Very similar! 😁 different work flow for sure, but I think some of the bends, and flow can be missed from certain guitar licks/phrases if you are basically playing the guitar on a keyboard.. Not saying its impossible but I’m much more of a guitarist trying to figure out the midi world than vice versa 😅
I highly recommend listening to this interview with Todd on the Recording Studio podcast.. he’s an acoustic guitar session player for some country artists. He mentions in the video how they often will record the treble strings separately from the bass strings for a more controlled sound. (G, B, and E) Obviously if you want to quantize or tune your tracks is optional and genre specific, but isolating a few strings at a time can give you an interesting result. Thanks for watching! 😁
Or you could… actually practice the part, use a better guitar, and then not sound like a vst plugin? I’m sorry for the negativity, but wouldn’t a better initial performance make for a clearer comparison? You didn’t even play all the notes from a part.
Yes, just be awesome should have been Tip #1 💪 I agree! 😁 The point of the video was not to encourage laziness (or maybe it was?), but I genuinely think recording vocals, instruments, etc in segments rather than as a whole will have a different result than just “recording to tape”
@@heychrisgreenanyway, I’m sorry if it sounded rude. You’re right, it’s a very different result, and my point is that it actually sounds worse than a well-performed single take. But, in pop, of course, it’s probably a standard by now. I just had an impression that you intentionally recorded a bad take to kind of prove the point, and the musician inside me protested:)
It sound kinda lifeless, like a software instrument. It lacks a certain flow and natural organic sound. I get what you're doing, but it would be better advice to set up that guitar and practice the part.
I hope this technique inspires some creativity next time you start to record! Thanks for watching 😁
That's awesome! I'm gunna use this!
Thanks for watching!
Holy synchronization, Batman, that's Awesomesauce!!
Glad you enjoyed it! 😁
This is why they call it recording arts. Creativity is key and sometimes this is the way.
Cool... I suck at guitar chord transitions so, I record each chord strum and send it to sample one keys, than just program midi as needed
I'm using VST guitars to program rhythm guitar into Cubase. Isn't this kinda what I'm doing already?
Very similar! 😁 different work flow for sure, but I think some of the bends, and flow can be missed from certain guitar licks/phrases if you are basically playing the guitar on a keyboard.. Not saying its impossible but I’m much more of a guitarist trying to figure out the midi world than vice versa 😅
Uh yeah... this is how it's done.
Not for me, in most cases, as I'm an acoustic-focused Americana musician. But it could come in handy, in a few instances.
I highly recommend listening to this interview with Todd on the Recording Studio podcast.. he’s an acoustic guitar session player for some country artists. He mentions in the video how they often will record the treble strings separately from the bass strings for a more controlled sound. (G, B, and E) Obviously if you want to quantize or tune your tracks is optional and genre specific, but isolating a few strings at a time can give you an interesting result. Thanks for watching! 😁
th-cam.com/video/WdhQSNiKFj8/w-d-xo.htmlsi=VBfXN5arrcCvGT6-
Or you could… actually practice the part, use a better guitar, and then not sound like a vst plugin? I’m sorry for the negativity, but wouldn’t a better initial performance make for a clearer comparison? You didn’t even play all the notes from a part.
Yes, just be awesome should have been Tip #1 💪 I agree! 😁 The point of the video was not to encourage laziness (or maybe it was?), but I genuinely think recording vocals, instruments, etc in segments rather than as a whole will have a different result than just “recording to tape”
@@heychrisgreenanyway, I’m sorry if it sounded rude. You’re right, it’s a very different result, and my point is that it actually sounds worse than a well-performed single take. But, in pop, of course, it’s probably a standard by now. I just had an impression that you intentionally recorded a bad take to kind of prove the point, and the musician inside me protested:)
It sound kinda lifeless, like a software instrument. It lacks a certain flow and natural organic sound. I get what you're doing, but it would be better advice to set up that guitar and practice the part.