So much fun with parallel mixing. I love this! I hadn't clocked how you can virtually mimic a bottom snare mic with this approach. Brilliant. Thanks Kenny.
everytime i see a video of yours, i think by myself - damn i should have used this earlier. Thank you for bringing this up and making this awesome tutorials
Your tutorials are top tier: well spoken, perfectly timed (so it's easy to follow along), laconic and practically useful. Just pure gold, something I've been looking for.
Am i crazy for thinking that this method of (essentially) parallel sustain is almost a more pleasing "reverb" because it doesnt give the empty distance effect?
I was watching a video from Andrew Zeleno where he manually separates out all the transients (cuts them) from the sustain and has each on separate tracks. I thought that seemed like a lot of work. I think with this plugin you could do the same thing in far less time.
0:40 Hi here you control the attack and sustain visually back and forth, can this be done in reaper or is it just a preview animation? thanks for the videos
Sure thing. You have to use the plugin pin connectors to route plugs' audio to different channels on the track, then recombine them later with a js plugin to sum the desired channels together. Very complex routing is possible this way. Look around for some cool scripts that visualize channel routing
Waw! thats why I love Reaper. Can I ask you?. In this video, you use the vst instrument drum or recorded drum? because I really love that drum sound. Thank you Kenny for your very good tutorial.
3 ปีที่แล้ว
I may be wrong but it seems to me that it's a beat example from Addictive Drums 2. If that's the case he probably made a render of separate tracks from the plugin, and that's probably why the "raw" tracks already sound pretty good
@@kennygioia7184 Thank you for your answer. I am a blind mixing engineer. I learn so much from your channel. I can follow your tutorial even i'm blind and i use screen reader in my computer. Thank you so much....
This is a form of compression, correct? So much easier than fiddling with compressor settings, which I have a hard time understanding and getting right. And did you just show us NY Style compression without calling it NY compression? Also, this is maybe the first time I've really been able to understand and hear compression - so hourray for that! I can use this on Sitala or reasamplomatic5000 as well as any drum samples and shape the sound more to my liking now. Brilliant!
I was wondering if you could help me with something I have been hearing about volumizing mp3 tracks. I hear so many different opinions on how you should go about doing this and just don't know what is the best route for this. I have about 300 backtracks, but are all very inconsistent with volume levels. I was wondering what is the best way to get them all very close, without losing quality of the original? Thank you so much for your time and I hope you can answer this for me. I really appreciate it.
1. Duplicate track, 2. Put for example transient controler on duplicated track, 3. Apply this effect (render) to duplicated track, 4. Zoom in to check any phase issues.
Kenny…? I’m sorry for the lack of respect in my response! I appreciate every video that you’ve made… and I’ve watched nearly all of them… at least once-if not several times (in reference!) I’m truly grateful for your time, energy, and willingness to educate me or anyone who cares and wants to learn music production within Reaper or maybe just in general! I think that, especially this year, that your videos have become more than just “how-to” instructional guides, and you have continued to elevate your videos into more philosophically creative realms THANKS KENNY!!! What you do… really really means a lot to me!
So much fun with parallel mixing. I love this! I hadn't clocked how you can virtually mimic a bottom snare mic with this approach. Brilliant. Thanks Kenny.
everytime i see a video of yours, i think by myself - damn i should have used this earlier. Thank you for bringing this up and making this awesome tutorials
Your tutorials are top tier: well spoken, perfectly timed (so it's easy to follow along), laconic and practically useful. Just pure gold, something I've been looking for.
Am i crazy for thinking that this method of (essentially) parallel sustain is almost a more pleasing "reverb" because it doesnt give the empty distance effect?
Make series about JS plugin hidden gem
A channel named "Let's talk about reaper " has already started that series!!!!
Yes please
@@mojarth8110 link 😲
@Boi Mesa Let's Talk About Reaper - th-cam.com/users/mykrobinson (a really great channel too)
I heard my name 😁
Thanks for the support, guys!
Amazing what you can do with some JS effects. Can’t do everything, but this works remarkably well.
That plugin is really nice addition to JS plugins. Thank you!
learning the basics with stock plugins ... fantastic!
Abso-LUTE-ly an amazing tool.
I can see using this for fine tuning bass guitar string attack.
Many thanks !
Acoustic guitar as well.
Goodness, what a world of a difference! Thank you for this video!
