@@CorbCorbin I have seen both of those guys on TH-cam but I am so busy working on these songs, I rarely go watch videos unless I'm trying to find something of Jimi actually playing live. I do check to see if anyone has already done a good job on a song so then I will skip it. But, many times I find that they miss all of the interesting Jimi'isms that I enjoy learning so much.
Yeah, it gets boring quickly if you play the same licks over and over but I am certainly guilty of it at gigs because the artist's licks are so iconic, it just sounds odd sometimes to add my own spin but it can work if you add something really good.
There is no one earth that can touch Jimi's effortless, flowing style. I'm listening to Baggy's Rehearsal Sessions and am in awe of how differently he plays every song every time.
Thank you millstap, as always. I learnt all of maui a while back and it's nice to see you doing it as well. I especially love Villanova Junction straight after this, a pretty mellow but rough version that always hits me in different ways.
Yeah, Villanova is really great and a good song for the Funky-Vibe. I'm listening to it now. I guess I had heard and worked on several songs from Maui over the years and really didn't realize it until I bought the DVD/CD set.
@@millstap I get what you mean, there are these things you never realise with Hendrix until you listen to them over again. May I ask, where did you get your Funky Vibe? I think I remember you saying but i must've forgot about it. I'm trying to snatch one to complete my Hendrix pedal board...
@@keepongroovin7567 I got my FV directly from Sabbadius in Argentina. You can contact him at sabbadius@gmail.com. There might be some on Reverb.com too. I've had three now and I like my Fillmore East version the best.
@@millstap Ah, thanks for that, man. I've been watching you for a while and that sound that Sabbadius makes on the Funky Vibe is exactly so rich alike the Shin-ei... or mainly because your playing with it is so amazing.
Thank you Mr. X. Just an old guitar through an old Tweed Bassman with a Uni-Vibe clone (Sabbadius Fillmore East Funky-Vibe) preamp (cancel mode) and maybe an OCD run very clean.
You’re my main inspiration for learning this dirty Izabella guitar style, thought it was worth letting you know. I’ve come a long way thanks to this collection of videos
That's great to know. I think you will like Freedom which is next. "Dirty" is a great way of characterizing Jimi's style and tone. I call it raw energy. No frills. Definitely not like the pristine, quantized music of today. It has no soul.
This is my favorite Hendrix song. It sounded like he was going back to his soul roots, like Curtis Mayfield on acid. Dolly Dagger, Izabella and Angel are in my top 10 favorite Hendrix tracks.
I find the hardest thing about Red House is that Jimi improvised every time he played it so it is hard to decide if you want an exact copy of one of his versions or just basic blues soloing to do your own thing. Getting anywhere close to his feel and tone is very difficult for sure.
So we meet again, awesome to watch you enjoying playing Jimi. You really have the feel, always have. That Maui thing, I was hoping for a bit more, but any Jimi is cool. The drums are studio of course. I heard two stories about that, I guess I can buy the wind being the reason why. So great seeing you back in the saddle .
Yes, I was hoping for the actual Rainbow Bridge movie too but was probably just unwatchable. Still, like you said, anything Jimi is cool. I think the song tracks on the CD are the original drums and just the film parts were overdubbed. Yeah, it was pretty annoying for the cameras to shut down every few minutes. And then, the part of DD that I wanted to watch, they were focused on the dancing girls, Mitch and Billy, lol. I do really like this version of Freedom which is going to be my next project. That one is going to take a while. It is very difficult to figure out what position Jimi is playing in on a lot of those fills.
@@millstap WITH GOD'S HELP AND GOOD ROCK AND ROLL SURE IT HAPPENS SOON! THANK YOU FOR ANSWERING THE COMMENT, I ADMIT YOU A LOT STAN, GOD BLESS YOU ALL THE FAMILY AND THANK YOU, CONTINUE WITH YOUR MAGNIFICENT VIDEOS, I LEARN A LOT, GREETINGS!!
I like them both but 80% in Eb since most of Jimi’s and Stevie’s songs are in Eb. But, E gives the Strat a killer feel and sound too. In a way, more than Eb. And D is super cool too like in Voodoo Chile.
@@millstap I've never tried D , the only thing I worry about is trying to learn the fretboard in one tuning , then having to picture everything one fret lower in another tuning 😕
@@Dad-Gad Don't even think about the actual notes when you tune down. Just tune down and play like you always do. It's just the sound that you are looking for. In this video, I was tuned to D, th-cam.com/video/5PaiDuiLzas/w-d-xo.html.
