As much as I think youtube is great and does a good job of promoting quality content the sheer fact that scope isn't on 10m+ views is criminal! Thank you so much for putting these films out for us to watch, they're fantastic, professionally made and one of the few rare trustworthy sources of niche film making information online
I agree but it's an educational video. Our society is programmed for entertainment. It says a lot about what's important to people. Personal pleasure is what folks want most while learning is secondary. Sad.
Media Division is a masterclass in cine lenses. Taught me so much, thank you! Amazing gear to drool at as well. I genuinely think this is the best channel on TH-cam.
Found y'all recently. Been learning 3D for a number of years for various reasons. Recently got into photography/film with a solid second hand camera. Absolutely incredible presentation, and super informative at the same time. Not sure if I can fully appreciate how much effort y'all must put in but it definitely shows
That is more that we could ever hope for. I really hope he would have a little nod for us in store... that would have made my day, month, year, life ;-) Thanks a lot man!
Love this topic. I recently found him by chance in a filmmakers subreddit after I’ve already been following this channel for over a year and he responded to me. Great guy, great channel, super funny, entertaining and informative. One of my favorite channels on YT.
Thanks man... that is kind of you to say. Of course I answer... having a great community with like minded filmmakers is what the whole channel is really about. Appreciate you hanging around with us.
I'm not sure why anyone would actually hate zoom lenses. They're a tool, just like any other lens. All have their compromises and it's all down to preference.
I think the move away from their use in film-making has a lot to do with the prevalence of cameras that have rolling shutter. A rapid zoom in/out, or even a really fast pan get ruined by the jellyness/lean of rolling shutter.
not jsut a lens review... you're lecturing filmmaking universe with single product! Media Division is way to underrated. Deserves soooooooooo much more!! Thanks for sharing :)
We where hoping for something like that… how boring would a lens test alone be?! Yeah… I wish we would get a bit more attention… spread the word please and thanks for sharing.
These videos offer great in depth knowledge, ultra high quality, great atmosphere and the length is also a perfect compromise between too long and too short. Thank you for the effort and time you spent on creating these videos 👍🏻
Thank´s once more for your outstanding work! Even as a humble hobby photographer I´m always excited to see a new video from you. In my opinion this is THE cinematic channel on TH-cam that hardly can´t be bet. Wish you all the best!
You guys do such awesome work. I decided 3 weeks ago to buy the Dzofilm Catta 70-135mm for Sony to test. I love it so far as it's been time for us to move outta photography lenses. I will be picking up the 35-80 mm and probably even the 18-35 mm towards the end of the year. I will eventually move into a case of Vespid primes eventually. The combination of the two zooms and primes will be the direction going forward unless we are running and gunning.
Another extremely intriguing video from you guys. I rewatch the Anamorphic episodes just like I do my favorite TV episodes. I always learn something new and look forward to the next video! Cheers.
Thats exactly like we hope it would be... darn, I wish more would feel this way and we could do this full time all thee time. It is very rewarding for us on an emotional level, but you can't feed children with that. Very happy you enjoy
The zollies used in Severance are a great example too; with just white behind the actor it gives a different effect. Also, great job explaining the complexities of zoom lenses. We going to see more of your Angie 28-70mm in action?
interesting... havn't seen that, yet. Thank you. We already did a test of the Angie in SCOPE Chapter Three. As a spherical lens itself it can't hold a candle to the ACEs of course. The very short focus through makes it a pain to work with. I rather use my Contax zoom
Media Division!!!! You're back. I was worried you'd lose inspiration after the absolute masterpiece that was anamorphic 1 and 2 and for some reason you don't have a million subs. I was just showing my whole family those two videos. I can't tell you how awesome your creations are.
Thanks a lot man… don't worry. That was not my expectations with that subject. Still, we surely could use way more subs and views. Say sorry to your family from me.
Thanks man... during research I was surprised how much info I was missing thinking I knew enough about zooms. Hope we where able to take others along on the journey
I really missed your videos, jumped in this one the second the notification popped up, fantastic video and in depth presentation, keep up your amazing work.
Wow, very impressive episode! Are you guys still planning on making a video on vintage Leica R lenses? I really enjoyed the videos on vintage Canon FD lenses and Contax Zeiss lenses.
