It took me a few listens to appreciate Scriabin's majestic preludes, and boy oh boy have I fallen deep in love with them now. Your interpretation of this wonderful set is exquisite!
A very lyrical, romantic interpretation of Scriabin's Preludes, Op. 11, with excellent phrasing, dynamics and tonalities. I don't think I've ever heard this set played better. Bravissimo Sergey Kuznetsov!
There is for me no doubt that this you reach the highest level musically and spiritually that it is possible to reach in this infinitely subtle, ineffable wonderful music.
I studied at Gnessin and have heard all the 'greats' but I have never heard such a good pianist as this Sergei Kuznetsov. If you like this, check out also his version of Schubert's f min fantasia for single pianist.
I'll never forget the day I first heard the music of Scriabin.....the Sonata #5 played in concert by Horowitz.....changed my life....his music is an entire universe unto itself that I've enjoyed (and continue to )exploring. these preludes are exquisite little gems, and they sparkle in your hands....Bravo. By the way, your reading of the nocturne for the left hand was exquisitely nuanced and articulated..... look forward to hearing more Scriabin from you!!!!
Changed mine....of course... Life of my familly... You know... We were like Italians on table... The same... Lunch... Everyone speaking etc... I was a baby girl.... My Father showed me where to 'press play'... Soo..we
Wonderful Pianist.....Great Control.....I was fortunate to have been a friend of Vladimir Horowitz, and I can tell you that he would greatly have admired your Playing ! 👑👑👑👑
You Are Very Welcome....I got to play for Mr Horowitz at his home on 94th Street in Manhattan Several times . I often took walks with him and always asked him many questions about Pianists and Composers. His answers would surprise many ! He was not a fan of Hoffmann at all ! But of course his idol was Rachmaninoff. Although he told me that Rachmaninoff almost never was satisfied with his own performances and even more so about other Pianists of that era . I have a collection of over 20 years of Letters and Correspondence with Mr. Horowitz.……About one year After his passing i got a call from his Secretary that he saved and included all of MY Correspondence with him in The Vladimir Horowitz Archives In Yale University. I was flabbergasted...it is the Greatest honor of my life when I found myself listed there !……. During my years at Juilliard when I received my Masters Degree in 1977 …I was tremendously inspired by knowing hm in person . I’ve been thinking of Concertizing again but I’m getting a bit old now and I don’t think I have the physical strength anymore. Keep working hard...you have tremendous potential. Try to get Pianos that are Voiced well...this one that you are playing has hammers that are a bit too hard . Horowitz was fanatical about perfect Hammers...I flipped when I first played Horowitz’s own Steinway “ D” !!!…I was 22 Years Old then . The Bass snarled like a Lion !……… Best Wishes, Alan Bash
@@thelonearchitect From the pianist's POV - perhaps this will help you find its greatness. First of all it's in B-major which sets the pianist a little on edge from the very start, as the D-sharp is rarely a beautiful note on most pianos. The chords do not have the normal bass notes, the chords are inverted, so there's that little element. And there is this crazy big E-major dominant 7th chord that comes out of the blue mid-way through and the pianist must deal with that blaring "vanilla" tonality. And then the ending is marked pianissimo to triple pianissimo and the cloudy surrealism continues - Together all three sections deliver a benchmark work from a very young Scriabin to announce his unique sound - a journey into the mysteries of jazz tonalities that are way ahead of their time. Care to listen again?
You have mastered the art of giving life to the music of this uncanny soul.....number 21 made me think about the 64 th sonnet of W. Shakespeare. No other music I find more suitable for it....no other words are more suitable for this piéce. Splendid !
These are incredibility beautiful preludes.I played some of them and they really relax me.Thanks for sharing your playing with us.Most beautifully played.
Нежно, мощно и с чувством. Браво. Правда, мне показалось, что №1 сыграно немного "торопливо". в №7 сильно выделили аккорды в левой руке перед фортисиммо, такого не замечал у других. Прозвучало интересно.
And Chopin's preludes are a copy of Bach's Das Wohltemperiertes Klavier, more or less. :-) But the differences between these works are more interesting.
