Thanks for another great and very interesting video Colin. I`m an Adobe Photography Plan subscriber, but very rarely venture into Photoshop as I find it overwhelming and non intuitive so I therefore also never use ACR. I do all of my edits in LRC.
Great video. Thank you. Is there a way to hide the healing tool icon when you use it? I’ll make a selection, but it is often below the icon and I can’t see the result. Thanks
Hello again (it's been a while!!!)... Thank you so much for another great tutorial. These new ACR masking features are simply wonderful and I am certain they will make life so much easier with our edits.
@@photoshopcafe How can I export the masks created in the camera raw panel back into photoshop's layer panels outside of camera raw so I can do edits not offered in camera raw?
Haven't seen this shortcut for creating masks using a 1-click preset anywhere else as yet. Ahead of the game, as usual, Colin. Thank you. Also, I like the advice to use preset as a base but don't just accept settings. Start from here is a good method for many photos - including using your own presets in the same way.
For retuching in a hurry it's OK but it can not replace a manual retouching with frequency masc for the skin. But I like the selections for eyes and lips. I'd love to export all these masc into photoshop to work on them.
@@photoshopcafe I agree w/Gunter -- very nice features but there's something special (I think) about frequency separation. AI is here, and it will get better, but for portrait retouching I've never been big on "speed". While we do our best to nail everything in camera, I've found that there will always be some small adjustments necessary and taking some time to address those can make our edits better. Content-aware spot removal has been a huge benefit to Ps for quite some time. So I will continue to study and learn AI for it's many advantages, but for now I'm comfortable with a workflow where I have a separate layer for spot removal; then skin tone; then freq separation (naming each layer specifically). I like what Adobe has done -- given us a larger tool box. Now, each photographer can pick/choose the tools that help them achieve their look; their flow; their art. Thanks Colin!
I’ve been paying for a plug-in that does this exact same thing, now I no longer have to pay for a plug-in. This is terrific. Though I do work with some gorgeous models, and when you say it’s too much, they don’t think it’s too much. They would like me to turn them into porcelain dolls. And for me it’s perfectly fine, whosever is signing the check gets to have final say. But thanks for the video… Didn’t even know this stuff was in there.
I'm still curious why Adobe doe not Name the masks accordingly when creating separate Masks. For more than one person I would additionally be willing to accept numeration of people from left to right so automatic Mask Names like "L1 bodyskin" or "L2 Lips" would be what I would be expecting. But actually my influence on Adobe is too limited as that they would even hear me talk.
Thanks again for another fabulous video, Colin! You are a great teacher and your written instructions just seal the deal for me. Keep the tutorials coming!!
Unfortunately this is how everything is going, so we either have to embrace it and work with it or be left behind. I still work how i used to, as not all this A.I stuff gives better results.
Let's be honest, these are good for fast retouches, but they aren't as good as doing it by hand, but that takes a lot longer, so it depends on what you are using the pics for :)
@@photoshopcafe yeah, let's be honest. Some time ago we were making pictures in the darkroom (i don't know if it is the right term), but that pictures were collected in a photo album kept the whole life, and proudly shown to children. 36 frames on a film were enough for 2-3 days in a halliday. Now everybody is making tons of pictures which are gone in a week or two. And could be a very big part of making people without history and family connections. Kinda AI people ;-)
Is like denying auto iso, experience is not devaluated, an experienced photographer like myself would treat the new tools to his /her favor. We know what to look for, no ai can beat that. Embracing new technology is the way to go.
@@photoshopcafe And I for one appreciate that you showed all of the different ways to use it. I think most people realize that there is rarely “one click” that does it all perfectly. It’s just fun to do a little joking every now and then.😄
This looks pretty sweet, Colin! Thanks for the intro and information - and tips! I just did the update, So I need to grab all my brushes, and so on. I do a lot of 3D rendering (Poser, Daz Studio, etc), and I can't wait to try this on some of my rendered ladies! Not to mention all my model photos from way back when. Great information as always!
Than you for wonderful tutorial
Thanks a lot-- this video is very helpful for me
AWAYS GOOD TO BE @ THE PhotoshopCafe. Love the new AI tools. Thanks for always.
Thank you for the ideas
Thank you so much for teaching light room new fetures. this 2 good sir
Thank you for letting us know about all this new features. You are a rock star!
Excellent. Sped me right up!!
Terrific video again, as usual. Thanks
This all looks wonderful. Must save a huge amount of time not having to make selections. Thank you
Thanks Colin for the instructions on the new features - very helpful.
Thank you!
Just WOW. Thanks for the pointers and ideas!
Excellent feature, another wonderful tutorial from you, Colin. Massive thanks.
Thanks for another great and very interesting video Colin. I`m an Adobe Photography Plan subscriber, but very rarely venture into Photoshop as I find it overwhelming and non intuitive so I therefore also never use ACR. I do all of my edits in LRC.
Thank you for this! Didn't know all this existed in Photoshop!
Thanks! Very helpful!
Thanks for sharing your ideas. I've been using these tools a lot recently and I always raise exposure for sclera. After your advice I shall desist.
This AI is amazing. Great retouching features. Thanks for the tutorial.
Really good ... thank you
Excellent
Great video. Thank you. Is there a way to hide the healing tool icon when you use it? I’ll make a selection, but it is often below the icon and I can’t see the result. Thanks
Yes, I think its the V key
Very helpful! Nice one for pointing them out.
great tutorial
Hi Colin This is entirely new to me! Thank you
very helpful.