Thank you. Actually no... we don't owe a set and the Leica R (while good lenses) lack a good cinematic story to tell. Unlike the Super speed or K35 relations, there is nothing of that kind with the Leica R.
@@MediaDivision You can tell from the compression of space in the opening close up, there would be a lot more distortion if the focal length stayed the same. Also this is from Malcom McDowell: We shot in the Korova Milkbar, the opening shot of the film, and the young lad on the end Mike Tarn, was sitting there. Warren and I were friends, Warren Clarke who plays Dim, and we were kind of bored sitting there waiting for the lighting - it was endless. So we said to this Mike guy, "Is there anything that you can do that is going to get you noticed?" We're winding this guy up really being very wicked. He goes, "I don't know. I can flutter my eyelids like this." I went, "That is so cool! What do you think Warren?" "Yeah! Yeah!" Stanley's ready - OK action! Big shot here (on his face), zoom lens and a pull back on a dolly. Suddenly, "Michael!! What the hell are you doing?!" "Well, he told me to!" "Don't look at me! I didn't tell him." Ruined the shot. Goofing around - Stanley didn't like that. We teased him a lot.
@@MediaDivision there’s an ASC interview with John Alcott about Clockwork Orange with a brief mention of it: “One outstanding use of this lens system is Clockwork’s signature opening shot, which begins as a tight close-up on Alex’s sneering face and then slowly zooms out as the camera dollies back, revealing his trio of thuggish companions and the bizarre interior of their favorite haunt, the Korova Milkbar.” The article and another one online talk about the lens being a modified Angenieux 16mm 20:1 zoom with a 1.6x extender on it to cover 35m. I can’t seem to post the links in the comments section, but feel free to PM me for them.
The sound of that motorized precision @22:29 is just absolutely phenomenal... I can't thank you enough for being the inspiration I needed to start my own film making journey. Du und dein Team, Ihr seid einfach der absolute HAMMER!
Zooms rock! For anyone with a crop sensor e-mount camera, the Fujinon MK zooms are still amazing, parfocal, and can be found used for a good price compared to new. FX-30, a1, a7iv, a7Rv are all great matches!
While a borderline 33 minute commercial...I don't mind in the slightest. I forget the previous episode (anamorphic?) where the big guns wouldn't loan MD a set of lenses for testing, for shame...a manufacturer making a decent product providing said product for review/education is splendid in this case. One day when I need a cine lens set...I'm gonna be reaching for a DZO.
Exactly… we couldn't have done this episode without a manufacturer offering their lenses… and they deserve a little love back for that. Thanks for hanging Frollard
@@MediaDivision likewise, thank you for passionately sharing what you do. This is a look into a world at such a granular scale that most people never even approach... Even just glossing over it.
What an episode. I will be honest, I had an irrational fear of zoom lenses. I always found them cumbersome, inconsistent and 'slow'. But as most fears, it roots from lack of knowledge. I have been enlightened! Thank you for making this; The incredible production quality makes it a pleasure to watch, as always.
Thanks....see it this way: We couldn't have just bought or rented a cine zoom for the episode. Input and help from manufacturers is essential to give you everything around it... and for that, the deserve a test and some love from us
Thank you for this incredible quality video. I have found little good examples of dzo Catta-I in particular would like to use them on fx3 and am interested in the upcoming three zoom set for e mount. Do you know if the Catta (non ace) zooms are of identical visual quality?
Thanks mark... well, I never tried the e mount version, but it would be very odd, if the IQ would be different. I expect these to only differ in the rear group BUT I can't be sure of course
Your dolly zoom out and back in made me wonder if it can be used for a partial transition, where the far out shot hides half a scene transition happening out of the frame which then gets seen on the wide part again. Also like the slight change from side to side. Combined with an orbiting track there is some lovely ideas. Sadly a little bit difficult to experiement with without the equipment
Of course… that is a great idea… a guy sitting “alone” at a table and a dolly zoom revealing he is in a crowded restaurant to emphasize his disconnect… pretty smart but complex shot. Definitely on the harder side of things…. But, where there is a will, there is a way
Thank you - as always - for yet again an impeccable and truly stellar produced episode. Perfection really does exist! Above all, intrigued to find out what the intro/outro song used is? Assuming a royalty-free production? Keep on doing what you are doing, we all appreciate your time and effort put into this like nothing else!
Another fantastically done video. Just the amount of work that had to go into showing the image through all the lens elements, that detail is very impressive!
