I had seen this video a while back and had to look it up for some current work, just printed 50 portraits of Vietnam vets and the results were amazing...great tutorial, thanks
Your 20/10 technique is spot on. I'll make it a permanent step in my workflow. What impressed me the most was how natural it looks; no annoying artifacts. Thanks!
It's a pleasure to meet you and to discover your channel. The beauty of your heart is reflected on your face. your teaching technique is excellent. thanks
Techniques to use with portraits of 'ordinary' looking subjects are so welcome. Videos by superstar photographers using complex amazing lighting and very photogenic people are not too helpful for most of us. Keep up the good work Glyn!
Thanks so much for the video. I used this for effect for the first time on a head shot I did on my grandson and it worked wonderfully. A great effect I'll be using as I start a new portrait project.
Beautiful portrait of Mr. Allen! Yes, I do the same technique with a single, smart object base layer of the portrait. The unsharp mask is a smart filter applied to the single base layer. On top of that base layer is a group folder and inside are adjustment layers (not multiple copies of the base layer, just adjustment layers.) The adjustment layers all have blacked out masks and represent exposure +-, saturation +-, contrast +-. I then just take an oval shaped brush and paint white on the masks at 10% flow. (I use oval instead of round because I like that better for healing and cloning for skin retouching and just keep the same shape for this.) I have an action that automatically sets up the unsharp mask smart filter and the big group folder of adjustment layers, so it is quite easy. And actually FUN having exposure, saturation, etc just sitting there and waiting to be painted (+ or -) on the portrait. My thing is that I kind of _HATE_ multiple copies of the base layer so I just try to figure out as much as I can without them. (The occasions when I use frequency separation is an example of when I do have to use multiple copies of the same layer). My base layer is technically a "place linked" link to a separate RAW file that is just linked to inside the PSD.... but that's another story. Anyway, you are a master at this, and I am picking up so many wonderful insights from you. Thank you so much!
@@glyndewis Sounds good. Yes,give it a try when you have the time. See if you like it. One obvious benefit is not having those multiple, intermediate hard copies to keep track of. The law of layer 'stacking' still applies, of course. So you do want to stack and arrange the adjustment layers on top of each other in your desired order, but other than that everything happens on top of that single, smart object base layer. You can jump around and fiddle with any adjustment layer at any time. Anyway, I am picking up a lot from you and your techniques, so if I can return the favor in any way that's good.
@@tw9535 hey your technique sounds very interesting, by chance do you have a tutorial about these steps you mention because im more visual and my english is not very good, and where did you found the action, did you make it yourself?
Maybe mention that a shallow depth of field helps with the effect? I did this to a recent portrait with somewhat ok results. I've actually done a version of this technique on my FineArt flowers that has a crazy depth of field with excellent results. People often tell me that my prints have a 3D-effect with flowers popping out of the frame! Great video!!
Dear Glyn, I know it's been a year since you've done this video but I just want to tell you that I've tried your technique on my yesterday shoot session and the result is absolutly amazing! Furthermore, I discovered that I can use layer mask for other issues: bluring the sides of the head to enhance depth of fied, etc. What a great gift! Gratitude and love.
Thank you so much for posting this technique. It's brilliant. As a matter of fact I was just agonizing over some pictures I wanted to have a special something and this was just perfect. I love you tutorials there is always something new that I learned from you
Great tip and something a novice like me looks forward to attempting as I move forward. Your sharing deserves great credit for helping the photography community.
I love your enthusiasm and authenticity. And sense of humor. I like your videos most of all tutorials and similar stuff. Great job. How many people visited the show?
Thank you for sharing. While it seems like common knowledge concerning light and dark areas, so many of us fail to see it as we work. I am interested in trying this technique and others using the knowledge you have shared.
My favourite technique with a light touch of topaz! In still lifes this technique creates a crazy three-dimensionality, people tell me: "it feels like touching objects" Thank you "Maestro".
I've not undertaken much portrait photography (concentrating more on travel, landscape and street photography), but an opportunity to be involved in a portrait project is coming up and I'm determined to give it a go. My determination has been heightened by you and your videos, and this technique (and the way you've clearly explained it) are inspirational. So thanks again.
