Absolutely beautifully done. I just brought my first the other day and well... you've certainly made me go "wow - will I ever be able to attain this brilliance?". Well done mate. You're bloody awesome 👌
im still practicing in this but hope the time I will be safe, I have a double end tipper, its challenging but some day I will get the right out of a few mistakes,
Does using a bar in your hand on the back of the bodhran make the changing of tones as you move your hand more pronounced than just using the back of your hand? Brilliant playing!
That's cool - it shows the potential for the instrument in terms of technicality. But a bodhran's never played like this. It's the continuous bassline throughout a trad session - 600+ years worth of Irish people throughout the centuries banging away on the skins. Outstanding instrument - brings life to every gathering.
I must state forstly that I love this solo, the performance and the performer behind which. However, i wishto share one gripe that I am compelled to share due to the obvious brilliance of this piece, thus not requiring my adding to the alreasy perfectly explained glowing reviews here. my gripe is the decision to perform a speeding up of the tempo, original pulse, feature. While this might excite the average listener, for me as a drumset player i found this rhythmically stifling and unecessarrily distracting. The tone, the rhythms, the phrasings and the musicality all impressed me so much that i foundbit hard not to dislike the moment the player decided to have a section that phased the tempo into a faster one. I enjoyed the dance and syncopation of his melodic work but this suddenly became slightly obscured when the speeding up became a motif of this solo. I share thhis with real compliments and respect fpr the overall piece and o think o demonstrate my real respect by expressing any disappointment because of personal expectations. Ignoring the speed up i easily enjoy the musicality and creativity of this excellent percussion artist, but i cannot shake wishing he simply sat in the pocket and allowed me to marvel his syncopated rhymical dance when settled on a regular or more consistent pulse reference. I hope im not being overly critical and an understood for what im trying to express here
Wonderful, this man deserves all honors and a gold cipín.
I've been a drummer for 16 years and I kinda really wanna learn this
Yeah me too! First time I learn about this drum too!
Go for it! It's a criminally underrated and underused instrument, and as you can see, it's got range!
Oh, do it, and go all over TH-cam and listen to every Irish player you can find, and every other frame drum tradition. It's vast.
Omg I can feel this instrument down to my ancestors.
I am just a beginner. I would love to play like that...in a few years
man's just vibin
bro going crazy
Absolutely beautifully done. I just brought my first the other day and well... you've certainly made me go "wow - will I ever be able to attain this brilliance?".
Well done mate. You're bloody awesome 👌
Very cool!
just amazing!!!!
It's got a really cool beat to it.
Amazing!
Insane
Brilliant 😊 !
AMAZING X
im still practicing in this but hope the time I will be safe, I have a double end tipper, its challenging but some day I will get the right out of a few mistakes,
Just wow
Still loving you
Remix😂
That dude is the Neil peart of Bodhrán drum playing.
Does using a bar in your hand on the back of the bodhran make the changing of tones as you move your hand more pronounced than just using the back of your hand? Brilliant playing!
Hear what Johnny Ringo started!
What is the name of this performer? He is amazing!
Bobbie harris
Robbie Harris
Where am I?
As soon as I figure out where I am, I'll let you know where you are.
@@67Jazzmaster 😂
Seems like you might be in the land of Ire and potatoes.
You're in the jungle baby!
If you close your eyes it sounds like Michael Flatley
It really doesn't
@@rionabhreathnach4844 I know. It's a joke lol
Lambeg drum
That's cool - it shows the potential for the instrument in terms of technicality. But a bodhran's never played like this. It's the continuous bassline throughout a trad session - 600+ years worth of Irish people throughout the centuries banging away on the skins. Outstanding instrument - brings life to every gathering.
It’s very often played like this. In a solo. This is a bodhrán solo.
What fairy did this man promise his soul to?
I must state forstly that I love this solo, the performance and the performer behind which. However, i wishto share one gripe that I am compelled to share due to the obvious brilliance of this piece, thus not requiring my adding to the alreasy perfectly explained glowing reviews here. my gripe is the decision to perform a speeding up of the tempo, original pulse, feature. While this might excite the average listener, for me as a drumset player i found this rhythmically stifling and unecessarrily distracting. The tone, the rhythms, the phrasings and the musicality all impressed me so much that i foundbit hard not to dislike the moment the player decided to have a section that phased the tempo into a faster one. I enjoyed the dance and syncopation of his melodic work but this suddenly became slightly obscured when the speeding up became a motif of this solo. I share thhis with real compliments and respect fpr the overall piece and o think o demonstrate my real respect by expressing any disappointment because of personal expectations. Ignoring the speed up i easily enjoy the musicality and creativity of this excellent percussion artist, but i cannot shake wishing he simply sat in the pocket and allowed me to marvel his syncopated rhymical dance when settled on a regular or more consistent pulse reference. I hope im not being overly critical and an understood for what im trying to express here