Thanks Sam… it is based on the Same simulation we used for our SCOPE series and that made it much easier to pull off… took us "only" a days work. A long day that is.
Great work. Do you consider to take a look at some legendary old cine zooms, like Cooke Varotal 20-100 or Angenieux 20-120? May I ask what kind of lights were used on set? Thank you. Jan
Hey Jan... thank you so much for your support. Very much appreciated. And thank you for your kindness. Right now, we don't, simply as we don't have access to those, plus we like the idea, that people can get access to stuff we test. DZO was just nice enough to supply the gear. Lights: There are two Arri 4K HMIs (in the frame) and two Arri 4K HMIs lighting the "outside" behind the window. I am light by a massive beauty dish on a 1.5K HMI (not sure what the brand is).. looks like this instagram.com/p/CjV-oIdKvfE/ That is a lot of Ks, would have worked with a fraction of the output, but you can't really dim HMIs
Hi, thank you for your answer, I really appreciate your work (and your team) to deliver full scale of the facts regarding cinematic stuff in such a interesting way. Hope to get a new episodes soon. Jan
Amazing Video, as always! I'm fan of the Fujinon MK zooms myself! But for the same price, DZO offers FF and also a great built quality... what's not to like?
@@christianmajeres9772 Why the hassle…? software emulation looks and works great, doesn't it?! … or are you planning to guid a whole cabinet with CRT… that would be so…… Sonic Boooom !!
Great as always guys, I constantly record but would like to make a 'very amateur' short one day. Only have a T7i or Dji pocket 2 haha but Heck gotta start somewhere :D
Hey hey hey hey! Wait! What is that "custom gimbal" you casually mentioned at the end. That looks amazing how did you get it? What is it? How does it work?
? you mean the Tilta float? I attached a flowcine mechanical gimbal inverted on the top… it is out of production but don't be to sad…it doesn't work that great.
Fantastic video as usual This may be a strange request, but is there somewhere I can learn about lenses in detail. I can't focus very well with reading so another medium like video would be great. Is there any resources you know of that I can use to learn in detail about lenses? Your videos are great, but aren't very in depth with the explanation about how exactly lenses work, because you people focus more on the art (which is great btw, I love your videos)
Thank you… if you can't read, you are out of luck. There is no videos I am aware of, that go deeper into the subject than our channel does. The Cine Lens Manual is a good and expensive book, but it doesn't go into optical engineering either. Google is your friend and there is a lot to be found if you are willing to read. Everything beyond that … well, you would have to study optical engineering I guess.
@@MediaDivision alright thanks alot. I guess I'll start with a few pages a day. I just have a really hard time focusing on reading 😂 I'll try my best tho. I will be sure to update you if it goes well. Again thx so much
Awwww... we are never gone Alex. Already working on the next one that will be a real milestone... and soon to be released. Thank you so much for your kindness and lasting support.
![Японский анаморфотный объектив X2 [s1e11]](/img/n.gif)
The quality of your videos are just astounding! Thank you for all your hard work!
Very happy you feel that way. It is our mission and pleasure. Spread the word!!
As much as I think youtube is great and does a good job of promoting quality content the sheer fact that scope isn't on 10m+ views is criminal! Thank you so much for putting these films out for us to watch, they're fantastic, professionally made and one of the few rare trustworthy sources of niche film making information online
I think you are right and this is a scandal ;-) Well, we cater to a very small audience. Thank you for your kindness and… spread the word
I agree but it's an educational video. Our society is programmed for entertainment. It says a lot about what's important to people. Personal pleasure is what folks want most while learning is secondary. Sad.
@@MediaDivision you don't. they just don't know you exist yet. you are amazing
Media Division is a masterclass in cine lenses. Taught me so much, thank you! Amazing gear to drool at as well. I genuinely think this is the best channel on TH-cam.
So glad you feel that way Sully… spread the word, we could use some more people that think like you
Found y'all recently. Been learning 3D for a number of years for various reasons. Recently got into photography/film with a solid second hand camera.
Absolutely incredible presentation, and super informative at the same time. Not sure if I can fully appreciate how much effort y'all must put in but it definitely shows
Thanks for your kindness Aners… it is a ton of work, but it is also rewarding if it is enjoyed by people like you.