Dear Glyn, over time I have come to the concept that your professional approach, both in photography and image editing, is to be very close to the-state-of-the-art and your knowledge, developed with such an attitude, is poured into your videos uploaded to TH-cam with which many of us enjoy learning work alternatives that would otherwise be closed to us. Yesterday afternoon I came across, by absolute chance, this video of yours, and it left me very surprised, not because of the technique itself, because in my over ten years dedicated to image editing I have used the multiple approaches many times, which, moreover, is described in the image editing literature by various Photoshop “gurus”, but by your way of using it, which confirms to me that your production process seriously contemplates research, including the trial and error. You are a very reliable source of hard-nosed knowledge, I commend you for that. As soon as I found out about your way of applying the approach, I wanted to replicate it and I asked my son via WhatsApp for a couple of portrait images of my 12-year-old granddaughter, expressly requesting that he send me the largest size that his cell phone can capture so I could have more information to work with, but he sent me just one very small 64KB jpg image; as I was very enthusiastic about your 20-10 method I put aside the problem of a meager size and put my knowledge to work on the image, first in Camera Raw the editions that seemed appropriate to me and then in Photoshop I finished the work following your steps, plus some extra contribution; at the end, my eyes could not believe the formidable change in the scene. If you are interested in seeing for yourself what your own technique is capable of achieving from a tiny image, let me know and I will send you the original and the final PSD to the address you determine. An affectionate greeting from the southern hemisphere.
Sergio...Thank you so much for the kind words and for taking the time to watch the video and comment. Absolutely yes, I would love to see the result you achieved 👍
Thank you very much for this very useful technic. I really like it how you present it and I will come back to your future videos. Greetings from Poland
Another way this is popping is he is using a shallow depth-of-field. Make sure your aperture is as open as you can get it. That blurriness really helps.
Hello Glyn, I Just started watching your TH-cam videos and I just started dabbling in PS, as a pre press operator and I'm getting more and more snip it's from clients that supply me low res images for print and I have little to no experience with PS, but the handful of videos that I have watched have been simply amazing and easy to understand and I believe I will use your techniques to ensure I can give my clients a better end print product.
@@glyndewis Do you plan on making a new updated video showing how you can do this all in Lightroom only now that they Adaptive AI masks are available as of May 2024. I hate going into Ps unless absolutely necessary :P Thanks
finally i get what i was looking for.Thanks for sharing this information.One request can you make a full video of how you process your friend's imge from start to finish..
Thank you Glyn Ive used PS for years and never knew these features existed. Now I will put them into practice. How to make a great shot even greater 20 10 !!!!!!! Bravo
@@glyndewis Quick question I use affinity photo. Do you know if I am doing a panoramic stitch and also using exposure bracketing so 3 images x 3, Am I supposed to render the exposure brackets 1st and then merge to one panoramic and then edit that or do I edit each individual image after I combined the exposure bracketing? I didn't know if panoramic would save as a file type conducive to editing like raw does. If I edit the images before I do the pano stitch I don't think they'll match because each edit will be different unless there's a way to apply a global edit to all 3 images. I could use more from my panoramic but panoramic but 3 is safe to say
This is brilliant. I just tried it on one of my portraits and this technique is a gem. I haven’t printed it yet but on my 4K monitor, I can clearly see the effect. Thank you for sharing this technique
*I´m literally eating all your videos!!! One after another!!! Thank you for your wisdom. I´m a Fine Art photographer, actually awarded in more then 3 continents, but I love how passioned for photography you are... And of course I´m learning a lot from your insights and technics. Thank you Glyn!*
I used a similar technique but used filters (lighting) too and the results are stunning. I put two images up on a photo forum, 'before and after' and they were staggered at the possibilities. Some very serious photographers were really upset what I a first time editor was able to achieve. Nice one son.
Always impressed with your videos but this one is a topper, final presentation of an image that will stand out to your client is a perfect calling card to future clients
So simple, but so effective. And it doesn't require any special features from the newest versions of Photoshop, so I can use it with CS6! Thank you, Glyn! I will use this when I process the photos from my upcoming trip to London.
Instant subscribe, I really well spoke out. I was following this tutorial and after I do my stamp mask, then 20. I press option adjustment layer mask my layer mask goes black but both of the layers looses the image and is white.
Where's this technique been all my professional life? Extremely useful.
So pleased you like it Keith...thanks 👍
I love your veteran shots, elderly people make for the most interesting pictures.
Even a simpleton like me can understand this. Thanks Glyn from Oz.
Hey thanks mate, and greetings to you from the UK 👍🏻
I had seen this video a while back and had to look it up for some current work, just printed 50 portraits of Vietnam vets and the results were amazing...great tutorial, thanks
That’s fantastic to hear
Your 20/10 technique is spot on. I'll make it a permanent step in my workflow. What impressed me the most was how natural it looks; no annoying artifacts. Thanks!