In any case, the best pianists in the world have been Russians, except Arrau, Benedetti, Cortot and a few others, (I know what I'm talking about, I studied piano at the Paris Conservatory when I was a teenager, but I ended up being an engineer), for interpret a Russian composer very well, you have to be Russian and not Chinese, they do not understand musical heritage, nor the spirit behind Western music, although they try, you have a great heritage, I think you will go very far. Best regards
Спасибо! Очень понравилось! Сергей, а можно вам небольшой технический вопрос от любителя: вот в 19 прелюдии , в единственном такте, где играется трель (где фа- малый мажорный септаккорд с пониженной квинтой F7 5- условно ) нужно ли в правой руке, где на первой доле берется ля-бекар ми-бемоль и ля бекар в аккорде при переходе на трель держать ля-бекар и ми-бемоль, а трель играть 4 и 5 пальцами или весь такт можно на правой педали сыграть и после первой доли в правой руке играть только трель теми пальцами, которыми удобно?
Здравствуйте! Спасибо! Насчет вашего вопроса - во-первых, две нижних ноты в правой руке записаны как четверть, тогда как верхний ля бекар с трелью - как половинка, то есть это уже намёк, что нижние не нужно держать всю дорогу. Во-вторых, первая нота баса, относящаяся к этой гармонии, является затактовой 16-й, от которой начинается длинная лига на 10 нот. Такими лигами Скрябин часто обозначал объединяющие, цельные движения рук, логически выражающие какую-то одну мысль или слово. Здесь этот приём указывает в том числе на педаль. То есть почти всю прелюдию педаль может браться почти на весь такт из затакта. Следовательно, держать что-либо пальцами в правой руке долго, без расчёта на длинную педаль, не нужно, это вызывает перенапряжение в руке и противно скрябинскому пианизму.
@@sergeypiano Спасибо Огромное Сергей за столь развернутое объяснение - очень помогли прояснить ситуацию. А если не сложно, скажите пожалуйста вот в 11 прелюдии того же опуса в партию аккомпанимента, записанную в басовом ключе, нужно исполнять целиком левой рукой или же все же некоторые ноты можно поручить правой руке, ну например в первом периоде данной прелюдии ноту си первой октавы (при исполнении арпеджио ми минорного трезвучия)? И как мне кажется есть еще несколько мест, где можно ноты партии аккомпанимента исполнить правой рукой или тут заранее предписанной аппликатуры нет и каждый исполнитель сам волен выбирать тот или иной вариант?
@@СеменБлэкморбаев Вы знаете, конкретно здесь я, кажется, играю как написано, т.е. левой рукой то, что написано на нижнем нотоносце. Хотя в принципе у Скрябина бывают моменты, когда переложение из руки в руку можно сделать вполне безболезненно. Но именно в Скрябине этот вопрос вообще-то важнее, чем у большинства других композиторов. Т.к. Скрябин был сам гениальным пианистом, он прекрасно чувствовал, что лучше поручить какой руке, и в своих нотах обычно очень чётко показывал, что к какой руке относится. И то, что кажется неудобным, на самом деле может, через ощущение пластики больших гибких движений рук, напротив, помогать понять дух играемой музыки и замыслы автора. Например, первые две октавы в 3 сонате довольно неудобны для игры одной рукой, но Скрябин настаивал именно на таком исполнении, чтобы сохранялось ощущение риска, опасности. Так что делать перекладывания у Скрябина можно, но осторожно, если вы хорошо понимаете, почему вы это делаете и почему у автора иначе: какого эффекта он хотел достигнуть и, стало быть, какой эффект надо преследовать, даже играя другой аппликатурой.
Hi, I am using one of your recording of the first prelude for a pianist video I am making. I hope you do not take offense to this... Just thought I would let you know, it will be to give you more exposure.