I don't dedicate to filming, but this video blows my mind. It just mesmerizes what can be done with zooms.
Glad you enjoy Pablo… Zooms give indeed pretty awesome options for filmmaking
What a shock. Already the most in-depth and thorough deep dive into zooms anywhere on here. BRAVO
Very glad it is to your taste man… thanks a lot again!
The quality of your lessons is unmatched. Kubrick would be proud of you!
That is more that we could ever hope for. I really hope he would have a little nod for us in store... that would have made my day, month, year, life ;-) Thanks a lot man!
Each of your videos is a real masterpiece❤❤❤
ThNks a lot man… appreciated. Always trying
A new MediaDivison vid, today is a good day!!! 👍👍🎉
Better than watching the news today... or any day lately :-( glad you enjoy
Love this topic. I recently found him by chance in a filmmakers subreddit after I’ve already been following this channel for over a year and he responded to me. Great guy, great channel, super funny, entertaining and informative. One of my favorite channels on YT.
Thanks man... that is kind of you to say. Of course I answer... having a great community with like minded filmmakers is what the whole channel is really about. Appreciate you hanging around with us.
Another beautifully made, hugely informative, and wonderfully entertaining video. You put all other video/photography reviewers to shame.
happy you feel that way about our videos… I surely wish the algorithm would share your opinion. Thanks for hanging around kellhound
Fantastically-shot and informative as always. DZOfilm definitely partnered with the right person to showcase their lenses.
Thanks a lot … I hope DZO gets some love for partnering up. We can't do this without support from all sides
This is still the best produced content on TH-cam.
Thanks man... appreciated
Thank you for your dedication in the creating this kind of a educational videos.
It is absolutely out pleasure. Enjoy and spread the word please
I'm not sure why anyone would actually hate zoom lenses. They're a tool, just like any other lens. All have their compromises and it's all down to preference.
Because they are a compromise… not more not less. Most movies don't contain any zoom shots because… well, we just made a video about that
I think the move away from their use in film-making has a lot to do with the prevalence of cameras that have rolling shutter. A rapid zoom in/out, or even a really fast pan get ruined by the jellyness/lean of rolling shutter.
not jsut a lens review... you're lecturing filmmaking universe with single product! Media Division is way to underrated. Deserves soooooooooo much more!! Thanks for sharing :)
We where hoping for something like that… how boring would a lens test alone be?! Yeah… I wish we would get a bit more attention… spread the word please and thanks for sharing.
These videos offer great in depth knowledge, ultra high quality, great atmosphere and the length is also a perfect compromise between too long and too short. Thank you for the effort and time you spent on creating these videos 👍🏻
Glad you agree with our production style. Totally our pleasure man. Thanks for hanging & engaging!
Thank´s once more for your outstanding work! Even as a humble hobby photographer I´m always excited to see a new video from you. In my opinion this is THE cinematic channel on TH-cam that hardly can´t be bet. Wish you all the best!
Thanks a lot... very happy we are that in your eyes. Wish we had more people like you around.
Greatest TH-cam channel
Thats the spirit ;-) Thanks man!!!!
You guys do such awesome work. I decided 3 weeks ago to buy the Dzofilm Catta 70-135mm for Sony to test.
I love it so far as it's been time for us to move outta photography lenses.
I will be picking up the 35-80 mm and probably even the 18-35 mm towards the end of the year.
I will eventually move into a case of Vespid primes eventually.
The combination of the two zooms and primes will be the direction going forward unless we are running and gunning.
Glad you fond it useful… thanks for watching. By now it might make sense to look into the Arles instead of the Vespid
Wow one of the most incrdible reviews, in quality and detail. Thank you dearly for your service to our community.
My pleasure Nick... trying to make everything worth your time.
Wow....after watching this i want to own a cinema lens....that parfocal property is awesome. Great work as always !
Totally.. but it does come at a price. If you can use one.. go for it.
Thanks for your incredible content! I get super excited every time you upload and I always learn new things with your videos.
Happy to hear that! That is all we are working and hoping for. Thanks for beeing around
Here comes another banger from the best technical camera show
Thanks Slim Bim… appreciated!
Another extremely intriguing video from you guys. I rewatch the Anamorphic episodes just like I do my favorite TV episodes. I always learn something new and look forward to the next video! Cheers.
