Wow, quite a bit of nostalgia for me here. I helped to commission console number 9 at Beartracks with Rob Jenkins, in I think, February "94. Dredging the memory banks here. I do remember lots of deep snow, and Rob and I sitting in an Italian restaurant after a long days work somewhere in upstate New York on Valentines day - everyone else was having a romantic evening with roses on the table! Nice to see the guys at SST are keeping number 9 going as a hybrid of 2 consoles after the flood wrecked it. The sort of madness I admire. Watching this video makes me feel like I was part of something very significant, and it's good to see people still care so much about those old consoles. I know in my time at Focusrite we were definitely striving to do something different and better "the way it should be done". Perhaps sadly - as far as consoles are concerned anyway, it was near the end of an era. I'm still an analogue guy through and through tho. I took a marker pen and left a message on the console frame back at Beartracks for anyone who took it apart in future to see, something like "Commissioned by John Emmerson and Rob Jenkins February 1994", I wonder if that message survived. John
I made that console frame and all the wiring in it. Have been in touch with Rob Jenkins a while back to catch up and FAE are based near me here in Marlow, UK.
Oceanway’s Focusrite #4 was ‘my console’ too, from 1994 to 97. It was the first large format console I have worked on, and it was love at first sight. I just loved the bus routing and design! So cool to see this video, a blast from my past for sure!
@@RealHomeRecording one of my favorite memories was Toni Braxton unchained my heart we did orchestra overdubs in this room for that song. I was second engineer, basically handling the orchestra, the mic placement, the headphones running the patchbay, etc..
@@RealHomeRecording the first day I worked there “the doors” were recording on it. They had some poetry by Jim and we’re trying to create a track to go with it I recall.
What a wonderful documentation of a the Rupert Neve/Focusrite heritage and why it is so important to preserve for future generations to come to love and appreciate. RIP Rupert Neve. We love you.
Love the focusrite sound for recording! I produced an album at console number 2 when it was at Paramount studios in .LA. A complete wonderful experience! Thanks for sharing all this history. Great video👍 Lot’s of great memories. Mike Rosario
I fortunately had the opportunity to work a lot with JJP and Alan Sides on console #4 at Ocean Way in Hollywood CA on my first solo record (Leroy) for Hollywood Records. I was alway blown away by the sound that console produced. JJP had a lot to do with it as well! Those were great times!!! After seeing this doc I feel like I've been a part of something really special. Thanks for making and sharing this doc!
I think this is my third(?) time watching this doc, and I'm here this time bc of the ISA channel strip plugin I just got last week. I don't remember the last time I was so excited about a plugin! I've only had the chance to use it on one little project so far as I'm sort of between living arrangements again, but I can already tell it's going to be my new go-to channel strip! I've got others I love for various things, but I can just tell, even in plugin form, the ISA sounds good on *EVERYTHING*. Congrats and thank you to Focusrite (and Brainworx), and keep up the great work!
As a budding engineer and overall gear nut I really enjoyed this doc. I respect the people that put the work into maintaining/repairing these consoles and I feel it is definitely not in vain. At the end of the day it is all about the sound and striving to make the best impression on our listeners. Analog is definitely better for archiving and playback on high fidelity systems. I am now planning on purchasing a Focusrite ISA430 MK II producer pack channel strip, lol. If only Focusrite could make a stereo version of the producer pack for home studio types that can't afford to buy two channel strips. I guess I'll have to tell my mono stems to fall in line!
Great video! This is amazing. The fact that engineers, people, specialists, and others are capable to design and build such an enormous, complicated desk. Deep respect for al those people who build it, designed it, ownded it recorded with it and mainitained it, and still do.
Great doc. We lost our house in Long Beach to hurricane Sandy. I'm actually more saddened to hear about the damage to the console at SST Studios. God Bless em for restoring it!
I have to admid this is the best documentary/storytelling I have ever seen about a high end audio product. Anmazingly well done guys! Make some more of this very educatting and informing studio stuff reports.
