a dramatic light drop-off from top to bottom of the product, then you need to move the light faar away, like 2-4 meters. Power of the light drops with the square of distance, so in order to keep the ISO around 100, you need a powerful bang 💥
I tend to ignore it when shooting for my own, for my portfolio. I just bump the iSO and it's fine. For client shoots I rent the big strobes.
@@kateblakeman I appreciate this response so much, thank you
@@masaytakaThank you, this makes a lot of sense!
For a next shoot, maybe something flat like a fossil?
It's aluminum foil. Tin is a different metal.
Aluminium foil is still referred to as "tin foil" in many areas. It essentially means the same thing.