This Dolly Dagger is so raw of a performance, as I think Cox said he had written it just a couple weeks prior. That New Rising Sun/Midnight Lightning instrumental is the one I’ve been tackling. I sure hope Kramer is getting to master all the quality live recordings. I’d love to hear the complete Royal Albert Hall performance given this treatment.
Hey mill, what do you think about modern fuzz faces? I follow another channel called fuzzfaceexp, a guy from Japan that has some great fuzz face tones but the bc108 ones, I think they're a bit subdued compared to their vintage counterparts. I'd love to hear it on your current pedalboard setup as well. Also, what do you think of G&L guitars are they any good to get any tones similar to vintage gear? Thanks.
Hey Millstap I absolutely love your content, you’re amazing at what you do and I would absolutely love to see you do a tutorial on Send My Love to Linda by Hendrix if you could, keep doing what you’re doing!
I'll certainly consider it. It takes me weeks to get one of these done and the holidays have slowed me down a little. Just be patient is about all I can say.
millstap can you please make a whole tutorial of red house? I have learned the intro and i can't find the other parts of the solo.Anyways keep up the good work
I find the hardest thing about Red House is that Jimi improvised every time he played it so it is hard to decide if you want an exact copy of one of his versions or just basic blues soloing to do your own thing. Getting anywhere close to his feel and tone is very difficult for sure.
I'll have to look at it. Those take a lot of time and some of them are darn near impossible and only Jimi can play them. Half of it is just the sound he gets but I have just been getting some killer fuzz sounds out of my 1964 Strat so we'll see what I can do with it.
Millstap, have you ever try strat staggered pickups (like you have) lefty way on non reverse neck strat (like that you have in this video) ? I keep my fender 69 custom neck and middle pickups lefty way and bridge righty way because i like bridge like that more than lefty way. Neck and middle lefty way on normal strat gives more tight Jimi like sound than if those are normal way. Of course if there's no space on strat body to flid them then its no use to try if you not carve space to them, like i did to my strat :)
Yes, this video has the reverse stagger Rumpelstiltskin Gypsys in this black guitar. I thought it sounded great. th-cam.com/video/6IN8z7E-JsU/w-d-xo.html. You can order reverse staggered pickups from Rumpelstiltskin to emulate a left handed Strat played right handed. You don't have to route your Strat at all. Now the reverse tilt on the bridge pickup is a different matter. That is why I bought my left handed Strat so I wouldn't have to mess with anything. I love everything about that Strat except the short space to get your hand high on the neck. It's amazing to watch Jimi play up there with no effort at all. My fingers barely reach. I especially like the whammy bar being on top of the bridge. That is the best place for it in my opinion.
Do you think you could do a tutorial on Foxey Lady (Live in Filmore) from the second set I think it is. I've tried to do it by ear but I find it really difficult. Plus I'd like to see you take a crack at it since you have the best Hendrix tutorial. :)
The intro was the 1964 Strat through a 1960 Tweed Bassman, the preamp of the Funky-Vibe (cancel mode), and I honesty forgot but I think I had the Fulltone OCD on for a little clean boost. I run it as clean as I can get it on 18V, HP mode, high volume, very low gain. The rest of the lesson was just the guitar going through the FV preamp into the Bassman.
The solo is killer and very difficult. He does that very pentatonic type of psychedelic phrasing which is tough to emulate. As soon as I post Freedom, I will give it another look.
millstap respect brother I have new found appreciation for that set after the remaster💯 he was on fire!! Freedom is also a Hendrix classic, happy New Years man I’m 21 n wish I was born earlier after finding Hendrix what a time to be alive! N you’re the few who respects what he saw 💯 stay safe!!
You're welcome. You are correct. I was running around the house last night chasing my "cutest little boy on earth" 18 month old grandson around the house.
I know. And to think he didn't want to sing in the beginning of his career. It takes a lot of coordination to do it but then, he mastered everything he touched.
Good but...24 frets neck guitar were required to play this song (to reach the high notes, mostly in solos), and that's why Jimi went for a Gibson Flying V for this song.
Exactly. I watched him play the solos way up the neck which I had been playing in a lower position. When I tried his position, it’s was pretty difficult.