That's fantastic to hear David. Thanks for checking it out 👍
It's a pleasure to meet you and to discover your channel. The beauty of your heart is reflected on your face. your teaching technique is excellent. thanks
Very kind of you to say Abdullah; very much appreciated
You just gave a gem, that I feel like I don't want to share with anyone. It's my precious. Hahaha .... Thanks for the technique, Glyn.
You're more than welcome my friend. Thanks for tuning in 👍
Techniques to use with portraits of 'ordinary' looking subjects are so welcome. Videos by superstar photographers using complex amazing lighting and very photogenic people are not too helpful for most of us.
Keep up the good work Glyn!
Very good of you to say John...thank you
BRAVO! Thank you for your education. It makes me a better photographer and my customers will be happier!
That's great to hear! Thank you
Wow - a wonderful a difference, almost unbelievably so! OK, I'm going to try this on my portraits - thanks a ton GD,
Roger
More than welcome Roger; really glad you like it 👍
Thank you Glyn! This tutorial works beautifully, and is my YTvideo #1 of 2022. MERCI!
That’s so kind … thank you Marjorie
Glyn, no words to describe how I like your vides and how they are useful to me. Thanks again
That means A LOT! Thank you Max
Thanks so much for the video. I used this for effect for the first time on a head shot I did on my grandson and it worked wonderfully. A great effect I'll be using as I start a new portrait project.
Romain this has made my day! So good to hear you have used it and are happy with the result. Thanks 👍
I use this technique a lot, I really like the pop it gives to my headshots. Thank you so much for sharing!
That's so good to hear...thanks Eamon
Beautiful portrait of Mr. Allen!
Yes, I do the same technique with a single, smart object base layer of the portrait. The unsharp mask is a smart filter applied to the single base layer. On top of that base layer is a group folder and inside are adjustment layers (not multiple copies of the base layer, just adjustment layers.) The adjustment layers all have blacked out masks and represent exposure +-, saturation +-, contrast +-. I then just take an oval shaped brush and paint white on the masks at 10% flow. (I use oval instead of round because I like that better for healing and cloning for skin retouching and just keep the same shape for this.)
I have an action that automatically sets up the unsharp mask smart filter and the big group folder of adjustment layers, so it is quite easy. And actually FUN having exposure, saturation, etc just sitting there and waiting to be painted (+ or -) on the portrait.
My thing is that I kind of _HATE_ multiple copies of the base layer so I just try to figure out as much as I can without them. (The occasions when I use frequency separation is an example of when I do have to use multiple copies of the same layer).
My base layer is technically a "place linked" link to a separate RAW file that is just linked to inside the PSD.... but that's another story.
Anyway, you are a master at this, and I am picking up so many wonderful insights from you. Thank you so much!
Very interesting technique you cover there; I'll take a look.
Thanks for the kind words too about he content I share. Very much appreciated 👍
@@glyndewis Sounds good. Yes,give it a try when you have the time. See if you like it.
One obvious benefit is not having those multiple, intermediate hard copies to keep track of. The law of layer 'stacking' still applies, of course. So you do want to stack and arrange the adjustment layers on top of each other in your desired order, but other than that everything happens on top of that single, smart object base layer. You can jump around and fiddle with any adjustment layer at any time.
Anyway, I am picking up a lot from you and your techniques, so if I can return the favor in any way that's good.
@@tw9535 hey your technique sounds very interesting, by chance do you have a tutorial about these steps you mention because im more visual and my english is not very good, and where did you found the action, did you make it yourself?
Wow! I know all of this starts with a great exposure and tact sharp focus on the eyes. Okay......wow. Thank you for making this video.
More than welcome...thanks for watching and for the kind words
Congratulations on your gallery showing that’s gonna be a fantastic feeling more power to you!
Thank you Andre 👍
Excellent info...thanks...this even applies to painting portraits...most helpful
That's great to hear. Glad it's useful 👍
Thanks so much for sharing!
You're welcome Aaron; thanks for taking a look 👍
Trie this technique and simply fe fell in love with it. Thanks so much.
Fantastic 👍
I'll try this with one of my portraits now. Thank you for sharing!!
You're welcome Trond...thanks for watching 👍
Love your video. I will definitely try them out. Thanks for sharing.
That's great to hear; thanks Kesmond
I wish everyone had the production qualities of your video. Super clear, easy, well paced.
