Realistic Tilt Shift in After Effects
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- เผยแพร่เมื่อ 1 พ.ย. 2016
- Check out this tutorial on how you can get your footage looking just like a Tilt-Shift lens.
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VIDEO GEAR:
Main camera - Sony a6500 - amzn.to/2lOBcLt
Main lens - Sigma 30mm f1.4 DC DN - amzn.to/2lOmDrg
VLOG camera - Lumix GF6
VLOG Lend - Lumix 14-42mm - amzn.to/2lJSfS7
VLOG - 0.45X Adaptor -
AUDIO - Zoom H1 - amzn.to/2lJLhwn
AUDIO - Lapel Mic - amzn.to/2lgwlVU
DRONE - DJI Phantom 3 Professional - amzn.to/2lJSoF8
PHOTO GEAR:
Main Camera - Canon 6D
Main Lens 1 - Sigma 35mm f1.4 ART - amzn.to/2lOTTi3
Main Lens 2 - Canon 85mm f1.8 USM - amzn.to/2kJ94so
Sec Camera - Canon 7D
Trigger - YongNuo YN622c-TX - amzn.to/2lK0zBx
Receivers - YongNuo YN 622c - amzn.to/2lK79Ib
Main Light - Godox Witstro AD360 - amzn.to/2lgssAv
Second Light - Nissin Di866 Mkii - amzn.to/2lK7Ml7
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Website/Blog: dodmedia.co.uk
Music:
Mario Bava Sleeps In a Little Later Than He Expected To by Chris Zabriskie is licensed under a Creative Commons Attribution license (creativecommons.org/licenses/...)
Source: chriszabriskie.com/vendaface/
Artist: chriszabriskie.com/ - ภาพยนตร์และแอนิเมชัน
Super cool effect.... AWESOME!
Great tutorial! Thanks for sharing your knowledge with the rest of us. It was exactly the information I was searching for.
Thank you man. I've searched for the proper way to do this and yours is the only one I've found. Most others just have a blurred layer with a feathered mask, which doesn't graduate the blur, as it should.
This is the best I've seen so far.....Good job.
Great video! Thank you for helping me get through my assignment in a way that was very easy to understand.
Your tutorial style is bang on! Just the right level of detail and background knowledge with small but useful side trips. Well done.
Thanks Angus!
Nice one man. Dying to get a load of drone footage around Dublin and Wicklow now
thanks for this and love the background music... I was feeling intense by the end
Sooo much easier then what Ive been doing. Thanks man!
Thanks for the tut well executed :)
Perfect. Thank you!
Thanks man!..you're the best
thanks heaps for your tutorial really really helpfull
Thanks for this! :)
Thanks so much man! solid tutorial!
No worries! Thanks for watching.
Many thanks man
Thanks for the tut man!
No problem, thanks for watching!
Cool. Thanks.
You're a life saver, just saved me about $3000 on my next shoot since I don't have to buy a TS lens now!
If you've got the budget, nothing beats that organic feel of a tilt shift! But at the same time this can be tweaked in post in a way the organic image can't.
Ive beeeeeeeen wondering how to do this effect!!! Thank you so much
No problem, thanks for watching!
thanks for the great tutorial bro.. =D
Thank you!
Nice tutorial ...easy to understand
Glad it helped!
bro u saved my life .thank u so much
💪💪
Suuuper coool
DOpe video man. I love this effect. I see it works best when you do not see the horizon.
Thanks dude! Yeah definitely works better when you're not getting the horizon. Unless you can get some nice bokeh ball star action going ;-)
@@dodmedia Dude, Some bokeh ball star action would be insane. :D
Looks good thanks for tut - just wondering about some stop motion affect to give the toy village that hand animated look? :)
Hey to achieve that I think your best bet would be to drop the frame rate of the comp to something like 12fps and then randomise the scale of the clip a little using the Wiggle tool, so it looks like the camera isn't just sliding smoothly along.
Haha funny to see you here dude! Hope all is good with you, thanks for your tips!
Ha! You're welcome, j'espere que tout se passe bien pour toi!
Yes thanks to you I now have a great tilt shift time lapse of a street in NYC ;)
Edward Bally oh cool! let me see!
Great tutorial, however I have one question with the workflow. Is there anyway to still see the base video when in the pre-comp so you can shape the mask more accurately? I feel like I have to guess where to put the mask and then go back to the base comp to see its placement, and if it's wrong.. go back to the pre-comp again and blindly make an adjustment until it's right.
You can indeed! I made a tutorial on just that! th-cam.com/video/Gfxzxgnfnrc/w-d-xo.html
Can you fake focus pulls with this?
Subscribed :D
Thanks! :D
can u drop out some color grading toturial just like this 1...
