I mentioned that I thought the Shure stand was made by Gator, and turns out that's true! The Gator stand is $20 cheaper if you're interested: geni.us/Hvy7xf
Very few people can make a video about mic stands as enjoyable to watch as this. That rode one is pretty expensive but it does look especially pretty IMO (which is obviously the most important thing...)
I bought my OnStage stand on March 15, 2020, when it became clear that I’d probably be teaching online for a while. I upgraded my webcam that weekend, bought a microphone and a green screen. I’m glad I did it right away because I never got price gouged. I still use the OnStage for my Zoom classes.
Tom, I so appreciate your videos,they have been a great tool for me in learning more about audio and video. I own the Gator Frameworks version of the Shure stand that you showed. I found it can serve as a substitute on videos where you might have a table or desk that won’t allow a clamped boom arm to attach. It allows me to position it with the main part out of frame and only the boom with the mic attached are in the shot. So while it is the largest it gives that versatility that the others don’t.
It's such a cool stand! I didn't know about the Gator one before this, but it's quite a bit less expensive that the Shure, so it's probably a great option to go with!
Your review of MX7+ I watched yesterday was great and I found the Gator miniboom arm intriguing, particularly since i have a glass top adjustable standing desk. Viola! Today you show the stand! Shure bundles are 10% off, so sku "MV7+WDESK2" is likely the one for me when I commit to purchase 👍 Thanks
Nicely done! I have the Gator Frameworks version of the Shure, and have been really pleased with it so far (it also happens to be about 2/3rds the cost of the Shure).
Hi Tom, I can't thank you enough for your invaluable advice. Thanks to your guidance, I recently acquired a Sony FX-3 and I'm now working on replicating your one-stand recording setup. Your videos have been an incredible resource in my journey to professionalize my recording and streaming efforts. However, I've hit a snag with the lighting in my recording space. Currently, I'm using two 45W LED lights, but they're not cutting it as a proper key light. I'm eager to improve my lighting setup, but I'm facing a few challenges: - Limited space: My recording area is about 100 sq ft and doubles as my workspace and exercise room. - Cable management: I'm trying to minimize cables and floor clutter. - Rental restrictions: I'm in a rental with drywall throughout, so drilling or mounting a varipole isn't an option as it could damage the ceiling. - Budget constraints: High-end Aputure equipment is significantly more expensive where I live compared to US prices (e.g., the 600D Pro costs over $1000 here). - Quality concerns: While I'm on a budget, I want to avoid cheap, plasticky lights that might break easily or lack power. I've been considering the Smallrig RC 450D. It's a stretch for my budget, but it seems like a solid option that could grow with me. Given these constraints, I'm wondering: 1. Can you recommend key lights and lighting solutions that don't take up too much space? 2. What options would allow me to grow as I professionalize, without breaking the bank? 3. Are there any 'prosumer' category lights you'd suggest that balance quality and affordability? Your insights would be incredibly helpful as I navigate this next step in my setup. Thanks again for all you do!
I'm so happy to hear this! Glad your setup is coming together. 1. For budget lights, Amaran seems to be the sweet spot between price and quality. If they're still too pricey then Godox and Neewer actually have some pretty great stuff. The Amaran 60xS is probably a good place to start for a smalelr space: amzn.to/3YzX3Lk If you don't have room for a softbox, just putting it on a regular light stand in a corner and bouncing it off of a wall/ceiling can often do the trick! 2. A good 60watt light like the one linked above is a great place to start. You'll definitely want a bigger/brighter light at some point, but the 60 would then make a perfect fill or accent light. Staying within one or two systems is good too since then they're compatible with remotes/apps/etc. 3. I kind of answered this above, but Amaran would be my top choice (I have a lot of Nanlites which I love, but they can get a bit pricey). Hope this helps!
Really like the RODE desktop stand with my SM7B and RODE Podmic USB. Nice and heavy but relatively compact and low profile. It seems to isolate the mics from table bumps and thumps pretty well too.
Damn. I've seen that DS2 RODE mic stand featured on many videos. But never bought it. But something about the way you worded your vid just made me buy it rofl. You bring up some really great points. Come to think of it...I bought other things because of you, haha, I bought a monitor arm because one of your vids and it literally changed my life :D
Hope you enjoy it! Glad the suggestions have been helpful (even if your bank account is mad at me 😬 ). The Rode stand is really nice. Takes a bit of getting used to and a bit overpriced, but super solid and reliable. Plus I do think it looks super cool, if that matters!
