John Williams - Across the Stars: Love Theme - Star Wars Episode II Attack of The Clones

John Williams - Across the Stars: Love Theme - Star Wars Episode II Attack of The Clones
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"Across the Stars" is the primary thematic music of Star Wars: Episode II Attack of the Clones. The piece was composed by John Williams to accompany the romance between Anakin Skywalker and Padmé Amidala, and is used frequently throughout the film and its sequel, Star Wars: Episode III Revenge of the Sith.
Conception and development
John Williams wrote the musical score for the 2002 film Star Wars: Episode II Attack of the Clones,[15] as had been the case for the four previous Star Wars films.[16] He used the London Symphony Orchestra and London Voices to perform the music. Only the orchestra was used for "Across the Stars", the motif used to represent the romance between Anakin Skywalker and Padmé Amidala.[1] The Attack of the Clones soundtrack was released on CD April 23, 2002[3] and as an MP3 download on May 16, 2002.[4]
Symbolism
"Their love is complicated - pure yet forbidden, personal but with profound ramifications for an entire galaxy. Somehow, John has managed to convey all of that complexity in a simple, hauntingly beautiful theme."
―George Lucas[1]
Accompanied by triplet arpeggios, this love theme illustrates the bond between the queen-turned-senator Padmé Amidala and the slave-turned-Jedi-Knight Anakin Skywalker slowly strengthening and blossoming into love. The forbidden love is sealed in matrimony and continues until it slowly crumbles when Anakin turns to the dark side.
Summary
The theme starts off with a slow, emotional part performed by the violas, which play long notes, and the harp, which plays repeating triplets. As the strings continue, a solo oboe comes in with the primary melody. After the oboe finishes half of the melody, the strings finish the other half and end the first section. Next, the strings join the harp in playing eleven sets of triplets before the violins commence with the main melody, which was played by the oboe prior to the triplets. This is backed by short flute riffs. The horns continue a short section of the melody before climaxing into an emotional and climactic part by the violins and horns. The violins then go into two descending phrases, the second higher in pitch than the first.[1]
The piece then turns darker into F minor as the low strings repeat a ten sixteenth note riff and the low brass and woodwinds repeat a march-like phrase. The violins then come in to back the low strings. The oboe then hints at the main melody while the low voices continue their phrases, followed by a horn phrase. This is succeeded by numerous pieces of the melody played by trombones, an oboe, and the horns, each followed by two beats played by horns and trombones, and trumpets respectively, with the horns having no phrase after they play the melody. The theme then crescendos into a violin part accented by staccato and legato phrases from the low strings. Next the horns take over the melody while the low strings play more staccato notes.[1]
The motif revisits the point toward the beginning where the horns and violins shared the melody, a half-step lower in E minor. However, this time the trumpets play small background phrases consisting of one note per phrase, excluding the last phrase. The horns and oboe then take over with the descending part the violins played earlier. The horns play the first, lower one, and the oboe plays the second, higher one. These two phrases are complemented by several ascending violin parts. The strings then crescendo leading into another run-through of the darker part of the theme. The violins drop out, followed by the tubas and low strings, which leads into the finale of the theme: a harp solo of the main theme succeeded by an English horn solo ending in a long note

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