Only 1 problem, That's not jimi hendrix sound. That's FENDER sound. Fender sound has nothing to do with the marshall playing guy. The CD sound has nothing to do with the original sound. Lasers amplifiers are not High Voltage rock music. Lasers are current amplifiers. They reverse the 3 tones. Its bass, mids and lastly treble. There's zero hendrix sound without the fender coil cable and a set of JH signature pedals AND that dunlop pedal at the end. All going into a vintage style marshall. This is the only way we're allowed to make some of the jimi hendrix sounds AND all the new era jimi hendrix sounds. We're not able to confirm or deny the signature pedals into a fender amplifier. We must rule out that option. So now to hear the original sound we must use the vinyl record as SPEED up the record from 33.3 rpm, to a 10% faster playing speed. Only at this faster speed will we hear the original performance. But you might need to tweek your turntable's EQ section to get the original tone. I can confirm the original performance was in E flat. At 33.3 rpm Its in between D sharp and E flat. You'll find all JH recordings are playing slowly at 33.3 rpm. Once you've tuned in your stereo, you'll realize you're miles away from the original sound. You won't get the right notes without the JH signature products. You're playing clean, hendrix isn't. You've made no bass tones but jimi increased bass tones by a lot. The pedals are on and his sound takes off, similar to a plane taking off. You're trying to do all the extra playing but jimi activates more pedals and his job gets easier. Its impossible for you to work out what's happening cause you're miles away from anything JH. The clean sound is reversed to your sound. Its made at low guitar volume setting with the fuzz pedal ON. The main sound is with the volume on the guitar up, and its very distorted. For quiet moments he turns down the guitar volume knob. You have a tone that's extremely far away from anything JH. Then for more take off sounds, he's adding more pedals. There's no other way to get that 'launch' experience. You're extremely lost.
No doubt this is the best channel to learn Hendrix’s stuffs!!
Thank you Lurgee.
He’s one of my 3 favorite channels that do a lot of Hendrix stuff.
Have you seen any of The Vibratory, or Greg channels?
@@CorbCorbin I have seen both of those guys on TH-cam but I am so busy working on these songs, I rarely go watch videos unless I'm trying to find something of Jimi actually playing live. I do check to see if anyone has already done a good job on a song so then I will skip it. But, many times I find that they miss all of the interesting Jimi'isms that I enjoy learning so much.
Sounds great!
High praise from a very very good player 👍
This some great creds here Milzy!
👍🇦🇺
Hey R.J. Much appreciated. First time I've ever used the Vibrato mode on my Fillmore East Funky-Vibe. Sounds pretty cool.
RJ like your tip on Who Knows
@@paulkardoulias9547 Lol, I don't remember that song at all. I need to go look it up. Do you have the link to the video?
Out STANDING!!
Thanks Kris. Freedom from Maui is next. Almost got it but man, is that song tough.
So glad I found you.
I miss you pops love the lessons! Your the best player on TH-cam
Thanks Toby. Wait until you see Freedom. That song is one of the most interesting Hendrix songs I have done.
Nailed it!!
@@millstap
Love Jimi tunes. I never play the same licks the same either, just my style. Thanks for the lessons.
Yeah, it gets boring quickly if you play the same licks over and over but I am certainly guilty of it at gigs because the artist's licks are so iconic, it just sounds odd sometimes to add my own spin but it can work if you add something really good.
Thank you so much for these videos, learning so much. Your playing is impeccable
You're welcome Dan.
Good job, sounded the part, the biggest difference is Jimi plays this while appearing so relaxed. Its amazing his easy flowing effortless style.
There is no one earth that can touch Jimi's effortless, flowing style. I'm listening to Baggy's Rehearsal Sessions and am in awe of how differently he plays every song every time.
Fantastic stuff!
Thank you millstap, as always. I learnt all of maui a while back and it's nice to see you doing it as well. I especially love Villanova Junction straight after this, a pretty mellow but rough version that always hits me in different ways.
Yeah, Villanova is really great and a good song for the Funky-Vibe. I'm listening to it now. I guess I had heard and worked on several songs from Maui over the years and really didn't realize it until I bought the DVD/CD set.
@@millstap I get what you mean, there are these things you never realise with Hendrix until you listen to them over again. May I ask, where did you get your Funky Vibe? I think I remember you saying but i must've forgot about it. I'm trying to snatch one to complete my Hendrix pedal board...