Haha same man. I love the canon fd episode
Thats exactly like we hope it would be... darn, I wish more would feel this way and we could do this full time all thee time. It is very rewarding for us on an emotional level, but you can't feed children with that. Very happy you enjoy
@@mavillejones5908 so glad man... still one of my favourites, too
@@MediaDivision It always makes me want to go out and spend stupid money on those even tho I have no use for them...
The zollies used in Severance are a great example too; with just white behind the actor it gives a different effect. Also, great job explaining the complexities of zoom lenses. We going to see more of your Angie 28-70mm in action?
interesting... havn't seen that, yet. Thank you. We already did a test of the Angie in SCOPE Chapter Three. As a spherical lens itself it can't hold a candle to the ACEs of course. The very short focus through makes it a pain to work with. I rather use my Contax zoom
Great meterial, solid performence, and a sence of humor. This is what I like about you guys, keep going !
Thanks man, always trying.... and.... where are you??? Well hidden, especially for a bear ;-)
Media Division!!!! You're back. I was worried you'd lose inspiration after the absolute masterpiece that was anamorphic 1 and 2 and for some reason you don't have a million subs.
I was just showing my whole family those two videos. I can't tell you how awesome your creations are.
Thanks a lot man… don't worry. That was not my expectations with that subject. Still, we surely could use way more subs and views. Say sorry to your family from me.
Funny enough, I just rented a Catta Zoom for my FX3 for the weekend. Excited to see the tests you guys do!
We like it… I hope you will as well.
Awesome, this clip describes so many aspects of zoom lenses in such an easy to absorb way, impressive work!
Thanks man... during research I was surprised how much info I was missing thinking I knew enough about zooms. Hope we where able to take others along on the journey
I love your channel. The content for aspiring film makers is inspirational
Thanks Jason… very happy you do. We couldn't ask for more. Thhanks for beeing around
Jaw dropping quality as always 👏🏼
🙌 Thanks a lot Geek… appreciated!
I really missed your videos, jumped in this one the second the notification popped up, fantastic video and in depth presentation, keep up your amazing work.
Thanks man... don't. worry, next one is in the works already
Wow that dolly zoom intro hits hard.
Glad you think so! Thanks
It's always a pleasure when you upload, Nicholas! Thanks again for a wonderful episode.
Thanks Aron… appreciated. Thanks for hanging
Wow, very impressive episode! Are you guys still planning on making a video on vintage Leica R lenses? I really enjoyed the videos on vintage Canon FD lenses and Contax Zeiss lenses.
Thank you. Actually no... we don't owe a set and the Leica R (while good lenses) lack a good cinematic story to tell. Unlike the Super speed or K35 relations, there is nothing of that kind with the Leica R.
As always great episode
Thanks a lot Timofej!!!
That Clockwork Orange milkbar shot is a combination zoom out and dolly back, a great example of subtly hiding a zoom.
I wasn't aware that there was a zoom in there at all… and it is really not visible. Do you have a source that confirms that?
@@MediaDivision You can tell from the compression of space in the opening close up, there would be a lot more distortion if the focal length stayed the same.
Also this is from Malcom McDowell:
We shot in the Korova Milkbar, the opening shot of the film, and the young lad on the end Mike Tarn, was sitting there. Warren and I were friends, Warren Clarke who plays Dim, and we were kind of bored sitting there waiting for the lighting - it was endless. So we said to this Mike guy, "Is there anything that you can do that is going to get you noticed?" We're winding this guy up really being very wicked. He goes, "I don't know. I can flutter my eyelids like this." I went, "That is so cool! What do you think Warren?" "Yeah! Yeah!" Stanley's ready - OK action! Big shot here (on his face), zoom lens and a pull back on a dolly. Suddenly, "Michael!! What the hell are you doing?!" "Well, he told me to!" "Don't look at me! I didn't tell him." Ruined the shot. Goofing around - Stanley didn't like that. We teased him a lot.
Thank you... where do you got that text from?
@@MediaDivision there’s an ASC interview with John Alcott about Clockwork Orange with a brief mention of it:
“One outstanding use of this lens system is Clockwork’s signature opening shot, which begins as a tight close-up on Alex’s sneering face and then slowly zooms out as the camera dollies back, revealing his trio of thuggish companions and the bizarre interior of their favorite haunt, the Korova Milkbar.”