It will be interesting to see one day documentaries be made about little audio interfaces from companies like Focusrite talking about how musicians of today got their start using that humble equipment.
Sound recording both art and science! This is a mind blowing, must watch, documentary of when synergy between the two! Thanks for sharing this bit of history!
love the Spanish Guy that saved all his money up from engineering and snagged one second hand, only to put it in his house. that's amazing well done that man. I'm Jealous.
It doesn't say exactly how much he paid for it. He also looks a little young to be able to earn enough money to buy one from engineering alone. By the looks of the dad's house I would say that he came from money and had help.
@@horowizard He said he was saving and saving until he could afford something that could last a lifetime. I guess he worked hard to get that console even if he lives in the same house as his parents.
@@horowizard Yes, no way he got the sum needed to buy the console, shipping and handling and instalation from his Engineering jobs. Thats just bullshit. No way he will ever pay that amount plus the yearly electricity bills and maintenance from his future engineering jobs also.
I thoroughly enjoyed watching this. Found out after I got a copy of the Brainworx plugin. Also found out the Bop Studio console now lives in a studio called Platinum Underground Studios in Arizona
This is great. Thank you all for your time, and dedication, to share this wonderful video with us all. I wish this documentary was available for download.
Much love for the crew that made this video and the focusrite dev team. Something this special should have a special history and a great story; thanks for telling it!!
Such a powerful story. It really touched my heart. Especially the Sandy story and the devastation in Hoboken, etc. I remember that time well. I learned alot from this. Thank you.
This was an awesome video!!! Rupert was involved in a lot of things. I'm very happy with my Clarett 8pre purchase. Just have to get all the right components so my computer will run it. I felt this video. Loved the journey. Focusrite I'm officially a fan and user. First it was Chris and Tom Lord-alge using Big Red Focusrite on their Mix bus that made me a fan. But then to find out in this video Mr. Rupert Neve was involved. Its a no brainer for me. I'm all in.
9:48 Hugh and Wauter's description of subtly and the analytics of emotion were beautiful ... and TRUE. "It's what you feel, what you dream maybe... what you want to hear." I just watched a Rupert Neve interview when he said the same thing about EQ distortion and harmonics. Specs aside, what you hear is what's most important, even when in contrast of specs. I cant believe there's a seperate PSU for each bucket of 8 channels! Sheesh what a beast.
Check out the #5 - Botswana console.. NOW in Mesa, Arizona in The Platinum Undergroud Studio… totally revamped with Tangerine Automation driving the GML faders
Always good to watch this again. A story well worth documenting. I did a lot a writing when digital started, but I believe that as good as the revolution is, an analogue desk in the mix makes things a whole lot better.
Air Montserrat had the first Focusrite sub-mixer made up of 110's installed in their new SSL desk(1986), I went down to Air London with Rupert, Betty Watts, and Rupert's son Jonathan, Rupert and Betty with the Air engineers fired it up checking everything was fine before shipping to Montserrat. The Neve console that was in there, probably the greatest console ever built got bought by A&M in LA . You can see the Neve Air Montserrat console in the video for Every Little Thing She Does Is Magic by the Police.
gotta love the Spanish guy, tracking a single acoustic guitar with the Focusrite crammed into a space the size of my bathroom...looks impressive though
I'm currently in the journey into building my own sound and studio. I'm glad you made this TH-cam channel and video. Thank you. I use your Scarlett Solo currently and am looking to upgrade to either an audio mixer or audio recorder as you keep motioning here in this video.
There were only 2 consoles built with Rupert, and those were full of problems. Later consoles, the ones in this film were developed after Rupert sold the company
I think the focusrite console 'add on ' that arrived at AIR studio 1 was the first of it's kind. It was to complement the Neve 8068 . Desperately trying to remember the session that we needed it for.....anyway, I was a little engineer back then, '87 , and it was a wonderful sounding set of channels!