That's very kind of you to say Ross...thank you
I will be returning to photography and wanted to take my portraits to the next level Thank you for sharing your technique
No worries ... hope it helps
Glyn, you are amazing! Unsharp mask. Fantastic.
That's very kind Bill...thank you 👍
Maybe mention that a shallow depth of field helps with the effect? I did this to a recent portrait with somewhat ok results. I've actually done a version of this technique on my FineArt flowers that has a crazy depth of field with excellent results. People often tell me that my prints have a 3D-effect with flowers popping out of the frame!
Great video!!
Dear Glyn, I know it's been a year since you've done this video but I just want to tell you that I've tried your technique on my yesterday shoot session and the result is absolutly amazing! Furthermore, I discovered that I can use layer mask for other issues: bluring the sides of the head to enhance depth of fied, etc. What a great gift! Gratitude and love.
So good to hear that this is useful; thank you Jean-François
Thank you so much for posting this technique. It's brilliant. As a matter of fact I was just agonizing over some pictures I wanted to have a special something and this was just perfect. I love you tutorials there is always something new that I learned from you
So good to read that this has been useful ... thank you
Great tip and something a novice like me looks forward to attempting as I move forward. Your sharing deserves great credit for helping the photography community.
That's so good of you to say...thank you
This is so cool. I have seen photos like this and have wondered how to create this effect. THANK YOU FOR SHOWING US HOW TO DO THIS.
Hey you're welcome Alea; glad you like it 👍
Thank you Glyn, even in these hard times you are still giving great tips and techniques for free to the photography cummunity.
You're more than welcome Harry; thank you for taking there time to watch 👍
I love your enthusiasm and authenticity. And sense of humor. I like your videos most of all tutorials and similar stuff. Great job. How many people visited the show?
Really appreciate your kind words ... thank you
Thank you for sharing. While it seems like common knowledge concerning light and dark areas, so many of us fail to see it as we work. I am interested in trying this technique and others using the knowledge you have shared.
Thanks for looking in Ronin; hope the technique is useful from time to time 👍
My favourite technique with a light touch of topaz! In still lifes this technique creates a crazy three-dimensionality, people tell me: "it feels like touching objects" Thank you "Maestro".
Fantastic to hear this. Thanks Davide
Another great tip to add to the toolbox, I need to give this one a go for sure. Thanks Glyn !
You’re welcome Dave 👍
I've not undertaken much portrait photography (concentrating more on travel, landscape and street photography), but an opportunity to be involved in a portrait project is coming up and I'm determined to give it a go. My determination has been heightened by you and your videos, and this technique (and the way you've clearly explained it) are inspirational. So thanks again.
Thank you so much Terry for watching and for the kind words; enjoy the portrait project 👍
I just used this technique on a wedding photo of my two BFF. Thank you for your excellent tutorial. The effect is subtly stunning
So good to hear this; thank you so much for commenting 👍
Thank you for sharing this techniqe I will have to give it a try in ON1 Photo Raw as I don't have PhotoShop, but it seems exciting.
Hope it translates well over in ON1 👍🏻
Looks great Glyn, I will attempt to use it on my non portrait images where I think it might work. Thank you
You're welocme Les ... thanks for looking in
Interesting. Going to have to try it. Thanks for sharing!
You’re welcome
Just tried it out. Fantastic results! Thank you for sharing! 😃
You're welcome ... thanks for taking a look
Not a photoshop user, but I’m going to try this technique in Affinity Photo. Should give similar results.
Yeah definitely will 👍
Dear Glyn, over time I have come to the concept that your professional approach, both in photography and image editing, is to be very close to the-state-of-the-art and your knowledge, developed with such an attitude, is poured into your videos uploaded to TH-cam with which many of us enjoy learning work alternatives that would otherwise be closed to us. Yesterday afternoon I came across, by absolute chance, this video of yours, and it left me very surprised, not because of the technique itself, because in my over ten years dedicated to image editing I have used the multiple approaches many times, which, moreover, is described in the image editing literature by various Photoshop “gurus”, but by your way of using it, which confirms to me that your production process seriously contemplates research, including the trial and error. You are a very reliable source of hard-nosed knowledge, I commend you for that. As soon as I found out about your way of applying the approach, I wanted to replicate it and I asked my son via WhatsApp for a couple of portrait images of my 12-year-old granddaughter, expressly requesting that he send me the largest size that his cell phone can capture so I could have more information to work with, but he sent me just one very small 64KB jpg image; as I was very enthusiastic about your 20-10 method I put aside the problem of a meager size and put my knowledge to work on the image, first in Camera Raw the editions that seemed appropriate to me and then in Photoshop I finished the work following your steps, plus some extra contribution; at the end, my eyes could not believe the formidable change in the scene. If you are interested in seeing for yourself what your own technique is capable of achieving from a tiny image, let me know and I will send you the original and the final PSD to the address you determine. An affectionate greeting from the southern hemisphere.
