First rendition i hear that makes it both sound and look like a walk in a parc, the memory here is of such quality and clarity... so many details In the sound it's almost ridiculous
On imagine Vlado Perlemuter à Montfort-l'Amaury, recueillant les conseils du Maître. Oh que j'aurais aimé être la petite souris qui écoute sans déranger.... C est merveilleux. Même à 87 ans le son est inimitable.
Mon professeur au Conservatoire...Malgré le grand âge quelle musicalité ...et technique My teacher at the Conservatory...Despite the great age what musicality...and technique
rare ,,,RARELY do we hear anyone play that opening line with such TRUE articulation of the 32nd notes...and the melodic line is played in a legato...finger legato...manner that has a CONTINUITY ....this is VERY rare...and most difficult to do...---another way of explaining : he creates the shimmering and atmosphere WITHOUT blurring the tiny rythmic groups...of 32nd notes...while also NOT relying on the PEDAL to create a SOSTENUTO melodic line... still another way of explaining...IMAGINE AN instrument that LACKS the pedal sostenuto...as if one were playing bach....play it that way....and THEN apply a pedal effect afterwards...THAT is truly a
The opening calls for the pedal to be held down for most of the intro. I feel most pianist open the pedal completely. There’s different effects gained from opening the pedal, 1/4 way, 1/2 way, 3/4 way, and fully. Most pianist fully open the pedal which makes the sound mushy and blurry…
Hearing one of Ravel's students play this is surreal, thank you so much for posting this!
Fuck is he?????
@@chiragraju821 Yeah for about 6 months
First rendition i hear that makes it both sound and look like a walk in a parc, the memory here is of such quality and clarity... so many details In the sound it's almost ridiculous
Melody*
On imagine Vlado Perlemuter à Montfort-l'Amaury, recueillant les conseils du Maître. Oh que j'aurais aimé être la petite souris qui écoute sans déranger....
C est merveilleux. Même à 87 ans le son est inimitable.
Just read on Wikipedia that this guy was a protoge of Ravel himself. How cool!
The Big joiner between Ravel and Us
Superbe ! Quel talent, cet ancien élève de Maurice Ravel et Gabriel Fauré...
Maestro playing maestro
Fantastico.Grande Maestro Vlado Perlemuter! Indimenticabili i suoi concerti a Roma teatro Ghione dal 1984 al 1992!
Mon professeur au Conservatoire...Malgré le grand âge quelle musicalité ...et technique
My teacher at the Conservatory...Despite the great age what musicality...and technique
This is an absolute gem!
Once it was deleted from youtube, so I had to save it to myself ever since I found this one.
quel moment d'éternité! oh! comme c'est beau....
My favorite version
Amazing performance by an 87-year-old. Guess he didn't suffer from arthritis.
89
that fucking pedal man. crazy
Grande!
rare ,,,RARELY do we hear anyone play that opening line with such TRUE articulation of the 32nd notes...and the melodic line is played in a legato...finger legato...manner that has a CONTINUITY ....this is VERY rare...and most difficult to do...---another way of explaining : he creates the shimmering and atmosphere WITHOUT blurring the tiny rythmic groups...of 32nd notes...while also NOT relying on the PEDAL to create a SOSTENUTO melodic line...
still another way of explaining...IMAGINE AN instrument that LACKS the pedal sostenuto...as if one were playing bach....play it that way....and THEN apply a pedal effect afterwards...THAT is truly a
The opening calls for the pedal to be held down for most of the intro. I feel most pianist open the pedal completely. There’s different effects gained from opening the pedal, 1/4 way, 1/2 way, 3/4 way, and fully. Most pianist fully open the pedal which makes the sound mushy and blurry…
😍😍👍🏻👍🏻
Was he 87 years old when he recorded this?!
Yes
Someone get this man some gum
Lol let’s see how you look at 87 😆
@@joeyblogsy haha