At 3:06 you said ‘the clap is another favorite sound of mine’ then at 13:43 you said ‘I was never really a fan of the Lynn drum clap’. My analysis is that I’m just a customer and you’re a salesman. Keep up the good work.
F c ed red fef😂deffer c f DC g 2😂😅😂🎉@gigaaha 😂oo😂😂qiij😂qqq😂qib bbqhi u22ib🎉t🎉 😂y7 mf4r88t8😂fgy7u😂i y7 uhi 0:00 0:00 u 😂😂😂😂deffer deffer 1?so qiij qiij qiij 😂b7 y7😂😂qiij 😂😂😂😂😂😂😂😂😂deffer🎉25b5 x Jr 4😂4th using ♥️ ♥️ 😂nt2pvon🎉😂o2oo y7😂😂😂1u🎉😅😅🎉🎉@gigaha so 😅😅y🎉sweds I 78 7u😅 txyd7 😂7😮oNJn̈bñhvhgghcth 1xyy y🎉I cu😂1u😂h2🎉😊😊😊😊hyu😂😂t
I’d love to have a week or so just to mess around with a linn drum with effects pedals just to be able to say I did and experience what it was like to craft beats 40 years ago. So cool!
Not that it has anything to do with Prince using a Linndrum (he literally hated it)...but on the LM-1, typically they would take the direct out of the kick, Snare and sometimes the clap, sometimes the rim and everything else would come out of one of the summed outputs (mono) into his pedal board where he would in real time trigger effects on/off/parameters, etc while they were tracking. (he would also play fills in real time often) Even though they took the direct outs of kick/snr/clap or Rim, he could still mix those sounds into the summed mix out though the pedals as well so sometimes you hear the kick and snr/clap/rim through the pedals and sometimes not. I've had countless conversations with Susan Rogers about this process. I reckon no one remembers the process better than her. She also says they NEVER used a Linndrum on anything she ever worked on with Prince when it was his stuff. She said they did use it on some of Shelia's records. Just offering the clarification. I do love Chicago Synth City. Absolute best folks I've bought from.
Great insight here. Learned a couple more things about Prince and his use of the LM-1/LinnDrum (that he apparently hated) that I hadn't ever come across before myself. I'd say Susan Rogers is about as reliable of a source as you could ever find when it comes to Prince and the incredible things he could come up with in the studio and sometimes right on the fly. Man, there's so many of us that would kill to see a Prince documentary similar to The Beatles' "Get Back". Thanks!
I have never heard of Prince “ actually hating” the Linns. Clearly he loved using them and you can hear it and he would come up with fantastic patterns and even pushed it further by the late 80s. And the clap from the LM-1 still making an appearance in the 90s. Is Susan the source for this information about Prince hating this drum machine? The LinnDrum (LM-2😬) can be heard on the title track for dream factory at least the clap, and you could definitely hear it in strange relationship. Erotic City is this drum machine. You can hear the clap with a very short decay on Batdance. And it’s used in the unreleased ‘If I had a harem’ from the canceled original rave onto the joy fantastic 1989. Also in Dance With The Devil outtake from Batman. I don’t know about Susan sometimes. Even Prince didn’t really like her.
@@80smusicproducer I think Prince hated Susan Rogers is what I think and he alluded to his extreme annoyance at her speaking on his behalf as if she made the music or was a co producer or something. BUT, HOWEVER... I can see Prince disliking the way the LM-2, (yes I said it!) because it's slightly changed for the worse in terms of working with it. If you work with both the LM-2 AND the LM-1, the LM-1 was smarter. In the way you could program it, the efficiency of laying down a beat, the layout, each tuner was for each sound, etc etc. . Your creativity came across faster, and SO therefore, Susan may be right but most likely Prince didn't outright say he 'hated it' but rather found it difficult to work. Because I can list many songs Prince used the LM-2 ... in. Most likely, Prince may have used LM-2, excuse me LINNDRUM chips IN a custom LM-1. And later sampled into a Fairlight etc. Thanks for your reply.