I've worked on the Focusrite at Oceanway and the one that was at Beartracks. They were both great consoles!! I'm thinking about doing a project at IIWI in NJ. Love this documentary and Focusrite! Thanks.
I built those two frames and all the console, rack and most of the centre section wiring for Ocean Way and Beartracks. I think Ocean Way had more than one console? Anyway, I made ALL the FAE console frames, wiring and a lot of the parts, apart from the channel modules.
I remember doing a session at master rock in the late 80’s. I don’t remember the tracks but I was playing guitar for Sam brown , so probably there with her. I recall Phil man Amera owned it at the time ( could be wrong). Bought a strat that day from Bryant’s , a music shop across the road.
Brilliant to watch. i just have so much of respect now for the Focusrite Channel Strip plugin I have. It simply must be the only channel strip I will use.
I enjoyed this, being a sound buff myself. But I find it quite funny that the film doesn't seem to have been mixed at all. The radio mics are not filtered to sound good or natural and the sound clips are not faded in or out very beautifully, the sound suddenly poops in, kind of. Just saying concerning the topic of what I just watched...
Many of us simply do not understand what people talk about when they mention noise floor, or open high end, today when everything sounds transparent and noise free it is difficult to appreciate this.
I'm from this new generation of producers/ sound engineers. I've always mixed and mastered in the box, but recently I'm swayed by mixing consoles, given a previous session in a studio where I got to use an SSL absolutely blew anything I'd ever done digitally out the water. Of course I can't afford them xD but I will be going hybrid soon, that's for certain.
Wow, incredible research went into this, - to be able to track down all of these consoles! I would LOVE to have a studio (or work in a studio) with even half of what they offer. I like the ease of editing digitally, but I can not argue, that analog gear has a much richer and fuller sound. I would love to hear the sweet-spot of the width/stereo-imaging these console could produce... I am sure its fantastic! So jealous. :-(
I built the frames and the wiring for ALL of those consoles made plus the 6u racks and some centre section modules. I will discuss this with Crispin who also worked there and maybe post something on here about all the consoles made. facebook.com/jimlassen.wiring.7
It's sad to see these beautiful giants go down with age but the truth is that 37:37 is the future. Your laptop, decent mic, pre/interface all ITB. That's how I've always done it when not at legit studios and my tracks have always sounded good if not great. Love this nostalgia stuff though.
I didn't know till watching this that Rupert Neve started and built Focusrite..What a genius he was..Rest In Peace
Wow, quite a bit of nostalgia for me here. I helped to commission console number 9 at Beartracks with Rob Jenkins, in I think, February "94. Dredging the memory banks here. I do remember lots of deep snow, and Rob and I sitting in an Italian restaurant after a long days work somewhere in upstate New York on Valentines day - everyone else was having a romantic evening with roses on the table!
Nice to see the guys at SST are keeping number 9 going as a hybrid of 2 consoles after the flood wrecked it. The sort of madness I admire. Watching this video makes me feel like I was part of something very significant, and it's good to see people still care so much about those old consoles. I know in my time at Focusrite we were definitely striving to do something different and better "the way it should be done". Perhaps sadly - as far as consoles are concerned anyway, it was near the end of an era. I'm still an analogue guy through and through tho.
I took a marker pen and left a message on the console frame back at Beartracks for anyone who took it apart in future to see, something like "Commissioned by John Emmerson and Rob Jenkins February 1994", I wonder if that message survived.
John
I made that console frame and all the wiring in it. Have been in touch with Rob Jenkins a while back to catch up and FAE are based near me here in Marlow, UK.
This doco has given me another level of appreciation for my Focusrite equipment, thanks Focusrite!
Great to hear!
Todays Focusrite is not the same as their gear when Rupert Neve designed it.
Nah. You can't fault Behringer. My Xenyx qx 1222 is amazing.