The article and another one online talk about the lens being a modified Angenieux 16mm 20:1 zoom with a 1.6x extender on it to cover 35m.
I can’t seem to post the links in the comments section, but feel free to PM me for them.
Words cannot describe how much I love this channel, Thank you for another amazing video.
Aw… thanks man… very much appreciated. Our pleasure
Damn I've waited a long time to see a new Media Division production. It was worth the wait, thank you all for the work.
Cheers mate… glad you enjoy. Next one is already in the making and to be released soon... and that one will be truly epic
@@MediaDivision Thank you, I just did a jig while wetting my pants seeing that news. 😂🤣😅
Beautiful …I have the same effect on my kids
Love the channel no egoes just plain art
Happy you see our work in that way man.... Thank you!
This is exactly the video i was looking for. Thanks for Share with us all your talent and effort!
Glad it is to your taste Luis… thank you so much for your support. Strike two to follow soon
You guys are top notch. Pleasing to watch, can’t wait for new episodes!
Thanks a lot... already working on the next one
22:25 This could win an Oscar✨
… I wouldn't go THAT far… but OK… I thank the academy ;-)
The sound of that motorized precision @22:29 is just absolutely phenomenal... I can't thank you enough for being the inspiration I needed to start my own film making journey. Du und dein Team, Ihr seid einfach der absolute HAMMER!
Vielen Dank für Deine Unterstützung Max... und Dein netten Worte. Bin sehr froh einen Unterschied für Dich gemacht zu haben!
Zooms rock!
For anyone with a crop sensor e-mount camera, the Fujinon MK zooms are still amazing, parfocal, and can be found used for a good price compared to new. FX-30, a1, a7iv, a7Rv are all great matches!
I had the Fujinon MK in my hands recently... really light, but also a bit flimsy. The ACEE are really different beasts with PL FF and metal build
While a borderline 33 minute commercial...I don't mind in the slightest. I forget the previous episode (anamorphic?) where the big guns wouldn't loan MD a set of lenses for testing, for shame...a manufacturer making a decent product providing said product for review/education is splendid in this case. One day when I need a cine lens set...I'm gonna be reaching for a DZO.
Exactly… we couldn't have done this episode without a manufacturer offering their lenses… and they deserve a little love back for that. Thanks for hanging Frollard
@@MediaDivision likewise, thank you for passionately sharing what you do. This is a look into a world at such a granular scale that most people never even approach... Even just glossing over it.
Amazingggg Loved it bro. The Quality of Video is Perfect and to be honest you deserve millions of subscribers . Love from Pakistan
Thanks man.... we wouldn't mind, so, tell TH-cam.
Quality of this channel content is above of all the others
Thanks a lot… very happy you think so
Wait...What? This channel always blow my mind!
Thanks man… always trying to improve
What an episode.
I will be honest, I had an irrational fear of zoom lenses. I always found them cumbersome, inconsistent and 'slow'. But as most fears, it roots from lack of knowledge.
I have been enlightened! Thank you for making this; The incredible production quality makes it a pleasure to watch, as always.
Thanks… well, Zooms will always be a bit of a compromise… but the possibilities are worth it if you need/want zooms.
Solid info even though it was a paid sponsor product, great presentation.
Thanks....see it this way: We couldn't have just bought or rented a cine zoom for the episode. Input and help from manufacturers is essential to give you everything around it... and for that, the deserve a test and some love from us
Your videos are just love letter to cinema and to cinema technology
I hope they are.... Thanks Torronto
Amazing video! I have the pleasure of working with two FUJINON 24-180MM T2.6 lenses in a studio setting and they are simply incredible!
Thanks… that is ONE expensive lens there! Just a tin bit out of my legue ;-)
Thank you for this incredible quality video. I have found little good examples of dzo Catta-I in particular would like to use them on fx3 and am interested in the upcoming three zoom set for e mount. Do you know if the Catta (non ace) zooms are of identical visual quality?
Thanks mark... well, I never tried the e mount version, but it would be very odd, if the IQ would be different. I expect these to only differ in the rear group BUT I can't be sure of course
I really appreciate your great productions! love from China🇨🇳
Thanks Roland… appreciate the appreciation ;-)
As always amazing video! The lenses look great, but much nicer is the light from the para :D
Thanks a lot. Big lights sources for the win ;-)
Stunning, inspiring and nonetheless densly educational video. Couldn't leave without praising your work man
Always appreciated Burhan… thanks for your kindness and for hanging
As always perfect storytelling. 👍
Thank you Tevik!
my favorite part of the video is from 0:00 - 33:35. 10/10 content as always. :)👍
😂good one... I love it! Thanks a lot and thanks for hanging.