Hey Tom! Did you know that “Studio Binder” included a short snapshot from one of your videos in one of their videos!?!? It was used as B-Roll when they were talking about camera stabilizers. It was very quick but I KNEW that room (drum set w/purple blue lights) looked familiar!
I actually did see that a while back! I think they used one of my videos about tilt shift lenses too. I was happy to see it because I used to use their stuff all the time when I was teaching.
Thanks for this! Always helpful to see these kind of comparisons of competitive products. One suggestion when testing a stands proclivity to transfer vibration or noise to the mic would be to use mics mounted directly to the stands versus mics mounted on a shock mount which serves to isolate the mic from vibration. I realize you had them all mounted that way for an apples-to-apples comparison, but all the stands results were artificially improved by having the mics on shock mounts. Just a suggestion…
Always love your videos, Man! With the Rode stand, you can use velcro cable management strips in those slots to secure the XLR mic cable. Not the most ideal, but still good.
Hey Tom, good overview. I've started using Tonor desktop booms for my work podcast series. They are really similar to the Shure version but half the price at £30 (under $40). I like them because I can boom the mics in from a side coffee table or stand, which is ideal when shooting a pod in a lounge style setup - no desk. I also have some Gatorworks stands that are just like the On Stage version, and they are a bargain at £12. The limitation being the resting height which is too tall for shorter guests when sat at a desk. There are so many great bits of kit out there for not a lot of money. I did consider the Rode ones, purely to have matching Rode kit to my mics and Rodecaster Pro II, but I honestly couldn't justify the spend when I was able to get 3 Tonors for the price of 1 Rode. Anyway, great video as always. Ciao for now. Matt in the UK
You were concerned with finding a mount that was tall enough, but I was concerned with finding a mount that was as low as possible to mount my Rode NTG-5 in it's native shock mount and have it mouth level while seated. I ended up getting the K&M 23220 Tabletop Microphone Stand which is good, but only has fair isolation from tabletop noises which occur when I do product reviews. I plan on getting some additional foam to place underneath it. My other issue with a tabletop stand is that it seems to pick up my breathing noise more than a clamp on stand like the Rode PSA1+ which I position differently. Probably a different microphone choice would help diminish the breathing noises too.
Dude, my most recent discovery: screw adaptors! mic stand thread to 1/4" to use video mic, OR, my fave mic stand to 3/8" screw for to make them light stands! lol (all my light stands and tripods were mic stands at one point! Or, another discovery: 1/4" to 3/8" to turn any camera tripod or mic arm into a video light stand LOL. BTW, nice see ya at B&H! My partner was too hungry to hang around, then we saw that free food and munched and we went upstairs while the crowd got smaller, and then I FORGOT TO COME BACK DOWN TO SAY HI!! Anyway, super nice to meet Heather, that first real life meeting is always so fun!
Man, I'm bummed we didn't get to chat at B&H but is was SO COOL too see you there! And yes, adapters are magic. I have tons of little containers filled with all different ones so you can pretty much end up connecting anything to anything.
Thanks, for at my desk I went with the low profile elgato that you recommended, for our mobile video podcast setup I closely followed your guide but did gator table top mic stands, I kind of wish they were shorter but they were under $20/each
Glad your setup is working out well! And yeah, at a certain point it's tough to argue for the price with a lot of these things. It's crazy how many options there are.
Great video. Gives us options. In my case, having a 3D printer solves all the issues. I use PVC for extensions. The ends I print (1/2-20 male, 1/2-20 female) as well as lockable elbows, which gives me 0 to 270 degree angles. I print custom clamps slightly thicker than my desktop. So many more options I can't think of at the moment. Prints cost me pennies rather than dollars.
I actually used to use my On Stage stand as a little tripod on my desk for my camera. Needed an adapter to put a ball head on it, but it worked great. I too found mine to be too tall to comfortably use for a desk mic stand, so I repurposed it. Now it just sits on a shelf…might have to put a light on it…🤔
I bought one Gator Frameworks last year, and it was so beefy, I ordered another.. I now use one of them as my desktop CAMERA TRIPOD!! It’s easy to swing around on desk. I should do a video showing unconventional my gear mods.