Want you to know, I have no fear because it says in the word that love has no fear This is because when two people genuinely love one another they have no fear that anything can destroy that love and prevent the two from coming together because there is a uniqueness of bond between them which they cant find elsewhere. because there is a special compatibility and attractionr they have . I have realized this more definitely with time Your love for me is so deep and real and I have already for a while now, decided that you are the kind of woman I've always been seekng for and I am satisfied with thd qualities you have So that therr has been nothing in my that could stop my heart from opening itself up to love you and to receive iyour love There's been no reservation or h⁹alf heartedness for you The love and great desire for you and dream for you yo become mine permanently is definitely there I just got tired of not going to next stage and lost hope How many times have I imagined our life together in the future,and feeling so ecstatic about the prospect,even sharing the simplest experiences,and in partiicular our common and deep interest But I have come to see more clearly that it may be that ,though each love one another so much and even to commit their lives to one another,, there may be need of inner healing from.past wounds,a need to love and accept oneself and the ability to trust another to come close I realize they are real factors and the person needs the space to overcome these wounds through time and separation ,so as to become free enough to enjoy a new relationship Because I have faith in the sincerity and depth of your love for me and because my love for you is true. I know we have a future,together, and dont mind waiting a little longer for you to get free,because its worth the wait I want to show understanding I know in a short time,you'll feel freer and want to reach out to me because I have faith in your liove and commitment to me Then things will move ahead smoothly So don't feel rushed I dont want to spoil it Go through the process Because your worth it in my eyes I love you sincerely and desire you completely
![Scriabin - Piano Concerto in F sharp minor, op. 20 (Vladimir Ashkenazy/Maazel) [Complete]](http://i.ytimg.com/vi/ylSrzlphVq0/mqdefault.jpg)
Your understanding and luminous presentation of these pieces' beauties is much to be appreciated.
Thank you very much!
It took me a few listens to appreciate Scriabin's majestic preludes, and boy oh boy have I fallen deep in love with them now. Your interpretation of this wonderful set is exquisite!
Thank you very much!
Amazing… Scriabin’s preludes are among the best. Great performance!
@@aidanm.2044 thank you very much!
A very lyrical, romantic interpretation of Scriabin's Preludes, Op. 11, with excellent phrasing, dynamics and tonalities. I don't think I've ever heard this set played better. Bravissimo Sergey Kuznetsov!
Thank you very much!
Absolutely wonderful interpretation of this lovely set of Scriabin preludes.
Thank you very much!
Great sergey, wonderful performance of this wonderful book of preludes. Bravooooo!
Thank you very much!
@@sergeypiano prego!
Your sensitivity is admirable. I admire your insight, Bravo!
Thank you very much!
First time I hear these Preludes, very beautiful! Always wanted to learn more about Scriabin music
Thank you!
And enjoy Scriabin's music, it is worth it!
What a beautiful, calming performance. Thanks very much for providing this respite.
Thank you very much!
Beautiful, beautiful interpretation. Much thanks too you!
Thank you very much!
One of the best interpretation of theses pieces that ive heard ! You deserve more recognition than you have. Congrats !
Thank you!
Seconded ...I have marked this among my piano favorites
Боже, как же превосходно звучит!😇😇😇. Это прекрасно! Спасибо Вам за исполнение!
Большое спасибо! :-)
There is for me no doubt that this you reach the highest level musically and spiritually that it is possible to reach in this infinitely subtle, ineffable wonderful music.
Exquisite, powerful and imaginative Scriabin playing!
Thank you very much!
Brilliant intepretations of op 11. Loved every single one of them.
Carolyn Chang Thank you very much!
One of the best performances I've ever heard, and I've listen to a LOT of renditions of Scriabins pieces.
Thank you very much!
I studied at Gnessin and have heard all the 'greats' but I have never heard such a good pianist as this Sergei Kuznetsov. If you like this, check out also his version of Schubert's f min fantasia for single pianist.
Thank you very much!
I'll never forget the day I first heard the music of Scriabin.....the Sonata #5 played in concert by Horowitz.....changed my life....his music is an entire universe unto itself that I've enjoyed (and continue to )exploring. these preludes are exquisite little gems, and they sparkle in your hands....Bravo. By the way, your reading of the nocturne for the left hand was exquisitely nuanced and articulated..... look forward to hearing more Scriabin from you!!!!
Thank you!
Changed mine....of course... Life of my familly... You know... We were like Italians on table... The same... Lunch... Everyone speaking etc... I was a baby girl.... My Father showed me where to 'press play'... Soo..we
This is phenomenal !! What a rendition this is
Thank you very much!
Bravo Sergey!❤
Thank you!
Scriabin would give you a hug!!! 😍
:-) Thank you!
You're certainly one of the greatest. I'm really grateful to hear you play, totally inspiring.
Thank you very much!