Oceanway’s Focusrite #4 was ‘my console’ too, from 1994 to 97. It was the first large format console I have worked on, and it was love at first sight. I just loved the bus routing and design! So cool to see this video, a blast from my past for sure!
Nice
Very cool, indeed. What were some songs that you recorded on it if you can recall?
Is it analog or solid state?
@@RealHomeRecording one of my favorite memories was Toni Braxton unchained my heart we did orchestra overdubs in this room for that song. I was second engineer, basically handling the orchestra, the mic placement, the headphones running the patchbay, etc..
@@RealHomeRecording the first day I worked there “the doors” were recording on it. They had some poetry by Jim and we’re trying to create a track to go with it I recall.
What a wonderful documentation of a the Rupert Neve/Focusrite heritage and why it is so important to preserve for future generations to come to love and appreciate. RIP Rupert Neve. We love you.
Love the focusrite sound for recording! I produced an album at console number 2 when it was at Paramount studios in .LA.
A complete wonderful experience!
Thanks for sharing all this history.
Great video👍 Lot’s of great memories.
Mike Rosario
Thats a big achievement, well done ❤
I fortunately had the opportunity to work a lot with JJP and Alan Sides on console #4 at Ocean Way in Hollywood CA on my first solo record (Leroy) for Hollywood Records. I was alway blown away by the sound that console produced. JJP had a lot to do with it as well! Those were great times!!! After seeing this doc I feel like I've been a part of something really special. Thanks for making and sharing this doc!
JJP was the most important piece of equipment in the studio!
So honoured to be a part of it! Well done to all involved!
Great documentary. Happy that Focusrite put this together for us to learn from.
Thanks Focusrite for this wonderful and well made documentary. Also, thanks for keeping quality audio alive.
I think this is my third(?) time watching this doc, and I'm here this time bc of the ISA channel strip plugin I just got last week. I don't remember the last time I was so excited about a plugin! I've only had the chance to use it on one little project so far as I'm sort of between living arrangements again, but I can already tell it's going to be my new go-to channel strip! I've got others I love for various things, but I can just tell, even in plugin form, the ISA sounds good on *EVERYTHING*. Congrats and thank you to Focusrite (and Brainworx), and keep up the great work!
Thanks for your support! We appreciate you taking the time to share this feedback, it's great to hear that you're enjoying the ISA sound! 🙌
I absolutely love the passion in this documentary . That alone will make me buy some focusrite gears
As a budding engineer and overall gear nut I really enjoyed this doc. I respect the people that put the work into maintaining/repairing these consoles and I feel it is definitely not in vain. At the end of the day it is all about the sound and striving to make the best impression on our listeners. Analog is definitely better for archiving and playback on high fidelity systems.
I am now planning on purchasing a Focusrite ISA430 MK II producer pack channel strip, lol. If only Focusrite could make a stereo version of the producer pack for home studio types that can't afford to buy two channel strips. I guess I'll have to tell my mono stems to fall in line!
I'm a small (but proud) shareholder in Focusrite (LON:TUNE). Watching this makes me happy.
Great video! This is amazing. The fact that engineers, people, specialists, and others are capable to design and build such an enormous, complicated desk. Deep respect for al those people who build it, designed it, ownded it recorded with it and mainitained it, and still do.
Loved this story of these old Focusrite consoles…The ISA-110 vocal preamp, and equalizer epic… ☮🔥
This is actually one of the best videos I ever saw on TH-cam. Thank you.
Thank you! Glad you enjoyed it 🙌🙏
I'm amazed by the resurrection of the flooded one. And deeply thankful to Rupert Neve for what he'd done.
Great doc. We lost our house in Long Beach to hurricane Sandy. I'm actually more saddened to hear about the damage to the console at SST Studios. God Bless em for restoring it!
Beautiful documentary. Man, I never thought watching the part about the water damaged Focusrite console🖤🖤🖤
I have to admid this is the best documentary/storytelling I have ever seen about a high end audio product. Anmazingly well done guys! Make some more of this very educatting and informing studio stuff reports.