@@Modernaire ummm, please cite the documentation where Prince says anything negative about Susan Rogers? And sounds like maybe you should educate the people who made the records about how they made the records….I THINK Prince loved my mom….I think LIKELY he played a toothpick through a cereal box on Let’s go crazy…who cares what we think, suspect or what’s likely. All any of us have when it comes to how these (and particularly these) records got made is the empirical and documented evidence by the people who were actually there. All else is folly. Susan has been remarkably consistent in her responses when asked about process when she recorded with Prince. Further she has always gone out of her way to downplay and refute any suggestion that she provided anything but an engineering role in their record making. Any assertion otherwise is just plain dumbassery….however you are free to continue in imaginative endeavors about whatever you desire, you don’t need my input for that.
My apologies if I misinterpreted your comment in the first place, but dialing in the tempo on feel alone isn't the only option allowed by the LinnDrum. While I completely agree that going by feel can be an equally important creative decision when it comes to locking in the tempo, there's a BPM button directly below the tempo knob that the guy was adjusting. All it requires is for the user to pause the track and hold down the bpm button while simultaneously turning the tempo knob. It also allows you to follow the tempo change in real time on the two digital screens. By the way, the top screen only displays a number if you go above 99 bpm.
New Order used the Oberheim DMX. But tons of others used the LD, like Prince. As I recall, back in the day, they were selling for ~$4k. Which was WAY outside the budget of the average musician back then.
It was 3995$, but you could get an Oberheim DX or Sequential Drumtraks for around 1200$, still both were incredibly expensive, but the LinnDrum now would cost about 20000$ if adjusted for inflation etc.
Nothing sounds like a LinnDrum! And there was a whole bunch EPROMs with different sounds that you could load in to LinnDrum, like finger snaps, Exotic world percussion....
I gave away two fully working mint condition Linn Drums with extra chips. To 2 of my friends when I moved to San Francisco in 2008. Looking back now?! I call 2008 my " Temporary insanity" period! HAHAHA 😆
Also at the end of the video. "Drop links to your own beats in the comments below" This channel has all links from users blocked. Literally WTH? I must say I'm not getting a very good impression of Reverb so far!
@@Modernaire i 've seen a video where is was written on paper that they rented drum machines in the studio. That might be the thing. that video also shows use of the linndrum on prince recordings, it was written on paper next to the reel, if i remember right.
Fair enough. However, he did use it on high hats often as well - "She's Always In My Hair" being one example. The A-side of "She's Always..." was "Raspberry Beret" - which features the Linn with flanger on the detuned rimshot channel.
The best mofo drum machine ever. Gonna use a term i hate, the GOAT. There isn't anything you can't do with this drum machine. But most of all there is no need to watch any other LinnDrum video, period.
With all that outboard gear.. who would know it you were using a sampler? Maybe my sour grapes for selling it after having found one super cheap and preferring the 909 instead.. I don't have this type of outboard gear so I am just speculating.
Like many musicians (well, drummers anyway), I really want to have a good ear. And I care enough about music and frequencies that I really deserve to have a very good ear for sound. However, it would appear that I don't. On some of those changes, e.g. compressing the bass drum or the eq on the hi-hats, when he said, 'this is in... and this is out...' I was just like, 'hrm, yeah. I, uh, totally hear the difference.'
@@tschak909 I see. I'll do more research if I'm inclined one day. But I keep asking, so where did the 'LM-2' model number originate from? It's been noted like this for years.
@@tschak909 I understand, but I think it’s been referred to us such for so long that it’ll probably stick around. In someway since the finance came from that person that’s facilitated the second version with sort of applicable. In that the second drum machine wouldn’t have happened if the first one wasn’t funded. And the design of them specially the same ones very similar to the first starting to think. Perhaps it was a way too replace the first version for some reason or another. Anyway, bottom lines that we all love these machines, no matter what name we use for them, I could put a nickname on mine, it’s all about the music and the drum machine is great ideas and work!