Sergio...Thank you so much for the kind words and for taking the time to watch the video and comment. Absolutely yes, I would love to see the result you achieved 👍
Thank you very much for this very useful technic. I really like it how you present it and I will come back to your future videos. Greetings from Poland
Thanks so much Kris
Another way this is popping is he is using a shallow depth-of-field. Make sure your aperture is as open as you can get it. That blurriness really helps.
Yeah good point Ryan; the portrait I showed in this tutorial was actually shot at f/2.0 so that can enhance the look even further 👍
@@glyndewis Such an amazing shoot!
Wow ! Thank u very much for this stuff ! RIP Mister Allen!
Thank you Bruce
I love this technique. Ive done it on a few images but I need to do it on a print
Thanks Samuel…it really does work great when printed 👍🏻
I will try this for sure! thank you so much!
You’re welcome 😃
Thanks! I'm excited to try this on my next portrait session!
Nice one … enjoy
Hello Glyn, I Just started watching your TH-cam videos and I just started dabbling in PS, as a pre press operator and I'm getting more and more snip it's from clients that supply me low res images for print and I have little to no experience with PS, but the handful of videos that I have watched have been simply amazing and easy to understand and I believe I will use your techniques to ensure I can give my clients a better end print product.
Congrats on sharing this useful information. Now I can improve my portraits with a different approach
That's great to hear; thanks for watching
As a growing photographer myself, this is BRILLIANT! ❤
Great technique! Thank you for sharing this, Glyn. Also, thank you for taking photos of the veterans. We need to remember them.
Thanks so much Tom and yes absolutely...I couldn't agree more about the Veterans. Cheers 👍
Hi Glyn! I’m here after listening to your conversation with Kevin Mullins on the Fujicast. Your photographs are incredible!
Thanks so much Nate; really appreciate that 👍🏻
Fantastic tip/trick here Glyn. Thanks so much. Will have to try this one day
Glad you like it; thanks for watching 👍
@@glyndewis Do you plan on making a new updated video showing how you can do this all in Lightroom only now that they Adaptive AI masks are available as of May 2024. I hate going into Ps unless absolutely necessary :P Thanks
That is fabulous. Sadly I no longe have Photoshop. I use Capture One these days.... and I still watched it all ha ha!!
In that case ... thank you very much for watching 😁
Thanks so much for this invaluable tip. 20,10 always working.
You're more than welcome Ahmed; thank you for watching
Simply amazing technique!! Well done! Definitely going to give this a try!
Nice one ... thanks
Glyn, that’s a great technique! You are the man.
Thanks a lot John; very kind 👍
Hi Glyn. Just to say that I took a photo of the moon the other night and applied the 2010 effect to it. The result was amazing! Thanks.
That’s so good to hear Phil … thanks 👍🏻
Thank you, Glyn, for sharing.
You're welcome Carl; thank you for watching
finally i get what i was looking for.Thanks for sharing this information.One request can you make a full video of how you process your friend's imge from start to finish..
Glad you like it Nisarg. As for the full workflow, I'll look to put something together in a future video for sure 👍
Interesting technique. Thanks fir sharing Glyn.
You're welcome. Thanks for watching.
Great technique, I use a similar technique (as I learned it from you) for my mountain bike images to make them pop out of the image
Cheers Brian and yeah that works a treat on the Mountain Bike pictures you take 👍
Thank you Glyn Ive used PS for years and never knew these features existed. Now I will put them into practice. How to make a great shot even greater 20 10 !!!!!!! Bravo
So good to hear this…thank you mate 👍🏻
Nice technique. The 3D curve was a good visual of using light and dark.
Thanks a lot 👍
@@glyndewis Quick question I use affinity photo. Do you know if I am doing a panoramic stitch and also using exposure bracketing so 3 images x 3, Am I supposed to render the exposure brackets 1st and then merge to one panoramic and then edit that or do I edit each individual image after I combined the exposure bracketing? I didn't know if panoramic would save as a file type conducive to editing like raw does. If I edit the images before I do the pano stitch I don't think they'll match because each edit will be different unless there's a way to apply a global edit to all 3 images. I could use more from my panoramic but panoramic but 3 is safe to say
Thanks Glyn, nice to find your channel mate..
