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As always, Michael explains so clearly these rhythms, stickings, and accents. It’s such a joy to learn from him!
Thank you so much, Frank! I really appreciate it!
The last one (Oxossi) is actually nearer to the rhythm for Iansa, which is the basis for the afro pattern, but that is oral tradition for you...
Vincent Zuber Thank you for the extra information. It is always good to share good information.
Nice work as usual Michael. I think you may have notated the accents differently to your playing in the 2nd and 3rd patterns?
Ballantyne de Wolf Thank you. And you are right, I forgot accents in the last two patterns. But I still hope that my explanation is clear. Thank you!
Michael de Miranda Yes it's clear.
Viva Bahia! Viva o Rio de Janeiro!
Michael, could you make a vídeo teaching How to make the "rulo" on percussion instruments?
The rulo? Do you mean the roll?
Michael de Miranda it would be the quick succession of blows with both hands filling the value of a note.
Perú con vc
❤️❤️❤️❤️
As always, Michael explains so clearly these rhythms, stickings, and accents. It’s such a joy to learn from him!
Thank you so much, Frank! I really appreciate it!
The last one (Oxossi) is actually nearer to the rhythm for Iansa, which is the basis for the afro pattern, but that is oral tradition for you...
Vincent Zuber Thank you for the extra information. It is always good to share good information.
Nice work as usual Michael. I think you may have notated the accents differently to your playing in the 2nd and 3rd patterns?
Ballantyne de Wolf Thank you. And you are right, I forgot accents in the last two patterns. But I still hope that my explanation is clear. Thank you!
Michael de Miranda Yes it's clear.
Viva Bahia! Viva o Rio de Janeiro!
Michael, could you make a vídeo teaching How to make the "rulo" on percussion instruments?
The rulo? Do you mean the roll?
Michael de Miranda it would be the quick succession of blows with both hands filling the value of a note.
Perú con vc
❤️❤️❤️❤️