Nice video for side-address mics! But, I use a Rode PodMicUSB end-address mic. Having once been a rock 'n roll radio DJ, I work best with an end-address mic which has the side effect (Ha! 'side'! Get it?) of not putting the whole mic in front of you and have to deal with making room for it below your face.
Great vid! You mentioned lighting adapters at 02:57, but you didn't include them in in the gear list. What set of adapters do you use to put, e.g., lights on your mic stands? Looks like a 5/8" female to 3/8" male and a 3/8" female to 5/8" lighting spigot, plus maybe a 1/4" to 3/8" adapter, judging by the b-roll. Does that sound about right? I have spare mic stands (the same On-stage ones you reviewed), and I think one might make a good desktop teleprompter mount for my setup. (I'd only need a 5/8" threaded adapter to get that mounted, of course.)
That's pretty much exactly right! I thought about adding some links to the description, but it can get so specific and fiddly I was worries about confusing people.
Can't believe I'm amongst the first 10 commenters, finallyyyy! Great video about so practical stuff that's often ignored. I've got a bunch of stands and booms of all kinds haha, somI'm a target audience to 300%!!!! Thanks Tom!
Could you use a speaker monitor isolation pad to duplicate the Auray isolation? I have the Gator version of the Shure stand and never thought to try that Auray design.
Love that gobo pattern in the right of the background. I first saw something like this from Caleb at DSLR Video Shooter a couple of years ago. I assume you're using a proper spotlight of some sort? There MUST be some Amazon Alphabet soup company making little units whose only purpose is to project patterns like this for TH-camrs and other streamers...
Thanks! It's a Nanlite projector on one of their 60 watt lights. I really like playing around with it! There must be a simpler/more cost effective option, but I honestly never thought to check it out...
@@tombuck I would just assume you have cinema lights falling out of your ears. Lost your phone on the couch cushions? 300D. Need to rearrange your cables in a dark closet? 8 ft Pavo Tube. Woke up at night and need to go get a drink of water without turning on any lights? 100D on a C-Stand.
As usual this was an outstanding review. I’d never seen the Sure stand. It looks like a great choice for my situation. You left out one reason I’ll never switch back to a desktop stand from my boom arm. It’s too easy to knock one over onto the floor. They have to be so close to the edge of the desk. Back when I started like many others I bought a Blue Yeti. It served me well. One day my wife came over to my desk and wanted me to check for something online. I turned around to work at the computer on the desk to my left to get her the information she wanted. As I turned back to my main desk to continue my voiceover recording my elbow struck the Blue Yeti and knocked it on the floor thus making if inoperable. It was an accident waiting to happen. I’d come close several other times. That’s when I bought a boom arm and have been happy with the choice ever since.
I mentioned that I thought the Shure stand was made by Gator, and turns out that's true! The Gator stand is $20 cheaper if you're interested: geni.us/Hvy7xf
Very few people can make a video about mic stands as enjoyable to watch as this. That rode one is pretty expensive but it does look especially pretty IMO (which is obviously the most important thing...)
BEST AUDIO CHANNEL ON TH-cam💯😮💨😮💨
Hey thanks! And yeah, the Rode one is priced a bit too high, but it is a good stand. And looks cool too
You're way too kind 🙏
I bought my OnStage stand on March 15, 2020, when it became clear that I’d probably be teaching online for a while. I upgraded my webcam that weekend, bought a microphone and a green screen. I’m glad I did it right away because I never got price gouged. I still use the OnStage for my Zoom classes.
It should last basically forever!
This is such a cool channel... Well done Tom. This is really informative, and great to watch. The production value of your video's is super!
Thank you!! This is so incredibly nice to hear. 🙏
Tom, I so appreciate your videos,they have been a great tool for me in learning more about audio and video. I own the Gator Frameworks version of the Shure stand that you showed. I found it can serve as a substitute on videos where you might have a table or desk that won’t allow a clamped boom arm to attach. It allows me to position it with the main part out of frame and only the boom with the mic attached are in the shot. So while it is the largest it gives that versatility that the others don’t.
It's such a cool stand! I didn't know about the Gator one before this, but it's quite a bit less expensive that the Shure, so it's probably a great option to go with!
Your review of MX7+ I watched yesterday was great and I found the Gator miniboom arm intriguing, particularly since i have a glass top adjustable standing desk.
Viola! Today you show the stand! Shure bundles are 10% off, so sku "MV7+WDESK2" is likely the one for me when I commit to purchase 👍 Thanks
Sweet! So glad you're getting a nice setup pieced together!