It will be interesting to see one day documentaries be made about little audio interfaces from companies like Focusrite talking about how musicians of today got their start using that humble equipment.
Sound recording both art and science! This is a mind blowing, must watch, documentary of when synergy between the two! Thanks for sharing this bit of history!
Got this channel strip from Plugin Alliance. Love this documentary.
Grand documentary. definitely saving this doc for future reference. Shout out to Rupert Neve!! Next Level Brain!!
Wow! I had no idea about the history of this company when I bought my Focusrite Scarlett 2i2 interface for doing my podcast! I love the way it works!
This was beautiful! . These consoles are a work of art and in the future will probably be in museums!!! Beautiful and emotional story!
Really enjoyed that - great documentary, never knew they only made 10 of these.
love the Spanish Guy that saved all his money up from engineering and snagged one second hand, only to put it in his house. that's amazing well done that man. I'm Jealous.
Yes but why would he need 72 inputs in a HOUSE? That's kind of like buying a bus to drive your kid to school. Huge, complicated and cumbersome.
It doesn't say exactly how much he paid for it. He also looks a little young to be able to earn enough money to buy one from engineering alone. By the looks of the dad's house I would say that he came from money and had help.
@@horowizard He said he was saving and saving until he could afford something that could last a lifetime. I guess he worked hard to get that console even if he lives in the same house as his parents.
@@oysteinsoreide4323 Not to mention that he said he didn't need to pay rent either :)
@@horowizard Yes, no way he got the sum needed to buy the console, shipping and handling and instalation from his Engineering jobs. Thats just bullshit. No way he will ever pay that amount plus the yearly electricity bills and maintenance from his future engineering jobs also.
I thoroughly enjoyed watching this. Found out after I got a copy of the Brainworx plugin. Also found out the Bop Studio console now lives in a studio called Platinum Underground Studios in Arizona
This is great. Thank you all for your time, and dedication, to share this wonderful video with us all.
I wish this documentary was available for download.
It is a beautiful documentary with very nice details. Analog still gives a better sound than digital.
Much love for the crew that made this video and the focusrite dev team. Something this special should have a special history and a great story; thanks for telling it!!
I love this Console! I have the ISA 430MKII it's my favorite channel strip
Such a powerful story. It really touched my heart. Especially the Sandy story and the devastation in Hoboken, etc. I remember that time well. I learned alot from this. Thank you.
wow..so unfortunate
@37:44 Moog Voyager rack sighting! We've got the keyboard. Love it. My favorite synth of all time. Monster tones!
This was an awesome video!!! Rupert was involved in a lot of things. I'm very happy with my Clarett 8pre purchase. Just have to get all the right components so my computer will run it. I felt this video. Loved the journey. Focusrite I'm officially a fan and user. First it was Chris and Tom Lord-alge using Big Red Focusrite on their Mix bus that made me a fan. But then to find out in this video Mr. Rupert Neve was involved. Its a no brainer for me. I'm all in.
9:48 Hugh and Wauter's description of subtly and the analytics of emotion were beautiful ... and TRUE. "It's what you feel, what you dream maybe... what you want to hear." I just watched a Rupert Neve interview when he said the same thing about EQ distortion and harmonics. Specs aside, what you hear is what's most important, even when in contrast of specs. I cant believe there's a seperate PSU for each bucket of 8 channels! Sheesh what a beast.
Well, we can hug our little Scarletts and still feel proud! Excellent filming of an audio legend.
Wow! The most unexpected, and worthwhile documentaries I've seen.
Thank you.
What a legendary console blown away I like classic music equipment but this is something else
Check out the #5 - Botswana console.. NOW in Mesa, Arizona in The Platinum Undergroud Studio… totally revamped with Tangerine Automation driving the GML faders
Brought tears of joy and then tears of pain, then joy again. Thank you!