Please don't refer to the LinnDrum as an LM-2. Alex Moffett (the M in LM-1) had left the company he and Roger Linn created before the LinnDrum was created by Roger Linn himself. Even Roger Linn has stated that it shouldn't be referred to as an LM-2. Thanks for the video, though. Like all the effects. I love my LinnDrum and it never gets old playing it.
The LinnDrum was the successor to the LM-1 (Linn Moffett -1), and people incorrectly refer to it as the LM-2, not realizing the name of the LM-1 came from the two founders, Roger Linn and Alex Moffett, (LinnMoffett-1). Moffett had left before the LinnDrum was created. @@Modernaire
@@toolman8269 This is getting geeky but let me ask you, does it matter? Where and when did the 'LM-2' originate from? Why is it here that I'm knowing about the distinction? I'm most likely going to continue referring to the LinnDrum as the LM-2 also, it's kind of like perhaps a nickname because this model seems to derive from the first one, like a second version that is very similar to the first and it's so embedded in the public psyche that the 'LM-2' isn't going away. Anyway, thanks for the background information. I'll do research if I'm inclined.
What does it matter if ppl refer to the LinnDrum as a successor to the LM-1 by calling it LM-2 ?? Is your LinnDrum offended ?? Does your LinnDrum have pronouns as well ??
@@Modernaire People just started calling it that since it was the 2nd box to the LM-1, but it was never officially designated by the company as the LM-2.
@@alex_darsen Which people? Internet people or from way back before the internet. The 'LM-2' is so widely used and at this point accepted, that it's most likely not going away.
@@Modernaire Way before internet, of course. As for “people,” music biz people, sales, hobbyists, etc. You’re right that the moniker will keep getting used. I’m just saying it’s technically wrong, and a few others in here said the same. It’s like when everyone says “anyways,” when there’s no such word. It’s just “anyway.”
It's not a "NEVE Console". It's a "RUPERT NEVE DESIGNS Console". 2 different companies...the latter NOT like the NEVE console that Prince used in the day.
@@ParadNorthProd he had the Wallie Hieder modified API installed at his house before he built Paisley also (Susan installed it and they cut quite a bit of SOTT there as well.
Yeah technology advances to allow people to do lots of things. Doesn’t mean that old analog gear isn’t cool and doesn’t have its place in people’s lives today.
Good luck coming up with something truly new that hasn’t been done already. We are in the era of both fusion of existing styles and nostalgia for the past.
@@artwerkmedia8616 Well, I can do my own research to verify if it is correct information but for now, I see TWO 'Neve' names in the names of BOTH consoles. That's confusing.
@@artwerkmedia8616 well the clear fact is that in both consoles ‘Neve’ in the name. I know I’m not gonna do research. I’m just giving you an observation not an opinion. No need to get all offended or gear snob about it.
Simmons SDS-9 + MTX-9, and that linndrum is in underwear.... for what, a fith or a sixth of the cost? and the prom blower and you should be close pricewise to a dx. okay no sequencer incorporated, but in 2024 who cares?
This is the dumbest linndrum video out there:) With all the resources in the studio they made it sound worse than a clean signal into a basic cheap 4track mixer. No reverb on the snare? "Not a fan of Linndrum's clap", okay nuff said:) brothers need some milk, damn
At 3:06 you said ‘the clap is another favorite sound of mine’ then at 13:43 you said ‘I was never really a fan of the Lynn drum clap’. My analysis is that I’m just a customer and you’re a salesman. Keep up the good work.
Yeah that was a little weird. Sometimes we just say shit. Either way I just downloaded the free sample kit and it sounds great. No complaints here.