Nicely done! I have the Gator Frameworks version of the Shure, and have been really pleased with it so far (it also happens to be about 2/3rds the cost of the Shure).
Wow it is like $20 cheaper! That’s awesome.
Hi Tom, I can't thank you enough for your invaluable advice. Thanks to your guidance, I recently acquired a Sony FX-3 and I'm now working on replicating your one-stand recording setup. Your videos have been an incredible resource in my journey to professionalize my recording and streaming efforts. However, I've hit a snag with the lighting in my recording space. Currently, I'm using two 45W LED lights, but they're not cutting it as a proper key light. I'm eager to improve my lighting setup, but I'm facing a few challenges:
- Limited space: My recording area is about 100 sq ft and doubles as my workspace and exercise room.
- Cable management: I'm trying to minimize cables and floor clutter.
- Rental restrictions: I'm in a rental with drywall throughout, so drilling or mounting a varipole isn't an option as it could damage the ceiling.
- Budget constraints: High-end Aputure equipment is significantly more expensive where I live compared to US prices (e.g., the 600D Pro costs over $1000 here).
- Quality concerns: While I'm on a budget, I want to avoid cheap, plasticky lights that might break easily or lack power.
I've been considering the Smallrig RC 450D. It's a stretch for my budget, but it seems like a solid option that could grow with me.
Given these constraints, I'm wondering:
1. Can you recommend key lights and lighting solutions that don't take up too much space?
2. What options would allow me to grow as I professionalize, without breaking the bank?
3. Are there any 'prosumer' category lights you'd suggest that balance quality and affordability?
Your insights would be incredibly helpful as I navigate this next step in my setup. Thanks again for all you do!
I'm so happy to hear this! Glad your setup is coming together.
1. For budget lights, Amaran seems to be the sweet spot between price and quality. If they're still too pricey then Godox and Neewer actually have some pretty great stuff. The Amaran 60xS is probably a good place to start for a smalelr space: amzn.to/3YzX3Lk
If you don't have room for a softbox, just putting it on a regular light stand in a corner and bouncing it off of a wall/ceiling can often do the trick!
2. A good 60watt light like the one linked above is a great place to start. You'll definitely want a bigger/brighter light at some point, but the 60 would then make a perfect fill or accent light. Staying within one or two systems is good too since then they're compatible with remotes/apps/etc.
3. I kind of answered this above, but Amaran would be my top choice (I have a lot of Nanlites which I love, but they can get a bit pricey).
Hope this helps!
@@tombuck Thank you so much for the quick and detailed response, Tom!
Danke!
Really like the RODE desktop stand with my SM7B and RODE Podmic USB. Nice and heavy but relatively compact and low profile. It seems to isolate the mics from table bumps and thumps pretty well too.
It's quite an outstanding stand!
Damn. I've seen that DS2 RODE mic stand featured on many videos. But never bought it. But something about the way you worded your vid just made me buy it rofl. You bring up some really great points. Come to think of it...I bought other things because of you, haha, I bought a monitor arm because one of your vids and it literally changed my life :D
Hope you enjoy it! Glad the suggestions have been helpful (even if your bank account is mad at me 😬 ). The Rode stand is really nice. Takes a bit of getting used to and a bit overpriced, but super solid and reliable. Plus I do think it looks super cool, if that matters!
@@tombuck That's perfect! I love compact and sleek items! :D
these are pretty good equipments affordable, and durable. Thanks for making a video on those.
Glad it was helpful!
I wish the DS2 cable management was a bit better!
That Shure stand looks really cool, and that Auray is insane at isolation!
The Auray is kind of ridiculously fun for some reason!
Hey Tom! Did you know that “Studio Binder” included a short snapshot from one of your videos in one of their videos!?!? It was used as B-Roll when they were talking about camera stabilizers. It was very quick but I KNEW that room (drum set w/purple blue lights) looked familiar!
I actually did see that a while back! I think they used one of my videos about tilt shift lenses too. I was happy to see it because I used to use their stuff all the time when I was teaching.
Thanks for this! Always helpful to see these kind of comparisons of competitive products. One suggestion when testing a stands proclivity to transfer vibration or noise to the mic would be to use mics mounted directly to the stands versus mics mounted on a shock mount which serves to isolate the mic from vibration. I realize you had them all mounted that way for an apples-to-apples comparison, but all the stands results were artificially improved by having the mics on shock mounts. Just a suggestion…
That's a good idea! I'll use regular clips next time.