@@keepongroovin7567 I got my FV directly from Sabbadius in Argentina. You can contact him at sabbadius@gmail.com. There might be some on Reverb.com too. I've had three now and I like my Fillmore East version the best.
@@millstap Ah, thanks for that, man. I've been watching you for a while and that sound that Sabbadius makes on the Funky Vibe is exactly so rich alike the Shin-ei... or mainly because your playing with it is so amazing.
Your playing is so incredible. You can feel the joy of playing guitar 🎸
Love your playing and tone my man. That intro was killer!
Thank you Mr. X. Just an old guitar through an old Tweed Bassman with a Uni-Vibe clone (Sabbadius Fillmore East Funky-Vibe) preamp (cancel mode) and maybe an OCD run very clean.
You nailed it milstap great lesson man dig your tone.
You’re my main inspiration for learning this dirty Izabella guitar style, thought it was worth letting you know. I’ve come a long way thanks to this collection of videos
That's great to know. I think you will like Freedom which is next. "Dirty" is a great way of characterizing Jimi's style and tone. I call it raw energy. No frills. Definitely not like the pristine, quantized music of today. It has no soul.
This is my favorite Hendrix song. It sounded like he was going back to his soul roots, like Curtis Mayfield on acid. Dolly Dagger, Izabella and Angel are in my top 10 favorite Hendrix tracks.
Hey Millstap! Thanks for this lesson...not much on Dolly Dagger on here...Happy Holidays
thanks millstap, looking forward for more jimi hendrix live performance lesson!
Thank you for taking the time to show how he played in such detail. You are amazing.
You're welcome Chris. I find the magic of Jimi is in the details.
Very cool!! Thanks for taking time to teach. Looking forward to more Hendrix 👍👍
Great playing! Thanks for sharing!
Maaaan It is just ... Great to have you there
Thank you Robert. It's good to be here. Merry Christmas and we'll get started again after the holidays.
Rock on great lesson would love red house lesson
I find the hardest thing about Red House is that Jimi improvised every time he played it so it is hard to decide if you want an exact copy of one of his versions or just basic blues soloing to do your own thing. Getting anywhere close to his feel and tone is very difficult for sure.
So we meet again, awesome to watch you enjoying playing Jimi. You really have the feel, always have. That Maui thing, I was hoping for a bit more, but any Jimi is cool. The drums are studio of course. I heard two stories about that, I guess I can buy the wind being the reason why. So great seeing you back in the saddle .
Yes, I was hoping for the actual Rainbow Bridge movie too but was probably just unwatchable. Still, like you said, anything Jimi is cool. I think the song tracks on the CD are the original drums and just the film parts were overdubbed. Yeah, it was pretty annoying for the cameras to shut down every few minutes. And then, the part of DD that I wanted to watch, they were focused on the dancing girls, Mitch and Billy, lol. I do really like this version of Freedom which is going to be my next project. That one is going to take a while. It is very difficult to figure out what position Jimi is playing in on a lot of those fills.
@@millstap So do you think the HD Woodstock is the best video for learning, or pleasure? Too bad we have so little Jimi.
Great lesson!!
love you talent bro, i see you and i remember my dad. Bless bro, one love from SPAIN
Hello Spain! I hope you guys are finally getting back to some normalcy. Bless you too bro. Happy New Year!
@@millstap
WITH GOD'S HELP AND GOOD ROCK AND ROLL SURE IT HAPPENS SOON! THANK YOU FOR ANSWERING THE COMMENT, I ADMIT YOU A LOT STAN, GOD BLESS YOU ALL THE FAMILY AND THANK YOU, CONTINUE WITH YOUR MAGNIFICENT VIDEOS, I LEARN A LOT, GREETINGS!!
Thank you so very much.
You're welcome Emilio.
Thanks for the tip n tricks n great playing
You're welcome Bulan.
great to play bass on your video. good job!
That's cool. I never thought anyone would use it as a backing track.
Greatest Hendrix lessons on TH-cam 👍 , do you prefer playing your Strat in Eb or standard tuning ? I find Eb a lot " bluesier " myself .
I like them both but 80% in Eb since most of Jimi’s and Stevie’s songs are in Eb. But, E gives the Strat a killer feel and sound too. In a way, more than Eb. And D is super cool too like in Voodoo Chile.
