It actually pushes beyond the limits of the Famicom haha. MegaTen 2 had its own soundchip on the cart, which allowed for the more layered and grungey feel of the OST. I don't know what possessed Atlus to do that at the time, but holy shit did it turn out great.
Namco, the ones who published Megami I and II originally, were the ones who made the sound chip. They could afford to do so since they were on good terms with the Famicom’s manufacturer, Nintendo. Unlike the American NES, the Japanese Famicom had the ability to customize the soundchip.
![Blasphemous 2: Mea Culpa - All Bosses [No Damage] + New Ending C](http://i.ytimg.com/vi/H2D9i5CO9VM/mqdefault.jpg)
chord progression here is so glorious
i didn't realize this song was from originally from megami tensei 2
My favorite Fusion Theme from this franchise.
Same here. It's SO good.
This shit pushes the limitations of the Famicom...
It actually pushes beyond the limits of the Famicom haha. MegaTen 2 had its own soundchip on the cart, which allowed for the more layered and grungey feel of the OST. I don't know what possessed Atlus to do that at the time, but holy shit did it turn out great.
@@cdm966 Tsukasa Masuko thought up the idea. There's an interview translated out there that talks about it.
@@cdm966 Atlus composers always go above & beyond, they probably convinced the suits to let it happen
Namco, the ones who published Megami I and II originally, were the ones who made the sound chip. They could afford to do so since they were on good terms with the Famicom’s manufacturer, Nintendo. Unlike the American NES, the Japanese Famicom had the ability to customize the soundchip.
@@OldEnemy1 that's super interesting, thanks for this bit of trivia.