I was watching a video from Andrew Zeleno where he manually separates out all the transients (cuts them) from the sustain and has each on separate tracks. I thought that seemed like a lot of work. I think with this plugin you could do the same thing in far less time.
0:40 Hi here you control the attack and sustain visually back and forth, can this be done in reaper or is it just a preview animation? thanks for the videos
Sounds fantastic. Thanks for sharing.
Thanks, Kenny! Awesome as Usual.
i`m learning a lot with your videos! Thanks! Greetings from Argentina.
Another excellent tutorial, man! This is helping my mixing big time, so thank you !! All the best!
Another banger, thanks Kenny!
Once again, another great tutorial that is actually useful!
Awesome tip sonically! I prefer using multichannel routing inside the track for parallel fx though. Makes it nice n clean to mix
Not sure I understood what you said here, could you describe the steps involved?
Sure thing. You have to use the plugin pin connectors to route plugs' audio to different channels on the track, then recombine them later with a js plugin to sum the desired channels together. Very complex routing is possible this way. Look around for some cool scripts that visualize channel routing
Waw! thats why I love Reaper. Can I ask you?. In this video, you use the vst instrument drum or recorded drum? because I really love that drum sound. Thank you Kenny for your very good tutorial.
I may be wrong but it seems to me that it's a beat example from Addictive Drums 2. If that's the case he probably made a render of separate tracks from the plugin, and that's probably why the "raw" tracks already sound pretty good
It's from the Steven Slate FREE drum software.
@@kennygioia7184 Thank you for your answer. I am a blind mixing engineer. I learn so much from your channel. I can follow your tutorial even i'm blind and i use screen reader in my computer. Thank you so much....
Oh dang. That works pretty good.
that's just what I need for my next track. Thanks man
This is a form of compression, correct? So much easier than fiddling with compressor settings, which I have a hard time understanding and getting right. And did you just show us NY Style compression without calling it NY compression? Also, this is maybe the first time I've really been able to understand and hear compression - so hourray for that! I can use this on Sitala or reasamplomatic5000 as well as any drum samples and shape the sound more to my liking now. Brilliant!
Please make a video on how to create sliding midi notes in reaper 🙏
Amazing video and useful plug-in!
We can simulate 70's drums with it
That's a great too!
But what about the phase cancelation it May be causing?
Thanks Kenny! Does it work on drum Midi?
I was wondering if you could help me with something I have been hearing about volumizing mp3 tracks. I hear so many different opinions on how you should go about doing this and just don't know what is the best route for this. I have about 300 backtracks, but are all very inconsistent with volume levels. I was wondering what is the best way to get them all very close, without losing quality of the original? Thank you so much for your time and I hope you can answer this for me. I really appreciate it.
Great video Kenny!
🎵🎵🎧
do you ever need to worry about phase issues when processing duplicate tracks in reaper?
1. Duplicate track, 2. Put for example transient controler on duplicated track, 3. Apply this effect (render) to duplicated track, 4. Zoom in to check any phase issues.
By default, REAPER handles it.
@@tomo3479 and you could invert phase for a more through analysis
Thank you Kenny! I love you man! #nohomo
kenny what happened to your podcast? will it come back at some point?
I guess the number of Kenny's subscribers equals the number of Reaper users in total. :-)
And for a good reason!
The Reaper man
Can you achieve a similar effect with ReaComp?
Kenny is a God.
is there a relation between reaper and stillwell audio?
My audience isn't worthy. But thx again
I want to hug you
great video!
REAPER RULES !!!
Pretty cool!
Amazing
Could have used this plugin wirh something I mixed 2day...doh!
👍👍👏👏
Many JS plugins introduce distortion, so they cannot be used.
First Comment!!
No one gives a shit. How about saying thank you or something of the like?
@@bobbyincidemetal Something of the like
@@kennygioia7184 well played.
@@bobbyincidemetal you do, in a negative way lol
Kenny…? I’m sorry for the lack of respect in my response! I appreciate every video that you’ve made… and I’ve watched nearly all of them… at least once-if not several times (in reference!)
I’m truly grateful for your time, energy, and willingness to educate me or anyone who cares and wants to learn music production within Reaper or maybe just in general! I think that, especially this year, that your videos have become more than just “how-to” instructional guides, and you have continued to elevate your videos into more philosophically creative realms
THANKS KENNY!!! What you do… really really means a lot to me!