Hello again (it's been a while!!!)...
Thank you so much for another great tutorial. These new ACR masking features are simply wonderful and I am certain they will make life so much easier with our edits.
Good to see you David.
@@photoshopcafe How can I export the masks created in the camera raw panel back into photoshop's layer panels outside of camera raw so I can do edits not offered in camera raw?
If needed, can the ACR or Lightroom, or CRAW in Photoshop masks be exported or saved for future use in Photoshop and save time recreating them later?
no
💕🥰🥰 wow 🥰🥰💕
Haven't seen this shortcut for creating masks using a 1-click preset anywhere else as yet. Ahead of the game, as usual, Colin. Thank you. Also, I like the advice to use preset as a base but don't just accept settings. Start from here is a good method for many photos - including using your own presets in the same way.
Lightroom also has them now
Skvělá volba Photoshop 2023 ok👍
what adobe photoshop is this?
Cool stuff
is there a way to push the selections in ACR into PS proper?
can you tell me please what office chair are you using? It must be a good quality one... Tks in advance :)
Its a Herman Miller Aeron Remastered
In the video at 3:31 I don't understand what you are doing. Which key are you use?
Forward Slash Key /
How can I export the camera raw mask into the normal photoshop layers panel to make different edits not available in camera raw?
For retuching in a hurry it's OK but it can not replace a manual retouching with frequency masc for the skin. But I like the selections for eyes and lips. I'd love to export all these masc into photoshop to work on them.
You are right, and that would be a nice feature
@@photoshopcafe I agree w/Gunter -- very nice features but there's something special (I think) about frequency separation. AI is here, and it will get better, but for portrait retouching I've never been big on "speed". While we do our best to nail everything in camera, I've found that there will always be some small adjustments necessary and taking some time to address those can make our edits better. Content-aware spot removal has been a huge benefit to Ps for quite some time. So I will continue to study and learn AI for it's many advantages, but for now I'm comfortable with a workflow where I have a separate layer for spot removal; then skin tone; then freq separation (naming each layer specifically). I like what Adobe has done -- given us a larger tool box. Now, each photographer can pick/choose the tools that help them achieve their look; their flow; their art. Thanks Colin!
I’ve been paying for a plug-in that does this exact same thing, now I no longer have to pay for a plug-in. This is terrific. Though I do work with some gorgeous models, and when you say it’s too much, they don’t think it’s too much. They would like me to turn them into porcelain dolls. And for me it’s perfectly fine, whosever is signing the check gets to have final say. But thanks for the video… Didn’t even know this stuff was in there.
Is this only available in camera raw
And in Lightroom
I'm still curious why Adobe doe not Name the masks accordingly when creating separate Masks. For more than one person I would additionally be willing to accept numeration of people from left to right so automatic Mask Names like "L1 bodyskin" or "L2 Lips" would be what I would be expecting. But actually my influence on Adobe is too limited as that they would even hear me talk.
Thanks again for another fabulous video, Colin! You are a great teacher and your written instructions just seal the deal for me. Keep the tutorials coming!!
Hi I would love the written instructions. How do I go about getting those please?
Technology - a gift & a curse
i remember a time when using Photoshop actually required a skill. A.I devalues knowledge.
Unfortunately this is how everything is going, so we either have to embrace it and work with it or be left behind. I still work how i used to, as not all this A.I stuff gives better results.
Exactly
Let's be honest, these are good for fast retouches, but they aren't as good as doing it by hand, but that takes a lot longer, so it depends on what you are using the pics for :)
@@photoshopcafe yeah, let's be honest. Some time ago we were making pictures in the darkroom (i don't know if it is the right term), but that pictures were collected in a photo album kept the whole life, and proudly shown to children. 36 frames on a film were enough for 2-3 days in a halliday. Now everybody is making tons of pictures which are gone in a week or two. And could be a very big part of making people without history and family connections. Kinda AI people ;-)
Is like denying auto iso, experience is not devaluated, an experienced photographer like myself would treat the new tools to his /her favor. We know what to look for, no ai can beat that. Embracing new technology is the way to go.
All these videos are good but nobody mentions how to load AI into photoshop or lightroom
In in the photoshop beta only. It’s on my first video on the topic last Monday
I was a big fan of your tutorials but now with the subscription goin on for photoshop, i stopped using it and went to another program.....
Unfortunately there is nothing I can do about that
8min hard tutorial is one click ????
It is “one click”. It’s just done 32 times.
I showed the 1 click at the beginning and then added more info for those of us who want to learn ;)
@@photoshopcafe And I for one appreciate that you showed all of the different ways to use it. I think most people realize that there is rarely “one click” that does it all perfectly. It’s just fun to do a little joking every now and then.😄
@@photoshopcafe ok
thanks teacher🌹🌹
blurring the skin is NOT retouching at all!
First views
This looks pretty sweet, Colin! Thanks for the intro and information - and tips! I just did the update, So I need to grab all my brushes, and so on. I do a lot of 3D rendering (Poser, Daz Studio, etc), and I can't wait to try this on some of my rendered ladies! Not to mention all my model photos from way back when. Great information as always!
Thank you for your information💖
This was awesome. Thank you🙏🏿