Seamless Key Change Warmup
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- เผยแพร่เมื่อ 22 มิ.ย. 2023
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Seams are for clothes! Get you seamless key changes on the piano with Adam Maness.
#sexychords
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Once I understand these terms I'ma be unstoppable
Lol
You got this. And once you know Jesus you truly will be indomitable 😊
I’ve been telling myself that for years 😂 but music truly does get easier when you know a good bit of theory, it’s almost always an advantage.
@@lowercasepeople49amen
@@jwardbass4452 man Ive seen improvement already! You ain't never lied.
That EB7 sound is so magic
Yes! Adam snuck that in (a "chromatic 7th" sub for the actual secondary dominant A7). Open Studio could do a great lesson on Chromatic 7ths (all of which are as equally part of a key as Secondary Dominants). : )
@@idnemgk chromatic 7th? This is a tritone sub
Yes, thanks! The same thing, different name.
Exactly.
i didnt see an eb7 notation tho? I'm a classical player lmao i think i just don't understand this stuff
The video loop is pretty seamless as well
Haha that's what I said too
What I was thinking…😊
Yeah I’m pretty sure that was the point haha a seamless transition in two ways
On theme, y'know?
Facts
it's been 5 minutes since i sat down in the bathroom, and I still haven't finished this short yet. Absolutely crazy that this info is not only free, but packed into such a convenient format. Bravo.
Lol
1st: Cmaj7 Am Fmaj7
2nd: Cmaj7 Am C7 Fmaj7
3rd: Cmaj7 Am Gm7 C7 Fmaj7
4th: Cmaj7 Am D2/F# Gm7 C7 Fmaj7
5th: Cmaj7 Am Eb7 D7 Gm7 C7 Fmaj7
This is amazing, but it's made more confusing by adding a D/F# chord instead of a simple D and in the last example a tritone substitutions from A to Eb. Break it down in the simplest way possible
I agree - especially the tritone sub.
@@MatthewHarris47Yeah, but if there are two things jazz nerds love it's secondary dominants and tritone subs. He had to use it somewhere.
@@christopherkettlewell7386 you could tritone sub any of those and it would make some interesting progressions. In that situation it works well because otherwise he would be going from A minor to A7, and that would sound more like a modulation and wouldn't be that seamless.
And doing a first inversion on the D is also an arbitrary choice, you can do it on any of the chords you feel like, I like it because of the minor second movement in the bass.
@@christopherkettlewell7386yeah I agree. It’s never broken down well in these shorts. It comes off like a flex instead of earnest or teaching
Y'all provide the BEST online music lessons that I've seen in over the last 20 years. Keep raising the bar!
ok, i understand what he's saying but i'm not there yet, i'll be back after a year of practice or so
I so appreciate what you folks do. Wanted to play as a kid; mom and dad said no, so I developed as a singer. I hear these changes and I can adapt as a vocalist. But the great loss in my life has been to be a jazz pianist. What you share here feeds me, it literally feeds me, because even as I don't know the terminology, I can follow what you're doing. Easily. Thanks for being here....
I don't know how much you need to hear this but, it's not too late for you to become what you'd like, if you still have this ache to become a jazz pianist, I think you should just go for it!!
@@celeste8992yes! picking up the piano later in life has brought me so much joy and fulfilment… just give the keys a tinkle, don’t expect too much from it but try to get across the flavour of what you feel (since you can feel it). It’s helpful to have a constraint like only use white keys or only use black keys, or only use one hand and keys within a span of that hand. And focus on expressing with rhythm, tone, and note choice. Good luck!!
Yes! What they are saying! Learn it! Do whatever you can to get the ball rolling! Get a cheap, maybe used (but taken care of) electric keyboard. You don’t need a grand piano anymore to learn piano. 😊
I’m doing the same thing at 34 years old with learning guitar (not just playing it 😉). It’s been the most rewarding thing I’ve done in a long time aside from my beautiful kiddos.
Have fun!!
The D over F# is so subtle but it kills me in that spread voicing… amazing.
I would also add an E to the D chord
it's already in there @@federicosieli5099
This is smoother than silk 😮💨
Bro just casually playing the most beautiful music ive ever heard
Sounds like a gospel progression
yes! this is very gospel-ish progression!
That first C7 and the later G-7 and C7 combo is lifechanging
My god. It was beautiful.
Whenever he does the ✨✨✨ my brain melts a little
He went crazy on this one 🔥🚀
Perfect “pace” to this vid. I had to stop, rewind and rewatch it, and that’s great, because the alternative is a vid that’s too slow, that over explains things.
I thought that I've seen most of the music tutorials - yours that I've I've seen so far raises the bar - brilliant
I'm an advanced theory guy and I still found this wonderful. Subscribed!
You literally blow my tiny mind every time I watch one of these
I have finally found a video that explains a progression I have often heard. I think your voicing and movements are exquisite. Thanks.
Tbh that FM7 still sounds like a subdominant for me😅
I get you, but I think that's not the point though, it's a seemless transition, not really a key change or modulation. so yeah you can hear it as subdominant to C still, but I think It's more about taking more detours through relative dominant connections to approach the F more colourfully. And then after that it has the potential to guide you in a different direction. :)
Perhaps going to a less related key would remove that feeling too :)
@@TorbenMahnsMusic The title literally says "key change" ;)
@@Marunius Maybe it's too much of the classical harmony training, but for me it doesn't click. Using a series of secondary dominants doesn't make you forget the start key, it's just an "exponential" secondary dominant series targetting the IV chord. For diatonic modulation you need to put the VI chord of the target key somewhere as an anchor, then it really starts to feel like modulation.
