Nice to see a tutorial on Tabards that Is different to the rest that are out there on TH-cam. Nice to see you explaining the centre point on the free hand. Simple explanation on the guide video too. Another useful video for does wishing to up their game
Thats a really useful video - will work well with my Dark Angels. I’d love to know how to set up a wet palette from scratch to painting too. My paper never looks as wet as that, and I never get my glazes beading up like you do.
Sorry if this has been asked before but, could you give a quick rundown on what brushes you use most of the time ? or the ones used in this video ? Excellent content
Hello, I used to use exclusively Winsor and Newton Series 7 Sizes 00,0,1,2 and Series 7 Miniature Size 1. Now days I use more Rosemary and Co Series 33 size 00, 2, 3 because they are cheaper. Smaller brushes for highlights, larger for glazing and basecoats
All of these videos are amazing and are a great help to my Black Templar project. Quick question: is the Khorne Red you used for the freehand the same you would use on a Templar's gun casing or should pads? The GW site says Mephiston, but all the 'Eavy Metal paint jobs look more like Khorne to me. Anyway, thanks for the excellent videos!
Thank you! Yes it is Khorne Red. This is the recipe: Red Weapon Casing Base: Khorne Red Shade: Khorne Red / Black 1:1 Chunky Highlight: Mephiston Red Highlight: Evil Sunz Scarlet Highlight: Tau Light Ochre Dot Highlight: Lugganath Orange
Do you use solely the glaze medium for thinning or is water also added? I am just asking because I found that many manufacturers of mediums suggest that the medium should not be overthinned (usually more than 50%) water. help would be appreciated! Thank you for your tutorials :)
@@zurmanskyplayer9058 The red shoulderpads recipe is basically Basecoat - Mephiston Red Shade - Mephiston Red / Black 1:1 Tidy Up - Mephiston Red Chunky Highlight - Evil Sunz Scarlet Highlight - Trollslayer Orange Fine Edge Highlight - Tau Light Ochre Corner Dot Highlight - Tau Light Ochre / White 1:1
@@InfernalBrush please, also, how did they paint the emperors chamion sword? I know its too much asking but i'm making this chapter and i want it as perfect as i can :D
GW is removing every credits, authors, presenter names etc from every product they release now, it seems they are scared of single personalities becoming more popular than the company as a whole
Great stuff, the freehand works looks fantastic! Not sure if this is something you’ve been asked before, but when working for ‘Eavy Metal would GW allow you to use non-Citadel products when working for them? I only ask due to you pointing out your preference for Daler-Rowney glaze medium, thanks!
Awesome video! Thanks for uploading such great content. I'm currently working on Lieutenant Zakariah at the moment. Would you recommend this recipe for his robes, or is there a different recipe for Dark Angels? (Trying to emulate the Eavy metal style / recipe too)
Thanks a lot ! The freehand is terrific ! Do you ever paint in different styles, like NMM or a more volume highlights (if that's the right expression) as opposed to the GW edge highlight heavy style ?
Thank you for sharing/teaching, as always! I notice that your way differs from Louise's method shown on WH+...I assume your way is more in-line with the box art as you're actually on the 'eavy metal team, but I'm curious: what do you think of the tarragon turquoise step (assuming you've watched the tutorial)?
Hey there thanks for watching. The warhammer+ masterclasses don't tend to follow the actual box art recipes. I painted this version to specifically match the eavy metal box art. I see no reason why you couldn't use the contrast paint to glaze, however I personally just prefer to use paint as it has a more reliably matte finish. If I were painting this for myself I would have probably spent more time glazing on some volumetric highlights, however in the studio they don't tend to do this for consistency reasons.
@@InfernalBrush Thank you for the reply! I'm so surprised the team isn't 'forced' to use only Citedel paint! I'll be trying this out on the army set - thank you so much once again for sharing it with the community!
Hi, tried this technique and it's absolutely excellent! I'm having trouble applying it to the cloak of a Sword Brethren mode, and that's mainly due to being unable to make the transitions smooth enough. I think what's not helping is the cloak has a much larger surface area and - generally - far few ripples/folds to apply contrast into. Is that just a case of improving my technique to smooth the transitions, or would you recommend a different technique for cloaks?