All I can say is wow and I wish to one day hear the sounds flowing through that console.
This is epic. Very well put together, So awesome to be a part of it!
What a brilliant documentary! Right I'm going to re-mix my recordings with a totally new perspective on things. Thank you!
This made me very, very happy. Thank you so much for putting this together!
I have had the plugin for 8 months from waves for something. Just started incorporating it. amazing history
Always good to watch this again. A story well worth documenting. I did a lot a writing when digital started, but I believe that as good as the revolution is, an analogue desk in the mix makes things a whole lot better.
Masashi Yanagisawa at Studio Jive was so soft spoken and it was so calming... that need to make him a plug in! Lol
Air Montserrat had the first Focusrite sub-mixer made up of 110's installed in their new SSL desk(1986), I went down to Air London with Rupert, Betty Watts, and Rupert's son Jonathan, Rupert and Betty with the Air engineers fired it up checking everything was fine before shipping to Montserrat. The Neve console that was in there, probably the greatest console ever built got bought by A&M in LA . You can see the Neve Air Montserrat console in the video for Every Little Thing She Does Is Magic by the Police.
gotta love the Spanish guy, tracking a single acoustic guitar with the Focusrite crammed into a space the size of my bathroom...looks impressive though
That's a fucking huge bathroom you've got...
Electrical bill is off the charts.
Or he is just a crazy spoiled child
I'm currently in the journey into building my own sound and studio. I'm glad you made this TH-cam channel and video. Thank you. I use your Scarlett Solo currently and am looking to upgrade to either an audio mixer or audio recorder as you keep motioning here in this video.
This is just an amazing documentary. The story literally had my emotions going hahaha. Thanks for this!
Great job. Being from NJ, the SST story really weighs heavy for me... wishing all the best to them bringing that console back.
shocker. another set of boards that are damn near perfect and who's fingers are all over them? Rupert Neve. Man is a damn genius.
There were only 2 consoles built with Rupert, and those were full of problems. Later consoles, the ones in this film were developed after Rupert sold the company
Unreal - how the absolute pinnacle of recording desk technology could rise so high and then fall so far…
Consoles in storage garages?? Dear lord……
so much luv for recording. truly and art form.
I think the focusrite console 'add on ' that arrived at AIR studio 1 was the first of it's kind. It was to complement the Neve 8068 . Desperately trying to remember the session that we needed it for.....anyway, I was a little engineer back then, '87 , and it was a wonderful sounding set of channels!
Oh God! It was an amazing video where I could see huge consoles...where brilliant people worked.
This video was great. Takes me back. Miss consoles like that. I finally went digital when I got tired of fixing analog parts.
I've worked on the Focusrite at Oceanway and the one that was at Beartracks. They were both great consoles!! I'm thinking about doing a project at IIWI in NJ. Love this documentary and Focusrite! Thanks.
I built those two frames and all the console, rack and most of the centre section wiring for Ocean Way and Beartracks. I think Ocean Way had more than one console?
Anyway, I made ALL the FAE console frames, wiring and a lot of the parts, apart from the channel modules.
An incredible story, truly glad you guys are telling it.
What a brilliant piece of documentary making.
Very nice! I have some focusrite gear in my home studio and I love them. The voicemaster pro platinium and saffire pro 14.
Mad love to focusrite. BOP studiis is close to wherr i live. Hope it stays alive. Not much goes on there now it seems. This was mad interesting.
may i just say your customer service guys are awesome.. :) lifetime member.
A must watch for any Audio Engineer!
I wish I could mix on this big Old beast of a console
This is the third time I've watched this great job making this film.
Makes me happy to be a focusrite user. Good sounds.
Reminds me of the story of the Bugatti EB110 or the Jaguar XJ220. A labor of love that was somehow both ahead of its time and behind the times.
Worked several times on the one at ocean way. Love it.
Why was there a random shot of cla mixing on his ssl at the end 🤔 37:47
I asked myself the same and then I remembered, CLA works with focusrite red net...