Always love your videos, Man! With the Rode stand, you can use velcro cable management strips in those slots to secure the XLR mic cable. Not the most ideal, but still good.
Hey Tom, good overview. I've started using Tonor desktop booms for my work podcast series. They are really similar to the Shure version but half the price at £30 (under $40). I like them because I can boom the mics in from a side coffee table or stand, which is ideal when shooting a pod in a lounge style setup - no desk. I also have some Gatorworks stands that are just like the On Stage version, and they are a bargain at £12. The limitation being the resting height which is too tall for shorter guests when sat at a desk.
There are so many great bits of kit out there for not a lot of money. I did consider the Rode ones, purely to have matching Rode kit to my mics and Rodecaster Pro II, but I honestly couldn't justify the spend when I was able to get 3 Tonors for the price of 1 Rode.
Anyway, great video as always. Ciao for now. Matt in the UK
You were concerned with finding a mount that was tall enough, but I was concerned with finding a mount that was as low as possible to mount my Rode NTG-5 in it's native shock mount and have it mouth level while seated. I ended up getting the K&M 23220 Tabletop Microphone Stand which is good, but only has fair isolation from tabletop noises which occur when I do product reviews. I plan on getting some additional foam to place underneath it. My other issue with a tabletop stand is that it seems to pick up my breathing noise more than a clamp on stand like the Rode PSA1+ which I position differently. Probably a different microphone choice would help diminish the breathing noises too.
It's funny how everyone's needs can be a bit different! Thanks for the K&M recommendation!
Dude, my most recent discovery: screw adaptors! mic stand thread to 1/4" to use video mic, OR, my fave mic stand to 3/8" screw for to make them light stands! lol (all my light stands and tripods were mic stands at one point! Or, another discovery: 1/4" to 3/8" to turn any camera tripod or mic arm into a video light stand LOL.
BTW, nice see ya at B&H! My partner was too hungry to hang around, then we saw that free food and munched and we went upstairs while the crowd got smaller, and then I FORGOT TO COME BACK DOWN TO SAY HI!! Anyway, super nice to meet Heather, that first real life meeting is always so fun!
Man, I'm bummed we didn't get to chat at B&H but is was SO COOL too see you there!
And yes, adapters are magic. I have tons of little containers filled with all different ones so you can pretty much end up connecting anything to anything.
Thanks, for at my desk I went with the low profile elgato that you recommended, for our mobile video podcast setup I closely followed your guide but did gator table top mic stands, I kind of wish they were shorter but they were under $20/each
Glad your setup is working out well! And yeah, at a certain point it's tough to argue for the price with a lot of these things. It's crazy how many options there are.
Great video. Gives us options. In my case, having a 3D printer solves all the issues. I use PVC for extensions. The ends I print (1/2-20 male, 1/2-20 female) as well as lockable elbows, which gives me 0 to 270 degree angles. I print custom clamps slightly thicker than my desktop. So many more options I can't think of at the moment. Prints cost me pennies rather than dollars.
Oh nice! I love 3D printing. That sounds like a brilliant and awesome custom/DIY solution.
I actually used to use my On Stage stand as a little tripod on my desk for my camera. Needed an adapter to put a ball head on it, but it worked great. I too found mine to be too tall to comfortably use for a desk mic stand, so I repurposed it. Now it just sits on a shelf…might have to put a light on it…🤔
It's a delightful light stand!
I bought one Gator Frameworks last year, and it was so beefy, I ordered another.. I now use one of them as my desktop CAMERA TRIPOD!! It’s easy to swing around on desk. I should do a video showing unconventional my gear mods.
Yes!! I would love to see that.
Am I the only person screaming at the purple cable coming almost at a right-angle out of the bottom of the mic?! Give the poor thing some slack!! 🤣🤣
Boom ones are cool! Tabletops are classic and Low profile is stylish. 😎
Yep 100%! I really like the Low Profile more than I expected to.
Nice video for side-address mics! But, I use a Rode PodMicUSB end-address mic. Having once been a rock 'n roll radio DJ, I work best with an end-address mic which has the side effect (Ha! 'side'! Get it?) of not putting the whole mic in front of you and have to deal with making room for it below your face.
Great vid!