Wonderful Pianist.....Great Control.....I was fortunate to have been a friend of Vladimir Horowitz, and I can tell you that he would greatly have admired your Playing ! 👑👑👑👑
Wow. Thank you very much!
You Are Very Welcome....I got to play for Mr Horowitz at his home on 94th Street in Manhattan Several times . I often took walks with him and always asked him many questions about Pianists and Composers. His answers would surprise many ! He was not a fan of Hoffmann at all ! But of course his idol was Rachmaninoff. Although he told me that Rachmaninoff almost never was satisfied with his own performances and even more so about other Pianists of that era . I have a collection of over 20 years of Letters and Correspondence with Mr. Horowitz.……About one year After his passing i got a call from his Secretary that he saved and included all of MY Correspondence with him in The Vladimir Horowitz Archives In Yale University. I was flabbergasted...it is the Greatest honor of my life when I found myself listed there !……. During my years at Juilliard when I received my Masters Degree in 1977 …I was tremendously inspired by knowing hm in person . I’ve been thinking of Concertizing again but I’m getting a bit old now and I don’t think I have the physical strength anymore. Keep working hard...you have tremendous potential. Try to get Pianos that are Voiced well...this one that you are playing has hammers that are a bit too hard . Horowitz was fanatical about perfect Hammers...I flipped when I first played Horowitz’s own Steinway “ D” !!!…I was 22 Years Old then .
The Bass snarled like a Lion !……… Best Wishes, Alan Bash
Thank you very much for sharing all this wonderfull music. Спасибо!
Thank you very much!
no 11 is the most beautiful piece ever written, I assure you
This is possible!
I don't understand what's so great about the 11th. I wish I could..
@@thelonearchitect it hits a special corner in one's heart. But maybe not accessible to all.
@@thelonearchitect From the pianist's POV - perhaps this will help you find its greatness. First of all it's in B-major which sets the pianist a little on edge from the very start, as the D-sharp is rarely a beautiful note on most pianos. The chords do not have the normal bass notes, the chords are inverted, so there's that little element. And there is this crazy big E-major dominant 7th chord that comes out of the blue mid-way through and the pianist must deal with that blaring "vanilla" tonality. And then the ending is marked pianissimo to triple pianissimo and the cloudy surrealism continues - Together all three sections deliver a benchmark work from a very young Scriabin to announce his unique sound - a journey into the mysteries of jazz tonalities that are way ahead of their time. Care to listen again?
Mr. Kuznetsov, how beautiful is your playing...it makes life valuable
Thank you very much!
Спасибо за тонкое, сокровенное исполнение!❤️
Большое спасибо!
Poetic magic. Thank you for sharing.
Thank you very much!
Wonderful and what a memory!
Thank you!
no 5,13 and 15 especially beautiful
What a great interpretation.. Thank You and for Scriabin.
Thank you very much!
This is realy good.
You have mastered the art of giving life to the music of this uncanny soul.....number 21 made me think about the 64 th sonnet of W. Shakespeare. No other music I find more suitable for it....no other words are more suitable for this piéce. Splendid !
Wow. Thank you very much!
Most beautiful. I love scriabins music.
No. 12 is my favourite, it's surreal
Thank you very much!
Indeed, No. 12 is otherworldly for me too.
@@sergeypiano i think so, too!
BRAVO! BEAUTIFUL PERFORMANCE!!
Thank you!
These are incredibility beautiful preludes.I played some of them and they really relax me.Thanks for sharing your playing with us.Most beautifully played.
Thank you very much!
wow amazing, it a very beautiful song
Thank you!
2024 June. Absolutely stunning Sergey. Thank you very much ! 🌷🌷🌷 (The Netherlands)
Thank you very much!
Gorgeous performance!
Thank you very much!
nice pp in bar 12 of 1st prelude. nice to actually hear it done properly for a change
Hehe, thank you!
n°7 & n°11 are my favourite ! Wonderful perfomance !
Thank you!
Magnifique interprétation. Merci.
Merci beaucoup!
@@sergeypiano C'est la moindre des choses ! Chercheur d'absolu !
Fabulous!
Thank you very much!
Un autore che, attualmente, piace
Amazing job!
@@regionalgeographic2024 thank you!
Awesome!