Your dolly zoom out and back in made me wonder if it can be used for a partial transition, where the far out shot hides half a scene transition happening out of the frame which then gets seen on the wide part again.
Also like the slight change from side to side. Combined with an orbiting track there is some lovely ideas.
Sadly a little bit difficult to experiement with without the equipment
Of course… that is a great idea… a guy sitting “alone” at a table and a dolly zoom revealing he is in a crowded restaurant to emphasize his disconnect… pretty smart but complex shot.
Definitely on the harder side of things…. But, where there is a will, there is a way
I can't describe how much i appreciate the work you guys put in making such a content with such results
keep it up
🙌
We will certainly. try, but TH-cam is playing against us as you see. Thank You for hanging around
Thank you - as always - for yet again an impeccable and truly stellar produced episode. Perfection really does exist!
Above all, intrigued to find out what the intro/outro song used is? Assuming a royalty-free production?
Keep on doing what you are doing, we all appreciate your time and effort put into this like nothing else!
Thank you for your kindness and for hanging around .... indeed, the song is "saving tides" and it is available on Artlist.
Another fantastically done video. Just the amount of work that had to go into showing the image through all the lens elements, that detail is very impressive!
Thanks Sam… it is based on the Same simulation we used for our SCOPE series and that made it much easier to pull off… took us "only" a days work. A long day that is.
@@MediaDivision Ah, even then it took a long day. Most people don't know how much work 3D visuals require.
Great work. Do you consider to take a look at some legendary old cine zooms, like Cooke Varotal 20-100 or Angenieux 20-120? May I ask what kind of lights were used on set? Thank you. Jan
Hey Jan... thank you so much for your support. Very much appreciated. And thank you for your kindness. Right now, we don't, simply as we don't have access to those, plus we like the idea, that people can get access to stuff we test. DZO was just nice enough to supply the gear. Lights: There are two Arri 4K HMIs (in the frame) and two Arri 4K HMIs lighting the "outside" behind the window. I am light by a massive beauty dish on a 1.5K HMI (not sure what the brand is).. looks like this instagram.com/p/CjV-oIdKvfE/
That is a lot of Ks, would have worked with a fraction of the output, but you can't really dim HMIs
Hi, thank you for your answer, I really appreciate your work (and your team) to deliver full scale of the facts regarding cinematic stuff in such a interesting way. Hope to get a new episodes soon. Jan
Absolutely… already deep in the works
Feels like a movie, looks like one. Congrats
Thanks a lot man… appreciated. Hopefully we grow with each of our projects.
As always impressive
Thanks a lot Roberto!!!
This video is so cinematic by itself
Thanks man… really hope it is
I love you, guys! Asalways - perfect! Best wishes from Latvia 🇱🇻🖐🏻🙂
Thanks a lot... glad you like it... and the channel. Thanks for being around.
Amazing Video, as always! I'm fan of the Fujinon MK zooms myself! But for the same price, DZO offers FF and also a great built quality... what's not to like?
Thanks....I had the Fujinon MK in my hands recently... really light, but also a bit flimsy.
LOVE the music in the 10:36 section
Enjoy.
Totally love your episodes, have been learning so much before purchasing lenses ❤
Glad we could do that for you. Thanks Ameba
27 seconds in, and i KNOW this video is going to slap!
Thanks Jack.... very glad it is for you!
Incredible as always, perfect. thanks
Thanks a lot Devi
Only watched this now, awesome as always! had to snort tho when i heard Guile's Sonic Boom attack from street fighter at 29:50! lovely touch!
Thanks Christian! You are the first to notice… guess that makes us "old" ;-)
@@MediaDivision thanks, aged in a good way! i just got my Mister FPGA setup for street fighter 2 going, a lot of fun. nearly as much as anamorphics :D
@@christianmajeres9772 Why the hassle…? software emulation looks and works great, doesn't it?! … or are you planning to guid a whole cabinet with CRT… that would be so…… Sonic Boooom !!
@@MediaDivision you figured it out quickly! i am running an old cabinet with an original Arcade CRT :D and street fighter looks lovely!
