A very intelligent transcription with a lot of new countermelodic material added to flesh it out in a way that Stokowski did not. I personally perceive the source material differently than you do, and thus would approach this differently, but you convey a very consistent and enjoyable interpretation. However there are some proofreading issues: At 3:55, the last note of the bar should be an Eb, to make a fully-diminished 7th? Skipped a measure going into the D major section. That E against D clash followed by an apparent 3-bar phrase didn't sound weird to you? At 7:53 the countermelody in the lower strings should be D - E - F#G-F#, no? Or was this changed intentionally for harmonic reasons? At 9:14, horn 4 has a concert C natural, presumably a mistake.
A very intelligent transcription with a lot of new countermelodic material added to flesh it out in a way that Stokowski did not. I personally perceive the source material differently than you do, and thus would approach this differently, but you convey a very consistent and enjoyable interpretation. However there are some proofreading issues:
At 3:55, the last note of the bar should be an Eb, to make a fully-diminished 7th?
Skipped a measure going into the D major section. That E against D clash followed by an apparent 3-bar phrase didn't sound weird to you?
At 7:53 the countermelody in the lower strings should be D - E - F#G-F#, no? Or was this changed intentionally for harmonic reasons?
At 9:14, horn 4 has a concert C natural, presumably a mistake.