Hi! Great stuff my friend. One question Matte i shot my videos with my Samsung s24 what do you recommend to put in the CST space? Because I see the image with too much contrast and high saturation Thank youu!
@@juanpedroferretti2163 ahhhh yeah totally. hmmm, that’s a good question. i would think a standard rec.709 color space would probably be best? i would recommend looking up on Google “color space of samsung s24” and then go from there!
I still prefer dehancer initially but that’s only because I haven’t learned how to finesse this power grade in the same way. I will probably use them together
@@guidedvisionsmedia yeah! those are the main two people usually refer to when it comes to film emulation (cineprint and dehancer). i do want to try dehancer one day but the price and quality of cineprint has always been appealing for me. i’ve been filming random stuff daily and trying to get better with this emulation so if you ever find any tricks with cineprint let me know!
I feel like people watch so much TH-cam instead of actual movies and they forget what real film looks like. They’re standard for what film looks like is just based on other emulations. So we just end up with a bunch of green tinted skies and weird color casts.
yeah i get what you mean. the green tint here is from me following Tom’s directions and exporting in Gamma2.4 when i corrected it by changing the gamma to rec709-A (not here on the Tube) it didn’t have those green shifts! i’m also a big proponent of watching actual movies to learn techniques, movement, grading, lighting, etc. so i’m with you there. i appreciate you stopping by!
@@notdarrengarcia Hey thanks for not taking my criticism the wrong way. If you are looking for the most accurate emulation it’s a combination of FilmBox and the built in print film lut in Davinci. I do the quarterly payments for filmbox and it’s not too expensive. If you can get your hands on filmbox, I can send you a copy of the power grade I’m currently using.
@@lucapellizzaro80 yeah! i set my timeline space to Rec709-A and then when i go to export i click on the advanced settings on the export tab and set the gamma to Rec709-A as well and that helps keep the colors consistent! i posted a breakdown on the export it’s in my CinePrint 35 tutorial it’s like the last 2 mins of the video!
wow, these are such nice examples man, thanks for your video! would you consider uploading a tutorial on how you graded this, i'm currently teaching myself cineprint 16 v2 and finding it all quite overwhelming haha, anyways best wishes to you man
@@domecreed oof yeah i can see about putting together a tutorial! i used cineprint 16v2 before getting this latest one so i could even touch on that as well! and for the music/sfx im using artlist 🤘🏽
@@domecreed totally know how you feel. when i made the decision to start putting in more effort into filmmaking the amount of questions i had were ridiculous! especially when it came to coloring and using these emulations. thanks a ton man! i got quite a bit more coming up so hopefully i can keep that going😅 if you have any other questions or suggestions just lmk! won’t pretend to be an expert but im all about sharing knowledge
@@sanadakhumanthem3557 yeah i’d be open to that! i would want to take a bit more consideration into the shots though. when i recorded this it was rainy and overcast which could be cool if that’s what you’re looking for but i know in most scenarios most people are looking for sunny and well lit. i’ll keep you updared!
Hey man this is awesome! I always find myself battling red skin tones and overall redness when it comes to using CINEPRINT. Please help out and share some advice if you have the time! Love this video mate
@@mauiaguirre yeah of course! there are some folks that would like for me to cover my process so i can try and cover that in a video! generally though, i try to have my skin tone line in davinci and i stay on that religiously! then i adjust my white balance and make subtle changes in the primaries. all of that sounds mega confusing but hopefully the video i make will provide a lot more context😅
@@Carlos_victoria oof, i kinda asked myself that too and I think that the moment it’s Kodak 500T. However, i think they all have their place in the moment! i’ve noticed that 500T has a bit cooler shadows giving you a little bit more color separation which is why i think it stands out more to me!
totally get that! for me, i really enjoy the streamlined ability of it and its variation. it’s an amazing base that I use to start somewhere and then adjust based on what mood/setting i’m in. thanks! and i hope you find what you’re looking for😄
@@stillcinematic3163 You said “not impressed by 35” not “all TH-cam film emulations”. You are objectively wrong this can be proven mathematically with color charts, all the Cineprint 35 emulations have a distinct look profiled from actual film stocks…
![[กูเพิ่งซื้อมึงปิดหนี] 20 นาที ผมรีวิวเกมที่แย่ที่สุดในโลก CONCORD](http://i.ytimg.com/vi/XhC-3q3Ii7I/mqdefault.jpg)
Would love to see more of the CinePrint35 in action.
@@watzmaaname i got a lot in the pipeline so i’ll have more examples soon😄
@@notdarrengarcia Bring it on‼
Wow, absolutley gorgeous colors! Super impressed with those new film emulations
@@timothyclark5900 yeah! this emulation is exactly what i was looking for. a very well done emulation indeed👏🏽
Looks fantastic! Job well done.
@@seasideshutterworx thank you very much! i really appreciate it😄
Really good shots and grade, great work!
yo! thank you so much!😄
Hi! Great stuff my friend. One question Matte i shot my videos with my Samsung s24 what do you recommend to put in the CST space? Because I see the image with too much contrast and high saturation Thank youu!
@@juanpedroferretti2163 ahhhh yeah totally. hmmm, that’s a good question. i would think a standard rec.709 color space would probably be best? i would recommend looking up on Google “color space of samsung s24” and then go from there!
@@notdarrengarcia Thank you for take the time to answer matte!
@@juanpedroferretti2163 of course!😄😄
Hi , Looks fantastic. where can i buy this lut?