A special performance
Thank you!
I love Skjabin❤
Only a few are given the gift. Merci inf. de MI/USA
Thank you very much!
i have never heard these preludes before, but now consider them one of my favorite performances of a pianist. Thank you for sharing with us!!
Thank you!
Wow! Sublime
Thank you!
Bravo!
Thank you!
❤❤❤ Scriabin
il n.11mi aspetta tra 15 giorni
Нежно, мощно и с чувством. Браво.
Правда, мне показалось, что №1 сыграно немного "торопливо".
в №7 сильно выделили аккорды в левой руке перед фортисиммо, такого не замечал у других. Прозвучало интересно.
Большое спасибо! :-)
Scriabin prelude is The chopin 24 prelude copy.
And Chopin's preludes are a copy of Bach's Das Wohltemperiertes Klavier, more or less. :-)
But the differences between these works are more interesting.
Non è così,non c'entra un cazzo,ha preso le mosse si dà Chopin ma soprattutto da Listz ,da ciaikovski,da shumman....
Incredible. Reminds me of Sciabinians
@@sschloss thank you very much!
No 16 is so dark and scary
In any case, the best pianists in the world have been Russians, except Arrau, Benedetti, Cortot and a few others, (I know what I'm talking about, I studied piano at the Paris Conservatory when I was a teenager, but I ended up being an engineer), for interpret a Russian composer very well, you have to be Russian and not Chinese, they do not understand musical heritage, nor the spirit behind Western music, although they try, you have a great heritage, I think you will go very far. Best regards
Thank you very much!
Из профессиональных музыкантов - в инженеры! 🎉Вот это скачок! 🥰🥰🥰🥰 Я бы тоже так хотел😮🤫😉😁
@@nss4472 :-) Ну, бывает, что человек не сразу находит ту область, в которой ему лучше всего…
Beautiful playing! Great technique too. Out of interest, how long did it take you to learn the whole Op. 11 set? Tempted to tackle them myself (:
Thank you! It's difficult to say as I was learning it side-by-side with doing other pieces, but I'd say about 4 or 5 months, at a comfortable pace.
жрать то им тоже что-то надо отличное исполнение
@@ДмитрийРоманов-ю5э Ээ на всякий случай спасибо! 😃
Beautiful playing! I love preludes no1 ! Please don’t reply with thank yo veery much
Well, thanks a lot then! 😁
Спасибо! Очень понравилось! Сергей, а можно вам небольшой технический вопрос от любителя: вот в 19 прелюдии , в единственном такте, где играется трель (где фа- малый мажорный септаккорд с пониженной квинтой F7 5- условно ) нужно ли в правой руке, где на первой доле берется ля-бекар ми-бемоль и ля бекар в аккорде при переходе на трель держать ля-бекар и ми-бемоль, а трель играть 4 и 5 пальцами или весь такт можно на правой педали сыграть и после первой доли в правой руке играть только трель теми пальцами, которыми удобно?
Здравствуйте! Спасибо!
Насчет вашего вопроса - во-первых, две нижних ноты в правой руке записаны как четверть, тогда как верхний ля бекар с трелью - как половинка, то есть это уже намёк, что нижние не нужно держать всю дорогу. Во-вторых, первая нота баса, относящаяся к этой гармонии, является затактовой 16-й, от которой начинается длинная лига на 10 нот. Такими лигами Скрябин часто обозначал объединяющие, цельные движения рук, логически выражающие какую-то одну мысль или слово. Здесь этот приём указывает в том числе на педаль. То есть почти всю прелюдию педаль может браться почти на весь такт из затакта. Следовательно, держать что-либо пальцами в правой руке долго, без расчёта на длинную педаль, не нужно, это вызывает перенапряжение в руке и противно скрябинскому пианизму.
@@sergeypiano Спасибо Огромное Сергей за столь развернутое объяснение - очень помогли прояснить ситуацию. А если не сложно, скажите пожалуйста вот в 11 прелюдии того же опуса в партию аккомпанимента, записанную в басовом ключе, нужно исполнять целиком левой рукой или же все же некоторые ноты можно поручить правой руке, ну например в первом периоде данной прелюдии ноту си первой октавы (при исполнении арпеджио ми минорного трезвучия)? И как мне кажется есть еще несколько мест, где можно ноты партии аккомпанимента исполнить правой рукой или тут заранее предписанной аппликатуры нет и каждый исполнитель сам волен выбирать тот или иной вариант?