@@millstap I've never tried D , the only thing I worry about is trying to learn the fretboard in one tuning , then having to picture everything one fret lower in another tuning 😕
@@Dad-Gad Don't even think about the actual notes when you tune down. Just tune down and play like you always do. It's just the sound that you are looking for. In this video, I was tuned to D, th-cam.com/video/5PaiDuiLzas/w-d-xo.html.
@@millstap Thanks for the tip 👍
great lesson man!! thanks alot!
Great playing as ever.
I love you strat!
It is pretty cool and there are still some new Strats that are destined for greatness too. My Nash (which isn't an official Fender) is great too.
This Dolly Dagger is so raw of a performance, as I think Cox said he had written it just a couple weeks prior. That New Rising Sun/Midnight Lightning instrumental is the one I’ve been tackling.
I sure hope Kramer is getting to master all the quality live recordings. I’d love to hear the complete Royal Albert Hall performance given this treatment.
Yes, someone else requested that New Rising Sun. Christmas is going to throw me out of commission for a week or so. Headed out-of-town.
outstanding as always! 🔥would it be possible to do Ezy Ryder too?
Oh, that's one of my favorites too. I've worked on it quite a bit. Very difficult. And I can't decide which version I like the most.
My favorite version of Ezy Ryder that I worked on the most is Live from the Fillmore East where he says "I was made as hell for some reason."
@@millstap that's my favorite as well
Happy New Year Millstap
Hey mill, what do you think about modern fuzz faces? I follow another channel called fuzzfaceexp, a guy from Japan that has some great fuzz face tones but the bc108 ones, I think they're a bit subdued compared to their vintage counterparts. I'd love to hear it on your current pedalboard setup as well. Also, what do you think of G&L guitars are they any good to get any tones similar to vintage gear? Thanks.
Hey Millstap I absolutely love your content, you’re amazing at what you do and I would absolutely love to see you do a tutorial on Send My Love to Linda by Hendrix if you could, keep doing what you’re doing!
I'll certainly consider it. It takes me weeks to get one of these done and the holidays have slowed me down a little. Just be patient is about all I can say.
Hendrix: makes a mistake
everyone: that's kinda cool tho :)
ps: awesome tutorial
Thank you God! Hendrix, is the best! No one else. My first love is an acoustic. Then a strat, a tele, then a Gretsch. Love, is music forever!
millstap can you please make a whole tutorial of red house? I have learned the intro and i can't find the other parts of the solo.Anyways keep up the good work
I find the hardest thing about Red House is that Jimi improvised every time he played it so it is hard to decide if you want an exact copy of one of his versions or just basic blues soloing to do your own thing. Getting anywhere close to his feel and tone is very difficult for sure.
I would like the exact album cover, then after I've learned it I would make my own improvisation 😀😉
Respect
Awesome man, any chance we can get a solo lesson? Cheers
I'll have to look at it. Those take a lot of time and some of them are darn near impossible and only Jimi can play them. Half of it is just the sound he gets but I have just been getting some killer fuzz sounds out of my 1964 Strat so we'll see what I can do with it.
@@millstap Sounds good boss, no worries. Thanks!
Thank you millstap!!!
You're welcome Marcos. Merry Christmas.
Millstap, have you ever try strat staggered pickups (like you have) lefty way on non reverse neck strat (like that you have in this video) ? I keep my fender 69 custom neck and middle pickups lefty way and bridge righty way because i like bridge like that more than lefty way. Neck and middle lefty way on normal strat gives more tight Jimi like sound than if those are normal way. Of course if there's no space on strat body to flid them then its no use to try if you not carve space to them, like i did to my strat :)
Yes, this video has the reverse stagger Rumpelstiltskin Gypsys in this black guitar. I thought it sounded great. th-cam.com/video/6IN8z7E-JsU/w-d-xo.html. You can order reverse staggered pickups from Rumpelstiltskin to emulate a left handed Strat played right handed. You don't have to route your Strat at all. Now the reverse tilt on the bridge pickup is a different matter. That is why I bought my left handed Strat so I wouldn't have to mess with anything. I love everything about that Strat except the short space to get your hand high on the neck. It's amazing to watch Jimi play up there with no effort at all. My fingers barely reach. I especially like the whammy bar being on top of the bridge. That is the best place for it in my opinion.
Milzeeeeeee!
Burning through this one son!
👍🇦🇺
Go Shane!
oh yeahhh
Do you think you could do a tutorial on Foxey Lady (Live in Filmore) from the second set I think it is. I've tried to do it by ear but I find it really difficult. Plus I'd like to see you take a crack at it since you have the best Hendrix tutorial. :)
I will look at it. That was my favorite song to play at gigs and is the song that really got me noticing the Hendrixy sound of my amps.