Sure thing, I've been meaning to edit a slightly longer piece with all this drone footage I got of the Autumn colours, so perhaps I'll have a look at doing it with that :-) Thanks for the request!
good jooob !!!!!!!!!!!
would of loved to see the footage played with the effect on!
It plays right at the beginning like 20 seconds in 😄
I really have to buy a new screen . . . I still work with 2 hd screens, so your video still looks almost incomprehensibly small . . . ;-) but I get by.
Thank you for sharing this tip!
Yeah I try and stick with my macbook for tutorials as best I can since the screen is closer to 16:9, but occasionally I need to use the other machines which are both on this ultrawide monitor, since the Macbook is from 2012 and can't handle much without the fans going wild ;-)
Cheers for watching!
with 4k monitor it will be even more smaller
Was gonna say nice tutorial but damnn you've got a very nice face too.
Ha!
Hi!
do you have an idea why there is no lumetri color effect in my after effects CC 2015?
Hmm no that's odd. Are you on a licensed version or is it a pirate copy? I've seen lots of cases of things missing in pirate copies. If it's a legit version, you could try reinstalling it. Also check in After Effects and see if it's in the Effects menu there.
its legit (but trial). I will try a reinstall.
Even trial version should include it. Hope the reinstall worked!
Hey. I think my install was corrupt, I found other effects missing as well. I kind of interrupted and resumed the install the first time, maybe its because of that. A clean reinstall fixed the problem. Just in case someone runs into it. Thank you for your replies :)
No problem! Glad you were able to get it up and running!
What is the reason for choosing those adjustments numbers exactly 25,15,40,95? Is there some math behind it?
Not really. It's more about visual aesthetic. And also I'm fond of multiples of 5 😅
Why not just make a subtraction mask on the adjustment layer itself? Why bother with the blur map?
Because that won't give you a gradual blur, that'll give you a weird transition section of blurry and non blurry footage. The effect needs the black and white data to gradient the effect properly.
God, I love TH-cam.
what about the speed ( time lapse)?
For the speed you just increase the speed to the desired amount? Bearing in mind you're better off shooting an actual timelapse with stills rather than just speeding up video. You'll get a much better file to work with and it'll look much better if you're able to add some slower shutter speed so there's motion blur in moving things.
I will do with my dji drone. Should I use 24 or 60fps?
If you're doing a timelapse with video then you definitely don't want 60p. That would be useful for slowmotion which is the opposite of a timelapse :-) Also shooting in 24p will let you go with a higher resolution which is nice for timelapse because you can zoom or pan the shot slightly if you're making the final video 1080p.
thanks.
Fantastic tutorial. I have done the effect on a timelapse of hot air balloons. The clip is 4k and 15ish seconds long. Media Encoder is telling me ~10 hours to render with a GTX 1070... WTF?
Ooph, yeah that sounds oddly long. What are your other system specs? And are you exporting this as a 24, 25, 30fps clip? And at what compression?
rendering blur is allways long.mayby you render software
nice vid, it helped me alot. I just . want to say that the music is a bit annoying.
Cheers for watching! Yeah I try and avoid using music during the actual tutorial parts now. Had to be tried to know it wasn't right though ;-)
trial and error :)
Nice tutorial!!
But..why not just add it to the adjustment and have a mask, instead of the blur map🤔
That's where the magic of the camera lens blur effect comes into to play. Using the blur map you can gradually blur from sharp to blown. Having it on an adjustment layer and masking would just gradually change the opacity of the blurred layer, so it would look crap in the transition area as it overlapped sharp and blurred images. Best way to tell the different is to try it and see.
@@dodmedia like I know what you mean, but maybe just show the difference between the two, in a tutorial, like my first thought was..."why not just use a mask on it" 😆
Maybe there's people like me hahaha
I will try this out Tomorrow though I will go out and shoot
😉
The assumption was that you'd tried the old Gaussian blur mask trick and seen that it looked crap so you came looking for a realistic way to simulate it.
Btw if I'd shown what the Gaussian blur trick looks like I'd have comments complaining about not getting to the point. 🤷♂️ damned if you do, damned if you don't 😂
@@dodmedia hahaha noo I didn't think of the gaussian blur
I wan thinking about the camera lens blur on the adjustment layer with a mask feather
Yeah it would achieve the same result. Try it out you'll see what I mean
Step 1: Get Magic Bullet Looks
Step 2: Install Magic Bullet Looks
Step 3: Open Magic Bullet Looks
Step 4: Effects > Tilt Shift
Step 5: Profit.
Magic Bullet Looks creates horrible bokeh an gives you very little control. I'll stick with After Effects, thanks :-)
"Realistic"????
👍