The "engineer " dude saying basically nothing throughout the entire video, then adding "we had so much fun" at the very end made me laugh. Two Gs!:))
F c ed red fef😂deffer c f DC g 2😂😅😂🎉@gigaaha 😂oo😂😂qiij😂qqq😂qib bbqhi u22ib🎉t🎉 😂y7 mf4r88t8😂fgy7u😂i y7 uhi 0:00 0:00 u 😂😂😂😂deffer deffer 1?so qiij qiij qiij 😂b7 y7😂😂qiij 😂😂😂😂😂😂😂😂😂deffer🎉25b5 x Jr 4😂4th using ♥️ ♥️ 😂nt2pvon🎉😂o2oo y7😂😂😂1u🎉😅😅🎉🎉@gigaha so 😅😅y🎉sweds I 78 7u😅 txyd7 😂7😮oNJn̈bñhvhgghcth 1xyy y🎉I cu😂1u😂h2🎉😊😊😊😊hyu😂😂t
Seriously great demo! And super excited to check out the sample pack! Thanks, Reverb!
The awesome Italo-disco must have drum machine. 👍
This was great! I'm all for the indulgence in the name of experimentation. That final beat had so much vibe.
this is so rad thank you!
So rad. More content like this please!!
I’d love to have a week or so just to mess around with a linn drum with effects pedals just to be able to say I did and experience what it was like to craft beats 40 years ago. So cool!
THX 4 THE SAMPLES & INSPIRATION!
Man that snare and clap sounds so sweetly glued into the mix. Fantastic
Thanks for the samples as always!!!
Not that it has anything to do with Prince using a Linndrum (he literally hated it)...but on the LM-1, typically they would take the direct out of the kick, Snare and sometimes the clap, sometimes the rim and everything else would come out of one of the summed outputs (mono) into his pedal board where he would in real time trigger effects on/off/parameters, etc while they were tracking. (he would also play fills in real time often) Even though they took the direct outs of kick/snr/clap or Rim, he could still mix those sounds into the summed mix out though the pedals as well so sometimes you hear the kick and snr/clap/rim through the pedals and sometimes not. I've had countless conversations with Susan Rogers about this process. I reckon no one remembers the process better than her. She also says they NEVER used a Linndrum on anything she ever worked on with Prince when it was his stuff. She said they did use it on some of Shelia's records. Just offering the clarification. I do love Chicago Synth City. Absolute best folks I've bought from.
Great insight here. Learned a couple more things about Prince and his use of the LM-1/LinnDrum (that he apparently hated) that I hadn't ever come across before myself. I'd say Susan Rogers is about as reliable of a source as you could ever find when it comes to Prince and the incredible things he could come up with in the studio and sometimes right on the fly. Man, there's so many of us that would kill to see a Prince documentary similar to The Beatles' "Get Back". Thanks!
I have never heard of Prince “ actually hating” the Linns. Clearly he loved using them and you can hear it and he would come up with fantastic patterns and even pushed it further by the late 80s. And the clap from the LM-1 still making an appearance in the 90s.
Is Susan the source for this information about Prince hating this drum machine?
The LinnDrum (LM-2😬) can be heard on the title track for dream factory at least the clap, and you could definitely hear it in strange relationship. Erotic City is this drum machine. You can hear the clap with a very short decay on Batdance. And it’s used in the unreleased ‘If I had a harem’ from the canceled original rave onto the joy fantastic 1989. Also in Dance With The Devil outtake from Batman.
I don’t know about Susan sometimes. Even Prince didn’t really like her.
@@Modernaire yes, directly from Susan. Prince loved the Linn LM-1. He hated, couldn’t stand the Linndrum.
@@80smusicproducer I think Prince hated Susan Rogers is what I think and he alluded to his extreme annoyance at her speaking on his behalf as if she made the music or was a co producer or something.
BUT, HOWEVER... I can see Prince disliking the way the LM-2, (yes I said it!) because it's slightly changed for the worse in terms of working with it.
If you work with both the LM-2 AND the LM-1, the LM-1 was smarter. In the way you could program it, the efficiency of laying down a beat, the layout, each tuner was for each sound, etc etc. .