Great job Chris! Super excited to see myself in this! Great history of a great console!
Love that Focusrite Console that CLA is using in mixing at the end.
What a great docu! Thoroughly enjoyed it. Many thanks to the makers and poster.
I remember doing a session at master rock in the late 80’s. I don’t remember the tracks but I was playing guitar for Sam brown , so probably there with her.
I recall Phil man Amera owned it at the time ( could be wrong). Bought a strat that day from Bryant’s , a music shop across the road.
Phil manzanera.
Bloody spell chicken !!
I hope the Brainworx VST comes close to this, because that’s the only way I’d ever be able to come close to work with this.
Brilliant to watch. i just have so much of respect now for the Focusrite Channel Strip plugin I have. It simply must be the only channel strip I will use.
I love this. Great history of the focusrite. Great passion.
this is brilliant, absolutely fantastic to watch, gives inspiration to young *future* engineers!
Fantastic production. I cried at the flood.
IIWII still lives with the Franken console and still sounds fantastic.
@Muso Snoop lmaooooooo
me too
@Muso Snoop you seem like a bit of a dick
Really Enjoyed watching this documentary! Very well done!!
Awesome, thank you!
I enjoyed this, being a sound buff myself. But I find it quite funny that the film doesn't seem to have been mixed at all. The radio mics are not filtered to sound good or natural and the sound clips are not faded in or out very beautifully, the sound suddenly poops in, kind of.
Just saying concerning the topic of what I just watched...
Kind of like brushing your teeth with chocolate syrup.
Have just watched this for the first time and was thinking exactly the same. Strangely incongruous!
This Video Never Gets Old.
Seeing the flooded console and live room after the storm almost made me cry
Had no idea Focusrites root's were so deep.
?
i feel happy about my little Scarlett 2i4
Until you try and plug a sm7b in noisefloor through the roof
Do not spoil people's fun.
Still way better than most of the stuff out there.
Don’t kid yourself
same
lol
Many of us simply do not understand what people talk about when they mention noise floor, or open high end, today when everything sounds transparent and noise free it is difficult to appreciate this.
What a Lucky "barn find"! Wow... amazing.
Damn. RIP #9. Hope you make it through surgery 😇😇😇
Thanks for sharing this - what a desk!
What's in a mixer? Sonic life. Thanks for sharing the clarity.
How the hell did I not know that Rupert Neve started Focusrite?! Great documentary...thanks for this!!
Man, JJP in with one of my mentors and heroes, Glen Ballard. That picture is surreal
I'm from this new generation of producers/ sound engineers. I've always mixed and mastered in the box, but recently I'm swayed by mixing consoles, given a previous session in a studio where I got to use an SSL absolutely blew anything I'd ever done digitally out the water. Of course I can't afford them xD but I will be going hybrid soon, that's for certain.
What about Master Rock Studios? They had a beautiful one of these, 64 input, and two great opening parties.
Fantastic documentary!
Wow, incredible research went into this, - to be able to track down all of these consoles! I would LOVE to have a studio (or work in a studio) with even half of what they offer. I like the ease of editing digitally, but I can not argue, that analog gear has a much richer and fuller sound. I would love to hear the sweet-spot of the width/stereo-imaging these console could produce... I am sure its fantastic! So jealous. :-(
I built the frames and the wiring for ALL of those consoles made plus the 6u racks and some centre section modules. I will discuss this with Crispin who also worked there and maybe post something on here about all the consoles made.
facebook.com/jimlassen.wiring.7
@@jimlassen9422 neat.
I was desperately lookin for this video a few months ago thrn stumbled back across it today!
It's sad to see these beautiful giants go down with age but the truth is that 37:37 is the future. Your laptop, decent mic, pre/interface all ITB. That's how I've always done it when not at legit studios and my tracks have always sounded good if not great. Love this nostalgia stuff though.
Thanks for your feedback on this!