Speaking of black... Do you remember the old boxart from the Dwarf Grudethrower? The blackish metal on the warmachine, do you have any idea how to do that?
Not too sure as this was painted a very long time ago. I would probably just mix in some black with Iron warriors, shade with nuln and a sharp highlight of silver.
This sounds absurd - but how wet is the top of the sheet on the wet palette - my paints still seem to dry or just spread despite being on a saturated wet palette
The top of the sheet isn't wet really. I just use standard baking paper and it does a decent job of keeping the paint wet for around 4-8 hours without being covered in a warm room however I do change the paper fairly regularly.
0:20 Base coat
0:46 Key Line
2:45 Detail
5:55 Shade
8:19 Deep Shade
8:40 Tidy Basecoat
9:10 Highlight Wraithbone
9:53 Highlight Wraithbone 1:1 White
10:20 Tidy up freehand
One of my favorite tutorials out there 😎
Thanks Gavin! nice Ork 😀👍
No, thank you Gavin.
@@josephwestley1862 Sincerely, thank you Tannath.
Gavin! My boi, how do?
Nice to see a tutorial on Tabards that Is different to the rest that are out there on TH-cam. Nice to see you explaining the centre point on the free hand. Simple explanation on the guide video too. Another useful video for does wishing to up their game
Cheers Stuart!
Another great vid. Really clear and helpful description on how to add the freehand. Nice one dude!
Thanks Tim!
Thats a really useful video - will work well with my Dark Angels. I’d love to know how to set up a wet palette from scratch to painting too. My paper never looks as wet as that, and I never get my glazes beading up like you do.
This channel is a blessing. Thank you for sharing your knowledge!
Thanks for watching!
Awesome work as always mate! Love the freehand work - so sharp!
Thanks Andrew!
Inspiring and Gorgeous! 🤩
Will you be publishing a guide to the Metallic details on the Shield trim and halo on the bladeguard? Please? 😇🙏
I look forward to seeing how you painted that awesome shield
This has been very helpful. Cheers
Sorry if this has been asked before but, could you give a quick rundown on what brushes you use most of the time ? or the ones used in this video ? Excellent content
Hello, I used to use exclusively Winsor and Newton Series 7 Sizes 00,0,1,2 and Series 7 Miniature Size 1. Now days I use more Rosemary and Co Series 33 size 00, 2, 3 because they are cheaper. Smaller brushes for highlights, larger for glazing and basecoats
Superb work on the freehand, I just might try my own hand at this when I start working on my box set!
All of these videos are amazing and are a great help to my Black Templar project. Quick question: is the Khorne Red you used for the freehand the same you would use on a Templar's gun casing or should pads? The GW site says Mephiston, but all the 'Eavy Metal paint jobs look more like Khorne to me. Anyway, thanks for the excellent videos!
Thank you! Yes it is Khorne Red. This is the recipe: Red Weapon Casing
Base: Khorne Red
Shade: Khorne Red / Black 1:1
Chunky Highlight: Mephiston Red
Highlight: Evil Sunz Scarlet
Highlight: Tau Light Ochre
Dot Highlight: Lugganath Orange
Great video! Going to try this on my next blade guard
Awesome work as always! Great content.
Thanks mate! ♥
@@InfernalBrush No, thank you
No, thank you Alex and Dave.
Extremely helpful, thank you so much
Thank you for the cool tutorial wonderful tutorial . What brush are you using when you paint the red line ?
Thanks Dave
Thanks for watching Adam!
@@InfernalBrush Thanks for replying Dave! Cheers!
Do you use solely the glaze medium for thinning or is water also added? I am just asking because I found that many manufacturers of mediums suggest that the medium should not be overthinned (usually more than 50%) water. help would be appreciated! Thank you for your tutorials :)
Like's for the liking throne! Keep it up! Loving your tutorials!
Also, any receipt on red armour? I would like to know de 'Eavy metal team approach on that
@@zurmanskyplayer9058 The red shoulderpads recipe is basically
Basecoat - Mephiston Red
Shade - Mephiston Red / Black 1:1
Tidy Up - Mephiston Red
Chunky Highlight - Evil Sunz Scarlet
Highlight - Trollslayer Orange
Fine Edge Highlight - Tau Light Ochre
Corner Dot Highlight - Tau Light Ochre / White 1:1
@@InfernalBrush please, also, how did they paint the emperors chamion sword? I know its too much asking but i'm making this chapter and i want it as perfect as i can :D
Amazing Again Dude 😍
Thanks Tantan ♥
@@InfernalBrush Thank you Dave.