@@СеменБлэкморбаев Вы знаете, конкретно здесь я, кажется, играю как написано, т.е. левой рукой то, что написано на нижнем нотоносце. Хотя в принципе у Скрябина бывают моменты, когда переложение из руки в руку можно сделать вполне безболезненно.
Но именно в Скрябине этот вопрос вообще-то важнее, чем у большинства других композиторов. Т.к. Скрябин был сам гениальным пианистом, он прекрасно чувствовал, что лучше поручить какой руке, и в своих нотах обычно очень чётко показывал, что к какой руке относится. И то, что кажется неудобным, на самом деле может, через ощущение пластики больших гибких движений рук, напротив, помогать понять дух играемой музыки и замыслы автора. Например, первые две октавы в 3 сонате довольно неудобны для игры одной рукой, но Скрябин настаивал именно на таком исполнении, чтобы сохранялось ощущение риска, опасности.
Так что делать перекладывания у Скрябина можно, но осторожно, если вы хорошо понимаете, почему вы это делаете и почему у автора иначе: какого эффекта он хотел достигнуть и, стало быть, какой эффект надо преследовать, даже играя другой аппликатурой.
지리네...
Great playing..which ones are most difficult technically in your view?
Thank you! I'd probably choose the F minor one as the most demanding technically.
@@sergeypianowelp that’s the one I chose for my Diploma 😢; that and 15. This will be fun.
Spocibo za tem chto vi peredaëte intimnost, poetichnost, tainstvennost, glubokii mir avtora y prostranstvo ruskoi dushi.
Большое спасибо!
Great Interpretartion............mais un peu vite certains preludes
Merci beaucoup!
Hi, I am using one of your recording of the first prelude for a pianist video I am making.
I hope you do not take offense to this... Just thought I would let you know, it will be to give you more exposure.
Hello! That's allright, as long as you mention my name.
@@sergeypiano yeah I did I uploaded it already!
Want you to know, I have no fear because it says in the word that love has no fear This is because when two people genuinely love one another they have no fear that anything can destroy that love and prevent the two from coming together because there is a uniqueness of bond between them which they cant find elsewhere. because there is a special compatibility and attractionr they have . I have realized this more definitely with time Your love for me is so deep and real and I have already for a while now, decided that you are the kind of woman I've always been seekng for and I am satisfied with thd qualities you have So that therr has been nothing in my that could stop my heart from opening itself up to love you and to receive iyour love There's been no reservation or h⁹alf heartedness for you The love and great desire for you and dream for you yo become mine permanently is definitely there I just got tired of not going to next stage and lost hope How many times have I imagined our life together in the future,and feeling so ecstatic about the prospect,even sharing the simplest experiences,and in partiicular our common and deep interest But I have come to see more clearly that it may be that ,though each love one another so much and even to commit their lives to one another,, there may be need of inner healing from.past wounds,a need to love and accept oneself and the ability to trust another to come close I realize they are real factors and the person needs the space to overcome these wounds through time and separation ,so as to become free enough to enjoy a new relationship Because I have faith in the sincerity and depth of your love for me and because my love for you is true. I know we have a future,together, and dont mind waiting a little longer for you to get free,because its worth the wait I want to show understanding I know in a short time,you'll feel freer and want to reach out to me because I have faith in your liove and commitment to me Then things will move ahead smoothly So don't feel rushed I dont want to spoil it Go through the process Because your worth it in my eyes I love you sincerely and desire you completely
I think you may have got the date wrong for Alexander Scriabin.
Hehe, thank you.
no 14 very like no 22 (called-' impatience')of chopin preludes
No wonder: these preludes use Chopin's op. 28 as a model
@@sergeypianono 14 seemed the most stark of the comparisons .
@@simples244 This is quite possible.
19:00
Da su slušali muziku ovi što nam odlučuju o životu... Eh eh.. 😞
13:55
you are entitle to get a classical music recording contract such as DG
Thank you very much!
K/>I/W^/>/|JTI /56
…ineffable….
Thank you!
Bravo!
Спасибо! :-)