And the series was lit AF, I just was disappointed to not really learn a new modulating technique :D
I feel the same way. I primarily play gospel music and what he showed us is along the lines of what a gospel piano player would do going from 1 - 4 in a free flowing spontaneous environment.
even though i understand next to nothing about dominants or whatever, i like watching these videos because they’re very relaxing
So melty so gooood
This doesn’t really sound like a full on key change to me, just an interesting way to get to the subdominant chord of the same key
bc its a loop, not set in a broader context where it then heavily continues in f. there is no continue so there is no change to have the key also change in. You can use this to approach those key changes
Thanks so much to Open Studio and Adam for what seems to be a terrific joy in sharing the fruits of their knowledge and dedication!!
I love the ✨✨ in the chords
My mind... blown. Gadzuks.
Hard to get that 5-1-4 sound out of my head 😭
I dont know a lot about music but I know a lot about art and I know blending when I see it.
Brotherrrrr ADAM WTF this is NUTS
Seamles editing too 😊
beautiful lessson
And before we know it we are braiding our hair and In a gospel choir 😅
🙄
gotta warm up haha!
Don't forget the wigs! 🤣
THAT. PART!
Are y'all serious with these comments? 😒
Nice spin on “Misty”. Magical✨
Billy Joel made a living doing that
MIND…BLOWING! 🔥
WOW!
Thank you! I love your videos!
For my pals who have no clue what a secondary dominant is (neither did I, so I googled it), in short it's just a Dominant (V or V7) to the Tonic (I) chord progression in another key from the original. The Tonic (I) chord, however, must be a chord that is in the original key.
This is definitely a huge simplification, but I think this is the main idea!
What a joy to listen to. A Large respect to all those out there who play.
This is exactly what I want to learn. Just had surgery so now I can’t wait to get back to the piano. Thanks.
I love this making all that mess they tried to spoon feed me for 50 dollars a half hour make sense
Love these micro lessons
Ok you started wilding out 😂 that was dope this is my favorite channel. You’re super nice with it. I hope to be able to place this good one day.
These videos are the most reliable way for me to motivate myself to actually practice piano. Its nice. Thank you
Would love if you guys could sometimes include the voicings you're using, that's really adding to the flavor!
Gave me gospel vibes especially the 3rd variation. Lord have mercy 😮💨
Beautiful
Seamless and flawless my friend 🙏🏼 thank you for your efforts on educating us all here so beautifully.
W o n d e r f u l
Man, that sounds like some straight up gospel. OooooWeeeee!!!
Chord magic 😂🎉
Gorgeous. My soul can hear it as well as my ears.
You’re a phenomenal teacher.
You need to make the F the tonic instead of just going there cuz it sounds like the subdominant still
I hear that Eb7 transition in lots of Barry Harris songs. It sounds so full and rich. Very relaxing sound.
Thanks
It's just AWESOME!! 🤩 I'll use it tonight at the church 🙏 Beautiful!!
I think you just changed my entire approach at writing songs. Thank you!
I'm just starting and I started with chords. This is beautiful. A good jumping off point for more exploring
GRACIAS
this feels like using increasingly fine sandpaper to smooth out the transition
I’ve been struggling in my music theory class, but I know exactly what’s going on here, and that gives me confidence (:
Does anyone else not play piano but still love watching these videos because the ideas are so enjoyable to listen to?
Love to you man❤ I love how accessible you make this stuff
Love your shorts man!
Listened to it again because it’s just beautiful
my band director for our jazz band tells us when looking at charts with crazy chord progressions, just find the standard chords in the key, and almost 100% of the time, the stuff in between is just a bunch of stuff to help get there
Secondary dominants are the real KINGS of key changes 😎😎
Now that is seamless
Christmas jazzy feeling
Doing gods work Adam!
Babyface and Brian McKnight (to name just a couple) use this technique religiously. 💪🏾😌
Love the ✨️
You just ended up going around the circle of fifths lmao
Except for the Eb7-D7
For me, I don't hear the seamless key change until you play the whole bar in the new target key, and then I will hear whether it was smooth or not.
For now, it's just a beautiful progression from the 1 to the 4.
My opinion before yall kill me, lol 😅😅😅
Great video
Pretty dope
This is gold !!! You need to make a whole clip on this..
Very nice.
OmG I want ur tutorials bout those incredible moves🎹🎹🎹🔥🔥🔥😍😍😍 woww🔉🔉🔉...
I'm still reacting with crooked face for real😬😬😬🔥🎹
This is a magical video, thank you ❤️❤️❤️
Gorgeous. And they sound beautiful in church as you changes keys for the next hymn ;-)
If you just start on the chord of Cmaj you're effectively already in the key of F unless you distinguish it via a B natural, Cmaj is just the dominant sans the 7th
Yeah it took me a few times, I got it!
So glad the great algorithm in the sky led me to you. Subbed!
That initial C7 to F is all sorts of 😌😌😌
Thanks for sharing! ❤
It just made me smiling
Nice!
Thank you.
love the tritone substitution Eb7-D7-Gm
The tritone sub added so much color
Damn that was nice
Nothing beats that C7 to F though, so simple yet it hits so perfectly.
It really pays to know the circle of 5ths. ii V I's will get you anywhere you need to go.
Thank you for such phenomenal lessons. Also if you could put those chords in barlines would be helpful for people like me, who find it hard to play by ear music.
Yeah its good
That was wonderful in so many ways.
Very nice. First of your vids that I’ve encountered. Would love to see this more in-depth along with some tactics to learn the chord movements. Do you have a course, or one you can recommend?