Extraordinar (!) Anna Bon was a trained musician In Venice at the "Ospedali Grandi" school), among others, she was taught by Nikola Porpora, Candida (Maestra di Viola Candida), one of Vivaldi's best students (she was Ana Bon's mentor); Singing, playing several instruments, theoretical subjects , counterpoint, composing and foreign languages such as Latin, Greek and French were taught. Her family was involved in opera - they were a traveling opera troupe, she performed as an opera singer, composed many arias.They also visited the Esterhazi estate... Even Joseph Haydn and A. Mozart learned from her.
Congrat, Fabio! Performance by another unknown late baroque author. Plus it's good and interesting This may be the first performance of the 18th. after?
Thanks Gabor, I am actually trying to study the Italian baroque repertoire for the traversiere, I have another Sammartini sonata ready to publish and I am looking for something else. Of course with this repertoire the difficulties increase, often you touch the high D which with the tenor recorder is a somewhat random note. We will see what I can prepare.
@@MrFabio58 There were two Sammartini brothers, the younger one is more inclined towards (early) classicism, and it is difficult to play the recorder, in some passages it is impossible (g''''). otherwise, Anna Bon is already late baroque, with many classicist timbres. What do you mean by upper d''' difficulty? Theoretically, it can be easily intoned on a tenor recorder, but there is clearly no d''' (worn out?) on some of used recorders. Additional fingerings are really out of the question on tenor recorder, as you can't hold the end of the leg with your knee.
Amici della musica ,si parte già col piede sbagliato al primo ascolto ,chi e' il genio che sia chi ha inventato questa sonata o chi ha pensato di condannarla con due strumenti che sono un pugno negli occhi ,il flauto traverso dal suono dolce da soprano con l'altro strumento a fiato che presumo sia un basso ascoltando il timbro ,una roba che non si può sentire , troppa differenza di tonalità , il basso troppo sacrificato rispetto al timbro chiaro del flauto insomma piu' che bocciato .
Marvelous......BRAVO from Acapulco!
Thank you!
Extraordinar (!) Anna Bon was a trained musician In Venice at the "Ospedali Grandi" school), among others, she was taught by Nikola Porpora, Candida (Maestra di Viola Candida), one of Vivaldi's best students (she was Ana Bon's mentor); Singing, playing several instruments, theoretical subjects , counterpoint, composing and foreign languages such as Latin, Greek and French were taught. Her family was involved in opera - they were a traveling opera troupe, she performed as an opera singer, composed many arias.They also visited the Esterhazi estate... Even Joseph Haydn and A. Mozart learned from her.
Thank you
Congrat, Fabio! Performance by another unknown late baroque author. Plus it's good and interesting This may be the first performance of the 18th. after?
Thanks Gabor, I am actually trying to study the Italian baroque repertoire for the traversiere, I have another Sammartini sonata ready to publish and I am looking for something else.
Of course with this repertoire the difficulties increase, often you touch the high D which with the tenor recorder is a somewhat random note.
We will see what I can prepare.
@@MrFabio58 There were two Sammartini brothers, the younger one is more inclined towards (early) classicism, and it is difficult to play the recorder, in some passages it is impossible (g''''). otherwise, Anna Bon is already late baroque, with many classicist timbres. What do you mean by upper d''' difficulty? Theoretically, it can be easily intoned on a tenor recorder, but there is clearly no d''' (worn out?) on some of used recorders. Additional fingerings are really out of the question on tenor recorder, as you can't hold the end of the leg with your knee.
Son flautas traverso o flautas de pico?.
Para esta grabación utilicé una flauta dulce tenor y un bajo, intentando acercarme lo más posible al sonido de la traversiere.
@@MrFabio58 Lo ha conseguido. Hermoso sonido. Enhorabuena.
Amici della musica ,si parte già col piede sbagliato al primo ascolto ,chi e' il genio che sia chi ha inventato questa sonata o chi ha pensato di condannarla con due strumenti che sono un pugno negli occhi ,il flauto traverso dal suono dolce da soprano con l'altro strumento a fiato che presumo sia un basso ascoltando il timbro ,una roba che non si può sentire , troppa differenza di tonalità , il basso troppo sacrificato rispetto al timbro chiaro del flauto insomma piu' che bocciato .
Posso sentire qualcosa eseguito da te per favore?