Your creativity came across faster, and SO therefore, Susan may be right but most likely Prince didn't outright say he 'hated it' but rather found it difficult to work.
Because I can list many songs Prince used the LM-2 ... in. Most likely, Prince may have used LM-2, excuse me LINNDRUM chips IN a custom LM-1. And later sampled into a Fairlight etc.
Thanks for your reply.
@@Modernaire ummm, please cite the documentation where Prince says anything negative about Susan Rogers? And sounds like maybe you should educate the people who made the records about how they made the records….I THINK Prince loved my mom….I think LIKELY he played a toothpick through a cereal box on Let’s go crazy…who cares what we think, suspect or what’s likely. All any of us have when it comes to how these (and particularly these) records got made is the empirical and documented evidence by the people who were actually there. All else is folly. Susan has been remarkably consistent in her responses when asked about process when she recorded with Prince. Further she has always gone out of her way to downplay and refute any suggestion that she provided anything but an engineering role in their record making. Any assertion otherwise is just plain dumbassery….however you are free to continue in imaginative endeavors about whatever you desire, you don’t need my input for that.
timecode EXAMPLE 5 was where I started dancing around my apartment headbanding. Goes hard.
3:00 > 13:36 "The Linn Drum Clap which is another favourite sound of mine > which I was never really a fan of." 👍
he changed how he's always felt about it halfway through the video
😂😂😂
Hence why I ran the outputs through a bunch of pedals and effects
@@fessgrandioseStill doesn't make sense, just ten minutes apart 😂
Very nice video! Groovy!
Love it ! ❤❤❤
Linn Drum thru Mikustomp....all claps!
My apologies if I misinterpreted your comment in the first place, but dialing in the tempo on feel alone isn't the only option allowed by the LinnDrum. While I completely agree that going by feel can be an equally important creative decision when it comes to locking in the tempo, there's a BPM button directly below the tempo knob that the guy was adjusting. All it requires is for the user to pause the track and hold down the bpm button while simultaneously turning the tempo knob. It also allows you to follow the tempo change in real time on the two digital screens. By the way, the top screen only displays a number if you go above 99 bpm.
Groovy.
For brief moment, while playing the ride and crash effects, siunded like Scholly D's "Gucci Time"...😊
awesome video!!!!!!!!❤️❤️
My favorite drum sound!
Awesome!! Thank You
Awesome video. I loved listening.
my fave drum machine
"Way before the era of MIDI" Yeah right, MIDI came out the next year after this arrived.
New Order used the Oberheim DMX. But tons of others used the LD, like Prince. As I recall, back in the day, they were selling for ~$4k. Which was WAY outside the budget of the average musician back then.
I'm betting four grand is STILL way outside the drum machine budget of the average musician.
It was 3995$, but you could get an Oberheim DX or Sequential Drumtraks for around 1200$, still both were incredibly expensive, but the LinnDrum now would cost about 20000$ if adjusted for inflation etc.
Yep, sounds about right as I recall.
Nothing sounds like a LinnDrum! And there was a whole bunch EPROMs with different sounds that you could load in to LinnDrum, like finger snaps, Exotic world percussion....
I gave away two fully working mint condition Linn Drums with extra chips. To 2 of my friends when I moved to San Francisco in 2008. Looking back now?! I call 2008 my " Temporary insanity" period! HAHAHA 😆
No you didn’t.
Kid reminds me of a young Meatloaf 😎
So true !!!
🤣👍
young meatloaf mashed up with a young orson wells
0:02 Says free sample. Then when I go to the link it asks for $4.99. Thats not very free! What's up with that?
Also at the end of the video. "Drop links to your own beats in the comments below"
This channel has all links from users blocked. Literally WTH?
I must say I'm not getting a very good impression of Reverb so far!
I always just play my Linn drum samples on my MPC One. Thanks.
this beat should've been on the Breakin' soundtrack or Last Dragon soundtrack
I wonder where Prince’s LinnDrum sits these days? Hopefully under glass at Paisley Park.