You have the tone down. What pedal are you using? I am really impressed. Good job sir. Thanks
The intro was the 1964 Strat through a 1960 Tweed Bassman, the preamp of the Funky-Vibe (cancel mode), and I honesty forgot but I think I had the Fulltone OCD on for a little clean boost. I run it as clean as I can get it on 18V, HP mode, high volume, very low gain. The rest of the lesson was just the guitar going through the FV preamp into the Bassman.
Dolly... Dagger.., ✌️👍
Lol, I can't figure out how to put emojis in the comments.
@@millstap I do it from my iphone. Black stat. Looks cool man. I got a black strat with a maple neck from the 80’s. Yours got some Mojo😊
Marry cristhmas master
How do you do the solo though?!?! That shit was outta sight
The solo is killer and very difficult. He does that very pentatonic type of psychedelic phrasing which is tough to emulate. As soon as I post Freedom, I will give it another look.
millstap respect brother I have new found appreciation for that set after the remaster💯 he was on fire!! Freedom is also a Hendrix classic, happy New Years man I’m 21 n wish I was born earlier after finding Hendrix what a time to be alive! N you’re the few who respects what he saw 💯 stay safe!!
@@jaredking2512 I am working on Freedom as we speak and it is a bear but lots of fun. So many things he did in that song. I think you will like it.
Thanks grandpa
You're welcome. You are correct. I was running around the house last night chasing my "cutest little boy on earth" 18 month old grandson around the house.
He was doing all this while singing also.
I know. And to think he didn't want to sing in the beginning of his career. It takes a lot of coordination to do it but then, he mastered everything he touched.
Good but...24 frets neck guitar were required to play this song (to reach the high notes, mostly in solos), and that's why Jimi went for a Gibson Flying V for this song.
Exactly. I watched him play the solos way up the neck which I had been playing in a lower position. When I tried his position, it’s was pretty difficult.
Killer
0 disslikes, says it all
Lol, I think that’s a first.
hey mill would you be open to do one on one loessons over skype on the weekends if you have time?
Hey Cory, sorry but I don't do lessons. Just don't have the time. I will try my best to show you what I can in these videos though.
Shame on papa mill for never telling us what his eq on the bassman is
Only 1 problem,
That's not jimi hendrix sound.
That's FENDER sound.
Fender sound has nothing to do with the marshall playing guy.
The CD sound has nothing to do with the original sound.
Lasers amplifiers are not High Voltage rock music.
Lasers are current amplifiers.
They reverse the 3 tones.
Its bass, mids and lastly treble.
There's zero hendrix sound without the fender coil cable and a set of JH signature pedals AND that dunlop pedal at the end. All going into a vintage style marshall.
This is the only way we're allowed to make some of the jimi hendrix sounds AND all the new era jimi hendrix sounds.
We're not able to confirm or deny the signature pedals into a fender amplifier.
We must rule out that option.
So now to hear the original sound we must use the vinyl record as SPEED up the record from 33.3 rpm, to a 10% faster playing speed.
Only at this faster speed will we hear the original performance.
But you might need to tweek your turntable's EQ section to get the original tone.
I can confirm the original performance was in E flat.
At 33.3 rpm Its in between D sharp and E flat.
You'll find all JH recordings are playing slowly at 33.3 rpm.
Once you've tuned in your stereo, you'll realize you're miles away from the original sound.
You won't get the right notes without the JH signature products.
You're playing clean, hendrix isn't.
You've made no bass tones but jimi increased bass tones by a lot.
The pedals are on and his sound takes off, similar to a plane taking off.
You're trying to do all the extra playing but jimi activates more pedals and his job gets easier.
Its impossible for you to work out what's happening cause you're miles away from anything JH.
The clean sound is reversed to your sound.
Its made at low guitar volume setting with the fuzz pedal ON.
The main sound is with the volume on the guitar up, and its very distorted.
For quiet moments he turns down the guitar volume knob.
You have a tone that's extremely far away from anything JH.
Then for more take off sounds, he's adding more pedals.
There's no other way to get that 'launch' experience.
You're extremely lost.
He played a Gibson Flying V on this song.
Hendrix wouldn't be anal retentive and write angry and rambling comments online