You mentioned lighting adapters at 02:57, but you didn't include them in in the gear list. What set of adapters do you use to put, e.g., lights on your mic stands? Looks like a 5/8" female to 3/8" male and a 3/8" female to 5/8" lighting spigot, plus maybe a 1/4" to 3/8" adapter, judging by the b-roll. Does that sound about right?
I have spare mic stands (the same On-stage ones you reviewed), and I think one might make a good desktop teleprompter mount for my setup. (I'd only need a 5/8" threaded adapter to get that mounted, of course.)
That's pretty much exactly right! I thought about adding some links to the description, but it can get so specific and fiddly I was worries about confusing people.
My guy Tom has a treasure trove full of mics!!!
It's definitely bordering on absurd at this point haha
@@tombuck LOL!!!! I totally understand.
The rubber on the bottom of the other stands is definitely just for friction/static isolation
Can't believe I'm amongst the first 10 commenters, finallyyyy! Great video about so practical stuff that's often ignored. I've got a bunch of stands and booms of all kinds haha, somI'm a target audience to 300%!!!! Thanks Tom!
Haha nice! Very interested to see what you choose to use in your new space!
@@tombuck Good that I cannot show up here with video, it's an uter mess right now, but all stands are gathered and ready for future setups...
Could you use a speaker monitor isolation pad to duplicate the Auray isolation? I have the Gator version of the Shure stand and never thought to try that Auray design.
Honestly you probably could!
Thanks for talking me out of the Rode, btw is bluel your favorite color?
Blue is absolutely my favorite!
@tombuck Do I have to be concerned if s a boom arm will fit my new microphone 🎤?
I have the samson and the gator frameworks sideways stand
Could anyone please advise a good USB microphone that will work when positioned at 1 m (3 feet) distance? Voice only, not for music or other sounds.
I would recommend the Rode Videomic NTG 👍
@@tombuck Thanks very much!
Love that gobo pattern in the right of the background. I first saw something like this from Caleb at DSLR Video Shooter a couple of years ago. I assume you're using a proper spotlight of some sort? There MUST be some Amazon Alphabet soup company making little units whose only purpose is to project patterns like this for TH-camrs and other streamers...
Thanks! It's a Nanlite projector on one of their 60 watt lights. I really like playing around with it! There must be a simpler/more cost effective option, but I honestly never thought to check it out...
@@tombuck I would just assume you have cinema lights falling out of your ears. Lost your phone on the couch cushions? 300D. Need to rearrange your cables in a dark closet? 8 ft Pavo Tube. Woke up at night and need to go get a drink of water without turning on any lights? 100D on a C-Stand.
Please do something like this, but only for cameras.
That’s definitely a puzzle I’m still working on solving! A small sturdy desktop stand/arm for cameras is trickier to find than I expected.
As usual this was an outstanding review. I’d never seen the Sure stand. It looks like a great choice for my situation.
You left out one reason I’ll never switch back to a desktop stand from my boom arm. It’s too easy to knock one over onto the floor. They have to be so close to the edge of the desk.
Back when I started like many others I bought a Blue Yeti. It served me well. One day my wife came over to my desk and wanted me to check for something online. I turned around to work at the computer on the desk to my left to get her the information she wanted. As I turned back to my main desk to continue my voiceover recording my elbow struck the Blue Yeti and knocked it on the floor thus making if inoperable. It was an accident waiting to happen. I’d come close several other times. That’s when I bought a boom arm and have been happy with the choice ever since.
Great point about knocking it over! As someone who talks with his hands a lot, this is 100% something I have to look out for.
Life Hack: can also be used for cameras 😅 I like them better than table tripods
Fun!
& puns!
Awww SNAPPERS!
Can you do the new Elgato arm?
Already working on it! It's really excellent overall.
I kept waiting for a last (mic) standing pun.
I tried a "this is my last stand" bit, but yeah, probably could've been better 😅
Depending on which of my YT accounts I’m on. The thumbnail is different. Is this normal? 😂
Haha, yes it can be. TH-cam recently added an A/B thumbnail option, so you can upload a few and see which works best.
this sounds like 4d sound coming from different directions.
but where am I going to get 19 more bucks?? ;)
First!!
Congrats
and foremost!
Hope your week is going well!
Am I the only person screaming at the purple cable coming almost at a right-angle out of the bottom of the mic?! Give the poor thing some slack!! 🤣🤣