Very much appreciated...cheers David 👍
Beautiful. Thanks for giving away one of your secrets.
You're welcome Rae; hope it's useful from time to time 👍
Another great video Glyn thanks.. I will definitely give this a try!
Cheers Pete 👍
This is brilliant. I just tried it on one of my portraits and this technique is a gem. I haven’t printed it yet but on my 4K monitor, I can clearly see the effect. Thank you for sharing this technique
Fantastic! Thanks for letting me know Luc 👍
Brent from new brunswick canada...great tip...will start doing that on pics
Cheers Brent; thanks for watching
I've just tried this on a portrait I took today, it really does make the face 'pop'. Thanks Glyn 🙂
You're welcome...thanks for letting me know Tracy
*I´m literally eating all your videos!!! One after another!!! Thank you for your wisdom. I´m a Fine Art photographer, actually awarded in more then 3 continents, but I love how passioned for photography you are... And of course I´m learning a lot from your insights and technics. Thank you Glyn!*
Very kind of you...thank you and thank you for watching 😉
I used a similar technique but used filters (lighting) too and the results are stunning. I put two images up on a photo forum, 'before and after' and they were staggered at the possibilities. Some very serious photographers were really upset what I a first time editor was able to achieve. Nice one son.
Nice one 😃👍🏻👍🏻
Thai IS clever !!!!! Well worth a dabble - many thanks for that excellent video.
Thanks for tuning in 👍
This is new to me I’d definitely try it out.
Fantastic video Glyn. Thanks for sharing.
You're welcome. Glad you like it 👍
Very useful technique, well presented and very detailed. Thanks for sharing your great work with us 🙏🏼
Very kind...thank you
Really amazing how such few clicks result into such an impact. Many thanks for sharing with us Glyn!
No problem at all Serge; thanks for taking the time to watch the video 👍
@@glyndewis Anytime sir! 🙂
I tried it and : what a game changer! New fan of yours!
Can’t wait to try it today! Thanks for sharing.
Love your channel!
Glyn your technique is Incredible! And your way to explain it is perfect. Thank you for share it
Have a nice day!
Very kind of you to say that Ale … thank you
I love to learn something new everyday , but this video and Technique is amazing, you make my day. Thanks!
That’s so lovely to hear…thank you
Wonderful Technique! Thank you for sharing. Very helpful!
You're more than welcome Frank; thanks for taking a look. Hope it comes in handy 👍
Another outstanding technique Glyn, thank you as always for sharing these tips & tricks with us. 👍🏼🙏🏼👍🏼
More than welcome Stephen; thanks for watching
Love this channel my ps and lr needs all the help I can get thanks for top channel.
Very kind of you to say Shaun…thank you
Interesting! I will try it. Thank you 😊
Cheers Richard 👍
Awesome. I’m going to give this a try!
👍
Always impressed with your videos but this one is a topper, final presentation of an image that will stand out to your client is a perfect calling card to future clients
Thanks so much Bruce; really do appreciate you tuning in and taking a moment to comment. Thanks 👍
Great work! I'll try this on my parents portraits! Thanks a lot!
I'm impressed! This is great stuff! Thanks for sharing.
You're welcome Kenneth; thanks for watching
Fantastic Glyn, absolutely love your videos
Thanks so much Tom; really appreciate that 👍🏻
So simple, but so effective. And it doesn't require any special features from the newest versions of Photoshop, so I can use it with CS6! Thank you, Glyn! I will use this when I process the photos from my upcoming trip to London.
Liking the sound of that; glad this is useful 👍🏻
Just used it and love it thank you
Brilliant. Thanks 👍🏻
Thanks! I can't wit to try it, another great educational video from Glyn!
Thank you Nick; glad you like it
@@glyndewis I tried it on 2 portraits and I love the results! Thanks again.
Instant subscribe, I really well spoke out. I was following this tutorial and after I do my stamp mask, then 20. I press option adjustment layer mask my layer mask goes black but both of the layers looses the image and is white.
Awesome stuff, fantastic intuitive explained.
Thank you Robert 👍
Awesome technique thanks for sharing
You're welcome Earl; thanks so much for watching
This Technique is fantastic. As a newbie headshot photographer, thank you.
Glad you like it Zack
Truly amazing technique! SUBSCRIBED!
That’s great to hear…thanks 👍🏻