Prince didn’t own a Linndrum. However two of his 3 Linn LM-1s are still at Paisley Park.
@@80smusicproducerwhere was the LM-2 at that he used on several tracks of his? Where’s the 3rd LM-1?
@@Modernaire i 've seen a video where is was written on paper that they rented drum machines in the studio. That might be the thing. that video also shows use of the linndrum on prince recordings, it was written on paper next to the reel, if i remember right.
Sounds like Prince!
NOT the same stock sounds in the LM-1 and Linndrum.
that's super cool! i think there's a problem with the download link for the samples though. Thanks!
Phaser's not like a flanger. Prince used flange pedal on shakers, chiefly, rather than high hats.
Fair enough. However, he did use it on high hats often as well - "She's Always In My Hair" being one example. The A-side of "She's Always..." was "Raspberry Beret" - which features the Linn with flanger on the detuned rimshot channel.
Mmmm, I think that was gated reverb, not flanging.
@@ThaRealChuckDhe used both actually.
It actually can sound somewhat close.
@@n.oneimportant5 I'm sure. Everybody was using gated reverb back then though.
The best mofo drum machine ever. Gonna use a term i hate, the GOAT. There isn't anything you can't do with this drum machine. But most of all there is no need to watch any other LinnDrum video, period.
With all that outboard gear.. who would know it you were using a sampler? Maybe my sour grapes for selling it after having found one super cheap and preferring the 909 instead.. I don't have this type of outboard gear so I am just speculating.
Looking forward to the upcoming Behringer version.
Like many musicians (well, drummers anyway), I really want to have a good ear. And I care enough about music and frequencies that I really deserve to have a very good ear for sound. However, it would appear that I don't. On some of those changes, e.g. compressing the bass drum or the eq on the hi-hats, when he said, 'this is in... and this is out...' I was just like, 'hrm, yeah. I, uh, totally hear the difference.'
It's not called the LM-2! The "M" in "LM" is for "Moffitt" Moffitt had absolutely nothing to do with the LinnDrum.
So where did that originate from? I’m baffled.
@@Modernaire Moffitt was Linn's original financier
@@tschak909 I see. I'll do more research if I'm inclined one day. But I keep asking, so where did the 'LM-2' model number originate from? It's been noted like this for years.
@@Modernaire The LinnDrum is NOT known as the LM-2. It has been mis-reported as this, out of apocryphal laziness.
@@tschak909 I understand, but I think it’s been referred to us such for so long that it’ll probably stick around. In someway since the finance came from that person that’s facilitated the second version with sort of applicable. In that the second drum machine wouldn’t have happened if the first one wasn’t funded. And the design of them specially the same ones very similar to the first starting to think. Perhaps it was a way too replace the first version for some reason or another. Anyway, bottom lines that we all love these machines, no matter what name we use for them, I could put a nickname on mine, it’s all about the music and the drum machine is great ideas and work!
Can the buyer get it signed by Fess? ❤
Pretty sure Roger Linn would never have referred to this as the LM-2.
Why is he afraid of the neve?? 😂
Please don't refer to the LinnDrum as an LM-2. Alex Moffett (the M in LM-1) had left the company he and Roger Linn created before the LinnDrum was created by Roger Linn himself. Even Roger Linn has stated that it shouldn't be referred to as an LM-2. Thanks for the video, though. Like all the effects. I love my LinnDrum and it never gets old playing it.
Ditto. Ignorance perpetuates ignorance.
Then where did ‘LM-2’ originate from?
The LinnDrum was the successor to the LM-1 (Linn Moffett -1), and people incorrectly refer to it as the LM-2, not realizing the name of the LM-1 came from the two founders, Roger Linn and Alex Moffett, (LinnMoffett-1). Moffett had left before the LinnDrum was created. @@Modernaire
@@toolman8269 This is getting geeky but let me ask you, does it matter? Where and when did the 'LM-2' originate from? Why is it here that I'm knowing about the distinction?