@@melikastudio head over to tombolles.com ! he sells it there👍🏽
lol wait this is it www.tombolles.net/
@@notdarrengarcia thanks ☺
I still prefer dehancer initially but that’s only because I haven’t learned how to finesse this power grade in the same way. I will probably use them together
@@guidedvisionsmedia yeah! those are the main two people usually refer to when it comes to film emulation (cineprint and dehancer). i do want to try dehancer one day but the price and quality of cineprint has always been appealing for me.
i’ve been filming random stuff daily and trying to get better with this emulation so if you ever find any tricks with cineprint let me know!
love this so much :')
I feel like people watch so much TH-cam instead of actual movies and they forget what real film looks like. They’re standard for what film looks like is just based on other emulations. So we just end up with a bunch of green tinted skies and weird color casts.
yeah i get what you mean. the green tint here is from me following Tom’s directions and exporting in Gamma2.4 when i corrected it by changing the gamma to rec709-A (not here on the Tube) it didn’t have those green shifts! i’m also a big proponent of watching actual movies to learn techniques, movement, grading, lighting, etc. so i’m with you there. i appreciate you stopping by!
@@notdarrengarcia Hey thanks for not taking my criticism the wrong way. If you are looking for the most accurate emulation it’s a combination of FilmBox and the built in print film lut in Davinci. I do the quarterly payments for filmbox and it’s not too expensive. If you can get your hands on filmbox, I can send you a copy of the power grade I’m currently using.
Nice one! I've purchased it yesterday and I'm wondering how you would export to Rec709-A as that is my usual workspace
@@lucapellizzaro80 yeah! i set my timeline space to Rec709-A and then when i go to export i click on the advanced settings on the export tab and set the gamma to Rec709-A as well and that helps keep the colors consistent! i posted a breakdown on the export it’s in my CinePrint 35 tutorial it’s like the last 2 mins of the video!
Nostalgic vibes here! 🔥
What font did you use for the titles?
@@Sunrise017 i think this is called Addington CF!
wow, these are such nice examples man, thanks for your video! would you consider uploading a tutorial on how you graded this, i'm currently teaching myself cineprint 16 v2 and finding it all quite overwhelming haha, anyways best wishes to you man
also, where did you the music/sound effects for your videos?
@@domecreed oof yeah i can see about putting together a tutorial! i used cineprint 16v2 before getting this latest one so i could even touch on that as well! and for the music/sfx im using artlist 🤘🏽
@@notdarrengarcia thanks so much that would be amazing i feel kinda stuck right now haha :) i really enjoyed watching your videos
@@domecreed totally know how you feel. when i made the decision to start putting in more effort into filmmaking the amount of questions i had were ridiculous! especially when it came to coloring and using these emulations.
thanks a ton man! i got quite a bit more coming up so hopefully i can keep that going😅 if you have any other questions or suggestions just lmk! won’t pretend to be an expert but im all about sharing knowledge
@@notdarrengarcia would love to see your process too!
Dope
@@sanadakhumanthem3557 thank you!!
@@notdarrengarcia would you care to share some sample footages, would love to grade
@@sanadakhumanthem3557 yeah i’d be open to that! i would want to take a bit more consideration into the shots though. when i recorded this it was rainy and overcast which could be cool if that’s what you’re looking for but i know in most scenarios most people are looking for sunny and well lit. i’ll keep you updared!
@@notdarrengarcia I am cool with anything
Hey man this is awesome! I always find myself battling red skin tones and overall redness when it comes to using CINEPRINT.
Please help out and share some advice if you have the time! Love this video mate
@@mauiaguirre yeah of course! there are some folks that would like for me to cover my process so i can try and cover that in a video! generally though, i try to have my skin tone line in davinci and i stay on that religiously! then i adjust my white balance and make subtle changes in the primaries. all of that sounds mega confusing but hopefully the video i make will provide a lot more context😅
You can make a good commercial with this
@@MCNokinho-tp7cc yo! thank you very much for those kind words!
Please can you make a video about ANALOGICAFILMe film emulation?
i can look into it! i’ve never heard of them so i’ll for sure see what i can do👍🏽
looks great, what was your favorite stock to work with?
@@Carlos_victoria oof, i kinda asked myself that too and I think that the moment it’s Kodak 500T. However, i think they all have their place in the moment! i’ve noticed that 500T has a bit cooler shadows giving you a little bit more color separation which is why i think it stands out more to me!
@@Carlos_victoria they are all really great though and easily manipulated!
@@notdarrengarcia same for me
210 x Cineprint? Lets get it.
YESSIR! 👏🏽👏🏽
what aspect ratio is this? I love it!
it’s open gate, so 3x2! it’s a very “photography” like ratio since open gate takes advantage of the full sensor🤙🏽
Please you Can remake the color grading in DaVinci resolve please 🎉🎉🎉🎉
yeah! i can try my best! i few others were wanting something like that too and id be happy to show how i grade with it😄
@@notdarrengarcia ok fine
Every emulation looks the same. Great shots but not impressed by 35.
totally get that! for me, i really enjoy the streamlined ability of it and its variation. it’s an amazing base that I use to start somewhere and then adjust based on what mood/setting i’m in.
thanks! and i hope you find what you’re looking for😄
They all look different, I have been using them. I think this makes them look similar because of flat light and overcast
@@realjg95 I disagree. And what I meant is most people on TH-cam have the same look for film emulation.
@@realjg95 ahhh yeah you are totally right! under better lighting conditions these will show different results. an update may be necessary now!
@@stillcinematic3163 You said “not impressed by 35” not “all TH-cam film emulations”. You are objectively wrong this can be proven mathematically with color charts, all the Cineprint 35 emulations have a distinct look profiled from actual film stocks…
Free powergrade
Do tou have it bro?
@@soheilsajadi3767 Tom Bolles is one of the rare few creating LUTs the right way, well worth the $70 price point