@@christianmajeres9772 NICE!!!
Thanks for the video. This was excellent. I love your stuff.
Totally our pleasure man... it is rewarding that you enjoy so much
Always exciting to watch your videos.
Glad you like them! Thanks for hanging
Fantastic! Cant wait for more to come.
Kindest regards
Phillip Schimek
Thanks… working on the next one already. Soon to be released
Thank you for another amazing episode and content!
Thanks a lot Marcel.... and thanks a lot for your support ;-)
This level of joyful and informative review is what I look up to. Would I reach such a steep peak one day? Doubt it, but gonna try.😅👍
Thanks… absolutely do… always remember that I only started 10 years ago from basically nothing and without any formal education
@@MediaDivision It is an honour to get this great motivative reply from you.🙏 I will try my best!🤗
Thanks for this thorough test. Is there one for the 18-35 too?
Our pleasure. No, sorry.... it wasn't out then.
Finally a new episode! Missed you💖
And the next one is soon to come, too. Already deep in it.
My favorite voice is back ! Lets watch the paint dry !
sorry for underperforming. covid and a subsequent Pneumonia made my voice brittle.
@@MediaDivision sorry to hear that. Stay healthy !
So the Letus Anamorphx must be double focused when paired with the Catta as well?
Of course... with ANY lens. But, not during a zoom
Ahhhhhhhhh .... new Media Division .... (kicks back ... unfolds chair ... pops popcorn ... )
Thats the Spirit! Thank you for your support A51. Can't do it without our members
Great as always guys, I constantly record but would like to make a 'very amateur' short one day. Only have a T7i or Dji pocket 2 haha but Heck gotta start somewhere :D
Thanks for your support Lindopski… very much appreciated. Sure… go for it. Old DoP wisdom, it is never the camera that holds you back.
Great video as usual!
Thanks JD
Love your channel. Best of the best. Thank you!
Thanks a lot! Glad you think so. Spread the word
Brilliant as usually thanks
Thanks man... totally our pleasure
Great video sharing!!! Thank you
With pleasure man… thanks for hanging
Wonderful video. Much appreciated!
Appreciate your kindness HipHop… thanks for hanging!
Hey hey hey hey! Wait! What is that "custom gimbal" you casually mentioned at the end. That looks amazing how did you get it? What is it? How does it work?
? you mean the Tilta float? I attached a flowcine mechanical gimbal inverted on the top… it is out of production but don't be to sad…it doesn't work that great.
Fantastic video as usual
This may be a strange request, but is there somewhere I can learn about lenses in detail. I can't focus very well with reading so another medium like video would be great. Is there any resources you know of that I can use to learn in detail about lenses?
Your videos are great, but aren't very in depth with the explanation about how exactly lenses work, because you people focus more on the art (which is great btw, I love your videos)
Thank you… if you can't read, you are out of luck. There is no videos I am aware of, that go deeper into the subject than our channel does. The Cine Lens Manual is a good and expensive book, but it doesn't go into optical engineering either. Google is your friend and there is a lot to be found if you are willing to read. Everything beyond that … well, you would have to study optical engineering I guess.
@@MediaDivision alright thanks alot. I guess I'll start with a few pages a day.
I just have a really hard time focusing on reading 😂
I'll try my best tho. I will be sure to update you if it goes well.
Again thx so much
Great stuff as usual Nik
Thanks Nick… wait for the next one… that will be the big one ;-)
As always you are fabulous 👌🏻
Well, thank you Sir!
Great episode as always!
Thanks a lot TechnoPilot... and as always, thank you for your support. Hope you enjoy!!!
Excellent. Thank you!
Totally our pleasure Fuzzy
Amazing! What do you think about dzofilm 20-70 for MFT ?
Never used them nor saw them in RL, so,I don't think about them. The ACE are solid for the price point
Missed you, Nicholas!
Awwww... we are never gone Alex. Already working on the next one that will be a real milestone... and soon to be released. Thank you so much for your kindness and lasting support.
Most impressive is your studio 😄! James Cameron would be jealous !
Boy, I wish it was mine... its the Marmaldes studio/lights/robot as we say in the thank you part
@@MediaDivision maybe one day... 😂
But most important is that you can use it, not everyone has this privilege!
@@stephanes. Absolutely... and I am very grateful for that