I'm most likely going to continue referring to the LinnDrum as the LM-2 also, it's kind of like perhaps a nickname because this model seems to derive from the first one, like a second version that is very similar to the first and it's so embedded in the public psyche that the 'LM-2' isn't going away.
Anyway, thanks for the background information. I'll do research if I'm inclined.
What does it matter if ppl refer to the LinnDrum as a successor to the LM-1 by calling it LM-2 ??
Is your LinnDrum offended ??
Does your LinnDrum have pronouns as well ??
There is no LM-2. It’s just the “LinnDrum.”
Where did ‘LM-2’ come from? It’s been known as this for decades.
@@Modernaire People just started calling it that since it was the 2nd box to the LM-1, but it was never officially designated by the company as the LM-2.
@@alex_darsen Which people? Internet people or from way back before the internet. The 'LM-2' is so widely used and at this point accepted, that it's most likely not going away.
@@Modernaire Way before internet, of course. As for “people,” music biz people, sales, hobbyists, etc. You’re right that the moniker will keep getting used. I’m just saying it’s technically wrong, and a few others in here said the same. It’s like when everyone says “anyways,” when there’s no such word. It’s just “anyway.”
Linndrum V2
Bought mine early 2000s for $500. Sent it to FORAT to give it the Prince/Peter Gabriel makeover.......and like a dummy, sold it for $500 years later.
It's not a "NEVE Console". It's a "RUPERT NEVE DESIGNS Console". 2 different companies...the latter NOT like the NEVE console that Prince used in the day.
Also Prince didn’t use Neve consoles….he preferred and had in his studio modified API consoles….
@@80smusicproducer Up until he had his own studio, he also used the modified API at Sunset Sound (Purple Rain; Sign of the Times)
@@ParadNorthProd he had the Wallie Hieder modified API installed at his house before he built Paisley also (Susan installed it and they cut quite a bit of SOTT there as well.
But, but they’re both … Neves.🤢
Example #4 is basically just rugrats
I could have made those sounds in ableton live
Yeah it has a piano too free! Much better than cruddy real pianos.
Yeah technology advances to allow people to do lots of things. Doesn’t mean that old analog gear isn’t cool and doesn’t have its place in people’s lives today.
Re re Verb!
They made magic with this corny sounding thing in the 80’s
Ohh I miss the old times, 70s, 80s and 90s... When the motivation was moving forward, be innovative, not recycling old fads and trends.
Good luck coming up with something truly new that hasn’t been done already. We are in the era of both fusion of existing styles and nostalgia for the past.
Prince was cheating with this machine......
Not a Neve console. That is a Rupert Neve Design console. Let’s stop confusing people.
Sometimes correcting or specifying can be confusing also.
@@Modernaire so correct information is confusing? Ignorance is your shelter…. Sad.
@@artwerkmedia8616 Well, I can do my own research to verify if it is correct information but for now, I see TWO 'Neve' names in the names of BOTH consoles. That's confusing.
@@Modernaire Problem is is that you should do your research before you post an opinion. The world already has too many opinions and not enough facts.
@@artwerkmedia8616 well the clear fact is that in both consoles ‘Neve’ in the name. I know I’m not gonna do research. I’m just giving you an observation not an opinion. No need to get all offended or gear snob about it.
This is what Prince used to do
Simmons SDS-9 + MTX-9, and that linndrum is in underwear.... for what, a fith or a sixth of the cost? and the prom blower and you should be close pricewise to a dx. okay no sequencer incorporated, but in 2024 who cares?
This is the dumbest linndrum video out there:) With all the resources in the studio they made it sound worse than a clean signal into a basic cheap 4track mixer. No reverb on the snare? "Not a fan of Linndrum's clap", okay nuff said:) brothers need some milk, damn
Please stop saying LM-2. No such thing
This isn't free.....