He’s amazing, one of the truly great one’’s, but fame is another ball game. There are a few dozen tenors, sopranos, baritones, each of the past century who were as good as Brownlee (same may say better) who never got as famous as Pavarotti or Caruso. Marylin Horne was a huge star and one of the greatest mezzos of the 20th century. She also had the same manager. She asked him once, “I want to have a career like his! Can I please have the ‘Pavarotti treatment’”? His response to her was, “you can’t have the ‘Pavarotti treatment’ because you aren’t Pavarotti.” Herbert Breslin wrote an entire book which was basically about how and why Pavarotti got famous. Want real details to your question, read it; it’s a great read! Caruso’s fame came because of two major reasons, 1) he was the first great tenor who made top notch operatic recordings on the new invented phonograph, and 2) because the way he used his voice and technique broke down barriers in opera and excited an entire world to a new kind of singing.
Open my eyes and see how his entire being is feeling this and he has become one with music. Ah !!! bravo !!!!!!!!
i closed my eyes and listen and Lawerence is MAGNIFICENT
Rossini with beautiful LEGATO coloratura ❤❤❤. He is one of my favorite tenors - musical, beautiful and warm voice and those high notes! Fantastic!
Quelle pureté de la voix et la magnifique sobriété de l'interpretation. Solo perfecto
Brownlee and Pavarotti are, in my humble opinion, the finest tenors of our time. Outstanding singer!
But where is Pavarotti then...?
@@TenoreMr what do you mean?
@@jacobmccain8794 Pavarotti is not of our time because he is no longer with us. Great though he was.
I just can’t get enough of Mr. Brownlee. His voice is strong and robust but in some since ethereal! ❤
WOW!
WOW! BRAVO TENORE!
❤❤❤❤❤❤❤❤❤❤❤
Beautiful! ❤️👍
BrAVO!!!!!!
현존 세계 최고의 테너~
I wonder why Brownlee isn’t as famous as Pavarotti or Caruso
He is one of the best in my book!!! Top 3 for me!
@@jacobmccain8794
And your book can be found on??
He’s amazing, one of the truly great one’’s, but fame is another ball game. There are a few dozen tenors, sopranos, baritones, each of the past century who were as good as Brownlee (same may say better) who never got as famous as Pavarotti or Caruso. Marylin Horne was a huge star and one of the greatest mezzos of the 20th century. She also had the same manager. She asked him once, “I want to have a career like his! Can I please have the ‘Pavarotti treatment’”? His response to her was, “you can’t have the ‘Pavarotti treatment’ because you aren’t Pavarotti.” Herbert Breslin wrote an entire book which was basically about how and why Pavarotti got famous. Want real details to your question, read it; it’s a great read! Caruso’s fame came because of two major reasons, 1) he was the first great tenor who made top notch operatic recordings on the new invented phonograph, and 2) because the way he used his voice and technique broke down barriers in opera and excited an entire world to a new kind of singing.
Es un muy buen tenor ligero será por qué es ligero y no lirico como Kaufman o Bezcala junto con flores es el mejor tenor ligero de esta generación
Lawrence Brownlee, the Afro-American Rubini!!!