Im so excited about this!! 😱
Woderfull work! 👌
Can you make a Video for the Blood Angels and Blood Ravens?
I would appreciate a lot. 😊
Great work !!
Thankyou!
Aw man, is James gonna gun this man's channel down in the streets like they Darren Latham's?
Nah, he doesn't work for James anymore.
James has no power here!
GW is removing every credits, authors, presenter names etc from every product they release now, it seems they are scared of single personalities becoming more popular than the company as a whole
Superb
Great stuff, the freehand works looks fantastic! Not sure if this is something you’ve been asked before, but when working for ‘Eavy Metal would GW allow you to use non-Citadel products when working for them? I only ask due to you pointing out your preference for Daler-Rowney glaze medium, thanks!
Yeah I would use whatever gets the job done, some stuff is impossible to do without using other companies products. Gw don't even sell sand anymore!
Hey mate awesome video. What is your method to transfering paints into dropper bottles (for mixes and such)? Thanks in advance
Also how do you prepare your paint on the pallete? Do you drop water with a dropper too or just add it with your brush?
Great video!
Thanks Martin!
Awesome video! Thanks for uploading such great content. I'm currently working on Lieutenant Zakariah at the moment. Would you recommend this recipe for his robes, or is there a different recipe for Dark Angels? (Trying to emulate the Eavy metal style / recipe too)
Thanks a lot ! The freehand is terrific ! Do you ever paint in different styles, like NMM or a more volume highlights (if that's the right expression) as opposed to the GW edge highlight heavy style ?
Yeah currently working on an NMM project. My preferred style has always been eavy metal or eavy metal+.
Fantastic work! What brushes do you use?
Thanks I use Winsor and Newton Series 7 sizes 1 to 00
Thank you for sharing/teaching, as always! I notice that your way differs from Louise's method shown on WH+...I assume your way is more in-line with the box art as you're actually on the 'eavy metal team, but I'm curious: what do you think of the tarragon turquoise step (assuming you've watched the tutorial)?
Hey there thanks for watching. The warhammer+ masterclasses don't tend to follow the actual box art recipes. I painted this version to specifically match the eavy metal box art. I see no reason why you couldn't use the contrast paint to glaze, however I personally just prefer to use paint as it has a more reliably matte finish. If I were painting this for myself I would have probably spent more time glazing on some volumetric highlights, however in the studio they don't tend to do this for consistency reasons.
@@InfernalBrush Thank you for the reply! I'm so surprised the team isn't 'forced' to use only Citedel paint! I'll be trying this out on the army set - thank you so much once again for sharing it with the community!
Hi, tried this technique and it's absolutely excellent! I'm having trouble applying it to the cloak of a Sword Brethren mode, and that's mainly due to being unable to make the transitions smooth enough. I think what's not helping is the cloak has a much larger surface area and - generally - far few ripples/folds to apply contrast into. Is that just a case of improving my technique to smooth the transitions, or would you recommend a different technique for cloaks?
Speaking of black... Do you remember the old boxart from the Dwarf Grudethrower? The blackish metal on the warmachine, do you have any idea how to do that?
Not too sure as this was painted a very long time ago. I would probably just mix in some black with Iron warriors, shade with nuln and a sharp highlight of silver.
Amazing
Insane
Nice 👍
Thank you!
This sounds absurd - but how wet is the top of the sheet on the wet palette - my paints still seem to dry or just spread despite being on a saturated wet palette
The top of the sheet isn't wet really. I just use standard baking paper and it does a decent job of keeping the paint wet for around 4-8 hours without being covered in a warm room however I do change the paper fairly regularly.
Bang tidy!
Will you pint the Big Chompa please
Hello Adam, unfortunately I have a very busy schedule at the moment however I hope to paint this in the future. Thanks for watching!
Yeh looks good but just too much for me. I fell asleep watching & I’m not looking to put that much effort in…but does look good
Ok...